SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Comical Songs Scots English and Italian"/1) | (@(roleclean,performerclean) "Comical Songs Scots English and Italian")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 2756 matches on Performance Title, 2315 matches on Performance Comments, 1352 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: By Authority [repeated in each bill]. Music by Pergolesi. An English comicBurletta [translated] from the Italian (Public Advertiser)

Performances

Mainpiece Title: La Serva Padrona

Dance: As17610627

Event Comment: A new English Comic Burletta from the Italian. Music by John Adolf? Hasse. To begin at half after seven

Performances

Mainpiece Title: The Ridiculous Guardian

Dance: As17610716

Event Comment: A new English Comic Burletta from the Italian. Music by Galuppi

Performances

Mainpiece Title: The Coquette

Dance: As17610803

Event Comment: At the King's Opera House in The Haymarket. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. To begin at 7 p.m. Vivant Rex et Regina. [Repeated in the bills.] By His Majesty's Company. [First production of an English stage play at this house since 18 Nov. 1710, though touring French or Italian companies had played French plays as late as the spring of 1727. The location verified by Isaac Reed, who attended the performance.

Performances

Mainpiece Title: Othello

Event Comment: Paid salary list 3 days at #72 4s. 1d. per diem #216 12s. 3d.; Mr Weston on his note #5 5s.; Mrs Abington 3 first days not on list #2 10s. (Treasurer's Book). [From a long review in the Public Advertiser 3 Oct.: Two new performers in parts very difficult to execute-Mr Cautherly a pupil of the greatest master of the art of acting that ever graced the English stage (if not European)...has this summer convinced us that he is susceptible of the most refined instructions of his great patron and tutor. Of the Lady, I can say nothing prior to her appearance 30 Sept. as I am noways acquainted with her history any more than that by declaration of common report; she is the spouse of the brother of that Mr Barry who has so greatly pleas'd the town this summer at the Opera House." [Comments on her figure, voice and countenance well adapted to express the stronger passions.] She seemed to be so much in love with Romeo as to forget she represented a young and inexperienced virgin unused to men...The first scene of consequence is the Masquerade scene, which was as to business very badly conducted; but this, I doubt not will be rectified another night, they were discovered in disorder and they went off in confusion. It appeared a tumultous assembly rather than a Masquerade of nobility in an Italian Palace. Romeo stayed so long behind the crow that he was oblig'd to run to his station opposite Juliet to be in time for "Cousin Benvolio, do you mark that lady." [A long and detailed review of the stage action act by act.] In the Garden scene an unlucky accident happened to Cautherly...his nose ran with blood and he was oblig'd to keep his handkerchief to his nose all through, which was a great loss to the audience...The Apothecary is the best figure I ever saw, and spoke more sensibly than I ever heard an apothecary speak in my life. Mr Castle has rescued that character from ridicule, and worked by pity what buffoonery used to run off with-applause." Receipts: #145 11s. 6d. (Treasurer's Book.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Hermit

Event Comment: Mainpiece: Written by Ben Jonson. Afterpiece: With a New Overture by Dr Arnold. With Italian, French, Irish, Scotch, Welsh and English

Performances

Mainpiece Title: The Fox

Afterpiece Title: Gretna Green

Performance Comment: Principal Characters by Wilson, Gaudry, Swords, Egan, Barrett, Ledger, Painter, Bannister; Sga Sestini, Mrs Webb, Miss Morris, Mrs Bannister. [Cast adjusted from text (T. Cadell, 1783) and Larpent MS 634: Rory-Wilson; Crack-Swords; Capt. Tipperary-Egan; Landlord-Ledger; Anvil-Painter; Capt. Gorget-Bannister; Signora Figurante-Sga Sestini; Lady Pedigree-Mrs Webb; Miss Plumb-Miss Morris; Maria-Mrs Bannister. Gaudry, Barrett are unassigned.] New Begging Prologue, in a Musical Medley from The Beggar's Opera, sung by Wilson. [This was sung, as here assigned, at all subsequent performances.] hathi. New Begging Prologue, in a Musical Medley from The Beggar's Opera, sung by Wilson. [This was sung, as here assigned, at all subsequent performances.] hathi.
Cast
Role: Landlord Actor: Ledger

Music: [Prologue by George Colman, the elder.]

