SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "College of New York"/1) | (@(roleclean,performerclean) "College of New York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3243 matches on Event Comments, 2694 matches on Performance Title, 1654 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [Afterpiece in place of The Citizen, advertised on playbill of 7 Feb.] Powell, 8 Feb.: New Ballet rehearsed at 6; 9 Feb.: New Ballet rehearsed at 12. Receipts: #127 7s. 6d. (85.6.6; 37.9.6; 4.11.6)

Performances

Mainpiece Title: The Cherokee

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: Douglas

Afterpiece Title: A Musical Olio

Performance Comment: SCENE I. A Chamber. A favourite Song (composed by Dr Arnold)-Miss Leak; SCENE II. The Sea Shore. Ye Gentlemen of England (composed by Callcott)-Sedgwick, Dignum, Mrs Bland; SCENE III. A Village. A new Song (composed by Ross)-Master Welsh.
Cast
Role: A new Song Actor: Master Welsh.

Afterpiece Title: The Pannel

Event Comment: Benefit for Martini [i.e. Martin y Soler]. Afterpiece: A New Comic Intermezzo [1st time] in I Act; the music by Martini, the words by DaPonte; in which some new Music in the Spanish stile. Tickets to be had of Martini, No. 17, Sherrard-street, Golden-square

Performances

Mainpiece Title: L'isola Del Piacere

Afterpiece Title: Le Nozze dei Contadini Spagnuoli

Dance: End II: Paul et Virginie, as17950411; In intermezzo: The Fandango-Mme DelCaro, Aumer

Music: End I: a concerto

Event Comment: Afterpiece [1st time; P 2 (?), by William Linley. Also attributed to Cordal Powel, librarian to the Prince of Wales (London Chronicle, 19 Jan. 1796). Larpent MS 1106; not published, except for Airs (C. Lowndes, 1796). Synopsis of action in Pocket Magazine, Jan. 1796, p. 59]. The Musick composed by W. Linley. The Scenes [for a description of which see Theatre Notebook, 1965, XIX, p. 58] entirely new, and painted by Greenwood. The Machinery and Decorations by Cabanel, Johnston and Jacobs. The Dresses by Johnston and Miss Rein. Nothing under Full Prince will be taken. Account-Book, 22 Jan.: Paid Wm. Linley for music of new pantomime #25. Receipts: #619 3s. (608.9; 10.14)

Performances

Mainpiece Title: Douglas

Afterpiece Title: Harlequin Captive; or, The Magick Fire

Event Comment: Benefit for Master Welsh. [2nd piece in place of The Sultan, advertised on playbill of 10 May. Medley is identified in MS list in Kemble playbills of new performers for this season.] "A riot took place this evening, occasioned by the performance of Skirmish by a new actor. This person, wanting every quality requisite for the stage, performed so very much to the dissatisfaction of the audience, that the piece was mutilated in such a manner that for some time it was insisted on that the whole should be repeated more perfectly and by another actor. This being impossible, some mischief was threatened, but after a short time the disturbance ceased" (European Magazine, June 1796, p. 396). Morning Herald, 30 Apr.: Tickets to be had of Master Welsh, No. 9, St. Margaret-street, Westminster. Receipts: #292 4s. (84.11.6; 47.15.6; 12.14.0; tickets: 146.19.6; odd money: 0.3.6). (charge: free)

Performances

Mainpiece Title: The Smugglers

Afterpiece Title: The Virgin Unmask'd

Afterpiece Title: The Deserter

Song: End: the favourite duett from Sampson, My Faith and Truth-Miss Leak, Master Welsh; End 2nd piece: Listen to the Voice of Love (composed by Hook)-Master Welsh

Event Comment: Benefit for Miss Leak. 1st piece: Never performed here. The Musick selected, with new Accompaniments and a Scottish Overture, by Dr Arnold. [Miss Andrews is identified in MS list in Kemble playbills of new performers for this season.] Morning Herald, 30 Apr.: Tickets to be had of Miss Leak, Upper Mews Gate, Castle-street, Leicester-square. Receipts: #155 11s. 6d. (84.2.0; 66.10.0; 0.17.0; tickets: none listed; odd money: 4.2.6) (charge: #213 0s. 7d.)

