SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Comical Songs Scots English and Italian"/1) | (@(roleclean,performerclean) "Comical Songs Scots English and Italian")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2756 matches on Performance Title, 2315 matches on Performance Comments, 1352 matches on Event Comments, 122 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Nicoll, Restoration Drama, p. 307, lists The Comical Revenge (the Duke's Company) for the Inner Temple, 2 Feb. 1667@8. As this date falls on Sunday and as the sequence of entires quggests a later date, this performance appears under 2 Feb. 1668@9

Performances

Event Comment: A playbill [PRO, State Papers 29, Vol. 317, No. 187): At the Booth at Charing-Cross, every day in the Week will be presented variety of Farces Drolls, and Comical Entertainments by Mr Anthony Devo, His Majesties Servant. And this present Monday being the Eleventh of November, will be presented the Dutch cruelties at Amboyna, with the humours of the Valiant Welch-Man. Acted by Men and Women. Beginning exactly at Two of the Clock in the Afternoon, and at Four. Vivat Rex. [This playbill is reproduced in Theatre Notebook, VI (1952), opposite page 36.] L. C. 5@140, p. 129 (Nicoll, Restoration Drama, p. 250): That Antonio diVoto Doe sett forth Exercise & Play all Drolls and Interludes, He not receiuing into his Company any person belonging to his Mates or Royal Highnesse Theatres Nor Act any Play usually acted at any of ye said Theatres Nor takes peeces or Sceenes out of ye Playes Acted at ye said Theatres

Performances

Mainpiece Title: The Dutch Cruelties At Amboyna; With The Humours Of The Valiant Welch-man

Event Comment: An unidentified letter, 22 March 1693@4. There is hardly anything now to make it acceptable to you, but an account of our winter diversions, and chiefly of the new plays which have been the entertainment of the town. The first that was acted was Mr Congreve's, called The Double Dealer [see October 1693]. It has fared with that play, as it generally does with beauties officiously cried up: the mighty expectation which was raised of it made it sink, even beneath its own merit. The character of The Double Dealer is artfully writt, but the action being but single, and confined within the rules of true comedy, it could not please the generality of our audience, who relish nothing but variety, and think any thing dull and heavy which does not border upon farce.--The criticks were severe upon this play, which gave the author occasion to lash 'em in his Epistle Dedicatory, in so defying or hectoring a style, that it was counted rude even by his best friends; so that 'tis generally thought he has done his business, and lost himself: a thing he owes to Mr Dryden's treacherous friendship, who being jealous of the applause he had gott by his Old Batchelour, deluded him into a foolish imitation of his own way of writing angry prefaces. The 2d play is Mr Dryden's, called Love Triumphant, or Nature will prevail [see 15 January 1694]. It is a tragi-comedy, but in my opinion one of the worst he ever writt, if not the very worst: the comical part descends beneath the style and shew of a Bartholomew-fair droll. It was damn'd by the universal cry of the town, nemine contradicente, but the conceited poet. He says in his prologue, that this is the last the town must expect from him; he had done himself a kindness had he taken his leave before. The 3d is Mr Southern's call'd The Fatal Marriage, or the Innocent Adultery [see February 1693@4]. It is not only the best that author ever writt, but is generally admired for one of the greatest ornaments of the stage, and the most entertaining play has appeared upon it these 7 years. The plot is taken from Mrs Behn's novel, called the Unhappy Vow-Breaker. I never saw Mrs Barry act with so much passion as she does in it; I could not forbear being moved even to tears to see her act. Never was poet better rewarded or incouraged by the town; for besides an extraordinary full house, which brought him about 140 #. 50 noblemen, among whom my Lord Winchelsea, was one, give him guineas apiece, and the printer 36 #. for his copy. This kind usage will encourage desponding minor poets, and vex huffing Dryden and Congreve to madness. [For the fourth play, see 21 March 1693@4; Edmond Malone, Plays and Poems of William Shakespeare (London, 1821), III, 162-64.

