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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "College of New York"/1) | (@(roleclean,performerclean) "College of New York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6823 results for: Keyword - College of New York
We found 3243 matches on Event Comments, 2694 matches on Performance Title, 1654 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

4926
21 March 1732 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Ladies of Quality. Afterpiece: With Alterations and a new Prologue after the Italian Manner. Admission 5s., 3s., 2s., 1s

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Perseus and Andromeda

4927
27 March 1732 @ Haymarket Theatre

Performances

Mainpiece Title: The Blazing Comet

Performance Comment: As17320302 With a New Epilogue.

4928
14 April 1732 @ Lincoln's Inn Fields

Event Comment: Benefit Hippisley. At the Particular Desire of several Ladies of Quality. Afterpiece: a new Comic Scene. Receipts: money #43 13s. 6d.; tickets #103

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Medley; or, Hippisley's Drunken Man

Related Works
Related Work: The Triumphant Widow; or, The Medley of Humours Author(s): William Cavendish, Duke of Newcastle

Dance: TTwo Pierrots-Poitier, Nivelon

4929
17 April 1732 @ Drury Lane Theatre

Event Comment: Benefit Bridgwater. At the particular Desire of several Persons of Quality. Afterpiece: A new Ballad Opera. [By Charles Johnson. Apparently not published.] The Rehearsals of The Ephesian Matron having obliged Mr Bridgwater to a close Attendance, he humbly hopes his Friends will excuse his not being able personally to wait on them

Performances

Mainpiece Title: Henry Iv, Part I

Afterpiece Title: The Ephesian Matron

Dance: HHighland Lass-Miss Robinson

Ballet: TThe Masques. Harlequin Petit Maitre-Essex; Mademoiselle-Mrs Walter; Punches-Thurmond, F. Tench; French Peasant-Houghton; French Peasant Woman-Mrs Delorme

4930
10 May 1732 @ Goodman's Fields

Event Comment: Benefit Henry Woodward and Miss Wherrit. By Desire. Afterpiece: With Alterations and Additions, particularly an entire new Scene, call'd Pierot's Encounter with a Bearv

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Harlequin's Contrivance

Dance: I: Tambourine-Miss Wherrit; II: The Merry Lass-Miss Wherrit; V: Passacail-Miss Wherrit

4931
23 June 1732 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Persons of Quality. Afterpiece: A New Farce. [By Henry Fielding.] Alter'd from the French of Moliere

Performances

Mainpiece Title: The Old Debauchees

Afterpiece Title: The Mock Doctor; or, The Dumb Lady Cur'd

Dance: I: The Pieraite-Holt, Mrs Walter; II: Harlequin-Miss Brett; III: English Maggot-Lally Jr, Mrs Walter; End Afterpiece: Midsummer Whim, as17320606

4932
04 August 1732 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Persons of Quality. Mainpiece: Written by Shakespear. Afterpiece: a new Pastoral Opera. [Author unknown. Apparently not published.

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: Rural Love; or, The Merry Shepherd

Dance: d'V'Vallois, Mrs Walter

4933
04 September 1732 @ Haymarket Theatre

Event Comment: At the particular Desire of several Persons of Quality. For the Benefit of the Famous Signora Violante, who is just arriv'd with a new extraordinary fine Company....After the Irish Manner, Which was perform'd 96 Times in Dublin with great Applause. Boxes 5s. Pit 3s. Gallery 2s. [For performances at the Fairs in September, see season of 1731-1732.

Performances

Mainpiece Title: The Beggar's Opera

Dance: HHarlequin-Master LaFevre, Miss Violante; Louvre in Boys Cloaths-Miss Violante; Two Pierrots-Lalauze, Tobin

4934
23 September 1732 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. Ballet: With New Habits. At Common Prices

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Devil of a Duke; or, Trapolin's Vagaries

Dance: Grand Ballet: Les Bergeries, Composed in the Taste of Monsieur Dumoulin and Mademoiselle Camargo, of the Opera at Paris-Essex, Miss Robinson, Houghton, being the first Time of their Dancing since their Arrival from Paris; Thurmond, Mrs Walter, Tench, Miss Williams, Davenport, Miss Mears

4935
03 October 1732 @ Goodman's Fields

Performances

Mainpiece Title: Henry Iv, Part 1

Performance Comment: As17321002 A new Prologue, Epilogue to the Town.

