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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "College of New York"/1) | (@(roleclean,performerclean) "College of New York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6823 results for: Keyword - College of New York
We found 3243 matches on Event Comments, 2694 matches on Performance Title, 1654 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

5101
12 January 1736 @ Drury Lane Theatre

Event Comment: Mainpiece: Taken from the French of Mons Voltaire [By Aaron Hill]. The Characters New Dress'd

Performances

Mainpiece Title: Zara

Afterpiece Title: Harlequin Restor'd; or, Taste a la Mode

5102
21 January 1736 @ Haymarket Theatre

Event Comment: Mainpiece: Never Acted before. An Historical Play. [Apparently not published. Possibly by Mrs Haywood.] Afterpiece: A Ballad Farce of one Act. [Author unknown. Apparently not published.] With New Habits and all proper Decorations. London Daily Post and General Advertiser, 21 Jan.: We hear there had like to have been a Disturbance at the Rehearsal of. . . The Contract. . . . Some Persons suppos'd to be sent by the Governor of a certain Baronet, endeavour'd first to intimidate the Actors from the Representation of it; and finding that ineffectual, have since attempted to spirit-away some of the principal Performers

Performances

Mainpiece Title: Arden Of Feversham

Afterpiece Title: The Contract; or, The Biter Bit

5103
24 January 1736 @ King's Theatre

Event Comment: A New Opera. [Music by Nicholas Porpora. Their Majesties, Princesses Amelia and Caroline expected to attend.]

Performances

Mainpiece Title: Mithridates

5104
09 February 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Harlequin Restor'd

Music: In II: Solo on Violin by Charke

Dance: III: Le Badinage by Poitier, Mlle Roland, &c. IV: Le Ballet d'Amour (new) by Denoyer, Mlle Anne Roland, &c

Performance Comment: IV: Le Ballet d'Amour (new) by Denoyer, Mlle Anne Roland, &c .

5105
10 February 1736 @ Goodman's Fields

Event Comment: Afterpiece: A New Ballad-Opera. [By Abraham Langford. Airs set by Stanley.]

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The Lover His Own Rival

Dance: In V: Scot's Dance by Haughton, Mrs Bullock, &c

5106
14 February 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Harlequin Restor'd

Music: In II: Violin Solo by Charke

Dance: I: English Maggot by Villeneuve, Mrs Walter, &c. II: The Rover by Essex, Mrs Walter, Miss Mann, &c. III: New Serious Dance by Denoyer, Mlle Anne Roland, &c. IV: Revellers by Essex, Mrs Walter, &c

Performance Comment: II: The Rover by Essex, Mrs Walter, Miss Mann, &c. III: New Serious Dance by Denoyer, Mlle Anne Roland, &c. IV: Revellers by Essex, Mrs Walter, &c .

5107
20 February 1736 @ Goodman's Fields

Event Comment: With new Scenes, Machines, and other Decorations. Boxes and Balconies on the Stage 5s. Boxes 4s. Pit 2s. 6d. Gallery 1s. 6d

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: Harlequin Shipwreck'd: With the Loves of Paris and Oenone

5108
28 February 1736 @ Drury Lane Theatre

Event Comment: Afterpiece: A New Dramatic Masque. Admission 5s., 3s., 2s., 1s. No Money under the full Price will be taken; and the Advance Money will he returned to those who chuse to go out before the Overture to the Entertainment begins. Edition of 1736: Invented by Mr Pritchard. Musick composed by Mr Arne. Scenes painted by Mr Hayman

Performances

Mainpiece Title: The Unhappy Favourite

Afterpiece Title: The Fall of Phaeton: With Harlequin a Captive

5109
02 March 1736 @ King's Theatre

Event Comment: A New Opera

Performances

Mainpiece Title: Orpheus

5110
05 March 1736 @ Haymarket Theatre

Event Comment: By the Great Mogul's Company of English Comedians, Newly Imported. [By Henry Fielding.] N.B. Mr Pasquin intending to lay about him with great Impartiality, hopes the Town will all attend, and very civilly give their Neighbours what they find belong to 'em. N.B. The Cloaths are old, but the Jokes intirely new. N.B. All Ladies that intend to be present during the first Run, cannot take Places too early. To prevent any Interruption in the Movement of the Persons in the Drama (some of whom are Machines) no Person whatever can possibly be admitted behind the Scenes. Boxes 4s. Pit 2s. 6d. Gallery 1s

Performances

Mainpiece Title: Pasquin: A Satire On The Times

5111
22 March 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: Double Dealer

Afterpiece Title: Lover's Opera

Dance: II: English Maggot by Villeneuve and Mrs Walter. III: Drunken Peasant by Phillips. V: A new dance by Essex, Mrs Walter, Dukes, Davenport, Rector, Miss Mann, Miss Cantrell, Miss Brett

Performance Comment: III: Drunken Peasant by Phillips. V: A new dance by Essex, Mrs Walter, Dukes, Davenport, Rector, Miss Mann, Miss Cantrell, Miss Brett .

