SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Company of Children"/1) | (@(roleclean,performerclean) "Company of Children")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1972 matches on Event Comments, 440 matches on Performance Title, 253 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Children in the Wood

Performance Comment: Sir Rowland-C . Kemble; Lord Alford-Dignum; Walter-Bannister Jun.; Apathy-Suett; Gabriel-R. Palmer; Oliver-Maddocks; Lady Helen-Mrs Powell; Josephine-Mrs Bland; Winifred-Miss Tidswell; Children-Master Tokely, Miss Benson.

Performances

Mainpiece Title: The Dead Alive

Afterpiece Title: Family Distress

Afterpiece Title: The Children in the Wood

Performance Comment: Walter-H. Johnston; Sir Rowland-Clarke; Gabriel-Caulfield; Oliver-[J.] Palmer; Lord Alford-Davies; Children-Master Tokely, Miss Benson; Helen-Miss Heard; Winifred-Mrs Davenport; Josephine-Mrs Bland.

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: The Children in the Wood

Performance Comment: Sir Rowland-Clarke; Lord Alford-Dignum; Walter-Bannister Jun.; Apathy-Suett; Gabriel-Palmer; Oliver-Maddocks; Lady Helen-Mrs Powell; Josephine-Miss Wentworth; Winifred-Miss Tidswell; Children-Master Tokely, Miss Benson.
Event Comment: [P$Potter reprinted his letter of 18 Jan., and added the footnote: "The person who took the House was a man of genteel appearance, said his name was William Nicholls, and directed letters to be left for him at the Bedford Coffee House, Covent Garden."] [The Prologue and Epilogue spoken by the children of the Prince of Wales on their performing Cato at Leicester House, printed in the General Advertiser.] [This day published] A Letter to Mr G-k, relative to his treble Capacity of Manager, Actor, and Author; with some remarks upon Lethe. All Three! All three! Gay. Sold by W. Reeve in Fleet St.; and A. Dodd, at the Peacock opposite St. Clements Church in the Strand (General Advertiser). [This day published] Lethe, A Dramatick Satire, by David Garrick as it is perform'd at Drury Lane. Printed for P. Vaillant, facing Southampton Street in the Strand. Receipts: #140 (Cross); #144 17s. 6d. (Powel)

Performances

Mainpiece Title: The Foundling

Afterpiece Title: The Virgin Unmask'd

Music: I: By Desire, a piece of Music-the Child

Dance: II: Savoyards, as17480920; V: New Scotch Dance, as17490118

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: A Bold Stroke for a Wife

Dance: As17880924

Performances

Mainpiece Title: The Nunnery

Afterpiece Title: The Child of Nature

Afterpiece Title: The Farmer

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Spoil'd Child

Event Comment: Afterpiece: By Permssion of the Manager of the Theatre Royal, Haymarket. The Overture and Music by Dr Arnold. Powell: Children in the Wood rehearsed at 10 (Bannister, Dignum, Mrs Powell, Mrs Bland absent); No Song No Supper at 11 (for Starace, Kelly, Leak, Dignum, Sedgwick); Distressed Mother at 12. Receipts: #385 7s. (310/1/6; 64/10/6; 10/15/0)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: THE CHILDREN IN THE WOOD

Song: In Act V of mainpiece a song by Mrs Bland

Event Comment: Powell: Kemble being indisposed from a violent Bruise in his Arm (during the several times of his playing the Part of Macbeth) so as to render him incapable of attending the Theatre this evening, an Apology was made by Wroughton, and the Prologue was omitted. [The playbill retains Miss Menage in afterpiece, but she] being at the Italian Opera this Evening, Master Chatterley play'd her part in the Children in the Wood. Henry VIII rehearsed at 10 (for Banks and Dignum; Packer ill); The Jew at 12 (for Miss Farren and Miss Tidswell). Receipts: #322 5s. 6d. (248/0/0; 67/15/0; 6/14/6; tickets not come in: 0/6/0)

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Afterpiece Title: THE CHILDREN IN THE WOOD