Performances

Event Comment: According to the Flying Post, 18-20 Oct. 1698: On Tuesday October 18, 1698, the Penny Lottery began at the Theatre Royal in Dorset Garden with the first draw. [On 28 Sept. 1698 James Brydges, Diary reported that he had gone into dg to see the "engine" for the lottery.] The Post Boy, 18-20 Oct. 1698: There is now Acting at the Theatre Royal in Dorset Garden a Tragy-Comedy called The Wheel of Fortune, or The Fools Expectation. And 'tis thought the Author will have a good Sixth Day. According to the Post Boy, 20-22 Oct. 1698: On Monday next will be publish'd, a Comical and Satirical Prologue and Epilogue, intended to be spoken at the Acting of the new Invented Farce, call'd, the Wheel of Fortune, or the Fools Expectation. [The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 305-10.] It seems probable that the lottery was dignified, for satiric purposes, by being given the title of a play, with a satirical Prologue and Epilogue. Post Man, 20-22 Oct. 1698: The Entertainment performed at the Theatre Royal in Dorset Garden, at drawing the Lottery, called the Wheel of Fortune; being the Speeches addrest to the Spectators, as Prologues and Epilogues. During a Symphony of Musick the Curtain rises slowly, and discovers two wheels upon the Stage; then two Figures, representing Fortunev and Astraea the Goddess of Justicev, descend over each Wheel, in two rich Chariots gilt with Gold

Performances

Mainpiece Title: Entertainments

Event Comment: At Miller's Booth, the second Booth on the Right Hand coming into the Fair. Mainpiece: an Excellent Droll

Performances

Mainpiece Title: Crispin And Crispianus; Or, A Shoemaker A Prince

Performance Comment: With the Comical Humours of Barnaby, the Shoemaker's Wife-.

Entertainment: With the best Machines, Singing, Dancing-;....Where the Famous Ladder-Dancer performs those things upon the Ladder-the Famous Ladder-Dancer never before seen

Event Comment: Benefit Pinkeman. Common Prices. All Persons that come behind the Scenes are desired to pay their Money to none but Mr Pinkeman. [This benefit had originally been advertised for 24 Oct. but deferred, the offerings for that day being a medley of The Death of King Henry VI, a Tragical Interlude of one Act only; Aesop, "several select Scenes" only; and The School-Boy; or, The Comical Rivals.

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Performance Comment: Don Cholerick-Pinkeman; Don Dismallo-Cibber; And a new cunning Epilogue to the Town,-Pinkeman.

Entertainment: Several pretty Entertainments-

Event Comment: Benefit Cibber. Mainpiece: several new Additions never performed but once, particularly a Scene of Comical Magickv

Performances

Mainpiece Title: King Arthur

Music: Composed by Henry Purcell

Dance: Proper dances-duRuel, Mrs duRuel, Cherrier

Performances

Mainpiece Title: The Committee

Song: As17060227

Dance: duRuel, Mrs duRuel, Cherrier, Mrs Santlow; particularly Harlequin Dance-. *'s Comical Dance-Firbank, Mrs Bignall; Scaramouch, Tub Dance-Layfield

Performance Comment: *'s Comical Dance-Firbank, Mrs Bignall; Scaramouch, Tub Dance-Layfield.

Dance: duRuel, Mrs duRuel, Cherrier, Mrs Santlow; particularly Harlequin Dance-

Event Comment: Never Acted before. [By Thomas D'Urfey.] Mainpiece: a Comical Opera

Performances

Mainpiece Title: The Wonders In The Sun; Or, The Kingdom Of The Birds

Performance Comment: Edition of 1706 lists no actors' names. Prologue-; Epilogue [begun-Mrs Porter [, The Parrot, a young girl, standing by]., The Parrot, a young girl, standing by].
Event Comment: Benefit Mrs Oldfield. Tickets for The Comical Lovers [advertised on 22 Feb. for this day] taken at this play

Performances

Mainpiece Title: The Tender Husband

Event Comment: At the Desire of several Persons of Quality. Afterpiece: With the Comical Interlude of Floro and Blesa set to Musick by the famous Signior Bononcini. [In Daily Courant, 15 March, the premiere of Hydaspes had been announced for this day.

