SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Comical Songs Scots English and Italian"/1) | (@(roleclean,performerclean) "Comical Songs Scots English and Italian")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2756 matches on Performance Title, 2315 matches on Performance Comments, 1352 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Flying Post, 21-23 Feb. 1699: The famous Italian, Seignor Fideli, is to Sing next Tuesday at the Theatre Royal in Drury-Lane; both in Italian and English; which he never yet performed

Performances

Mainpiece Title: Play Not Known

Event Comment: By Command of their Majesties. [Sga Spagnolla had been ill and missed a number of performances. For singers and dancers see following letter.] Sir: I am one of those to whom an Oratorio or an Opera (whether Italian or English) gives exquisite delight; and am therefore glad that, as the town is now full, those entertainments will, very probably, be crowded; and thus amply repay the several managers, for the great risk they run, as to their property, as well as for the vast pains they take to amuse us; for the labour employed, on those occasions, is infinitely greater than is usually imagined. The Italian opera has suffered considerably, this season, by the inability of Sga Spagnoli to exert her musical talents, owing to a most severe cold; but as she has now recovered her voice, 'tis presumed that she will be a source of as great pleasure, among us, to persons of a musical ear, and who have a true taste for that species of dramas, as she was in her native country, where she was always heard with great applause. I myself find great charms in the entertainments, as now exhibiting at the King's Theatre: for, besides Sga Spagnoli's taste I do not perceive the least diminution in Sg Elisi's voice or action, both of which pleased us so much two or three years ago. Ciprandi appears to me a fine player as well as singer; and with regard to Sg Savoi, he is generally thought to have a pleasing voice. [Comments on competence of the Orchestra.] The principal dancers are likewise acknowledged to have considerable merit. The gracefulness and the ease of Sg Adriani are very pleasing, as is the elegant agility of Sga Fabris Monari....Sg Sodi has so often diverted us by his compositions as Ballet master that it were superfluous to bestow any encomiums on him in this place. [Long comment on agreeable performance of Sofonisba, Scenery, etc. A puff by Musidorus in Public Advertiser.

Performances

Mainpiece Title: Sofonisba

Performance Comment: Ciprandi; Savoi.

Dance: Adriani, Sga Fabris Monari

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Critic

Entertainment: Imitations. End II: contrasted vocal Imitations in the Italian and English stile-Bannister; End V: a variety of Imitations-Bannister Jun

Performance Comment: End II: contrasted vocal Imitations in the Italian and English stile-Bannister; End V: a variety of Imitations-Bannister Jun.
Event Comment: 2nd piece: With Italian, French, Irish, Scotch, Welsh and English

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: Gretna Green

Performance Comment: Principal Characters by Bannister, R. Palmer, Barrett, Ledger, Lyons, Painter, Swords, Booth; Sga Sestini, Miss George (1st time), Mrs Webb, Mrs Bannister. [Cast adjusted from text(T. Cadell, 1783) and Larpent MS 634: Capt. Gorget-Bannister; Capt. Tipperary-R. Palmer; Anvil-Barrett; Landlord-Ledger; Crack-Swords; Rory-Booth; Signora Figurante-Sga Sestini; Miss Plumb-Miss George; Lady Pedigree-Mrs Webb; Maria-Mrs Bannister. Lyons, Painter are unassigned.] hathi. hathi.
Cast
Role: Landlord Actor: Ledger

Afterpiece Title: Harlequin Teague

Music:

Performances

Mainpiece Title: The Old Womans Oratory 1

Afterpiece Title: Old Womans Oratory 2

Afterpiece Title: Old Womans Oratory 3

Performance Comment: Act III, 1. An Italian Song-Sg Bombazino; 2. A New Dissertation-Mrs Midnight; 3. A French Horn Concerto-; 4. A Declamatory Piece on the Jew's Harp-a Casuist; 5. March in Judas Maccabeus with the Side Drum-; Epilogue-Master Hallet.
Cast
Role: An Italian Song Actor: Sg Bombazino

