SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Comical Songs Scots English and Italian"/1) | (@(roleclean,performerclean) "Comical Songs Scots English and Italian")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2756 matches on Performance Title, 2315 matches on Performance Comments, 1352 matches on Event Comments, 122 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Artaxerxes

Performance Comment: two Cantatas in English by Millico-Millico; in which he will sing several songs accompanied on Hautboy-Fisher; Harp-Millico.

Dance: End Opera: A Grand Ballet-Mlle Heinel, Slingsby, Fierville

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock, in the Jewish Dialect-Johnson; Antonio-Lewis; Gratiano-Russell; Lorenzo (with a song)-Bradney; Duke-Saul; Launcelot-Jacobs; Gobbo-Lucas; Tubal-Errington; Bassanio-West; Nerissa-Mrs Simmons; Jessica (with a Song)-Mrs Moore; Portia-a Young Lady; first appearance on the English stage. An Occasional Epilogue written for and spoken-Johnson.

Afterpiece Title: The Snuff Box; or, A Trip to Bath

Event Comment: [Mainpiece in place of Fatal Falshood, announced on playbill of 24 Apr.,] Afterpiece [1st time; MF 2, by Frederick Pilon]: The new Songs and Overture composed by Shield. The new Scenes by Richards and Carver. With a view of the English and Spanish Fleets entering the Bay. [This notice is included in all subsequent playbills.] Public Advertiser, 25 Apr. 1780: This afternon is published the Songs in The Siege Of Gibraltar (6d.). Ibid, 3 May 1780: This morning is published The Siege Of Gibraltar (1s.). Receipts: #168 5s. (166.4; 2.1)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Siege Of Gibraltar

Performance Comment: Principal Characters by Mattocks, Reinhold, Quick, Wilson, Edwin, Whitfield, Egan, Mrs Wilson, Mrs White, Mrs Morton. Cast from text (G. Kearsly, 1780) and London Chronicle, 3 May 1780: Beauclerc-Mattocks; Major Bromfield-Reinhold; Ben Hassan-Quick; Serjeant Trumbull-Wilson; Woolwich-Edwin; Muley-Whitfield; Serjeant O'Bradley-Egan; Lieutenant-Wordsworth; Officers-Booth, Fearon, Robson; Sailor-W. Bates; Soldiers-L'Estrange, Thompson, Wewitzer; Mob-Jones, Ledger, Brunsdon, Bates, Stevens; Jenny-Mrs Wilson; Moll Trumpet-Mrs White; Zayde-Mrs Morton.
Event Comment: [Mainpiece in place of The Merry Wives of Windsor, advertised on playbill of 10 Feb.] Afterpiece [1st time; BALL. P 1 (?), by John Cartwright Cross. Airs (T. Woodfall, 1798)]: The Scenery, Machinery, Dresses and Decorations entirely new. The Music by Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper, Goostree, &c. The Dresses by Dick, Mrs Egan, &c. Receipts: #294 0s. 6d. (270.16.6; 23.4.0)

Performances

Mainpiece Title: The Busy Body

Performance Comment: As17971004, but Sir Francis Gripe-Quick; Miranda-Miss Betterton.
Cast
Role: Miranda Actor: Miss Betterton.