Dance: End of Act III of mainpiece, as17840528

Event Comment: A Serious Opera, the music by Bianchi, under whose direction this Opera is now revived, and the Chorusses under Dr Arnold. ["A little miscreant Italian cabal, who have endeavoured to derange the performances at this Theatre, attempted to hiss Kelly, who had generously come from Drury Lane Theatre that the serious Opera might not be interrupted. The liberal feelings of the English subscribers overpowered the noise, and Kelly received the applause which his spirit deserved" (Morning Chronicle, 9 Feb.).

Performances

Mainpiece Title: Semiramide Or La Vendetta Di Nino

Related Works
Related Work: Semiramide; o, La Vendetta di Nino Author(s): Ferdinando Moretti

Dance: As17950124

Event Comment: The United Company. The exact date of the first production is not known, but the play was entered in the Term Catalogues, February 1691@2, and mentioned in the Gentleman's Journal, February 1691@2 (licensed 12 February 1691@2). In all probability, it was first acted not later than January 1691@2. The music to one song, As soon as the Chaos, was composed by Henry Purcell. See Purcell, Works, Purcell Society, XX (1916), xvii. Two songs--Bonny lad prithee lay thy pipe down, with music by Tollet; Great Jove once made love like a bull, with music by Mountfort--are in The Banquet of Musick, The Sixth and Last Book, 1692. Dedication, Edition of 1692: Having at last so well acquitted it self on the Stage (tho' the thronging, imperfect Action, and worse than all, the faulty length, which I will never be guilty of again, render'd it little Diversion the first day). A Letter to Mr D'Urfey [by Charles Gildon], Edition of 1692: If there be any fault in this Play, 'tis that which few are guilty of; that is, there are too many good Characters, too full of Humour, a very Pardonable failing, which only proceeds from Variety, the life of Pleasure and Wit, tho' that gave it the disadvantage of seeming too long the first days Acting, tho' the Stage's being throng'd with Spectators, did not a little contribute to the imperfect Acting of it, which accidental Misfortunes concurring with the Endeavours of an opposite Faction, must needs have damn'd it, had it not by the Force and Vigour of its own Worthy, rais'd it self the second day with the general Applause of all that saw it....But the Marriage-hater went further, and in spight of all the disadvantages it labour'd under of Action and Audience, pleas'd on, after several times Repetition. See also Poeta Infamis; or, A Poet not worth Hanging (1692) for a variety of comments upon this play. London Mercury, 26 Feb. 1691@2: Query 4. Whether in Justice he [D'Urfey] is not obliged to present Mr Dogget (who acted Solon to so much Advantage) with half the Profit of his Third Day, since in the Opinions of most Persons, the good Success of his Comedy was half owing to that admirable Actor? Query 5. Whether, if there be any Wit in bringing a Person upon the Stage with an extravagantly broad-brimmed Hat, and a Muff of the same Size, so it will not be a very easy Matter for the next Poet that writes a Play, to Out-hat and Out-muff his Predecessors, and consequently to Out-wit him? Downes, Roscius Anglicanus, p. 42: Mr Dogget perform'd the part of Solon Inimitably. Gentleman's Journal, p. 454, February 1691@2 (licensed 12 Feb. 1691@2): I send you the Marriage-hater match'd, a new Comedy by Mr Durfey; it hath met with very good success, having been plaid six days together, and is a diverting Play. Gentleman's Journal, January 1691@2: Now I speak of Music I must tell you that we shall have speedily a new Opera, wherein something very surprising is promised us; Mr Purcel who joyns to the Delicacy and Beauty of the Italian way, the Graces and Gayety of the French, composes the Music, as he hath done for the Prophetess, and the last Opera called King Arthur, which hath been plaid several times the last Month [presumably December 1691]

