SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "College of New York"/1) | (@(roleclean,performerclean) "College of New York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3243 matches on Event Comments, 2694 matches on Performance Title, 1654 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [Music by Dominico Scarlatti, with additional numbers by Thomas Roseingrave. Text by P. A. Rolli.] A new Opera. Pit and Boxes together at half a guinea. Gallery 5s. Stage one Guinea. N.B. When the Tickets are disposed of, no Person will be admitted for Money; places will be kept in the Boxes only

Performances

Mainpiece Title: Narcissus

Event Comment: At Bullock's and Pack's Great Booth at Hounslow during the Fair. Mainpiece: a new Droll

Performances

Mainpiece Title: The False Friend; With The Comical Humours Of Sir Timothy Timberhead And His Sister Jezebel

Dance: The Tavern Bilkers-

Event Comment: Not Acted these Five Years. All the Characters being new dress'd

Performances

Mainpiece Title: The Comical Lovers; Or, Marriage A La Mode

Event Comment: All the Characters being new dress'd

Performances

Mainpiece Title: The Comical Lovers

Event Comment: [Text by P. A. Rolli. Music by G. Bononcini.] A New Opera. Four Hundred Tickets (for Pit and Boxes) will be deliver'd out, and after they are disposed of, no Person whatsoever will be admitted for Money. Neither Director nor Subscribers will be admitted on the Stage. A proper Officer will attend at each Door, to deliver Every Subscriber his Ticket, without which he will not be admitted. Pit and Boxes at a half guinea. Gallery 5s. The Doors to be open'd at Five a Clock. To Begin exactly at Six. [The Royal Family present.

Performances

Mainpiece Title: Astartus

Event Comment: Mainpiece: [By Thomas Odell.] A new Farce of one Act. Benefit J. and Ch. Rich. Receipts: money #112 5s.; tickets #14 5s

Performances

Mainpiece Title: The Chimera; Or, An Hue And Cry To Change Alley

Afterpiece Title: The Emperor of the Moon

Afterpiece Title: Amadis

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: See17201215., but With a new Prologue to the Town by Mr Welstead-.

Afterpiece Title: Amadis

Event Comment: As 26 Jan. Receipts: #42 15s. Daily Journal, 27 Jan.: A New Tragedy, call'd, Friendship Betray'd; Or, the Injured General, was to have been Acted on Tuesday next...but is deferred, on Account of Mrs Bullock's hourly Expectation of being brought to Bed, she having the Principal Part in the Play

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Cobler of Preston

Event Comment: [Text by P. A. Rolli. Originally set by Signor Orlandini, with some songs composed by Signor Phillipo Amadei.] A new Opera. Admission as 19 Nov. 1720

Performances

Mainpiece Title: Arsaces; Or, Amore E Maesta

Event Comment: [By Eliza Haywood.] Never Acted before. Receipts: #37 12s. 6d. Weekly Journal or Saturday's Post, 4 March: Since the late Riot at the New Playhouse, his Majesty has been pleased to order that Company the same Number of Guards they have at Drury Lane

Performances

Mainpiece Title: The Fair Captive

Event Comment: Benefit Mrs Seymour.Afterpiece: A new Dramatick Entertainment of Dancing in Grotesque Characters. Receipts: money and tickets #101 6s

Performances

Mainpiece Title: The True And Ancient History Of King Lear And His Three Daughters

Afterpiece Title: The Magician; or, Harlequin a Director

Event Comment: [By John Mottley.] A new Tragedy. Receipts: #11 12s

Performances

Mainpiece Title: Antiochus

Event Comment: [Music by Ariosti, Bononcini, Handel. Text by P. A. Rolli.] Admission as 19 Nov. 1720. De Fabrice to Flemming, 21 April (in Deutsch, Handel, p. 126): The Princess of Wales was safely delivered of a son last Saturday. The news was taken to the King by Lord Herbert during...Mutius Scevola, where there was a particularly large audience on account of its being the first performance. The audience celebrated the event with loud applause and huzzas. Each act of this opera is by a different composer, -the first by a certain Pipo, the second by Bononcini, and the third by Hendell, who easily triumphed over the others

Performances

Mainpiece Title: Mutius Scaevola

Performances

Mainpiece Title: Les Disgraves D'arlequin

Afterpiece Title: Arlequin Limondier

Performance Comment: In which a new Arlequin will perform that Part, who has had the Honour of representing in several Foreigh Courts with Applause: The late Arlequin, Monsieur Francisque, bein gone.
Event Comment: [Text by P. A. Rolli.] A new Opera. Admission as 19 Nov. 1720

Performances

Mainpiece Title: Cyrus; Or, Odio Ed Amore

Event Comment: At Penkethman, Miller, and Jubilee Dicky's New Theatrical Booth in Blue-Maid Alley, adjoining the the Half-Moon-Inn

Performances

Mainpiece Title: The Injur'd General; Or, The Blind Beggar Of Bednal-green; And The Woman Never Vext; With The Comical And Diverting Humours Of Squire Sousecrown And His Man Gudgeon

Event Comment: At Lee's Great Booth in the Queen's Arms Tavern Yard, next the Marshalsea Gate. Mainpiece: an excellent New Entertainment

Performances

Mainpiece Title: The Noble Englishman; Or, The History Of Aarius King Of Persia, And The Destruction Of Babylon; With The Pleasant Humours Of Capt Fearful And His Man Nine@pence

Song:

Dance:

Event Comment: Not Acted these Fifteen Years. [i.e., at dl]. With new Habits, and Scenes proper to the Play. Written by Mr Lee

Performances

Mainpiece Title: Theodosius; Or, The Force Of Love

Event Comment: With new Habits, and Scenes proper to the Play. Written by Mr Lee

Performances

Mainpiece Title: Theodosius

Event Comment: Weekly Journal or Saturday's Post, 18 Nov.: We hear that the Theatre in the Hay-Market, where lately the French Strollers us'd to perform, will be opened in a little time, for the Diversion of the City and Liberty of Westminster. The Actors, as well as the Plays, they say, will be entirely new, and the whole to be under the Management and Direction of that noted Projector, $Aaron Hill, Esq.

Performances

Event Comment: [Text by P. A. Rolli. Music by G. F. Handel.] A new Opera. Pit and Boxes at a half guinea. And in Regard to the Increase of the Number of Subscribers, no more than Three Hundred and Fifty Tickets will be delivered out. No Tickets will be disposed of at the Theatre, nor any Money taken there but for the Gallery. Gallery 5s

Performances

Mainpiece Title: Floridante

Event Comment: London Journal, 23 Dec.: The ingenious Mr Weston of Greenwich, having lately erected a Theatre for the Use and Diversion of the young Gentlemen under his Tuition, the Play of Tamerlane was last Week performed there, with vast Applause. A new Prologue and Epilogue was pronounced upon the Occasion, written by an ingenious Hand

Performances

Event Comment: Not Acted these Fifteen Years. At the Desire of several Ladies of Quality. All the Characters being new dress'd. Benefit John Rich. Receipts: money #79 11s. 6d.; tickets #21 7s

Performances

Mainpiece Title: Injur'd Love; Or, The Ladies Satisfaction

Song: Singing in Italian and English-Mrs Bower, who never appear'd on the Stage before

Event Comment: Mainpiece: As it was alter'd by the late Duke of Buckingham. Afterpiece: A new Dramatick Entertainment of Dancing in Grotesque Characters

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Escapes of Harlequin

Event Comment: [Text by P. A. Rolli. Music by Bononcini.] A new Opera. Admission as 9 Dec. 1721

Performances

Mainpiece Title: Crispus