SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Comical Songs Scots English and Italian"/1) | (@(roleclean,performerclean) "Comical Songs Scots English and Italian")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 2756 matches on Performance Title, 2315 matches on Performance Comments, 1352 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: A New English Opera. The Music Compos'd by Mr Rush. Signora Cremonini, Clementini, made her first appearance on this Stage in the Character of Eliza. Sings very well, very Graceful Deportm[en]t & is a great Support to the Opera. many of the Songs were Encor'd. Some few Hisses. but upon the whole, was pretty well receiv'd (Hopkins). Books of the Opera to be sold at the Theatre. A new English Opera, the Royal Shepherd-the Musick composed by Mr Rush.-Siga Cremonini made her first appearance,--sings ver fine,--very graceful deportment, and is a great support to the Opera.--Some hisses--Many of the songs encored. Upon the whole was well liked...On this occasion the Stage was cut near two feet and a half to enlarge the orchestra, to make it contain the additional performers who belong to the Opera House, on whose account the Opera cannot be performed Tuesdays and Saturdays (Hopkins Diary-MacMillan)

Performances

Mainpiece Title: The Royal Shepherd

Performance Comment: Principals by Vernon, Champnes, Mas. Raworth, Miss Young, Miss Wright, Miss Williams, Mrs Dorman, Sga Cremonini. Alexander-Champnes; Amintas-Vernon; Eliza-Signora Cremonini; Thamiris-Miss Young; Camilla-Miss Wright; Agenor-Mrs Dorman (Edition of 1764).
Cast
Role: Alexander Actor: Champnes
Related Works
Related Work: Amintas Author(s): Ferdinando Tenducci

Dance: I: A New Dance call'd The Hunters-Mas. Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-Obrien; Lord Randolph-Blakes; Glealvon-Simons; Old Norval-Walker, first time; Lady Randolph-a Young Gentlewoman; Anna-Miss Taylor.

Afterpiece Title: The Gentle Shepherd

Performance Comment: Patie-McPherson; Roger-Ramsay; Bauldy (with a new Prologue)-Walker; Peggy-Miss Graham; Jenny-Miss Gordon; with several favorite English and Scotch Songs-; Dances-.
Related Works
Related Work: The Gentle Shepherd Author(s): Cornelius Vanderstop
Event Comment: The Company will perform on Friday and Saturday next, and then finally close the Season

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Robinson Crusoe or Harlequin Friday

Performance Comment: Robinson Crusoe-The Gentleman who performs Altamont; Harlequin Friday-Wright; Pantaloon-Wellman; Pierrot-Kerridge; Spanish Don-Payne; English Lieutenant (with a song)-Wellman; Fryars(with song and Chorus from The Duenna)-Wellman, Kerridge, Payne, &c.; Savages and Sailors-Meadow, Stevenson, Payne Jun., &c.; Clown-Benson; Old Lady-Mrs Monk; Colombine-Mrs Wellman .

Song: Between the Acts of afterpiece, by Mrs Benson, &c

Event Comment: Afterpiece: With a Procession of the Inhabitants of Otaheite, New Zealand, Tanna, Marquesas, the Friendly, Sandwich, and Easter Islands, Tschutzki, Siberia, Kamtschatka, Nootka Sound, Onalashka, Prince William's Sound, and the other Countries visited by Captain Cook, exactly representing their Dresses and Weapons. Receipts: #237 19s. (231/16; 6/3)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Omai and see17851220

Performance Comment: Towha, the Guardian Genius of Omai's Ancestors-Mrs Rivers; Otoo, Father of Omai-Darley; Omai-Blurton; Harlequin, Servant to Omai-Kennedy; Oediddee, Pretender to the Throne-Mrs Kennedy; Oberea, an Enchantress-Mrs Martyr; Britannia-Mrs Inchbald; Don Struttolando, Rival to Omai-Palmer; Clown, his Servant, and Rival to Harlequin-Delpini; Father of Londina-Thompson; Mother-Mrs Davenett; Londina, the Consort destined to Omai-Miss Cranfield; Colombine, Maid to Londina-Miss Rowson; Old Fairy, Friend to Harlequin-Wewitzer; English Captain-Brett; Justice-Davies; A Travelled Otaheitean (with songs)-Edwin. [Songs (T. Cadell, 1785) adds: Constables-Doyle, Meadows, Swords.] hathi. hathi.
Event Comment: The Duke's Company. Pepys, Diary: To the Opera, where there was a new play (Cutter of Coleman Street), made in the year 1658, with reflections much upon the late times; and it being the first time, the pay was doubled, and so to save money, my wife and I went up into the gallery, and there sat and saw very well; and a very good play it is. It seems of Cowly's making. Downes (Roscius Anglicanus, p. 25): This Comedy being Acted so perfectly Well and Exact, it was perform'd a whole Week with a full Audience. John Dennis, Dedication to The Comical Gallant, 1702: The only Play that ever Mr Cowley writ, was barbarously treated the first night, as the late Mr Dryden has more than once informed me, who has told me that he went to see it with the famous Mr Sprat, now Bishop of Rochester, and that after the Play was done, they both made a visit to Mr Cowley. Langbaine (English Dramatick Poets, p. 81): This Play met with some Opposition, at its Representation under this new Name, from some who envyed the Authors unshaken Loyalty to the Prince, and the Royal Cause, in the worst of Times. BM Add. Mss. 34217, fol. 31b, in Hotson (Commonwealth and Restoration Stage, p. 247): @The Cutter of Coleman street had more fame@Before the Author chang'd its name@And shewd himselfe an Englishman right@By mending of things to spoyle them quite@And bee's more to blame because he can tell@(No better) to make new strings soe well.

Performances

Mainpiece Title: The Cutter Of Coleman Street

Performance Comment: Downes (Roscius Anglicanus, p. 25): Colonel Jolly-Betterton; Old Trueman-Lovel; Young Trueman-Harris; Cutter-Underhill; Captain Worme-Sandford; Parson Soaker-Dacres; Puny-Nokes; Will-Price; Aurelia-Mrs Betterton [Mrs Saunderson]; Lucia-Mrs Anne Gibbs; Laughing Jane-Mrs Long; [The edition of 1663 has a Prologue-; an Epilogue-[, but no actors' names., but no actors' names.
Cast
Role: Captain Worme Actor: Sandford