Performances

Mainpiece Title: The Marriage hater Matched

Performance Comment: Edition of 1692: L. Brainless-Bowman; Sir Philip Freewit-Monfort; Sir Lawr. Limber-Sandford; Capt. Darewell-Hodson; Myn Here Van Grin-Leigh; Bias-Bright; Solon-Dogget; Callow-Bowen; MacBuffle-Trefuse; Thummum-Smeaton; Splutter-Colly Cibber?; Lady Subtle-Mrs Barry; Lady Bumfiddle-Mrs Cory; Phaebe-Mrs Bracegirdle; Berenice-Mrs Lassels; La Pupsey-Mrs Butler; Margery-Mrs Lawson; Prologue Mr Monford Enters, meets Mrs Bracegirdle dressed in Boy's Cloaths, who seeing her him, Endeavours to go back, but he taking hold of her, speaks-Mr Monford; Epilogue-La Pupsey with her Lapdog in Masquerade.
Cast
Role: Limber Actor: Sandford
Event Comment: Gentleman's Journal p. 26, August 1692 (licensed 24 Aug. 1692): The first of the three Songs which I send you is set by Mr Purcell the Italian way; had you heard it sung by Mrs Ayliff you would have owned that there is no pleasure like that which good Notes, when so divinely sung, can create. [The song, Ah me! Ah me! to many, many deaths, the words by John Crowne and the music by Henry Purcell, is in Crowne's Regulus. See Early June 1692.

Performances

Event Comment: Benefit for Sga Passerini. Pit and Boxes half a Guinea. Gallery 5s. The Overture and some songs composed by his Majesty the King of Prussia. The Remaining songs by the best masters as Quantz, Nichelman, Benda. The Duet and chorus-Graun, chief composer of the court, poetry-Villati. The afterpiece "an Italian Pastoral.

Performances

Mainpiece Title: Alexanders Feast

Afterpiece Title: Charlottenburg Festeggiante

Performances

Mainpiece Title: Abroad And At Home

Performance Comment: Harcourt (with the Battle Song, from The Italian Villagers, composed by Shield)-Incledon; Sir Simon Flourish (1st time)-Emery; Captain O'Neill-Johnstone; Old Testy-Munden; Young Flourish-Fawcett; Young Testy-Knight; Bluff-Townsend; Snare-Claremont; Tipstaff-Simmons; Kitty-Mrs Martyr; Lady Flourish-Mrs Litchfield; Miss Hartley-Miss Poole; (for that night only; a New Obligato Song-Miss Poole;, accompanied on the violin-Mountain.

Afterpiece Title: The Prisoner at Large

Afterpiece Title: Fun and Frolic or Sailors Revels

Performance Comment: Vocal Parts-Johnstone, Munden, Fawcett, Incledon, Townsend, Linton, Street; With a jolly full bottle- [see17990528]; Boxing the Compass-Fawcett; Young William-, the melody by Incledon [and see17990606; Four and Twenty Fidlers-Munden; Brave Betty was a maiden Queen-Johnstone; Song-Townsend; The New Mariners-Chorus.

Song: In course Evening: The Storm-Incledon; Black Ey'd Susan-Incledon; Mad Tom of Bedlam (in character)-Incledon; Together let us range (composed by Boyce)-Incledon, Miss Poole

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81, a last, undated entry in a series of plays acted from 28 May 1675 to 12 May 1677. See also Nicoll, Restoration Drama, p. 348. A performance, dated 12 May 1677, is on the L. C. lists at Harvard; see VanLennep, Plays on the English Stage, 1669-1672, p. 12. Downes (pp. 36-37): All the Musick was set by Mr Banister, and being well Perform'd, it answer'd the Expectation of the Company. Two of the songs, with the music by Bannister, are in Choice Ayres and Songs, The Second Book, 1679. The Songs in Circe, published separately in 1677, bears a licensing date of 7 May 1677. The play was licensed 18 June 1677, and entered in the Stationers' Register, 19 June 1677