5112
27 March 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The Fall of Phaeton

Music: IV: Kettle Drums by Poitier

Dance: I: Tambourine by Mlle Roland. III: The Double Jealousy: Miller-Poitier; His Wife-Mlle Roland; Coquet-Mrs Walter; Followers-Villeneuve, Pelling, Duke, Davenport, Mrs Pelling, Miss Mann, Mrs Davenport, Miss Brett (with New Habits)

Performance Comment: III: The Double Jealousy: Miller-Poitier; His Wife-Mlle Roland; Coquet-Mrs Walter; Followers-Villeneuve, Pelling, Duke, Davenport, Mrs Pelling, Miss Mann, Mrs Davenport, Miss Brett (with New Habits) .

5113
27 March 1736 @ King's Theatre

Event Comment: Benefit Carlo Broschi Farinello. With an Addition of several New Songs. N.B. Room will be made upon the Stage

Performances

Mainpiece Title: Artaxerxes

5114
29 March 1736 @ Goodman's Fields

Performances

Mainpiece Title: The Country Lasses; Or, The Custom Of The Manor

Afterpiece Title: The Lover His Own Rival

Dance: II: English Maggot by Haughton and Mrs Bullock. III: Last new Grand Ballet performed in King Arthur by Haughton and Mrs Bullock. V: Scot's Dance by Haughton, Mrs Bullock, &c

Performance Comment: III: Last new Grand Ballet performed in King Arthur by Haughton and Mrs Bullock. V: Scot's Dance by Haughton, Mrs Bullock, &c .

Song: IV: By Mrs Chambers

5115
05 April 1736 @ Haymarket Theatre

Event Comment: Benefit Poet Trapwit. By his own particular Desire. N.B. The Spectators are desir'd to take no Notice of the Tragedy, but attend very closely to the Comedy, there being several fresh Jokes new cloath'd at Second Hand for the Use of that Night. As there is little Hope of a great Demand of Tickets, or Places for that Evening, the Doors will be open'd by Six o'Clock in the Morning, and constant Attendance the whole Day given, for fear any Application shou'd be made for either. [The Daily Advertiser also carries a notice to the effect that "Copper-Plate Tickets representing the Murder of Common Sense" will be available.]

Performances

Mainpiece Title: Pasquin

5116
06 April 1736 @ Haymarket Theatre

Event Comment: Benefit Fustian, the Tragedy Poet. At the particular Desire of all the Friends of Common Sense. Mr Fustian desires the Audience (notwithstanding his Brother Trapwit's Unfair Advertisement to the Contrary) to take particular Notice of the Tragedy, there being several New and very deep Things to be spoke by the Ghost of Tragedy, if the Cock does not crow him away too soon. [Tickets at Fustian's, the Turk's Head in Castle-Yard, Holborn.]

Performances

Mainpiece Title: Pasquin

5117
08 April 1736 @ Covent Garden

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Le Mar1age Force; ou, Les Fourberies d'Arlequin & de Scaramouch

Dance: I: Louvre and Tambourine by Mlle D'Hervigni. II: A new Comic Dance by Nivelon and a Scholar of his. III: A Serious Ballet by another Scholar of Nivelon's. V: French Peasants by Lalauze, Mlle D'Hervigni, &c. End I of Afterpiece: Wooden Shoe Dance by another Scholar of Nivelon's. End of the Whole: Sailors (from Orestes) by Glover, &c

Performance Comment: II: A new Comic Dance by Nivelon and a Scholar of his. III: A Serious Ballet by another Scholar of Nivelon's. V: French Peasants by Lalauze, Mlle D'Hervigni, &c. End I of Afterpiece: Wooden Shoe Dance by another Scholar of Nivelon's. End of the Whole: Sailors (from Orestes) by Glover, &c .

5118
10 April 1736 @ Covent Garden

Event Comment: Benefit the Author of the Farce. [Author not known. Apparently not published.] N.B. Mr Marforio hopes those who have paid a Visit to his Brother Pasquin, will not refuse him the same Favour. His Clothes are as old, and the Jokes somewhat more New. Receipts: money #100 14s.; tickets #68 8s

Performances

Mainpiece Title: All For Love

Afterpiece Title: Marfor1o, being a Comi-Tragical Farce, called The Critick of Taste; or, A Tale of a Tub, with Characters of Singlewit, Drawcansir, Modern, Dapper, Buskin, Prompter, the Great Mogul, Dunceada, Prince Prettyman, Common Sense, the Embryo of Common Sense, Lord Haranguewell, Falarini, Signior Tweedledum, Signior Tweedledee, Prologues, Senators, Patriots, Courtiers, Fidlers, Eunucks, Gentleman Usher, Ghosts, and Chorus of Ghosts