Performances

Mainpiece Title: A Medley Concert Or An Impromptu Of Whim And Novelty

Performance Comment: With a new Introduction-Mrs Trampwell, her Troop, In which Miss Midnight will give some specimens of Oratory a la mode de Theatre; An Address-Mr Cibber; A Concerto Hooley and Fairley, a Scotch Song-Mr Lauder; Blind Man's Buff, a dance-Lilliputians; A Concerto for French Horns-; The Comic Lectures (in two parts) varied-Mr Cibber; end of First Lecture a piece of Music-; End of 2nd, a new pantomime dance call'd The Taylors-Master Settree, Miss Twist; The music and dresses new. When all the Attic Fire was fled, in Eliza-Miss Gaudry; An auction of Choice curiosities of extraordinary value-Mr Cibber (auctioneer); a new Italian Air-Signora Mimicotti; accompanied on the bassoon-Mynheer Von Poop@Poop Broomstickado; The Italian Peasants-Joly, Madam Dulisse; Also a Grand Comic Ballet called the Marine Boys Marching to Portsmouth-; , in which will be introduced a Hornpipe-Mossis, Miss Durham; Mr Handel's Water Music, with a Preamble on the Kettle Drums-Mother Midnight; Also a Comic Epilogue-Miss Midnight (riding on an Ass).

Afterpiece Title: With a Lilliputian Pantomime calldHarlequins Frolic or A Voyage to Prussia

Performance Comment: Concluding with a Ballet called The Prussians March to Bohemia-; a new Grotesque Dance callled Colin and his Rival Ladies-.

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: A Fete

Performance Comment: Scene I. A Country Church-yard by Moon-light. Lord Littleton's Elegy of My Lucy, alas! is no more by Dodd, Barrymore, Williames. Scene II. A Masquerade. An Italian song by Miss George; a Minuet by Second and Miss Stageldoir; Time has not thinn'd my flowing Hair, as17840330the Manual Exercise and Officer's Salute by Mrs Wells. Scene III. A Rural Prospect. Going out in the Morning; Tally ho!, as17840330cene the last. A moving Prospect on the River Thames, with a grand View of Greenwich Hospital; We be three poor Mariners by Dodd, Chapman, Suett; The Merry Sailors, as17840320at all other performances this dance was entitled The Jovial Sailors] . a Minuet by Second and Miss Stageldoir; Time has not thinn'd my flowing Hair, as17840330the Manual Exercise and Officer's Salute by Mrs Wells. Scene III. A Rural Prospect. Going out in the Morning; Tally ho!, as17840330cene the last. A moving Prospect on the River Thames, with a grand View of Greenwich Hospital; We be three poor Mariners by Dodd, Chapman, Suett; The Merry Sailors, as17840320at all other performances this dance was entitled The Jovial Sailors] .

Afterpiece Title: The Double Disguise

Song: Between the Acts of 1st piece A Soldier for me by Mrs Wrightcn

Event Comment: Whereas Thomas Arne, Jun. Proprietor of English Operas [at lif], has new set to Musick, after the Italian Manner, the Opera of Rosamond, Written by the late Mr Addison, Which is now in Rehearsal....This is to give Notice, that he...hoping to receive Encouragement from the Town, will (notwithstanding his Expences are considerably greater than any of the other English Theatres) Entertain the Town at the following Prices (viz) Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. 6d. And that he will give a private Rehearsal of the said Opera, to such Friends as shall oblige him with a Subscription...at One Guinea, to be paid on Receipt of a Ticket, which will admit the Bearer into the Boxes five Nights

Performances

Event Comment: An Italian Comic Opera by some performers just arriv'd from Paris. Went off pretty well, -a Girl greatly admir'd (Cross). [The girl seems to have been Sga Spiletta.] She plays off with inexhaustible spirits all muscular evolutions of the face and brows; while in her eye wantons a studied archness, and pleasing malignity. Her voice has strength and scope sufficient; has neither too much of the feminine, nor an inclining to the male. Her gestures are ever varying; her transitions quick and easy. Some over-nice critics, forgetting, or not knowing the meaning of the word Burletta, cry that her manner is outre. Wou'd she not be faulty were it otherwise? The thing chargeable to her is (perhaps) too great a luxurience of comic tricks; which (an austere censor would say) border on unlaced lasciviousness, and extravagant petulance of action (Paul Hiffernan, The Tuner, No 1). [Spiletta was the name of the character to whom Sga Nicolina Giordani gave such life that the name stuck to her. See Saxe Wyndham, Annals of Covent Garden Theatre.] [A Comic Opera by G. Giordani, Music by G. Cocchi-Nicoll, English Drama, III, p. 349.] Nothing less than the full price will be taken during the Performance. Printed books of the opera sold at the theatre. Tomorrow, Venice Preserved. [Murphy commented in Gray's Inn Journal (22 Dec.): "A great deal of whatever humour this production may contain, is certainly lost to an English audience; and the manner of acting, being a burlesque upon what people here are not very well acquainted with, is not universally felt. But notwithstanding these disadvantages, there is one among them, Sga Nicolina Giordani, who displayed such lively traces of Humour in her countenance, and such pleasing variety of action, and such variety of graceful deportment, that she is generally acknowledged to be, in that Cast of playing, an excellent comic actress."