Afterpiece Title: Joan of Arc; or, The Maid of Orleans

Performance Comment: Ballet Characters. English: Young Talbot-Bologna Jun.; General Talbot-Bologna; Herald-Helme; Officers-Blurton, Wilde, Abbot, L? Bologna; [French: Alenson-Farley; Charles (King of France)-Simpson [in Airs: Claremont (see17980214)]; Cardinal-Powel; Abbot-Thompson; Nobles and Officers-Dyke, Lee, Curties; Joan of Arc-Mrs Parker; [Infernals: Lucifer-Follett; Demons-Goostree, Parsloe, Letteney, Goodwin, Wilkins; [Vocal Characters. British Officer-Incledon; Edwin (the Page) [in Airs: Aerial Spirit, disguised as...(see17980226)]-Miss Sims; French and English Officers and Choristers-Linton, Street, Gray; Minstrel-Mrs Clendining; Female Choristers-Mrs Henley, Mrs Follett, Mrs Watts, Miss D'Evelyn, Mrs Gilbert, Mrs Norton, Mrs Masters, Mrs Castelle, Mrs Lloyd, Miss Walcup, Mrs Ward, Mrs Iliff, Mrs Bologna, Miss Leserve; Blanche-Mrs Mountain; Grand Historical Pageant-. [The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .
Event Comment: Benefit Glover. With Two new Italian Songs composed by the Author and sung by Rochetti. Receipts: money #23 1s.; tickets #76 4s. Probable attendance: boxes, 28 by money and 187 by tickets; stage, 7 by money; pit, 45 by money and 155 by tickets; slips, 4 by money; first gallery, 37 by money and 62 by tickets; second gallery, 47 by money

Performances

Mainpiece Title: Camilla

Dance: new Ball Dance-Glover, Mlle Salle; Pastoral-Glover, Newhouse, Dupre, Mrs Bullock, Mrs Ogden; Pierot Dance-Nivelon, Poitier; Moors-Glover, Poitier, Pelling, Newhouse, Mrs Bullock, Mrs Ogden, Miss Latour

Event Comment: Benefit Mrs Barbier. This is the last Benefit Mrs Barbier will have in England. Mainpiece: Written by the late Sir John Vanbrugh. Receipts: money #53 9s. 6d.; tickets #74 17s. 6d

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: Venus and Adonis (last Interlude)

Performance Comment: Venus-Mrs Barbier; with several of the best Italian Songs; Adonis-Mrs Seedo; Mars-Leveridge; with a Comic Ballad Scene-Mrs Cantrel, Salway.

Song: Mrs Wright, Mrs Chambers

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: Chronohotonthologos

Performance Comment: Cast not listed, but edition of 1734 lists: Chronohotonthologos-Winstone; Bombardinion-Ridout; Aldiborontiphoscophornio-Cross; Rigdum Funnidos-Oates; Captain of the Guards-Woodburn; Doctor-Gray; Cook-H. Tench; King of Fidlers-Davis; King of Antipodes-Jannot; Dumb-Gray; Signor Scacciatinello-Mrs Shirburne; Tatlanthe-Mrs Charke; Ladies-Miss Oates, Miss Dancy; Venus-Mrs Clark; Cupid-Master Arne. Prologue spoken by W. Mills. Epilogue by Mrs Shireburne. music and.

Dance: As17340221 Also A new Overture. With Songs (in the Italian Stile) a propos [to the Afterpiece]

Performance Comment: With Songs (in the Italian Stile) a propos [to the Afterpiece] .

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Intriguing Chambermaid

Music: A new Comic Medley Overture composed by Charke

Dance: III: By Nivelon and Miss Mann. End of Afterpiece: English Maggot by S. Lally and Mrs Walter

Performance Comment: End of Afterpiece: English Maggot by S. Lally and Mrs Walter .

Song: I: A Teneri Affeti by Mrs Cibber and Mrs Barbier. II: Was ever Nymph like Rosamond by Mrs Barbier. IV: Amelia wishes when she dies by Mrs Cibber. V: A new Favourite Italian Song by Mrs Barbier

Performance Comment: II: Was ever Nymph like Rosamond by Mrs Barbier. IV: Amelia wishes when she dies by Mrs Cibber. V: A new Favourite Italian Song by Mrs Barbier .
Event Comment: Benefit Aston and a Gentleman under Misfortune. Afterpiece: A new Pastoral. Written by Mr Aston

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: Cleora; or, The Amorous Old Shepherdess