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Floro and Blesa

Dance: Between acts: Thurmond Jr, Mrs Bicknell

Event Comment: The Third piece: A Comical Masque of Musick

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: The Stage Coach

Afterpiece Title: Roger's Wedding

Event Comment: Ryder (p. 101): We first went into Norris's booth and then into Penkethman and Bullock booth. They are both of them very mean and fit only to make us laugh. The farces are made up out of several very comical parts of other plays which are collected together. Penkethman and Bullock are a mere farce to look at them only; they have both of them so very simple a look, but yet in a very different kind. There was the Duke of Montague and some compnay of fashion. There was rope dancing and tumbling at Penkethman and Bullock. It was very low life represented. There were now and then some good humorous turns came in that made us laugh with a just pleasure

Performances

Mainpiece Title: Entertainments

Event Comment: At Mr Penkethman's and Mr Miller's Booth, at the Horns-Inn at Pye Corner, entering into Smithfield. A Celebrated Droll, Shewing the Pomp and Grandeur she lived in King Edward the IVth's Time, and the Misery she fell into upon Richard Duke of Gloucester's being made Protector. How she was oblig'd to do Penance in a white Sheet, carrying a lighted Torch bare Foot thro' the City, and then turn'd out to Starve; as also how she wandering met with her Husband, and the Tragick End of them Both. With the comical and diverting Humours of Sir Anthony Noodle, a foolish Courtier, and his Man Weezel

Performances

Mainpiece Title: Jane Shore

Song:

Dance:

Event Comment: At Penkethman's and Dicky's Booth in Southwark. Mainpiece: a Tragi-Comical Interlude. No Person, except the Author, to be admitted behind the Scenes

Performances

Mainpiece Title: The Noble Stroller; Or, The Humours Of Avignon And Cripplegate

Event Comment: At the particular Desire of several Ladies of Quality. Afterpiece: With several new Scenes of Action, and comical Incidents neverperformed before

Performances

Mainpiece Title: The Distressed Mother

Afterpiece Title: Harlequin Doctor Faustus

Performances

Mainpiece Title: The Prodigal Son; Or, The Libertine Reclaimed; Wherein Is Represented His Vicious Life, And The Devil Appearing To Him To Go On In His Wickedness; And The Miserable State He Was Brought To Be His Extravagance, Being Reduced To That Extremity, That He Was Forced To Eat Husks With The Swine, To Satisfy His Hunger; Also An Angel Descending, Exhorting Him To Repent, And Return To His Father, Who Receives Him With Great Joy

Performance Comment: With the Comical Humours of his Man Roger. Roger-Harper; Country Farmer-Aston; Lucia-Mrs Spiller.

Afterpiece Title: The Loves of Harlequin and Colombine

Entertainment: Drunken Man-Harper

Event Comment: By His Majesty's Command. N.B. This being the first Time of Acting on Account of Subscriptions, the General Tickets will be sent to the Subscribers. [The King present.

Performances

Mainpiece Title: The Most Knowing, Least Understanding; Or, Harlequin's Metamorphosis; Viz

Performance Comment: Chimney Sweeper, Blackmoor, Astrologer, Moving Statue, Infant, Zodiack, and Diana; With The Comical Transformation of Brighella and Doctor into Mercurius and Apollo.
Related Works
Related Work: L'Honorata Poverta di Rinaldo: viz, The honourable Poverty of Rinaldo, false accused by the Maganzesians: With Harlequing Guardian to his Master's Family and Defender of his Castle Author(s): Giacinto Andrea Cicognini

Afterpiece Title: The Pleasant Marriage; Concluding with The Singing Deities

Dance: Dancing and other Decorations proper to the Play , entirely new and diverting-

Event Comment: By His Majesty's Command. [The King present.

