SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Company of Children"/1) | (@(roleclean,performerclean) "Company of Children")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1972 matches on Event Comments, 440 matches on Performance Title, 253 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. This performance is on the L. C. lists, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall

Event Comment: The Duke's Company. Downes (p. 29): It took well, but Inferior to Love in a Tub. Pepys, Diary: I to the Duke of York's playhouse; where a new play of Etherige's called She Would if she Could; and though I was there by two o'clock, there was 1000 people put back that could not have room in the pit: and I at last, because my wife was there, made shift to get into the 18d. box, and there saw; but, Lord! how full was the house, and how silly the play, there being nothing in the world good in it, and few people pleased in it. The King was there; but I sat mightily behind, and could see but little, and hear not all. The play being done...here was the Duke of Buckingham to-day openly sat in the pit; and there I found him with my Lord Buckhurst, and Sidly, and Etherige, the poet; the last of whom I did hear mightily find fault with the actors, that they were out of humour, and had not their parts perfect, and that Harris did do nothing, nor could so much as sing a ketch in it; and so was mightily concerned: while all the rest did, through the whole pit, blame the play as a silly, dull thing, though there was something very roguish and witty; but the design of the play, and end, mighty insipid. Thomas Shadwell, Preface to The Humorists (1671): The last (viz.) imperfect Action, had like to have destroy'd She Would if she could, which I think (and I have the Authority of some of the best Judges in England for't) is the best Comedy that has been written since the Restauration of the Stage: And even that, for the imperfect representation of it at first, received such prejudice, that, had it not ben for the favour of the Court, in all probability it had never got up again; and it suffers for it, in a great measure, to this very day

Performances

Mainpiece Title: She Would If She Could

Event Comment: The King's Company. This is a Friday in Lent, when frequently the playhouses did not act. Pepys, Diary: To the King's playhouse, and there saw a piece of Love in a Maze, a dull, silly play, I think: and after the play, home with W. Pen and his son Lowther, whom we met there

Performances

Mainpiece Title: The Changes; Or, Love In A Maze

Event Comment: The Duke's Company. Jean Chappuzeau, Le Theatre Francois (Paris, 1675), states that he saw a revival of this play in 1668. Pepys, Diary: Sent my wife and Deb. to see Mustapha acted...and so to the Duke of York's playhouse, and there saw the last act for nothing. Where I never saw such good acting of any creature as Smith's part of Zanger; and I do also, though it was excellently acted by [...], do yet want Betterton mightily

Performances

Mainpiece Title: Mustapha

Event Comment: The King's Company. Pepys, Diary: [Sir W. Pen] and I to the King's house, and there, in one of the upper boxes, saw Flora's Vagarys, which is a very silly play; and the more, I being out of humour, being at a play without my wife

Performances

Mainpiece Title: Flora's Vagaries

Event Comment: The King's Company. Pepys, Diary: By one o'clock to the King's house: a new play, The Duke of Lerma, of Sir Robert Howard's: where the King and Court was; and Knepp and Nell spoke the prologue most excellently, especially Knepp, who spoke beyond any creature I ever heard. The play designed to reproach our King with his mistresses, that I was troubled for it, and expected it should be interrupted; but it ended all well, which salved all. The play a well-writ and good play, only its design I did not like of reproaching the King, but altogether a very good and most serious play

Performances

Mainpiece Title: The Great Favourite; Or, The Duke Of Lerma

Event Comment: The Duke's Company. The Prologue, by John Dryden, is in Covent Garden Drollery (1672). Pepys, Diary: To the Duke's playhouse, and there saw Albumazar, an old play, this the second time of acting. It is said to have been the ground of B. Jonson's Alchymist: but, saving the ridiculousnesse of Angell's part, which is called Trinkilo, I do not see any thing extraordinary in it, but was indeed weary of it before it was done. The King here, and, indeed, all of us, pretty merry at the mimique tricks of Trinkilo

Performances

Mainpiece Title: Albumazar

Event Comment: Pepys, Diary: I took them [Mrs Pepys and Deb.] to the Nursery, where none of us ever were before; where the house is better and the musique better than we looked for, and the acting not much worse, because I expected as bad as could be: and I was not much mistaken, for it was so. However, I was pleased well to see it once, it being worth a man's seeing to discover the different ability and understanding of people, and the different growth of people's abilities by practise. Their play was a bad one, called Jeronimo is Mad Again, a tragedy. Here was some good company by us, who did make mighty sport at the folly of their acting, which I could not neither refrain from sometimes, though I was sorry for it.... I was pretthly served this day at the playhouse-door, where, giving six shillings into the fellow's hand for us three, the fellow by legerdemain did convey one away, and with so much grace faced me down that I did give him but five, that, though I knew the contrary, yet I was overpowered by his so grave and serious demanding the other shilling, that I could not deny him, but was forced by myself to give it him