Dance: Tambourine by Miss Rogers. Peasants by Lalauze, Mlle D'Hervigni, &c. Harlequine by Mlle De L'Isle

5119
12 April 1736 @ Covent Garden

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Dance: II: By a Scholar of Nivelon's. III: Two Pierrots by Nivelon and Lalauze. IV: Tambourine by Miss Rogers. V: Sailors (from Orestes) by Glover and others

Song: I: Chanson a Boire, to Musick of Mr Handel's, sung by Leveridge and Laguerre. II: The Confession by Roberts and Miss Norsa. III: The Opinion of the Ancients, set to Musick, by the Famous Mr Henry Purcell, and sung by Leveridge and Beard. IV: A Song in the Anacreontick Stile by Leveridge. V: A new Song in Praise of Old English Brown Beer, being a Sequel to the Roast Beef Song, and fit to be sung by all True Britons, and Lovers of Old England

Performance Comment: II: The Confession by Roberts and Miss Norsa. III: The Opinion of the Ancients, set to Musick, by the Famous Mr Henry Purcell, and sung by Leveridge and Beard. IV: A Song in the Anacreontick Stile by Leveridge. V: A new Song in Praise of Old English Brown Beer, being a Sequel to the Roast Beef Song, and fit to be sung by all True Britons, and Lovers of Old England .

5120
13 April 1736 @ King's Theatre

Event Comment: A New Opera. [By D. Loeli and G. Boldoni. Music by F. Campi.]

Performances

Mainpiece Title: Honorius

5121
16 April 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: Julius Caesar

Performance Comment: As17351209. With a New Epilogue upon the Death of Mrs Heron .

Afterpiece Title: The Virgin Unmask'd

Dance: I: Pierrots by Delamagne and Villeneuve. III: Black and White Joak by Phillips and Miss Mann. V: English Maggot by Villeneuve and Mrs Walter

5122
16 April 1736 @ Lincoln's Inn Fields

Event Comment: Benefit Aston and a Gentleman under Misfortune. Afterpiece: A new Pastoral. Written by Mr Aston

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: Cleora; or, The Amorous Old Shepherdess

Dance: Hornpipe by Ferguson. Tambourine by Miss Rogers

Song: Cuckoo Solo by Master Oates. Mock Italian Song by E. Roberts

5123
29 April 1736 @ Covent Garden

Event Comment: Benefit Miss Norsa. Tickets at her Lodgings, Nassau Street, near Gerrard Street. Receipts: money #12 14s. 6d.; tickets #101 9s. London Daily Post and General Advertiser, 29 April: We hear Mr Handel has compos'd a new Opera, on the Occasion of his Royal Highness's Marriage to the Prince[S] of Saxe Gotha, and as the Wedding was solemnized sooner than was expected, great Numbers of Artificers, as Carpenters, Painters, Engineers, &c. are employed to forward the same

Performances

Mainpiece Title: The Relapse

Afterpiece Title: Flora

Dance: Two Pierrots by Lalauze and Nivelon. The Peasants by Lalauze, Mlle D'Hervigni, &c. Sailors (from orestes) by Glover, Tench, Desse, Delagarde, Livier, Richardson

5124
06 May 1736 @ Goodman's Fields

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Honest Yorkshireman

Dance: II: Richmond Maggot by Le Sac and Mrs Woodward. III: The Medley of Jokes (new) by Dukes and Mrs Bullock. IV: Pierrots by Vallois and Delagarde. V: By Desire of several Persons of Quality, in Modern Habits, The Union (a Ball Dance), with a Minuet by Dukes and Mrs Bullock

Performance Comment: III: The Medley of Jokes (new) by Dukes and Mrs Bullock. IV: Pierrots by Vallois and Delagarde. V: By Desire of several Persons of Quality, in Modern Habits, The Union (a Ball Dance), with a Minuet by Dukes and Mrs Bullock .

5125
08 May 1736 @ Drury Lane Theatre

Event Comment: Benefit Mlle Anne Roland. By Command of Her Royal Highness the Princess Amelia. [Tickets at Mrs Anne Roland's, Golden Ball and Dove, Great Newport Street.]

Performances

Mainpiece Title: Volpone

Afterpiece Title: The Devil to Pay

Music: Select Pieces

Dance: In I: Venetian Gondolier by Denoyer, Mlle Anne Roland, &c. II: Les Rigadoons a la Provencale originale by Roland, Father of Mlle Roland and Mlle Anne Roland. In In: Biscaien (new) by Denoyer, Mlle Anne Roland, &c. IV: German Peasant by Roland. V: By Denoyer's Prentice

Performance Comment: II: Les Rigadoons a la Provencale originale by Roland, Father of Mlle Roland and Mlle Anne Roland. In In: Biscaien (new) by Denoyer, Mlle Anne Roland, &c. IV: German Peasant by Roland. V: By Denoyer's Prentice .