Performances

Mainpiece Title: Lamanti Gelosi

Dance: [Unspecified.]

Event Comment: Printed books of the opera will be sold at the theatre. Published this day at 1s. Lo Studente A La Moda, dramma comicogiocoso, as it is acted at the Theatre Royal in Covent Garden. With an English Translation. Sold by H. Woodfall...Where may be had Gli Amanti Gelosi, with an English translation. [Opera in there acts in Italian and French. Larpent MS 103. Altered from A. Polomba La Violante. Music by G. B. Pergolesi. Rich applied to the Duke of Grafton (9 Jan.) for license to perform it.

Performances

Mainpiece Title: Lo Studente A La Moda

Performance Comment: Palmiero-Giuseppe Giordani; Don Saverio-Antonia Giordani; Violante-Marina Giordani; Odoardo-Francesco Lini; Don Gianandrea-Francesco Giordani; Giulietta (Serva di Casa )-Nicolina Giordani (Libretto of 1754).

Dance: Entertainment-[unspecified]

Performances

Mainpiece Title: Barbarossa

Cast
Role: Achmet Actor: Holland

Afterpiece Title: The Magician of the Mountain

Performance Comment: A New Pantomimic Entertainment of Italian Grotesque Characters. Magician-Settree; Pantaloon-Grimaldi; Pierrot-Guerini, his first appearance on the English Stage; Harlequin-Lochery; Colombine-Miss Baker; Mathews, Mortimer, West, Walker, Watkins, Leppie; The Dances-Del'Agata, Aldrige, Vincent, Sga Fiorentini, Sga Giorgi. With New Music, Scenes, Decorations, and Dresses.
Event Comment: Book of the opera to be had at the Theatre. A serious English Opera with music by Mr Bates. [These notes appear on all bills this season.] Well received but neglected (Victor, History of the Theatres, III, 63). [Altered from the Italian by Thomas Hull.] We hear a patent will be made out, in favor of an eminent English actor, who intends to establish a Playhouse at New York (Winston MS 9)

Performances

Mainpiece Title: Pharnaces

Dance: I: A Dance call'd The Coopers-Aldridge, Miss Baker; II: A New Comic Dance-Berardi, Sg Giorgi, Sga Giorgi, Miss Baker, Grimaldi

Performances

Mainpiece Title: A Medley Concert And Auction

Performance Comment: Address-Cibber; A Scotch Song-; A concerto-; First Comic Lecture-Cibber; Grand Concerto for French Horns-; Second Comic Lecture-Cibber; The Italian Peasant (comic dance)-; A New Cantata The Wheelbarrow-; Comic Medley overture-; Auction of choice curiosities of extraordinary Value-Cibber; Italian air-Sga Mimicotti as17570628; Oration call'd the Pig or Advice to the Critics-Miss Dorothy Midnight; Comic Ballet The Marine Boys marching to Portsmouth-; Handel's Water Music-Mother Midnight.

Afterpiece Title: Harlequins Frolic

Cast
Role: Blander Actor:
Event Comment: By Particular Desire of the Ancient and Honorable Society of Free Masons, and By Authority. Benefit for Brother Lauder. Tickets at Berwick St., at the Black Boy, near the Hermitage Bridge. To begin at Seven. Boxes 5s. Pit 3s. Gallery 2s

Performances

Mainpiece Title: The Gentle Shepherd

Performance Comment: Introduce several favourite Scots songs, two Mason's songs-Mr Lauder.
Cast
Role: two Mason's songs Actor: Mr Lauder.
Related Works
Related Work: The Gentle Shepherd Author(s): Cornelius Vanderstop
Event Comment: Benefit a Tradesman and his Family. At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Mock Doctor

Ballet: TThe Difference of Nations. Dutch Skippers-Thurmond, Mrs Bullock; French Peasants-Vallois, Miss Sandham; Scots-J. Delagarde, Mrs Wherrit; English Peasants-Sandham, Mrs Haughton

Performance Comment: Dutch Skippers-Thurmond, Mrs Bullock; French Peasants-Vallois, Miss Sandham; Scots-J. Delagarde, Mrs Wherrit; English Peasants-Sandham, Mrs Haughton.