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Adopted Child

Song: End IV: a favourite song (unaccompanied)-Master Welsh

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Adopted Child

Song: Mainpiece: Vocal Parts-Danby, Fisher, Maddocks, Trueman, Welsh, Master DeCamp, Master Gregson, Annereau, Atkins, Aylmer, Boyce, Bardoleau, Brown, Cook, Denman, Dixon, Dibble, Caulfield Jun., [J.] Fisher, Gallot, Tett, Walker, Willoughby, Miss Leak, Miss DeCamp, Miss Arne, Mrs Boimaison, Mrs Bramwell, Miss Chatterley, Miss Granger, Miss Jackson, Mrs Maddocks, Miss Menage, Miss Mellon, Mrs Butler, Miss Stuart

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Yates, and her Infant Children. [Mr and Mrs Litchfield, with Mrs Litchfield as Little Pickle, are identified in Morning Chronicle, 10 Feb. Address by Thomas Roberts (European Magazine. Feb. 1797, p. 121).] Tickets to be had of Mrs Yates, No. 26, Great Pultney-street, Golden-square; and of Rice at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Spoil'd Child

Entertainment: MonologueEnd: Address (written for the Occasion)-Mrs Yates

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Spoil'd Child

Event Comment: [For the naming of the characters in mainpiece, as they were called originally, see 23 Feb. 1792. As afterpiece the playbill announces Blue-Beard, but "The Public are most respectfully informed that on account of the very sudden indisposition of Mrs Crouch, Blue-Beard cannot be performed. This evening will be presented The Children in the Wood" (printed slip attached to Kemble playbill).] Receipts: #165 15s. (120.7.6; 43.16.6; 1.11.0)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Children in the Wood

Event Comment: Never acted there before [i.e., by this company]. Written by George, Duke of Buckingham. Mr Bayes' Troops have been on their March for some Days past from their last Encampment in Goodman's Fields; they march'd in good Order through the City without Beat of Drum, and were received at Lincoln's Inn Fields, where they have now pitch'd their Tents with great Acclamations of Joy by the Populace. We hear they will be re-enforced by some Auxiliaries from Covent-Garden; and we can assure the Publick, there will certainly be a Battle of Monday next, so the Report of their going quietly into Winter Quarters without coming to Action, proves a groundless Tale, and was merely calculated to serve some private Ends. Daily Advertiser, 4 Dec

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Virgin Unmasked

Dance: I: Comic Ballet, as17421203; III: Welsh Boufon, as17421203; IV: Comic Ballet, as17421203; II: La Sabotier-M LaPierre

Ballet: The facetious Grand Dance by the whole Company. Thunder, Lightning, Players, Soldiers, Bishops, Judges, Lord@Mayor, Serjeants at Arms-the Comedians; With the Total Eclipse of the Sun and Moon-; Sol-Hemskirk; Luna-Stitchbury; Orbis-Worldly; Also a Representation of a Grand Theatrical Battle-; Mr Bayes' New Rais'd Troops-

Event Comment: Mainpiece: With New Dresses and Decorations. N.B. After this night the Meeting of the Company will be laid aside for sometime. The Play was New drest in the Habits of the time & they look'd very well & was applauded (Hopkins Diary) Paid 3 days salary list at #91 16s. 4d. per diem, #275 9s.; Sundry salaries not on list last week as per partners in Memorandum Book, #44 8s.; Mr Granier for last week 12s. 6d.; Mr J. French on acct #5 5s. Receipts: #226 3s. (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Meeting of the Company

Afterpiece Title: The Wedding Ring

Dance: I: A Dance-Giorgi's Scholars

Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the London Gazette, No. 3140, 12-16 Dec. 1695, to be published 17 Dec. 1695, suggests that its first appearance was not later than November 1695. According to the Edition of 1695, the music was set by the late Henry Purcell, Courteville, Samuel? Aykerod, and other composers. For Purcell's music, see Purcell's Works, Purcell Society, XVI (1906), xxix-xxxi. The songs were sung by Miss Cross and Mrs Verbruggen. Preface, Edition of 1696: I must inform the Reader, that this Third Part before it came upon the Stage was acknowledg'd and believ'd by all that saw it, and were concern'd (as well those that heard it read, as those that were Actors, who certainly, every one must own, are in their Affairs skilful enough to know the value of things of this Nature) to be much the best of all the Three Parts;...tho prepar'd by my indefatigable Diligence, Care, Pains, nay, the variety which I thought could not possibly miss the expected Success, yet by some Accidents happening in the Presentment, was disliked and explored; The Songish part which I used to succeed so well in, by the indifferent performance the first day, and the hurrying it on so soon, being streightned in time through ill management--(tho extreamly well set to Musick, and I'm sure the just Critick will say not ill Writ) yet being imperfectly performed, was consequently not pleasing; and the Dances too, for want of some good Performers, also disliked; all which, tho impossible for me to avoid, and not reasonably to be attributed any way to a fault in me, yet the noisy Party endeavour'd to use me as ill as if it were, till the generous Opposition of my Friends gave me as much reason to thank them for their Justice, as to despise the others Malice.... As to the Poppet Shew in the Fourth Act, the Accident of its being plac'd so far from the Audience, which hindred them from hearing what either they or the Prolocutor said, was the main and only reason of its diverting no better. A Comparison Between the Two Stages (1702) p. 17: Sullen: The third Part of Don Quixote. Ramble: Oh the ever-running Streams of Helicon! by all that's Poetical, my Friend Durfey; good lack! I thought I shou'd meet with him before we got half way: Well, in the name of Impudence, what luck? Sullen: Damn'd, Damn'd to all intents and purposes. Ramble: His first and second Part did well