Dance: Hornpipe by Ferguson. Tambourine by Miss Rogers

Song: Cuckoo Solo by Master Oates. Mock Italian Song by E. Roberts

Performance Comment: Mock Italian Song by E. Roberts .
Event Comment: Benefit Neale and Vaughan. Receipts: money #8 13s.; tickets #120 10s. London Daily Post and General Advertiser, 25 May: Yesterday Mr Smith [of CG], being disorder'd in his Senses, threw himself out of his Lodging Window up two pair of Stairs near Gray's Inn . . . and ... his Life is despaired of

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Cheats of Scapin

Dance: II: Comic Ballet, as17360417 In: Tambourine by Miss Rogers. V: Glover's Sailors Dance

Song: I: By Leveridge. IV: Mock Italian Song by E. Roberts

Performance Comment: IV: Mock Italian Song by E. Roberts .

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17360826, but Sir John-Berry; Mrs Sealand-Mrs Marshall.
Cast
Role: Mrs Sealand Actor: Mrs Marshall.
Role: Sealand Actor: Milward

Afterpiece Title: The Fall of Phaeton

Cast
Role: Ballet Actor: Denoyer, Mlle Roland.

Song: the first time of her performance on that theatre, viz.the first time of her performance on that theatre, viz. In III: An Italian Song beinging Di Lor Mio-Miss Cecilia Young; III: Torna mi Vegbeggiar-Miss Cecelia Young both from the Opera of Alcina

Performance Comment: the first time of her performance on that theatre, viz. In III: An Italian Song beinging Di Lor Mio-Miss Cecilia Young; III: Torna mi Vegbeggiar-Miss Cecelia Young both from the Opera of Alcina.
Related Works
Related Work: L'Honorata Poverta di Rinaldo: viz, The honourable Poverty of Rinaldo, false accused by the Maganzesians: With Harlequing Guardian to his Master's Family and Defender of his Castle Author(s): Giacinto Andrea Cicognini

Performances

Mainpiece Title: A Medley Concert

Performance Comment: See17571017, but The Guittard, a song by Mr Arne,-Mrs Hooper; a new dance, Le Matelotte-Joly; Italian Peasants-_; School of Anacreon-Kear; Chaste Diana-Mrs Hooper; Phoebus sinketh in the West-Kear.

Afterpiece Title: Harlequin's Frolic

Event Comment: Went off with applause (Cross). Afterpiece: a New Pantomime after the Manner of the Italian Comedy, with New Scenes, Habits, Decorations. Nothing under Full Prices will be taken. No Gentleman can possibly be admitted behind the Scenes or into the Orchestra, on account of the Machinery and Music. The Music composed by Dr Boyce. The Songs will be printed, and deliver'd at the doors. Receipts: #200 (Cross)

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Performance Comment: George Barnwell-Holland; Thorowgood-Davies; Truman-Austin; Maria-Mrs Davies; Millwood-Miss Haughton.
Cast
Role: George Barnwell Actor: Holland

Afterpiece Title: Harlequin's Invasion; or, A ChristmasGambol

Performance Comment: Harlequin-King1st time; others-Yates, Bransby, Moody, Blakes, Burton, Clough, Packer, Scrase, Vaughan, Ackman, Fox, Mrs Bennet, Miss Pope; The Vocal Parts-Champness, Reinhold, Mrs Vernon, Miss Young, Miss Spencer; The Dances-Grimaldi, Giorgi, Sga Giorgi, Miss Baker; And a new Occasional Prologue-.

Performances

Mainpiece Title: Tunbridge Walks

Afterpiece Title: High Life below Stairs

Performance Comment: As17631029, but with a Comic Mimic Italian Song-Mrs Clive in character.

Song: II: Vernon; accompanied by the Guitar-

Dance: TThe Provancalle, as17631014

Event Comment: The Book of the opera at the Theatre. Comic opera in 3 acts by Lloyd .Music by Mr Rush. [See reduction to two-act farce, 2 March 1765. First performance in England of C. S. Favart's Le Caprice Amoureux (a parody of Goldoni's Bertoldo).