Performances

Mainpiece Title: Circe

Event Comment: Betterton's Company. The date of the first performance is not certain, but the evidence points toward this day. On Thursday 19 Nov. 1696, Robert Jennens reported that the two pieces had been acted four or five days together. If that day saw the fifth performance, the premiere probably occurred on 14 Nov. 1696. The Single Songs and Dialogue in Mars and Venus, set by John Eccles (Acts I and II) and Godfrey Finger (Act III), was published separately in 1697. The pieces for whom a performer is indicated are as follows: Prologue. The first Song Sung by Mrs Hudson, set by Finger: Come all, with moving songs [it is reproduced opposite page 300 in Wiley, Rare Prologues and Epilogues]. Love alone can here alarm me, sung by Mrs Ayloffe. Scorn tho' Beauty frowns to tremble, sung by Mrs Hudson. To double the sports, sung by Mrs Ayloffe. To treble the pleasures with regular measures, sung by Mrs Ayloffe. To meet her, May, the Queen of Love comes here, set by John Eccles and sung by Mrs Hudson. See Vulcan, Jealousie, Jealousie appears, set by Finger and sung by Mrs Hudson. Yield, no, no, sung by Mrs Bracegirdle and Bowman. Gildon, English Dramatick Poets, p. 115: This Play met with extraordinary Success having the Advantage of the excellent Musick of The Loves of Mars and Venus perform'd with it. Downes, Roscius Anglicanus, pp. 44-45: The Anatomist, or Sham Doctor, had prosperous Success, and remains a living Play to this Day; 'twas done by Mr Ravenscroft. A Comparison Between the Two Stages (1702), p. 20: I remember the success of that was owing to the Musick

Performances

Mainpiece Title: The Anatomist Or The Sham Doctor

Afterpiece Title: The Loves of Mars and Venus

Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the Songs were advertised in the Post Boy, 29-31 March 1698, and performance probably occurred in early March. One song, All things seem deaf to my complaints, set by John Eccles and sung by Mrs Bowman, was published in The A'lamode Musician, 1698. According to the Post Boy, 17-19 March 1697@8, another song, Fair Amoret is gone Astray, had its words written by Congreve, and, according to the Post Boy, 29-31 March 1698, the music set by John Eccles. A Comparison Between the Two Stages (1702), p. 20: Damn'd. Gildon, English Dramatick Poets, p. 173: I have little to say to this Play, for 'tis not fair to attack a Man that's down, tho' I do not think (considering what Plays have pleas'd) that this ought to have met with so severe a Fate

Performances

Mainpiece Title: The Pretenders Or The Town Unmaskd

Performance Comment: Edition of 1698: Lord Courtipell-Thurmond; Sir Wealthy Plainder-Underhill; Sir Bellamour Blunt-Kynaston; Vainthroat-Bowman; Breakage-Trefuse; Captain Bownceby-Bright; Nickycrack-Bowen; Prim-Baily; Widow Thoroshift-Mrs More; Minx-Mrs Peryng; Ophelia-Mrs Bowman; Sweetny-Mrs Lee; Nibs-Mrs Lawson; Doll-Mrs Willis; Prologue-Mrs Bowen coming upon the Stage in a great huff, follow'd by a Prompter, with a Paper in his hand, and a Boy with a Bottle and Glass; Epilogue-Mrs Moor.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Dance: II: By a Scholar of Nivelon's. III: Two Pierrots by Nivelon and Lalauze. IV: Tambourine by Miss Rogers. V: Sailors (from Orestes) by Glover and others

Performance Comment: III: Two Pierrots by Nivelon and Lalauze. IV: Tambourine by Miss Rogers. V: Sailors (from Orestes) by Glover and others .

Song: I: Chanson a Boire, to Musick of Mr Handel's, sung by Leveridge and Laguerre. II: The Confession by Roberts and Miss Norsa. III: The Opinion of the Ancients, set to Musick, by the Famous Mr Henry Purcell, and sung by Leveridge and Beard. IV: A Song in the Anacreontick Stile by Leveridge. V: A new Song in Praise of Old English Brown Beer, being a Sequel to the Roast Beef Song, and fit to be sung by all True Britons, and Lovers of Old England

Performance Comment: II: The Confession by Roberts and Miss Norsa. III: The Opinion of the Ancients, set to Musick, by the Famous Mr Henry Purcell, and sung by Leveridge and Beard. IV: A Song in the Anacreontick Stile by Leveridge. V: A new Song in Praise of Old English Brown Beer, being a Sequel to the Roast Beef Song, and fit to be sung by all True Britons, and Lovers of Old England .
Event Comment: Benefit Hale and Mrs Hale. Mainpiece Written by Shakespear, reviv'd by particular desire. Containing the Memorable Battle of Agincourtv, with the total overthrow of the French Army, and many other Historical Passages. In order to preserve a proper decorum, and that this play may not be interrupted in its performance, the Publick may be assured there will not be any building on the stage.-General Advertiser. [In advance bill Nancy; or, The Parting Lovers had been advertised; Tom True Blue-$Beard; Father-$Leveridge; Captain of Press Gang-$Bencraft; Nancy-$Mrs Clive.

Performances

Mainpiece Title: The Life Of King Henry The Fifth

Performance Comment: King Henry-Hale; Fluellin-Hippisley; Pistol-Woodward; French King-Cashell; Dauphin-Goodall; Archbishop of Canterbury-Chapman; Exeter-Stephens; English Soldier-Rosco; Constable of France-Bridgwater; Burgundy-Gibson; Queen of France-Mrs James; Catherine-Mrs Hale; French Soldier-Destrade (being the first time of his attempting to speak on the stage); With the Chorus (after the manner of the ancients)-Ryan; In the play will be properly introduc'd the Songs To Arms, Britons Strike Home-Leveridge, Beard, Reinhold; With a New Prologue for the Occasion-.
Cast
Role: English Soldier Actor: Rosco

Afterpiece Title: The Lottery

Performances

Mainpiece Title: The Country Lasses Or The Custom Of The Manor

Performance Comment: Modely-Dyer; Heartwell-Gibson; Freehold-Bridgwater; Sir John English-Arthur; Lurcher-Anderson; Carbuncle-Marten; Sneak-Paddick; Timothy-Collins; Longbottom-Bencraft; Double Jugg-Dunstall; Vulture-Cushing; Flora-Mrs Dyer; Aura-Mrs Vincent; Country Dance- incident to the play; the Original Sheep Shearing Song (New set by Arne)-Mrs Chambers.
Cast
Role: Sir John English Actor: Arthur
Role: Lurcher Actor: Anderson

Afterpiece Title: Perseus and Andromeda

Performances

Mainpiece Title: A Medley Concert

Performance Comment: As17570902, but Introduction-_; Mr Lauder_; Blind Man's Buff-_; When all the Attic Fire was fled-_; a Voluntary on the Cymbalo-Mr Noel Sr; Favourite English Song-Miss Gaudry.

Afterpiece Title: Harlequins Frolic

Event Comment: Mainpiece: By Desire. Afterpiece with alterations and additions. [A song sung in the "New Scene in Harlequin's Invasion" appears in The Jester's Magazine, May 1766, p. 254. Harlequin enters with a Dancing Bear, and sings four stanzas in broken English about the advantages of dancing, for men, women, philosophers, and politicians. Harlequin's speech is Frenchified English.

Performances

Mainpiece Title: The School For Lovers

Cast
Role: Dorilant Actor: Holland

Afterpiece Title: The Harlequins Invasion

Performances

Mainpiece Title: The Lovers Of Their Country Or Themistocles And Aristides

Performance Comment: A Set of Gentlemen and Ladies who never appeared on any stage; With an Occasional Prologue-; Epilogue-; several English Songs-.
Cast
Role: several English Songs Actor: .

Afterpiece Title: The Country Farmer Deceivd or Harlequin Statue

Dance: After the Play: Louvre, Minuet-Lalauze, Miss Lalauze

Entertainment: new Interlude:% The Old Women Weather Wise

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Omai

Performance Comment: As17860105, but Edwin's part here called An English Sailor (with a song) .
Event Comment: Afterpiece: 51st [recte 50th] Time [i.e. in continuation of the reckoning for the previous season]. With a Processionv exactly representing the Dresses, Weapons, and Manners of the Inhabitants of Otaheite, New Zealand, Tanna, Marquesas, the Friendly Islands, Sandwich Islands, and Easter Islands, Tschutzki, Siberia, Kamtschatka, Nootka Sound, Onalashka, Prince William's Sound, and the other Countries visited by Captain Cook. Receipts: #263 15s. 6d. (260.5.0; 3.10.6)