Performances

Mainpiece Title: The Comical History Of Don Quixote, The Third Part; With The Marriage Of Mary The Buxome

Performance Comment: Edition of 1696: Prologue-[Enter Mr Horden, [After eight lines] Miss Cross [enters; Epilogue-Mary the Buxome; Don Quixote-Powell; Sancho-Newth; Basilius-Horden; Camacho-Bullock; Jaques-Pinkeman; Carrasco-Verbrugen; Gines de Passamonte-Lee; Puppets (design'd to be Acted by)-Children; Carter to the Lyon-Smeaton; Quitteria-Mrs Finch; Dulcinea del Toboso-Smeaton; Teresa-Mrs Powell; Mary the Buxome-Mrs Verbruggen; Altisidora-Mrs Cross.
Cast
Role: Puppets Actor: Children
Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Man, 8-10 June 1697, suggests a first performance in late May or the beginning of June. Preface: I [Motteux] write the Masque of Hercules, and Mr Eccles, having set it with his usual Success, and yet more masterly than my Mars and Venus, if possible, I prevail'd with the ingenious Mr J. Oldmixon to give me a short Pastoral, while I scribbled over a Farce after the Italian Manner, and an Imitation of part of a diverting French Comedy of one Act (for such Plays are very common in Foreign Parts). Then I wanted nothing but a Tragedy....At last I bethought myself of one already studied, called The Unnatural Brother, written by an ingenious Gentleman and acted 6 Months ago, tho not with the success it deserv'd. Yet the latter Part was extremely applauded: So I was persuaded to make bold with it, as I do....I could easily contract the most moving Part of the Story into the Compass of one Act, with some Additions....All this was done in a very short time, the warm Season threatening me with your Absence....The foregoing Lines were published as a Preface to that Masque, some few copies of which were printed for the use of the Audience, the first day of the Novelty's being Acted. A Comparison Between the Two Stages (1702), p. 20: Every Word stolen, and then Damn'd

Performances

Mainpiece Title: The Novelty 0

Afterpiece Title: The Novelty 1; Thyrsis, A Pastoral

Afterpiece Title: The Novelty 2; All Without Money

Afterpiece Title: The Novelty 3; Hercules [By Peter Motteux

Performance Comment: ]. A Masque; Set to Musick- [by Mr John Eccles; Hercules-Redding; Omphale-Mrs Boman; Dejanira-Mrs Willis; Two of Hercules' Children-Miss Bradshaw, Jemmy Laroche; Nesica-Mrs Perrin.

Afterpiece Title: The Novelty 4; The Unfortunate Couple

Afterpiece Title: The Novelty 5; Natural Magick

Event Comment: At the Great Booth on Windmill-Hill. By a Select Company of Comedians. During the Holidays. From 10 a.m. to 9 p.m

Performances

Mainpiece Title: Damon And Phillida

Dance: HHarlequin and Country Man-; Harlequin Turn'd Into a Dog-; Drunken Man-Taylor