Performances

Mainpiece Title: The Capricious Lovers

Performance Comment: Parts-Vernon, Yates, Baddeley, Packer, Didier, Mrs Clive, Miss Young, Miss Wright, a Young Gentlewoman in her first appearance on any stage. Colin-Vernon; Hobbinol-Yates; Damon-Baddeley; Astolpho-Packer; Fabian-Didier; Phoebe-Miss Slack , 1st appearance on any stage; Lisetta (with a mock Italian song)-Mrs Clive; Emily-Miss Young; Clara-Miss Wright (Genest, V, 63) Emily-$Miss Scott (Winston MS 9).

Dance: Grimaldi, Aldridge, Giorgi, Berardi, Sga Giorgi, Miss Baker

Event Comment: By Handel. By Command of their Majesties

Performances

Mainpiece Title: Alexander's Feast

Performance Comment: with Coronation Anthems, two Italian Songs-; a Duetto-Mrs Weichsel, Sga Corri.
Cast
Role: two Italian Songs Actor:

Music: I: Bach Concerto-Tacet, Cramer, Cervetto, Fisher; II: Concerto for Two Violins and a Violin@cello by Bach-

Performances

Mainpiece Title: A Miscellaneous Act

Performance Comment: Overture-, composed by Barthelemon; new cantata, A Sea Storm, composed by Barthelemon,-Mrs Barthelemon; Under sweet Friendship's Name-Vernon; Canon-Barthelemon; Concerto on the hautboy-Sharp; Song, composed by Dr Arne,-Mrs Wrighten; Concerto on the flute-DeCamp; Italian Rondeau-Mrs Barthelemon; Variation of Lovely Nancy, as done in Italy,-Barthelemon; Concerto on the violin-Barthelemon.

Afterpiece Title: Victory, an Ode Inscribed to Admiral Keppel; Messiah

Performance Comment: Vocal Parts As17790303but Grand Chorusses-.
Event Comment: Benefit for Miss Wheeler. Morning Herald, 8 Apr.: Tickets to be had of Miss Wheeler, No. 11, Tavistock-street, Covent-garden. 2nd piece: Altered from Prior's Nut-brown Maid. With Airs and Chorusses composed by Shield. Afterpiece: Not acted these 15 years. Receipts: #213 3s. 6d. (95/7/0; 32/2/6; 0/14/0; tickets: 85/0/0) (charge: #108 10s. 3d.)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Henry and Emma

Afterpiece Title: The Capricious Lovers

Performance Comment: Hobbinol-Suett; Astolpho-Phillimore; Damon-Waldron; Fabian-Norris; Colin-Williames; Phoebe-Miss Wheeler; Emily-Miss Wright; Clara-Miss Simson; Lisetta (with a mock Italian Song)-Mrs Wrighten. Epilogue in the character of Phoebe spoken by Miss Wheeler .

Dance: End of Act I of afterpiece The Irish Fair, as17820406

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Capricious Lovers

Performance Comment: Hobbinol-Suett; Astolpho-Phillimore; Damon-Waldron; Fabian-Norris; Colin-Williames; Phoebe-Miss Wheeler; Emily-Miss Wright; Clara-Miss Simson; Lisetta (with the mock Italian song)-Mrs Wrighten .

Dance: End of Act I of afterpiece The Irish Fair by Blurton, Miss M. Stageldoir

Event Comment: Benefit for Sga Sestini. Public Advertiser, 13 Feb.: Tickets to be had of Sga Sestini, No. 52, Margaret-street, Cavendish Square. Afterpiece [1st time; burl 2, by John O'Keeffe. MS: Larpent 616; not published]: Taken from the Italian of La Serva Padrona [by Gennaro Antonio Federico]. The Music chiefly the Original of Parosasi [i.e. Pergolesi, and so spelled on playbill of 17 Feb.]. The new Music composed by Dr Arnold. Books of the Songs to be had at the Theatre. Receipts: #256 5s. 6d. (198/12/0; 7/3/6; tickets: 50/10/0) (charge: none listed)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Maid's the Mistress