Performances

Mainpiece Title: Jeronimo Is Mad Again

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: She Would If She Could

Event Comment: The King's Company. For this cast, see John Harold Wilson, Notes and Queries, 21 Feb. 1948, pp. 71-72. Pepys, Diary: My wide and Deb. to the King's House, to see The Virgin Martyr, the first time it hath been acted a great while: and it is mighty pleasant; not that the play is worth much, but it is finely acted by Becke Marshal. But that which did please me beyond any thing 1n the whole world was the wind-musique when the angel comes down, which is so sweet that it ravished me, and indeed, in a word, did wrap up my soul so that it made me really sick, just as I have formerly been when in love with my wife

Performances

Mainpiece Title: The Virgin Martyr

Event Comment: The King's Company. This play is on the L. C. list 5@139, p. 125, for 20 March, possibly a mistake, as 20 March is a Friday in Lent In addition, the second list, 5@12, p. 17, reads: 2 March: king here. Pepys, Diary: So with my wife, her and the girl, to the King's house to see the Virgin Martyr again, which do mightily please me, but above all the musique at the coming down of the angel, which at this hearing the second time, do still commend me as nothing ever did, and the other musique is nothing to it

Performances

Mainpiece Title: The Virgin Martyr

Event Comment: The King's Company. Pepys, Diary: To the King's house, and there saw part of The Discontented Colonel, but could take no great pleasure in it, because of our coming in in the middle of it

Performances

Mainpiece Title: Brenoralt; Or, The Discontented Colonel

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: She Would If She Could

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw The Spanish Gypsys, the second time of acting, and the first that I saw it. A very silly play, only great variety of dances, and those most excellently done, especially one part by one Hanes [Jo. Haynes], only lately come thither from the Nursery, an understanding fellow, but yet, they say, hath spent #1,000 a-year before he come thither

Performances

Mainpiece Title: The Spanish Gypsies

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Tempest

Event Comment: The King's Company. Pepys, Diary: With my wife to the King's playhouse to see The Storme, which we did, but without much pleasure, it being but a mean play compared with The Tempest, at the Duke of York's house, though Knepp did act her part of grief very well

Performances

Mainpiece Title: The Sea Voyage

Event Comment: The King's Company. Pepys, Diary: With my wife and Deb., to the King's house, and there saw the Indian Emperour, a very good play indeed

Performances

Mainpiece Title: The Indian Emperour

Event Comment: The Duke's Company. Pepys, Diary: My Lord Brouncker and I to the Duke of the York's playhouse, and there saw the latter part of The Master and the Man

Performances

Mainpiece Title: The Man's The Master

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw The English Monsieur; sitting for privacy sake in an upper box: the play hath much mirth in it as to that particular humour. After the play done, I down to Knipp, and did stay her undressing herself; and there saw the several players, men and women go by; and pretty to see how strange they are all, one to another, after the play is done. Here I saw a wonderful pretty maid of her own, that come to undress her, and one so pretty that she says she intends not to keep her, for fear of her being undone in her service, by coming to the playhouse. Here I hear Sir W. Davenant is just now dead; and so who will succeed him in the mastership of the house is not yet known. The eldest Davenport is, it seems, gone from this house to be kept by somebody; which I am glad of, she being a very bad actor.... [Mrs Knepp] tells me mighty news, that my Lady Castlemayne is mightily in love with Hart of their house; and he is much with her in private, and she goes to him, and do give him many Presents; and that the thing is most certain, and Becke Marshall only privy to it, and the means of bringing them together, which is a very odd thing; and by this means she is even with the King's love to Mrs Davis

Performances

Mainpiece Title: The English Monsieur

Event Comment: The Duke's Company. See Pepys, Diary:, 9 April, for an account of Davenant's funeral on 9 April. Pepys, Diary: With Lord Brouncker to the Duke of York's playhouse, where we saw The Unfortunate Lovers, no extraordinary play, methinks

Performances

Mainpiece Title: The Unfortunate Lovers

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The Tempest

Event Comment: Pepys does not name the theatre in which he saw this play, but previous performances of the play were given by the King's Company. Pepys, Diary: To a play, Love's Cruelty.... Play part 2s. Oranges, 1s

Performances

Mainpiece Title: Love's Cruelty

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, into a corner of the 18d. box, and there saw The Maid's Tragedy, a good play. Coach 1s.: play and oranges, 2s

Performances

Mainpiece Title: The Maid's Tragedy

Event Comment: The King's Company. Pepys, Diary: With Brouncker, to the King's house, and saw The Surprizall, where base singing, only Knepp, who come, after her song in the clouds, to me in the pit, and there, oranges, 2s

Performances

Mainpiece Title: The Surprizal

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: Feign'd Innocence; Or, Sir Martin Marall