4936
01 November 1732 @ Soho Square

Event Comment: Acted in English, according to the New Translation

Performances

Mainpiece Title: The Miser

4937
04 November 1732 @ King's Theatre

Event Comment: A New Opera. [Text by Pietro Metastasio. Done into English by Humphreys. Music presumably by Leonardo Leo.] Pit and Boxes at half a guinea. [Their Majesties, Prince, and three eldest Princesses present.] See also Lord Hervey and his Friends, pp. 145-46. Daily Advertiser, 6 Nov.: There were present a very numerous Audience; and Signora Celeste Gismondi, who lately arriv'd here, perform'd a principal Part in it with universal Applause. We hear that this Opera was not compos'd by Mr Handell, but by some very eminent Master in Italy

Performances

Mainpiece Title: Cato

4938
08 November 1732 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by his Grace the Duke of Buckingham. With New Habits

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Devil to Pay

Dance: TTambourine-Miss Robinson; Scots Dance-Haughton, Mrs Walter; Grand Dance of Moors-Essex, Mrs Booth, Lally Jr, Haughton, Lally, Tench, Mrs Walter, Mrs D'Lorme, Miss Williams, Miss Mears

4939
13 November 1732 @ Goodman's Fields

Event Comment: DDaily Advertiser, 13 Nov., has a poem: To Mr Giffard, on the New Theatre in Goodman's Fields

Performances

Mainpiece Title: The Old Batchelor

Dance: TTambourine-Miss Wherrit; Scots Dance-Mrs Bullock; Sailor's Dance-Jones

4940
13 November 1732 @ Fulham

Event Comment: DDaily Advertiser, 22 Nov.: A Latin Play of Terence's, call'd Eunuchus; the Theatre was newly built by the said Mr Galliardy, and is large enough to contain 150 Spectators; the Scenes were all new, and the House neat and well lighted; the Performers were young Lords, and Sons of Gentlemen of Distinction, whose Propriety of Speech and Justness of Action, exceeded all that had ever been done of the kind; the Dresses were exceeding rich, and after the Eastern Fashion; the Decorations handsome, and every thing performed...to the intire Satisfaction and Applause of the Audience

Performances

Mainpiece Title: Eunuchus

4941
20 November 1732 @ Lincoln's Inn Fields

Event Comment: A New English Opera after the Italian Manner. [Text by Henry Carey. Set to Musick by John Christopher Smith.] Pit and Boxes put together at 5s. First Gallery 3s. Upper Gallery 2s. 6 p.m. Receipts: For Mr Arne

Performances

Mainpiece Title: Teraminta

4942
29 November 1732 @ Haymarket Theatre

Event Comment: Mainpiece: A new Tragi-Comedy. Benefit the Author. [Author unknown. Apparently not published.] Boxes 5s. pit 3s. Gallery 2s. There's none Sir Courtly, can my Lord Beau call, He's a bold-Fop, and represents you all

Performances

Mainpiece Title: The Miseries Of Love

Afterpiece Title: Damon and Phillida

Song:

Music:

4943
01 December 1732 @ Goodman's Fields

Event Comment: With New Scenes, Habits, and other Decorations proper to the Play

Performances

Mainpiece Title: Julius Caesar; With The Deaths Of Brutus And Cassius

4944
07 December 1732 @ Lincoln's Inn Fields

Event Comment: [The opening of Covent Garden Theatre.] Written by the late Mr Congreve. The Cloaths, Scenes, and Decorations entirely New. And, on Account of the great Demand for Places, the Pit and Boxes, by Desire, will be laid together at 5s. Gallery 2s. Upper Gallery 1s. And to prevent the Scenes being crowded, the Stage Half a Guinea. All Persons who want Places are desir'd to send to the Stage Door (the Passage from Bow-street leading to it), where Attendance will be given, and Places kept for the following Nights as usual. Receipts: #115

Performances

Mainpiece Title: The Way Of The World

4945
13 December 1732 @ Covent Garden

Event Comment: Written by Shakespeare. The Scenes and Decorations entirely New. Receipts: #55 10s

Performances

Mainpiece Title: The True And Antient History Of King Lear And His Three Daughters

4946
18 December 1732 @ Southwark

Event Comment: DDaily Post, 18 Dec.: We hear from Southwark, that a Theatre will be ready to open there the 26th Day of this Month, on the Bowling Green, by a new Company of Comedians, who intend to play the remaining part of the Winter; and that Preparations are making in a handsome Manner for the Reception of the Gentry

Performances

4947
20 December 1732 @ Goodman's Fields

Event Comment: Mainpiece: Written by Shakespeare. Afterpiece: a Masque. [Author unknown. Apparently not published.] All the Characters new dress'd

Performances

Mainpiece Title: Henry Iv, Part I

Afterpiece Title: The Amorous Sportsman; or, The Death of the Stag

4948
22 December 1732 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality. Afterpiece: With new Scenes, Habits, Machines, and other Decorations

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Cephalus and Procris; With Harlequin Grand Volgi

4949
13 January 1733 @ Covent Garden

Event Comment: With a new Scene representing the Ponti Rialto in Venicev. Receipts: #61 7s

Performances

Mainpiece Title: Othello, Moor Of Venice

4950
05 February 1733 @ Goodman's Fields

Event Comment: A New Ballad Opera. [By Henry Potter.

Performances

Mainpiece Title: The Decoy; Or, The Harlot's Progress