Performances

Mainpiece Title: Le Disgrazie D'arlechino: Viz

Performance Comment: Harlequin's Misfortune; or, His Marriage Interrupted by Brighella's Cunning: With his Comical Circumcision. none listed in edition of 1726.

Dance: As17260928

Event Comment: By His Majesty's Command

Performances

Mainpiece Title: Le Furbarie Per Vendetta; Or, Bridghella's Revenge Contrariated By Argentina: With Harlequin's Transformation, Viz

Performance Comment: a Physician, Master of Musick, Madam Patasia, or Lady Pancake, Swaggerer, Giant, and Grand Bashaw; Together with his Comical Egress and Regress to and from the Tower.
Related Works
Related Work: L'Honorata Poverta di Rinaldo: viz, The honourable Poverty of Rinaldo, false accused by the Maganzesians: With Harlequing Guardian to his Master's Family and Defender of his Castle Author(s): Giacinto Andrea Cicognini
Event Comment: At Lee-Harper-Spiller Booth. Mainpiece: With all proper Decorations of Scenery, Machinery, &c. particularly the Sea where Leander was drown'd with Neptune, Tritons and Mermaids, floating. With the Comical Humours of Otter and Nurse. Afterpiece: [By Thomas Walker. Cast not listed in edition of 1728.

Performances

Mainpiece Title: Ero And Leander

Afterpiece Title: The Quaker's Opera; or, The Escapes of Jack Sheppard

Performances

Mainpiece Title: He Royal Champion; Or, St

Performance Comment: George for England , Shewing how St. George in his Travels fell in Love with the beautiful Sabrina, Daughter to the King of Egypt, and slew a Monstrous Dragon that was to have Devour'd her, and also Kill'd the great Giant Demigorean; With the Comical Humours of Rumbelo.
Event Comment: Mainpiece: A Comical Tragival Farcical Droll. Afterpiece: A celebrated Operatical Puppet-Show. No Wires, all alive. At Reynolds' Booth. [Advertised also on 3, 4, 5, 6, 7, 8, 11, 12 Aug.

Performances

Mainpiece Title: The Rum Duke And The Queer Duke; Or, A Medley Of Mirth And Sorrow

Afterpiece Title: Punch's Oratory; or, The Pleasures of the Town: Containing several diverting Passages,

Performance Comment: ..a very elegant and learned Dispute between Punch and another great Orator: Punch's Family Lectures; or, Joan's Chimes on her Tongue to some Tune. Punch-Reynolds; Joan-Mrs Egleton; from lif; Orator-Jones; Opera-Stoppelaer; Goddess of Nonsense-Mrs Mullart; Mrs Novel-Mrs Nokes.

Dance: St.Luce

Event Comment: Mr Anthony Aston, commonly call'd Tony Aston . . . His Comical and Unparallelled Medley at the Bouffler's Tavern. 6 P.M. Tickets 2s. 6d

Performances

Mainpiece Title: Tony Aston's Medley

Performance Comment: Gomez and Elvira (Spanish Fryar); Humours of Scrub (Stratagem); Humours of Teague (Committee); Humours of Hob (Country Wake); Fondlewife and Laetitia (old Batchelor); Ben and Prue (Love for Jjjve); Jerry Blackacre (Plain Dealer); Vellum and Abigail (Drummer). And the Drunken Man .

Performances

Mainpiece Title: Arlequin Balourd

Dance: I: Les Warriors. II: Les Transfigurations. III: The Prisoner. IV: Comical Pantomime Dance. V: Pierot and Peraitte. Wooden Shoe Dance. Pantomime after the Venetian Manner. All by Castiglione

Performance Comment: II: Les Transfigurations. III: The Prisoner. IV: Comical Pantomime Dance. V: Pierot and Peraitte. Wooden Shoe Dance. Pantomime after the Venetian Manner. All by Castiglione .