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Devil to Pay

Dance: I.: Pierrots by Fisher Tench and Davenport. II: Dutchman and his Wife by Le Brun and Mrs Walter. III: Scot's Dance by Mr and Mrs Davenport. IV: English Maggot by S. Lally and Mrs Walter. V: Revellers by Essex, Miss Latour, &c

Performance Comment: : Pierrots by Fisher Tench and Davenport. II: Dutchman and his Wife by Le Brun and Mrs Walter. III: Scot's Dance by Mr and Mrs Davenport. IV: English Maggot by S. Lally and Mrs Walter. V: Revellers by Essex, Miss Latour, &c .
Event Comment: Benefit Wrexham, Secretary, and Pit-Office-Keeper. Mainpiece: Written by the late Mr Congreve

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

Dance: I: Pierrots by Fisher Tench and Davenport. II: Dutchman and his Wife by Le Brun and Mrs Walter. III: Scot's Dance by Mr and Mrs Davenport. IV: English Maggot by S. Lally and Mrs Walter, V: Revellers by Essex, Miss Latour, &c

Performance Comment: II: Dutchman and his Wife by Le Brun and Mrs Walter. III: Scot's Dance by Mr and Mrs Davenport. IV: English Maggot by S. Lally and Mrs Walter, V: Revellers by Essex, Miss Latour, &c .
Event Comment: Benefit Woodward and Mrs Haughton. Tickets for Dove and Bowcher also taken

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Lottery

Dance: II: Richmond Maggot by Le Sac and Mrs Woodward. III: Pierrots by Vallois and Delagarde. IV: Scot's Dance by Mrs Woodward. V: English Maggot by Haughton and Mrs Bullock

Performance Comment: III: Pierrots by Vallois and Delagarde. IV: Scot's Dance by Mrs Woodward. V: English Maggot by Haughton and Mrs Bullock .
Event Comment: To the Public: An Impartial Account of Cibber's Impromptu, by a Spectator: @In a frolicsome humour I went t'other day@To see the Diversions collected by THE',@When seen -from Amazement I could not refrain@That such an odd Oglio should come in his brain;@That from Chaos, Confusion and Visible night@He could bring such a queer group of figures to light:@I went-with a critical spleen that disdained@This project -but found myself well entertained.@For the English there's ships; for the Scots a good song;@[what] He sought to provide for Hibernia was Wrong@When this I observ'd to aworthy dear Honey -@He reply'd -"Blurr and Houns? there's enough for your money.@But to state the affair without laughter or fun@All agreed -my shift was superior to none;@With new Scenes, new Machines, Music, Dancing and all,@To risk our Diversions THE' ventured a fall@And if his last trump should unluckily fail,@[Brain?] must lay a scheme to keep out of a jail.@A few trivial errors we ought to forgive@Pay to Merit reward and let Industry live,@For your Candor alone must determine his fate@For the sake of Old Coll', let Theophilus eat.@ His Benefit tomorrow, Wednesday, the 14th Instant, at the Theatre in The Haymarket

Performances

Event Comment: The Duke's Company. Pepys, Diary: To the Opera, where there was a new play (Cutter of Coleman Street), made in the year 1658, with reflections much upon the late times; and it being the first time, the pay was doubled, and so to save money, my wife and I went up into the gallery, and there sat and saw very well; and a very good play it is. It seems of Cowly's making. Downes (Roscius Anglicanus, p. 25): This Comedy being Acted so perfectly Well and Exact, it was perform'd a whole Week with a full Audience. John Dennis, Dedication to The Comical Gallant, 1702: The only Play that ever Mr Cowley writ, was barbarously treated the first night, as the late Mr Dryden has more than once informed me, who has told me that he went to see it with the famous Mr Sprat, now Bishop of Rochester, and that after the Play was done, they both made a visit to Mr Cowley. Langbaine (English Dramatick Poets, p. 81): This Play met with some Opposition, at its Representation under this new Name, from some who envyed the Authors unshaken Loyalty to the Prince, and the Royal Cause, in the worst of Times. BM Add. Mss. 34217, fol. 31b, in Hotson (Commonwealth and Restoration Stage, p. 247): @The Cutter of Coleman street had more fame@Before the Author chang'd its name@And shewd himselfe an Englishman right@By mending of things to spoyle them quite@And bee's more to blame because he can tell@(No better) to make new strings soe well.

Performances

Mainpiece Title: The Cutter Of Coleman Street

Performance Comment: Downes (Roscius Anglicanus, p. 25): Colonel Jolly-Betterton; Old Trueman-Lovel; Young Trueman-Harris; Cutter-Underhill; Captain Worme-Sandford; Parson Soaker-Dacres; Puny-Nokes; Will-Price; Aurelia-Mrs Betterton [Mrs Saunderson]; Lucia-Mrs Anne Gibbs; Laughing Jane-Mrs Long; [The edition of 1663 has a Prologue-; an Epilogue-[, but no actors' names., but no actors' names.
Cast
Role: Captain Worme Actor: Sandford
Event Comment: A New English Opera. The Music Compos'd by Mr Rush. Signora Cremonini, Clementini, made her first appearance on this Stage in the Character of Eliza. Sings very well, very Graceful Deportm[en]t & is a great Support to the Opera. many of the Songs were Encor'd. Some few Hisses. but upon the whole, was pretty well receiv'd (Hopkins). Books of the Opera to be sold at the Theatre. A new English Opera, the Royal Shepherd-the Musick composed by Mr Rush.-Siga Cremonini made her first appearance,--sings ver fine,--very graceful deportment, and is a great support to the Opera.--Some hisses--Many of the songs encored. Upon the whole was well liked...On this occasion the Stage was cut near two feet and a half to enlarge the orchestra, to make it contain the additional performers who belong to the Opera House, on whose account the Opera cannot be performed Tuesdays and Saturdays (Hopkins Diary-MacMillan)

Performances

Mainpiece Title: The Royal Shepherd

Performance Comment: Principals by Vernon, Champnes, Mas. Raworth, Miss Young, Miss Wright, Miss Williams, Mrs Dorman, Sga Cremonini. Alexander-Champnes; Amintas-Vernon; Eliza-Signora Cremonini; Thamiris-Miss Young; Camilla-Miss Wright; Agenor-Mrs Dorman (Edition of 1764).
Cast
Role: Alexander Actor: Champnes
Related Works
Related Work: Amintas Author(s): Ferdinando Tenducci

Dance: I: A New Dance call'd The Hunters-Mas. Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-Obrien; Lord Randolph-Blakes; Glealvon-Simons; Old Norval-Walker, first time; Lady Randolph-a Young Gentlewoman; Anna-Miss Taylor.

Afterpiece Title: The Gentle Shepherd

Performance Comment: Patie-McPherson; Roger-Ramsay; Bauldy (with a new Prologue)-Walker; Peggy-Miss Graham; Jenny-Miss Gordon; with several favorite English and Scotch Songs-; Dances-.
Related Works
Related Work: The Gentle Shepherd Author(s): Cornelius Vanderstop
Event Comment: The Company will perform on Friday and Saturday next, and then finally close the Season

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Robinson Crusoe or Harlequin Friday

Performance Comment: Robinson Crusoe-The Gentleman who performs Altamont; Harlequin Friday-Wright; Pantaloon-Wellman; Pierrot-Kerridge; Spanish Don-Payne; English Lieutenant (with a song)-Wellman; Fryars(with song and Chorus from The Duenna)-Wellman, Kerridge, Payne, &c.; Savages and Sailors-Meadow, Stevenson, Payne Jun., &c.; Clown-Benson; Old Lady-Mrs Monk; Colombine-Mrs Wellman .

Song: Between the Acts of afterpiece, by Mrs Benson, &c

Event Comment: Afterpiece: With a Procession of the Inhabitants of Otaheite, New Zealand, Tanna, Marquesas, the Friendly, Sandwich, and Easter Islands, Tschutzki, Siberia, Kamtschatka, Nootka Sound, Onalashka, Prince William's Sound, and the other Countries visited by Captain Cook, exactly representing their Dresses and Weapons. Receipts: #237 19s. (231/16; 6/3)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Omai and see17851220

Performance Comment: Towha, the Guardian Genius of Omai's Ancestors-Mrs Rivers; Otoo, Father of Omai-Darley; Omai-Blurton; Harlequin, Servant to Omai-Kennedy; Oediddee, Pretender to the Throne-Mrs Kennedy; Oberea, an Enchantress-Mrs Martyr; Britannia-Mrs Inchbald; Don Struttolando, Rival to Omai-Palmer; Clown, his Servant, and Rival to Harlequin-Delpini; Father of Londina-Thompson; Mother-Mrs Davenett; Londina, the Consort destined to Omai-Miss Cranfield; Colombine, Maid to Londina-Miss Rowson; Old Fairy, Friend to Harlequin-Wewitzer; English Captain-Brett; Justice-Davies; A Travelled Otaheitean (with songs)-Edwin. [Songs (T. Cadell, 1785) adds: Constables-Doyle, Meadows, Swords.] hathi. hathi.

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17601230, but in Act II, Singing, An Italian Song-Mas. Leoni.
Cast
Role: An Italian Song Actor: Mas. Leoni.
Role: Young Bevil Actor: Holland, 1st time
Role: Sealand Actor: Havard
Role: Mrs Sealand Actor: Mrs Cross

Afterpiece Title: The Enchanter