Performances

Mainpiece Title: Speculation

Afterpiece Title: Lord Mayors Day

Performance Comment: Act I. Scene I. A View in Laplandv; The Death and Renovation of the Elk-; Harlequin-Farley; Whalebone-Follett; Ulan Shmolinski Czernsdorff [, the Gynosophist-Thompson; Columbine-Mlle St.Amand; Aerial Spirit-Mrs Martyr; [Scene II. Cornhillv-Mr Deputy Gobble's Housev; The False Step-O'Flanagan's Blunders-The Desponding Maiden-The Sailor's Return-Gobble's Disaster-with a Triumphal Procession of English Amazonians. Captain O'Flanagan-Johnstone; Sailor-Townsend; Polly-Mrs Mountain (with the Duetto, Oh! welcome home, my dearest Jack, composed by Shield); English Amazonians-Mrs Platt, Miss Logan, Miss Walcup, Mrs Blurton, Mrs Crowe, Mrs Cranfield, Miss Kirton, Miss Cox, Miss Coombs, Mrs Norton, Mrs Rowson; [Scene III. Inside of Gobble's Housev. The Widow Bewitched-How to restore a Deputy Common Council-Man. Scene IV. Outside of Dancing, Shaving and Hair-dressing Academyv; Scene V. Inside of Dancing Academyv; In which The Long Minuet-(Taken from the Caricature Print [see17951109]); Principal Dancers-Cranfield, King, Bayzand, Jackson, Coombs, Price, Rayner, Noble, Mrs Watts, Mrs Follett, Miss Ives, Mrs Castelle, Mrs Masters, Miss Webb, Miss Smith, Mrs Bayzand; Dancing Master-Simmons; [Scene VI. Inside of Hair-dressing Academyv; Shaving made easy to the meanest Capacity. Master of the Academy-Wilde; Irish Song-Johnstone; [To conclude with a Dance of Block Heads-; [Act II. Scene I. Cornhillv; Lord Mayor's Coach returning to Guildhall. I sup with Gobble, My names's O'Flanagan-Johnstone?; [Scene II. A Streetv; A Balcony on each side of the Stage. The Lover's Leap-Harlequin's Flight across the Theatre. Scene III. Inside of Gobble's Housev; The Power of Harmony. Music hath Charms-O'Flanagan's performance on the Violin-Water parted from the Sea-The Lads of the Village-Come sing round my favorite Tree-and Stoney Batter, all the same to O'Flanagan. Scene IV. A Tavernv; A Meeting of the Council-Men. Most Learned Debates!!-The Magical Nosegay-with the Crying, Laughing, Sneezing, Yawning, Dancing and Whistling Glee, by Shield-Carriage for the Company-Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot; [Scene the Last. A View of Londonv; taken from the Surrey Shorev, with an exact Representation of the Lord Mayor's Show on the Water. To conclude with a Dance-; a Finale-[composed by Shield.composed by Shield.
Cast
Role: The Death and Renovation of the Elk Actor:
Role: Columbine Actor: Mlle St.Amand
Role: The False Step Actor: O'Flanagan's Blunders-The Desponding Maiden-The Sailor's Return-Gobble's Disaster-with a Triumphal Procession of English Amazonians. Captain O'Flanagan-Johnstone
Role: O'Flanagan's Blunders Actor: The Desponding Maiden-The Sailor's Return-Gobble's Disaster-with a Triumphal Procession of English Amazonians. Captain O'Flanagan-Johnstone
Role: The Desponding Maiden Actor: The Sailor's Return-Gobble's Disaster-with a Triumphal Procession of English Amazonians. Captain O'Flanagan-Johnstone
Role: The Sailor's Return Actor: Gobble's Disaster-with a Triumphal Procession of English Amazonians. Captain O'Flanagan-Johnstone
Role: Gobble's Disaster Actor: with a Triumphal Procession of English Amazonians. Captain O'Flanagan-Johnstone
Role: English Amazonians Actor: Mrs Platt, Miss Logan, Miss Walcup, Mrs Blurton, Mrs Crowe, Mrs Cranfield, Miss Kirton, Miss Cox, Miss Coombs, Mrs Norton, Mrs Rowson
Role: The Widow Bewitched Actor: How to restore a Deputy Common Council-Man. Scene IV. Outside of Dancing, Shaving and Hair-dressing Academyv
Role: How to restore a Deputy Common Council Actor: Man. Scene IV. Outside of Dancing, Shaving and Hair-dressing Academyv
Role: Shaving and Hair Actor: dressing Academyv
Role: Principal Dancers Actor: Cranfield, King, Bayzand, Jackson, Coombs, Price, Rayner, Noble, Mrs Watts, Mrs Follett, Miss Ives, Mrs Castelle, Mrs Masters, Miss Webb, Miss Smith, Mrs Bayzand
Role: Music hath Charms Actor: O'Flanagan's performance on the Violin-Water parted from the Sea-The Lads of the Village-Come sing round my favorite Tree-and Stoney Batter, all the same to O'Flanagan. Scene IV. A Tavernv
Role: O'Flanagan's performance on the Violin Actor: Water parted from the Sea-The Lads of the Village-Come sing round my favorite Tree-and Stoney Batter, all the same to O'Flanagan. Scene IV. A Tavernv
Role: Water parted from the Sea Actor: The Lads of the Village-Come sing round my favorite Tree-and Stoney Batter, all the same to O'Flanagan. Scene IV. A Tavernv
Role: The Lads of the Village Actor: Come sing round my favorite Tree-and Stoney Batter, all the same to O'Flanagan. Scene IV. A Tavernv
Role: Come sing round my favorite Tree Actor: and Stoney Batter, all the same to O'Flanagan. Scene IV. A Tavernv
Role: A Meeting of the Council Actor: Men. Most Learned Debates!!-The Magical Nosegay-with the Crying, Laughing, Sneezing, Yawning, Dancing and Whistling Glee, by Shield-Carriage for the Company-Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot
Role: ! Actor: The Magical Nosegay-with the Crying, Laughing, Sneezing, Yawning, Dancing and Whistling Glee, by Shield-Carriage for the Company-Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot
Role: The Magical Nosegay Actor: with the Crying, Laughing, Sneezing, Yawning, Dancing and Whistling Glee, by Shield-Carriage for the Company-Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot
Role: by Shield Actor: Carriage for the Company-Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot
Role: Carriage for the Company Actor: Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot
Role: Running without Horses Actor: and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot
Event Comment: The Duke's Company. This performance, the premiere, is on the L. C. list, 5@141, p. 216: first Acting. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p406. The title page states: The English Opera; or The Vocal Musick in Psyche, with the Instrumental Therein Intermix'd...By Matthew Lock. Preface: All the Instrumental Musick (which is not mingled with the Vocal) was Composed by that Great Master, Seignior Gio. Baptista Draghi, Master of the Italian Musick to the King. The Dances were made by the most famous Master of France, Monsieur St.Andree. The Scenes were Painted by the Ingenious Artist, Mr Stephenson. In those things that concern the Ornament or Decoration of the Play, the great industry and care of Mr Betterton ought to be remember'd, at whose desire I wrote upon this Subject. Roger North Upon Music: I am sure the musick in the Psyche was composed by Mr M. Lock, of whom wee may say, as the Greeks sayd of Cleomenes, that he was ultimus Heroum. This masque is also in print, and begins 'Great Psyche,' &c. and the book containing the whole musick of that entertainment is not unworthy of a place in a vertuoso's cabanet (ed. John Wilson [1959], pp. 306-7). Preface to Settle's Ibrahim (licensed 4 May 1676): I have often heard the Players cursing at their oversight in laying out so much on so disliked a play [Psyche]; and swearing that they thought they had lost more by making choice of such an Opera: writer than they had gained by all his Comedies; considering how much more they might have expected, had such an Entertainment had that scence in it, that it deserved: and that for the future they expect the Tempest, which cost not one Third of Psyche, will be in request when the other is forgotten. Downes (Roscius Anglicanus, pp. 35-36): In February 1672. The long expected Opera of Psyche, came forth in all her Ornaments; new Scenes, new Machines, new Cloaths, new French Dances: This Opera was Splendidly set out, especially in Scenes; the Charge of which amounted to above 800l. It had a Continuance of Performance about 8 Days together it prov'd very Beneficial to the Company; yet the Tempest got them more Money

Performances

Mainpiece Title: Psyche

Event Comment: Post Boy, No. 459, 12-14 April 1698: Friday next the 15th of April, in York Buildings, at the Request of several Persons of Quality, will be a find Consort, by Seignior Rampony, Musician to Prince Vaudemont, will sing in Italian, French, and English, beginning at 8 a Clock. [A similar announcement in the Post Man, 12-14 April 1698, adds that the tickets will cost 5s.

Performances

Mainpiece Title: Concert

Event Comment: Afterpiece: [By Colley Cibber. Music by Dr Pepusch.] A New Musical Masque...in two several Interludes, compos'd after the Italian manner and perform'd all in English. N.B. A Printed Book of the Masque will be given each Person that pays in the Pit or Boxes

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Venus and Adonis

Music: A select Band of the best Masters of Instrumental Musick

Event Comment: At the Desire of several Persons of Quality. Afterpiece: a Masque, Compos'd Musick after the Italian Manner, and perform'd all in English

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Afterpiece Title: Venus and Adonis

Event Comment: [Afterpiece: By Colley Cibber.] Never perform'd before. Compos'd to Musick after the Italian Manner and performed all in English. The Habits being all New

Performances

Mainpiece Title: The False Friend

Afterpiece Title: Myrtillo

Dance: Dancing Proper to the Masque-Dupre, Boval, Dupre Jr, Miss Santlow, Mrs Bicknell, Miss Younger

Event Comment: Benefit Mrs del'Epine. Afterpiece: [Words by Barton Booth. Music by Pepusch.] A New Masque, Set to Musick after the Italian Manner, and perform'd all in English. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: Wit Without Money

Afterpiece Title: The Death of Dido Dido and Aeneas

Event Comment: By His Majesty's Command. N.B. For the better Information of those who do not thoroughly understand the Italian Language, a Book with the Argument and Explanations in English, of what is transacted in every Scenes, may be had...at the usual Places in the Opera-House. Price 6d. [The King, Prince, and Princess present.

Performances

Mainpiece Title: The Enchanted Island Of Arcadia Or The Magician Doctor With Harlequin King Of The Woods Flights Decorations And Transformations Of Harlequin Cupid Pantalon Venus And Brighella Jupiter And The Sacrifice Of Harlequin

Dance: Furies, Nymphs, Shepherds, Statues-; , the latter performing the Labours of Hercules-Statues , after the Manner of the Venetian Gondaliers at Venice: The whole full of Variety

Event Comment: A New English Opera (after the Italian Method). [Text by Henry Carey. Music by John Frederick Lampe.] Subscribers' Tickets will not be taken after the first four Nights. Pit and Boxes 6s. Gallery 3s

Performances

Mainpiece Title: Amelia

Related Works
Related Work: Amelia Author(s): Richard Cumberland
Event Comment: A New English Opera. [Text by Thomas Lediard.] Set to Musick after the Italian Manner by Mr John Frederick Lampe. The Scenes and Cloaths are entirely New. With the Representation of a Transparent Theatre. Curiously Illuminated, and adorn'd with a great Number of Emblems, Mottos, Devices, and Inscriptions; and embellish'd with Machines, in a Manner entirely new. N.B. The Illuminations and other Preparations for this Opera are such, that no Person whatever can be admitted to the Stage. Pit and Boxes put together at 6s. Gallery 3s. 6 p.m. [For a discussion of Lediard and this work, see a series of articles by Ifan Kyrle Fletcher, Sybil Rosenfeld, and Richard Southern in Theatre Notebook, II (1948), 42-54.

Performances

Mainpiece Title: Britannia

Event Comment: A New English Opera after the Italian Manner. [Text by Henry Carey. Set to Musick by John Christopher Smith.] Pit and Boxes put together at 5s. First Gallery 3s. Upper Gallery 2s. 6 p.m. Receipts: For Mr Arne

Performances

Mainpiece Title: Teraminta

Performance Comment: Edition of 1732 lists: Gozanes-Hussey; Xarino-Mrs Barbier; Cratander-Miss Jones; Teraminta-Miss Arne; Ardelia-Mrs Chambers.
Cast
Role: Cratander Actor: Miss Jones
Event Comment: For the Entertainment of Tomo Chachi [and others, as at LIF, 20 Aug.]. 6 P.M. Admission: 5s., 3s., 2s., 1s

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental, by the best Masters from the Operas

Entertainment: And after the Concert is over, at the particular Desire of the King, &c. Mr Topham, from Islington, is to perform all the Experiment of his surprising Strength. With Singing by him, both in Italian and English

Performance Comment: Mr Topham, from Islington, is to perform all the Experiment of his surprising Strength. With Singing by him, both in Italian and English .
Event Comment: [Prince of Wales and Princess Amelia present.] Lord Hervey to Henry Fox, 2 Nov.: No place is full but the Opera; and Farinelli is so universally liked, that the crowds there are immense. By way of public spectacles this winter, there are no less than two Italian Operas, one French play house, and three English ones. Heidegger has computed the expense of these shows, and proves in black & white that the undertakers must receive seventy-six thousand odd hundred pounds to bear their charges, before they begin to become gainers. Ilchester, Lord Hervey and his Friends, p. 211

Performances

Mainpiece Title: Artaxerxes

Event Comment: We hear, that the company of Dutch/Children that are to perform to Tuesday next at the new theatre in the Haymarket, joyn'd with English, German, and Italian amount to above 25, and most of them excel either in Vocal or Instrumental Musick, Dancing Exercises, and playing of Pantomimes

Performances

Event Comment: LLondon Post: We hear that the French Players will (barring Accidents) open at the Little theatre in the Haymarket next Saturday. 'Tis added that the Italian Company of Comic Strolers will exhibit the Week after next; but as they have lost three of their ablest performers, the Connoisseurs are in great Pain about those who are to supply their Places. Possibly some Foreigners may think, that the worst Dramatic Offals are good enough for the vitiated Palates of the E-sh No-y and Gen-ry. 'Tis further expected, that the Company of Gallo-English Players, who made the Town laugh so heartily last Winter, are preparing to entertain them this. Why all these unnatural Fooleries?...and for what Y-ke are we preparing? [Schedule of Nights on which the Turkish Dancer Caratha rented the Haymarket in the fall of 1749: 1, 2, 3, 4, 6, 8, 10, 13, 16, 22, 23, November; 3 December. See Winston MS Calendar of the Haymarket, Harvard Theatre Collection.

Performances

Mainpiece Title: None

Event Comment: Whereas Doctor John Francis Croza, late Master of the Company of Comedians at the Opera House in the Haymarket, escaped fro me on Tuesday Evening last: whoever will secure or cause him to be secured, so that I may re-take him, shall have a reward of thirty pounds immediately, paid by me Henry Gibbs, one of the Tipstaffs attending the court of Common Pleas, Southampton St., Covent Garden, Tea Merchant. N.B. The said John Francis Croza is a thin man, about Five feet five inches high, of a swarthy Complexion, with dark brown eyebrows, pitted with the small pox, stoops a little in the Shoulders, is about 50 Years of age, and takes a remarkable deal of Snuff, talks Italian and French, but speaks very little English (General Advertiser)

Performances

Event Comment: Comic Opera in Italian and French, 3 Acts (Larpent MS 107). Subtitle, O Sia, Il Finto Femmina. La Musica e del Sig Leonardo Leo, Maestro di Capella Napolitano (Edition of 1752, Amsterdam). [Rich had applied for license to Duke of Grafton 8 Feb.] This day at Noon will be publish'd at 1s. L'Amor Costante, Dramma Comico, pe Musica, as it is acted at Covent Garden. With an English translation. Sold by H. Woodfall

Performances

Mainpiece Title: Lamour Costante

Performance Comment: Emira (amante di Celindo )-Sga Marina Giordani; Celindo (giovine innamorato d'Emira )-Sga Antonia Ambrosini; Leandro (fratello d'Emira )-Francesco Giordani; Auretta (cameriera d'Emira )-Sga Nicolina Giordani; Don Bertoldo (uomo sciocco, pretensors d'Emira )-Giuseppi Giordani; Ormindo (innamorato d'Emira )-Francesco Lini; A servant-; four masquers-who do not speak (Libretto of 1754).
Cast
Role: Leandro Actor: Francesco Giordani

Dance: [Unspecified.]

Event Comment: Benefit for Sga Marina Giordani. Full Prices (Cross). A new Italian Comic Opera. The Music composed by Balthazar Galuppi. Ladies desired to send servants by Half an Hour after Three. This day publish'd at 1s. La Cameriera Accorta, Opera Comico, per Musica, as it is acted at Covent Garden. With an English Translation. Sold by H. Woodfall

Performances

Mainpiece Title: La Cameriera Accorta

Afterpiece Title: Enterntainment

Dance: [Unspecified.]

Event Comment: At Hill's Large Theatrical Booth on the Bowling Green, Mainpiece an Italian Comic Farce translated into English by the celebrated Punch, Poet Laureate to the Grand Mogul

Performances

Mainpiece Title: Harlequin Conjuror Or Pantaloon Disected

Performance Comment: The Facetious Mr Punch and his Merry Family-.

Afterpiece Title: The Grand Assembly of Lilliputians

Entertainment: IItalian Fireworks-Benjamin Clitherow who has permission from his Majesty's Officer of Ordinance and was the real Engineer to Cuper's and Marybone Gardens

Event Comment: Afterpiece: An English Burtetta from the Italian. Music by Sig Adolfo Hasse (playbill). Burletta Damn'd (Cross). Acted but once and not printed (Genest, IV, 579). Mainpiece: By Particular Desire. Receipts: #140 (Cross)

Performances

Mainpiece Title: Zara

Cast
Role: Osman Actor: Holland 1st time

Afterpiece Title: The Tutor

Performance Comment: Actors only in bills; Pandolfo-Gaudry; Ernesto-Reinhold; Zerbina-Sga Saratina (Winston MS 8); Larpent MS 165 lists also Mosca, a mute servant to Pandolfo. Larpent MS 165 lists also Mosca, a mute servant to Pandolfo.
Cast
Role: Pandolfo Actor: Gaudry