Event Comment: [Kemble's 1st appearance as Osman was in Dublin (Genest, VI, 295).] Afterpiece [1st time; P 2 (?), by James Cobb and Thomas King]: Partly formed on the Plan of the Italian Comedy, and embellished with Music and Machinery. The paintings by Greenwood. The Music compiled and composed by Linley [Sen.]. Nothing under Full Price will be taken. Books of the Songs [which assign no parts], Introduction, &c. to be had at the Theatre. [Synopsis of action in Universal Magazine, Dec. 1785, p. 335.] Account-Book, 31 Jan. 1786: Paid King for Hurly-Burly #165. Receipts: #181 2s. (174/17; 6/5)

Performances

Mainpiece Title: Zara

Afterpiece Title: Hurly-Burly; or, The Fairy of the Well

Dance: In afterpiece, by Hamoir, Williamson, Miss Stageldoir, Mrs Sutton, &c. [The dance was included, as here assigned, in all subsequent performances.]

Related Works
Related Work: Ignoramus; or, The Academical Lawyer Author(s): Ferdinando Parkhurst
Event Comment: A Serious Opera in 2 acts; the music entirely by Handel, and selected from the various Operas set by that admirable composer, under the direction of [i.e. arranged and added to by] Dr Arnold. Benefit for Carnevale, deputy manager. No receipts listed. "In order to induce the king to visit the theatre called his own [see 17 Mar.], but which he seldom frequented, the Giulio Cesare of Handel was revived, or rather a medley from his Italian works, for little of the original music was retained, and many of his most favorite songs from other operas were introduced, Verdi prati [from Alcina], Dove sei [from Rodelinda], Rendi sereno il ciglio [from Sosarme], and others. This ancient music was particularly suited to Rubinelli, and was familiar to Mara, both of whom sung it incomparably well" (Mount-Edgcumbe, 61)

Performances

Mainpiece Title: Giulio Cesare In Egitto

Dance: End I: a new ballet, representing The Muses on Mount Parnassus-; End Opera: a new ballet, The Triumph of Julius Caesar-

Performances

Mainpiece Title: The Duenna

Performance Comment: Isaac-Quick; Don Jerome-Munden; Ferdinand-Johnstone; Antonio-Townsend; Father Paul-Waddy; Lopez-Farley; Carlos (with the Battle Song, composed by Shield, from The Italian Villagers)-Incledon; The Duenna-Mrs Davenport; Louisa-Mrs Martyr; Clara-Mme Mara (1st appearance in that character).
Cast
Role: Ferdinand Actor: Johnstone

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: Forecastle Fun; or, Saturday Night at Sea

Performance Comment: The Songs, Duets, Glees and Chorusses-Johnstone, Fawcett, Incledon, Townsend, Linton, Gray, Street, Smith, Abbot, Blurton, Curties, Lee.

Song: End 1st piece: All I wish in her obtaining-Mme Mara, Incledon; In the course of the Evening: Black Ey'd Susan, Old Towler, Young William, The Storm-Incledon

Performances

Mainpiece Title: Abroad And At Home

Performance Comment: As18000111, but Bluff-Rees; Kitty-Mrs Chapman; added to Harcourt: with the Battle Song from The Italian Villagers, composed by Shield-Incledon.

Afterpiece Title: Britain's Sons; or, Success to our Heroes

Afterpiece Title: The Turnpike Gate

Cast
Role: Joe Standfast Actor: Fawcett
Role: Chandler Actor: Street
Role: Landlady Actor: Mrs Whitmore

Song: In: Together let us range the Fields-Incledon, Mrs Atkins; The Soldier Tir'd (from Artaxerxes)-Mrs Atkins

Performances

Mainpiece Title: Camilla

Performance Comment: Latinus-Turner; Prenesto-Signora Margarita (part in Italian); Turnus-Valentino (in Italian); Metius-Ramondon; Linco-Leveridge; Camilla-Mrs Tofts; Lavinia-Baroness (most in Italian); Tullia-Mrs Lindsey.

Dance: