SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Comical Songs Scots English and Italian"/1) | (@(roleclean,performerclean) "Comical Songs Scots English and Italian")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2756 matches on Performance Title, 2315 matches on Performance Comments, 1352 matches on Event Comments, 122 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Afterpiece: A new Entertainment in Italian Grotesque Characters. A blunder in the scenes of ye Entertainment & great noise as No more, Off, Off &c. (Cross). [Inspector No 195 appeared giving another favorable accolade to Mossop (Daily Advertiser and Literary Gazette).] Receipts: #120 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Sealand Actor: Berry
Role: Mrs Sealand Actor: Mrs Cross

Afterpiece Title: Queen Mab

Song: Mattocks

Event Comment: Yesterday arriv'd Sg Casimo Maranesi and Sga Bugiani, two celebrated Italian Comic Dancers from the Opera at Paris, and will soon make their appearance at the Theatre Royal in Covent Garden

Performances

Mainpiece Title: The City Wive's Confederacy

Afterpiece Title: Perseus and Andromeda; or, The Cheats of Harlequin

Performance Comment: Perseus-Lowe; Cepheus-Howard; Aethiopian-Baker; Cassiope-Miss Young; Mercury-Vincent; Andromeda-Mrs Lampe; Amazons-Miss Davis, Miss Allen, Miss Ferguson, Miss Mullart, Miss Morrison; Cyclops-Roberts, Smith, Courtney, Whitacre; Infernals-Villeneuve, Desse, Gardner, Dennison; Harlequin-Miles; Hussar-Bencraft; Colombine-Miss Haughton; Hussar's Servant-Arthur; Valet de Chambre-Holtom; Petit Martre-LaLauze.
Cast
Role: Andromeda Actor: Mrs Lampe
Event Comment: By Command of the Prince of Wales. We hear their Royal Highnesses the Prince of Wales, Prince Edward, Prince William, Prince Henry, Princess Augusta, and Princess Elizabeth will be this evening at Covent Garden to see the Siege of Damascus and the Italian Dancers

Performances

Mainpiece Title: The Siege Of Damascus

Cast
Role: Daran Actor: Anderson

Afterpiece Title: Apollo and Daphne

Dance: As17521219

Event Comment: MMrs Cowper did Sylvia, for her first appearance here (she came from Bath, Richmond &c.)-Toll. Afterpiece as originally perform'd (Cross) [i.e., without the burlesque scenes of The Fair (see 6 Nov. 1752).] This piece [Harlequin Ranger] was now acted as originally written. It is surprising that Mr Garrick should be the first to introduce Pantomime Entertainments (this season) especially as his own universal talents are seconded by a good company of performers. We suppose he does it to gratify the taste of the town; but such Smithfield exhibitions should certainly be banish'd from all regular theatres; and as Mr Woodward is an excellent comedian, it would be more eligible in him if he chuses to wear the motley dress any more to appear in the character of a speaking Harlequin, after the manner of the Italian Comedy; and indeed it is not a little surprising that nothing of this kind has yet been admitted upon our stage (Gentleman's Magazine, Oct., p. 493, from Grays' Inn Journal, 13 Oct. 1753.). Receipts: #120 (Cross)

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Plume-Palmer; Sylvia-Mrs Cowper[, her 1st appearance there she went to Ireland the next season-(Genest, IV, 380)]; Justice Balance-Burton; Worthy-Havard; Kite-Berry; Bullock-Taswell; Welch Collier-Blakes; Brazen-Woodward; Recruits-Vaughan, W. Vaughan; Melinda-Mrs Mills; Rose-Miss Minors; Lucy-Mrs Bennet.

Afterpiece Title: Harlequin Ranger

Event Comment: On Monday next an Italian Comic Opera , never performed before, call'd L'Amore Constante

Performances

Mainpiece Title: The Funeral

Cast
Role: Cabinet Actor: Anderson
Role: Lady Brumpton Actor: Mrs Bland.

Afterpiece Title: Harlequin Sorcerer

Event Comment: At the Large Commodious Room at the lower end of the Swan Inn Yard, West Smithfield, during the short time of Bartholemew Fair, which begins this day. The Characters dressed in the Italian manner. Scenes, Cloaths, Machinery, and other Decorations entirely New. To began each day at 12:00 noon. A very extraordinary band of musick is provided, and the Room decorated in an elegant Manner, for the better reception of the Nobility and Gentry. There is a back door to Hosier Lane for the conveniency of those who don't chose to be crowded...The passages will be elegantly illuminated

Performances

Mainpiece Title: Mrs Midnight's New Carnival Concert Of Vocal And Instrumental Musick

Afterpiece Title: Gli Amanti Gelosi; or, The Birth of Harlequin

Performance Comment: The Lilliputians (who performed with such universal applause at the Haymarket); Dancing-Sg and Sga Balletino, others (just arrived).

Afterpiece Title: The Triumph of Love in the Temple of Apollo

Event Comment: Benefit for the Tambour de Basque. The dresses and Decorations entirely new. Afterpiece a burlesque entertainment of music and dancing

Performances

Mainpiece Title: Mrs Midnight's New Carnival Concert; Or, The Old Woman's Oratory

Performance Comment: Set for a Smoking Pipe, a Tankard, a Bassoon, a Pair of Tongs, two Wooden Spoons, a Salt Box, and a Pair of Slippers, by the best Italian masters, viz.: Sig Zappino, Sig Sallybotino, Sig Diavolino, Sig Ferrareni, Sig Cochinino, Sig Batterino, Sig Ciavartino, several others (just arrived from the Republic of San Marino).

Afterpiece Title: La Pantomime du Charpentier

Dance: An Extraordinary Original who will not touch the Ground either with his hands or feet-

Event Comment: The play revived. The Characters to be Dress'd after the Old Italian and Spanish Manner. Receipts: #190 (Cross)

Performances

Mainpiece Title: The Chances

Performance Comment: Don John-Garrick; Don Frederick-Palmer; Duke-Usher; Petruchio-Blakes; Peter-Philips; Antony-Vaughan; Surgeon-Clough; Francisco-W. Vaughan; Antonio-Yates; First Constania-Miss Macklin; Mother-Mrs Clive; Landlady-Mrs Macklin; Kinswoman-Mrs Hippisley; Second Constantia-Mrs Cibber.
Cast
Role: Landlady Actor: Mrs Macklin

Dance: SShepherd's Holiday, as17541008

Event Comment: On Monday a New Italian Burletta, call'd L'Arcadia in Brenta

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Sheridan; Macduff-Ryan; King-Gibson; Banquo-Sparks; Malcolm-Anderson; Donalbain-Bennet; Seyward-White; Lenox-Ridout; Hecate-Arthur; First Murderer-Bencraft; Second Murderer-Marten; Witches-Dunstall, Collins, Cushing; Lady Macduff-Mrs Barrington; Lady Macbeth-Mrs Woffington; With the Original Music-; The Vocal parts-Lowe, Howard, Legg, Baker, Roberts, Mrs Lampe, Mrs Chambers, Miss Young, Mrs Vincent; And the Dances-and Decorations incident to the play.
Event Comment: Play a New Italian Burletta. The first performance in England. Libertto by Goldoni; Music by Galuppi (Loewenberg, Annals of Opera, p. 107). Books of the Opera will be sold at the theatre. Ladies send servants by half past three. Nothing but full prices will be taken during the performance

Performances

Mainpiece Title: L'arcadia In Brenta

Event Comment: Mainpiece: By Particular Desire. Tickets deliver'd by Mrs James will be taken. For ye Benefit of Mrs James, tho' her name was not put up, who is going to leave the Stage, and retire as said to a Nunnery. Mr Macklin's Oratory open'd at his house in ye Piazza (Cross). Public Advertiser 22 Nov.: At Macklin's Great Room in Hart St. Covent Garden this day...will be opened The British Inquisition. This Inquisition is upon the plan of the ancient Greek, Roman and modern French, Italian Societies@of@liberal@investigation...&c. First lecture to be on Hamlet. [See Mackliniana (2 Vols. Folger Shakespeare Library) MS notes by Isaac Reed, from the Public Advertiser, 22 Nov. Macklin's lecture series was repeated on 23, 28 Nov., 2, 5, 7, 9, 11, 13, 16, 18, 20, 23, 26, 28 Dec.] Receipts: #200 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Chaplet

Event Comment: Text--Goldoni; first performance in England. Music by Sg Vinceni Ciampi. Play a New Italian Burletta. Printed books of the opera will be sold at the theatre. Ladies send servants at half three. [The Epilogue (Larpent MS 117) suggests lovemaking in crowded theatres (see 8 Jan. 1755)]: @Close pack'd they sit and woo with secret squeeze,@Attracting elbows, sympathetic knees...