Song: Rural Dialogue-a Little Boy, Girl

Event Comment: Benefit for Kent and Family. By Desire of Her Serene Highness, the Margravine of Anspach. Kent's most respectful Compliments waits on the Ladies and Gentlemen of Hammersmith, and its Vicinity, informs them that Mr Newman has kindly granted the Assembly Room for one or two Evenings; to accomodate Her Highness the Margravine and principal Inhabitants: Kent has spar'd neither trouble or expence to render it conveniant [sic] as possible, the Room itself being very respectable & the Entrance unexceptionable. He earnestly solicits the company of his Friends in general, assuring them that every endeavour will be exerted for their Entertainment; the Interest of every Lady & Gentleman will be ever most gratefully remember'd, as very highly contributing to Kent's extricating himself from a Situation obvious to all acquainted with the Expence he has been at, and the ill Success he has met with. To begin exactly at 6:30. Admittance 2s. Tickets to be had at the Winsor Castle, of Kent, and Miss Connard in Union Court, and of Miss Kent, at Mrs Bevias

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: WHO'S THE DUPE

Event Comment: The Company of Children that are to perform next Tuesday at the New Theatre in the Haymarket, we hear excel anything of that sort ever seen here, for their great abilities in all sorts of exercises, Dancing, Music and Pantomimes, and are to perform but a few nights, they being oblig'd to return before Easter

Performances

Mainpiece Title: L'incostanza Deluza

Event Comment: Benefit for Mr and Mrs Jerrold. Afterpiece: Containing the Life and Death of King Chrononhotonthologos, the valiant Exploits of Bombardimian, his general, the unsuccessful Love of Fadladinada, Queen of Queerumania, to the Antipodean King, concluding with the marriage of the aforesaid Queen to her two fortunate Lovers, Aldiborrontiphoscophornio and Rigdum Funnidos. Mr and Mrs Jerrold present their humble respects to the Ladies and Gentlemen, and as through the badness of the weather, and being Assembly-Night on their former Benefit, there was not the Expenses in the House; therefore solicit the Favour of their Company, and Interest in this their second Attempt. To begin precisely at 6:30. Pit 2s. Gallery 1s. Tickets to be had at the Crown, and at the Cock, Well's row

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Chrononhotonthologos

Dance: A Hornpipe-a Gentleman [unidentified]

Entertainment: Monologues. End: The Examination of Dr Last before the College of Physicians taken from The Devil upon Two Sticks-Jerrold; End afterpiece: The Picture of a Play-House; or, Bucks have at Ye All-

Event Comment: By Thomas Jordan. Luttrell (A Brief Relation, I, 232). There was little or no show by land. The expenditures for the Procession came to #139 9s. 10d. See R. T. D. Sayle, Lord Mayors' Pageants of the Merchant Taylors' Company in the 15th, 16th, and 17th Centuries, p. 139

Performances

Mainpiece Title: The Lord Mayor's Show

Performance Comment: [Being a Description of the Solemnity at the Inauguration of the truly Loyal and Right Honourable Sir William Prichard, Kt. Lord Mayor of the the City of London; President of the Honourable Artillery-Company, and a Member of the Worshipful Company of Merchant-Taylors. Perform'd on Monday September sic] XXX. 1682. With several new Loyal Songs and Catches-.
Event Comment: This [main] Piece, written by Dr Brown, is peculiarly happy in evincing to the world "That Virtue still shall conquer tho' in ruin." Mr Sterne presents his respectful Compliments to the Ladies and Gentlemen of Newington and its Vicinity, and now begs leave to inform them that he has been at a considerable Expence in procuring several Performers, in order that every Performance may give Satisfaction to those Ladies and Gentlemen who have so generously exerted their Interest for him and his Company; and as their Stay will be but very short, he hopes that his Care by obtaining so many fresh Members may meet with the Encouragement of a candid Public. N. B. Any Lady or Gentleman who will honor the Company by bespeaking a Play, their Commands will be thankfully received and attended to by applying to Mr Sterne

Performances

Mainpiece Title: Barbarossa; Or, The Freedom Of Algiers

Afterpiece Title: Thomasand Sally

Performance Comment: Squire-Sidney; Thomas-Wilson; Huntsmen and Sailors-The rest of the Company; Dorcas-Mrs Fowler; Sally-Mrs Sterne.

Song: End: Ma chere amie-Wilson

Entertainment: Monologue. A favorite Prologue-Marriot

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Afterpiece Title: A Trip to Scotland

Dance: Afterpiece: With a Postilion Dance incident to the Piece. [This was danced in all subsequent performances.]

Song: In Act III of mainpiece an Epithalamium, with singing by Miss Collett and Miss Wright. [This was sung, as here assigned, at all subsequent performances, except on 6 Nov. 1782, 15 Mar., 6 May, 5 June 1783.]