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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "College of New York"/1) | (@(roleclean,performerclean) "College of New York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6823 results for: Keyword - College of New York
We found 3243 matches on Event Comments, 2694 matches on Performance Title, 1654 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

4876
23 June 1730 @ Haymarket Theatre

Event Comment: Never Acted before. Written by the Author of Tom Thumb [Henry Fielding]. With New Scenes and other Decorations

Performances

Mainpiece Title: Rape Upon Rape; Or, The Justice Caught In His Own Trap

4877
27 June 1730 @ Goodman's Fields

Event Comment: UUniversal Spectator, 27 June: Thomas Odell, Esq. Master of the New Theatre in Goodman's Fields, hath been at Windsor to obtain Leave to bring his Company of Comedians down thither to perform Plays during the Court's Stay at Windsor; and we hear that he hath succeeded therein

Performances

4878
07 July 1730 @ Haymarket Theatre

Event Comment: Afterpiece: A new Tragedy, of one Act (Author unknown)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Jack the Giant Killer

4879
09 October 1730 @ King's Theatre

Event Comment: DDaily Journal, 9 Oct.: There are Grand Preparations making at the Opera-House in the Hay-Market by New Cloaths, Scenes, &c. And, Senesino being arrived, they will begin to perform as soon as the Court comes to St. James's

Performances

4880
10 November 1730 @ Lincoln's Inn Fields

Event Comment: A New Ballad Opera, [By George Lillo.] Receipts: #91 9s. 6d. Daily Courant, 12 Nov.: On Tuesday Night...Sylvia...was perform'd for the first Time...where there appeared a Set of People, who seem'd inclined to damn the whole Performance (if it had been in their Power)by their continual Hissing and Cat-Calls; notwithstanding which, the same was perform'd with Applause, by the general Approbation of the Pit and Boxes

Performances

Mainpiece Title: Sylvia; Or, The Country Burial

4881
13 November 1730 @ Goodman's Fields

Event Comment: With new Habits proper to the Play

Performances

Mainpiece Title: Cato

4882
21 November 1730 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Persons of Quality. Daily Journal, 21 Nov.: It is generally reported about Town, that Interest is making for a new Patent relating to the Goverment of...Drury-lane, exclusive of Mr Booth; but this wants Confirmation: Mr Booth, by all Reports, is much advanced in his Recovery

Performances

Mainpiece Title: The Lady's Last Stake

Dance: Mrs Booth

4883
23 November 1730 @ Lincoln's Inn Fields

Event Comment: All the Characters New Drest. Receipts: #131 9s. 6d

Performances

Mainpiece Title: The Conscious Lovers

Dance: Salle, Mlle Salle, being the first Time of her Appearing on the Stage since her Arrival from the Opera at Paris

4884
02 December 1730 @ Haymarket Theatre

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Performance Comment: Cleopatra-Mrs Williamson; all the Men's Parts-Gentlemen for their Diversion; With a new Prologue, Epilogue-.

Dance:

4885
11 December 1730 @ Drury Lane Theatre

Event Comment: Never Acted before. [by Charles Johnson.] With New Habits. [See Preface for an account of the noisy reception of the play, and Lord Hervey and his Friends, p. 61, for Hervey's amusing account of the first night.

Performances

Mainpiece Title: Medea

4886
16 December 1730 @ Goodman's Fields

Event Comment: Afterpiece: A new Ballad Opera of one Act. [By Thomas Gataker,]

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Jealous Clown; or, The Lucky Mistake

4887
12 January 1731 @ King's Theatre

Event Comment: A New Opera. [Text by Apostolo Zeno. Recitatives by Handel. Edition of 1731 gives no performers' names, but states: Done into English by Mr Humphreys.

Performances

Mainpiece Title: Wenceslaus

4888
13 January 1731 @ Haymarket Theatre

Event Comment: Afterpiece: A new Comic Ballad Opera of one Act. [Author unknown. Apparently not published.

Performances

Mainpiece Title: The Author's Farce

Afterpiece Title: The Jealous Taylor; or, The Intriguing Valet

4889
16 January 1731 @ Lincoln's Inn Fields

Event Comment: Receipts: #32 4s. [Universal Spectator, 16 Jan., reports that the subscription for Rich's new playhouse in Covent Garden has reached #6,000 and that James Sheppard, the architect, has completed the plans for the structure.

Performances

Mainpiece Title: Periander

4890
20 January 1731 @ Haymarket Theatre

Event Comment: A New Comedy. [By Matthew Draper.

Performances

Mainpiece Title: The Spendthrift

4891
01 February 1731 @ Goodman's Fields

Event Comment: A New Tragedy. [By James Ralph.

Performances

Mainpiece Title: The Fall Of The Earl Of Essex

4892
02 February 1731 @ King's Theatre

Event Comment: A New Opera. [Text from Metastasio. Music by Handel.] Edition of 1731: Done into English by Mr Humphreys

Performances

Mainpiece Title: Porus

4893
13 February 1731 @ Haymarket Theatre

Event Comment: See Universal Spectator, 13 Feb., for an essay on a rehearsal of The Indian Empress, forthcoming at hay, and British Journal, 13 Feb., for a discussion of some new plays of the season

Performances

4894
17 February 1731 @ Haymarket Theatre

Event Comment: Never Acted before. [Author unknown. Apparently not printed.] With New Habits

Performances

Mainpiece Title: The Indian Empress; Or, The Conquest Of Peru

4895
08 March 1731 @ Goodman's Fields

Event Comment: Benefit Giffard. At the particular Desire of several Gentlemen and Ladies. Afterpiece: a new Comic Opera. [Author unknown. Apparently not published.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Merry Throwster

4896
03 April 1731 @ Drury Lane Theatre

Performances

Mainpiece Title: All For Love

Performance Comment: Antony (new drest)-a Gentleman; Ventidius-Mills; Dolabella-Marshall; Alexas-W. Mills; Serapion-Corey; Myris-Oates; Cleopatra-Mrs Horton; Octavia-Mrs Porter.

Afterpiece Title: Cephalus and Procris

4897
21 April 1731 @ Goodman's Fields

Event Comment: Benefit Bardin. At the particular Desire of several Gentlemen and Ladies. Afterpiece: A new Comic Opera (never perform'd before). [Author unknown. Apparently not published.

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Sailor's Wedding; or, The Humours of Wapping

4898
26 April 1731 @ Lincoln's Inn Fields

Event Comment: Benefit Chapman. Receipts: money #39 12s.; tickets #89 19s. Daily Post, 24 April: We hear that on Monday next the Hon. and Antient Company of Lumber Troopers will perform a fine Exercise in New-street Square, and from thence proceed in a Body...to...Lincoln's-Inn-Fields, to see...the Busy Body, with the Opera of Flora...for the Benefit of Mr Chapman, belonging to the said Troop

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Flora

Dance: II: Two Pierrots-Nivelon, Poitier; IV: Scotch Dance-Salle, Mrs Laguerre; V: Tambourin-Mlle Salle

4899
27 April 1731 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Orestes

Performance Comment: As17310403 but With a New Prologue, Epilogue-.

4900
05 May 1731 @ Goodman's Fields

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Tragedy of Tragedies

Performance Comment: Tom Thumb-Master Woodward; With a New Prologue by Master Woodward-Master Woodward.