Performances

Mainpiece Title: La Famiglia De Bertholdi, Alla Corte Del Re Alboino

Performance Comment: The Larpent MS 116 copy, (Amsterdam, 1754) lists the parts: Alboino (King)-; Ipsicratea (Queen)-; Erminio (Confidant of the King)-; Bertoldo-; Bertoldino (his son)-; Menghina (Son's wife and mother of)-; Cacasemo-.

Dance: [Unspecified.]

Event Comment: A New Italian Comic Opera. Benefit for Sga Spiletta and Giordani

Performances

Mainpiece Title: L'albergatrice

Event Comment: Alter'd from the Italian with several new Additions. [By Dr Morell. Set by Handel. The words entirely adapted to the Music of Il Trionfo del Tempo, composed at Rome about 1707 (Biographia Dramatica).

Performances

Mainpiece Title: The Triumph Of Time And Truth

Performance Comment: See17580210. Time-Champness, bass; Counsel (or Truth)-Miss Young [Mrs Scott?] [mezzosoprano; Beauty-Signora Frasi[, soprano; Pleasure-Beard[, tenor; Deceit-Signora Beralta[, soprano (Deutsch, Handel, p. 783)., soprano (Deutsch, Handel, p. 783).

Performances

Mainpiece Title: A Medley Concert

Performance Comment: As17570623, but Sga Mimicotti will sing an Italian air accompanied by Myn Heer Van-Poop Broomsticato%.

Afterpiece Title: Harlequin's Frolic

Cast
Role: Blander Actor:
Event Comment: PPublic Advertiser: Mr Vanneschi begs leave to inform the Nobility and Gentry, that a Licence being granted to him from the Lord Chamberlain's office, with his Majesty's most gracious Approbation, for exhibiting Italian operas at the King's Theatre in the Haymarket, Subscriptions for the ensuing Season will be taken in by Mess. Drummond and Co., Bankers at Charing Cross. He humbly desires his Protectors and Subscribers, to oblige him with an early Payment of their Subscription Money, in order that he may be able to give the necessary Securities to Sga Colomba Mattei, and to Sg Pasquale Potenza, as also to the Rest of his Singers and Dancers. It being given out that Mr Vanneschi hath not engaged the Use of the Opera House for the ensuing Season of Operas, it is hereby certified, that the Proprietor thereof hath agreed with Mr Vanneschi for the same. Sign'd by order of the Proprietor. Peter Crawford, Treasurer of said Theatre

Performances

Performances

Mainpiece Title: A Medley Concert

Performance Comment: Dutch Skipper-Master Settree; Singing-Miss Gaudry; Concerto by Handel-; Italian Peasants-Joly, Mlle Dulisse; Dorus and Cleora , a new Cantata set to Musick by Mr Bryan,-Kear , his first time on any stage; Les Tailleurs-Master Settree, Miss Twist; The Slack Wire-Miss Isabella Wilkinson; Marines Going to Portsmouth-; Irish Landlord-Jolly, Settree, Mme Dulisse; Rule Britannia-Kear.
Cast
Role: Handel Actor:
Role: Italian Peasants Actor: Joly, Mlle Dulisse
Role: Irish Landlord Actor: Jolly, Settree, Mme Dulisse

Afterpiece Title: Harlequin's Frolic

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Queen Mab

Performance Comment: As17581005, but In Italian Grotesque Characters; Mab-Mrs Vernon.
Event Comment: Afterpiece: In Italian Grotesque Characters. Receipts: #160 (Cross)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Queen Mab

Song: III: A Cantata-Miss Young

Event Comment: Benefit for Rice. Afterpiece: For the only time this season will be introduc'd a Mock Italian Burletta. Boxes 5s. Pit 3s. Gallery 2s. To begin at Seven O'clock. As it was originally performed in 1754

Performances

Mainpiece Title: Mrs Midnight's Concert And Oratory

Afterpiece Title: Britannia's Triumph; or, The Contest of Love and Glory

Dance: HHornpipe-

Music: The Band all mask'd in the Venetian Taste

Event Comment: [Sga Mattei announced her undertaking direction of Italian Serious Operas and Burlettas for the ensuing winter, promised the performance of them for the best advantage of the public, and listed the members of the company she had engaged: For Serious Operas: herself, Philippo Elisi (the first singer in Italy), Gaetano Quilice (tenor), Angiola Calori (second woman), Giovanni Sorbelloni (second man), and a new singer for the lowest character. For the Burlettas: Sga Paganini (the first female character and the foremost in Italy), Gaetano Quilice (the first man), Sga Eleardi (second woman), Paganini (second man), Signor N. N. (third man), Angiola Calori and Sorbelloni (to perform the serious parts in the Burlettas). Dancers: Mlle Asselin (first woman dancer), Gheradi (first dancer of the men, and ballet master), famed both in the serious and comic as well as for his invention as for exercises in dancing. There will also be other comic dancers, and figures both for the serious operas and burlettas.