Performances

Mainpiece Title: The Duenna

Performance Comment: Ferdinand-Johnstone; Isaac-Quick; Jerome-Edwin; Antonio-Davies; Father Paul-Booth; Lopez-Wewitzer; Carlos-Mrs Kennedy; The Duenna-Mrs Webb; Louisa-Mrs Martyr; Clara-Mrs Billington.
Cast
Role: Ferdinand Actor: Johnstone

Afterpiece Title: Omai or A Trip round the World

Performance Comment: Towha (Guardian Genuis of Omai's Ancestors)-Helme; Otoo(, Father of Omai)-Darley; Omai-Blurton; Harlequin(, Servant to Omai)-Kennedy; Oediddee(, Pretender to Throne)-Mrs Kennedy; Oberea(, an Enchantress)-Mrs Martyr; Don Struttolando(, Rival to Omai)-Fearon; Clown(, his Servant)-Stevens; Britannia-Mrs Inchbald; Londina(, Consort destined to Omai)-Miss Cranfield; Colombine(, Maid to Londina)-Miss Rowson; An English Sailor (with a song)-Edwin.
Cast
Role: Don Struttolando Actor: Fearon
Role: An English Sailor Actor: Edwin.
Event Comment: Mainpiece: Not acted these 3 years [acted in place of Love Makes a Man, advertised on playbill of 15 Mar.]. Afterpiece: Loutherbourg's celebrated Pantomimev. Not acted these 3 years [acted 4 Dec. 1786]. With new Decorations, and the Scenery new painted. With a Processionv exactly representing the Dresses, Weapons, and Manners of the Inhabitants of Otaheite, New Zealand, Tanna, Marquesas, the Friendly Islands, Sandwich Islands and Easter Islands, Tschutzki, Siberia, Kamtschatka, Nootka Sound, Onalashka, Prince William's Sound, and the other Countries visited by Captain Cook. [This was included in all subsequent performances.] Receipts: #256 17s. 6d. (250.5.6; 6.12.0)

Performances

Mainpiece Title: Oroonoko Or The Royal Slave

Performance Comment: Oroonoko-Pope; Governor-Davies; Blandford-Hull; Captain Driver-Fearon; Stanmore-Cubitt; Jack Stanmore-Macready; Hotman-Thompson; Daniel-Quick; Aboan-Aickin; Charlotte Weldon-Mrs Bernard; Lucy-Mrs Lewis; Widow Lackit-Mrs Webb; Imoinda-Mrs Pope.
Cast
Role: Blandford Actor: Hull

Afterpiece Title: Omai or A Trip round the World

Performance Comment: Towha (the Guardian Genius of Omai's Ancestors)-Helme; Otoo (Father of Omai)-Darley; Omai-Blurton; Harlequin (Servant to Omai)-Brown; Oediddee (Pretender to the Throne)-Mrs Kennedy; Oberea (an Enchantress)-Mrs Martyr; Don Struttolando (Rival to Omai)-Macready; Clown (his Servant)-Wewitzer; Britannia-Mrs Platt; Londina (the Consort destined to Omai)-Mrs Watts; Colombine (Maid to Londina)-Mrs Rock; An English Sailor (with a song)-Edwin.
Cast
Role: Don Struttolando Actor: Macready
Role: An English Sailor Actor: Edwin.
Event Comment: Benefit for Lauder. By Particular desire and by Authority

Performances

Mainpiece Title: The Gentle Shepherd

Performance Comment: With an Alteration in the performers. In which Lauder will introduce several favourite Scots Songs.
Related Works
Related Work: The Gentle Shepherd Author(s): Cornelius Vanderstop

Dance: Middlemist

Performances

Mainpiece Title: The Gentle Shepherd

Performance Comment: Sir William Worthy-Lauder (with favorite Scots songs); Prologue-Lauder.
Related Works
Related Work: The Gentle Shepherd Author(s): Cornelius Vanderstop

Entertainment: The Cries of Edinburgh-Lauder

Dance: McClean, 1st appearance on the stage