Performances

Event Comment: At the Great Room, Dean St., Soho. By Desire. An Italian Oratorio in Two Acts. Words by Metastasio. Music by Jomelli. First Time of performing this Grand Musical Entertainment in England, and is judged by all conoisseurs to be the most exquisite piece of composition ever heard before. Pit Half a Guinea, Gallerias 5s. To begin at half past six precisely. A very strong rumour prevails, that leave will be applied for to the higher Power, for a third Theatre in this City; and it is even hinted, that two well-known performers have already ventured on a purchase, and are selecting together a company with that design (Public Ledger)

Performances

Mainpiece Title: Isaac

Performance Comment: Parts-Signora Passerini, Miss Frederick, Signora Eberardi, Quilici, Tedeschino, and a variety of Chorusses by the best voices.

Music: Between the acts aConcert on the organ-Dupuis

Event Comment: To celebrate his Majesty's Birthday. N.B. As a great number of performers, both vocal and instrumental, will be placed in the servant's gallery, Sga Mattei humbly hopes that the Nobility, Gentry, &c. will dispense with their servants being admitted this night

Performances

Mainpiece Title: A Serenata

Performance Comment: Besides the Italian Opera singers, and the usual orchestra, there will be a second band (disposed after a new manner) with a very great number of additional voices; together with a new dance, and a piece of scenery suitable to the solernity.

Afterpiece Title: Arianne E Teseo (First and Last Acts)

Event Comment: [This day Horace Walpole wrote as follows to George Montagu, forshadowing an event to take place on 27 July: "If you will stay with me a fortnight or three weeks, perhaps I may be able to carry you to a play of Mr Bentley's--you stare--but I am in earnest--nay, and de par le roy. In short, here is the history of it. You know the passion he always had for the Italian comedy. About two years ago he writ one, intending to get it offered to Rich--but without his name--he would have died to be supposed an author, and writing [I, 372] for gain. I kept this a most inviolable secret. Judge then of my surprise when about a fortnight or three weeks ago I found my Lord Melcomb reading this very Bentleiad in a circle at my Lady Hervey's. Cumberland had carried it to him, with a recommendatory copy of verses, containing more incense to the King and my Lord Bute, than the Magi brought in their portmanteaus to Jerusalem. The idols were propitious, and to do them justice, there is a great deal of wit in the piece, which is called The Wishes or Harlequin's Mouth Opened. A bank note of #200 was sent from the Treasury to the author, and the play ordered to be performed by the summer company. Foote was summoned to Lord Melcomb's, where Parnassus was composed of the peer himself, who, like Apollo as I am going to tell you, was dozing, the two Chief Justices and Lord Bute. Bubo read the play himself, with handkerchief and orange by his side. But the curious part is a prologue which I never saw. It represents the god of verse fast asleep by the side of Helicon. The race of modern bards try to wake him, but the more they repeat of their works, the louder he snores. At last "Ruin seize thee ruthless King" is heard, and the god starts from his trance. This is a good thought, but will offend the bards so much, that I think Dr Bentley's son will be abused at least as much as his father was. The prologue concludes with young Augustus, and how much he excels the ancient one, by the choice of his friend. Foote refused to act this prologue, and said it was too strong. 'Indeed,' said Augustus's friend, 'I think it is.' They have softened it a little, and I suppose it will be performed. You may depend upon the truth of all this; but what is much more credible, is that the comely young author appears every night in the Mall in a milkwhite coat with a blue cape, disclaims any benefit, and says he has done with the play now it is out of his own hands, and that Mrs Hannah Clio alias Bentley writ the best scenes in it. He is going to write a tragedy, and she, I suppose, is going--to court."--Horace Walpole's Correspondence with George Montagu. Ed. W. S. Lewis and Ralph S. Brown Jr (New Haven: Yale University Press, 1941), I, 372-73. [IX, 372-373.

Performances

Mainpiece Title: All In The Wrong

Dance: As17610616

Event Comment: Benefit for Mrs Clive. Farce written by Mrs Clive not acted in 9 years. [See 19 April 1755.] Now with Alterations and Additional Scenes in which will be introduc'd Part of an Italian Burletta. Part of Pit laid into Boxes. Send servants by 3 o'clock

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Rehearsal; or, Bayes in Petticoats

Dance: %New Dutch Comic Dance, as17610925