Performances

Mainpiece Title: Love And Money

Afterpiece Title: The Belle's Stratagem

Afterpiece Title: No Song No Supper

Song: In: Thro the Wood Laddie-Miss Leak; In Masquerade Scene 2nd piece: Ally Croker-Miss Leak, Master Welsh

Event Comment: A new Comic Opera [1st time; COM 2, by Lorenzo Da Ponte]; the music entirely new by Mazzinghi

Performances

Mainpiece Title: Il Tesoro

Dance: As17960607

Ballet: The Caravan at Rest. As17960607

Event Comment: Afterpiece: 9th Time [i.e. in continuation of the reckoning for the previous season]. A New Room has been prepared on the Bow Street side of the Theatre for the Accomodation of the Frequenters of the Boxes at Half Price. They will be admitted into the New Room at Half past Seven, and from thence into the Theatre at the end of the Third Act, as usual. Boxes 6s. Second Price 3s. Pit 3s. 6d. Second Price 2s. Gallery 2s. Second Price 1s. Upper Gallery 1s. Places for the Boxes to be had of Brandon (only) at the Office in Hart-street. The Doors to be opened at 5:30. To begin at 6:30 [see 7 Nov.]. No Money to be returned. Receipts: #281 1s. 6d. (278.5.6; 2.16.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Doldrum; or, 1803

Song: V: a Dirge-, to music by Shield; Vocal Parts-Mrs Martyr, Mrs Clendining, Mrs Watts, Mrs Lloyd, Mrs Blurton, Miss Walcup, Mrs Masters, Mrs Norton, Mrs Follett, Mrs Castelle, Miss Leserve, Haymes, Linton, Street

Event Comment: Mainpiece [1st time: CO 3, by Joseph George Holman. Text: George Cawthorn, 1796]: The new Music composed by Shield. The Selections from Gretry, Giornovichi, Jackson, and Mahon. The new Scenery painted by Richards. Books of the Songs to be had in the Theatre. Oracle, 7 Dec. 1796: Tomorrow will be published Abroad and at Home (2s.). Receipts: #220 9s. (219.2; 1.7)

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Deaf Lover

Event Comment: 2nd ballet: Revived, and brought forward under the direction of Barre. The Music, with additional Airs, by Mazzinghi. The Scenery entirely new, painted by Greenwood and assistants under his Direction. The Dresses new by Sestini. "This dance is the composition of the celebrated Noverre, and it is totally different from the ballet under the same title, brought out at Paris under Gardel...The torches and swords of fire in hands of Furies produced so tremendous an effect that a part of audience seemed petrified at agonies of Psyche. Much of this effect was produced by the strong reflection from glass pannels of boxes" (Morning Chronicle, 19 Dec.). The frequenters of Opera are respectfully acquainted that Posts with Chains are placed all along front of Theatre to prevent Carriages from driving upon the foot way, so that Chairs can in future come by great door in the Haymarket with perfect safety

Performances

Mainpiece Title: L'amor Fra Le Vendemmie

Dance: End I: Flora et Zephire, as17961126

Ballet: End Opera: L'Amour et Psiche. L'Amour-Didelot; Psiche-Mme Hilligsberg (Oracle, 19 Dec.); Adonis-Gentili (Morning Chronicle, 19 Dec.); unassigned-Mme Rose, Mlle Parisot, Fialon

Event Comment: 2nd piece [1st time]: A new Comic Opera in one act; the Music entirely new, and composed here by Bianchi. Poetry by DaPonte

Performances

Mainpiece Title: The 1st Act Of L'amor Fra Le Vendemmie

Afterpiece Title: Il Consiglio Imprudente

Dance: End: Peggy's Love- [see17961206]; End 2nd piece: L'Amour et Psiche- [see17961213]

Event Comment: Mainpiece [1st time; CO 3, by William Linley. Larpent MS 1150; not published]: With new Dresses and Decorations. The Overture and Musick new by W. Linley. Receipts: #245 13s. 6d. (196.9.6; 45.19.0; 3.5.0)

Performances

Mainpiece Title: The Honey Moon

Afterpiece Title: Robinson Crusoe

Event Comment: A New, Grand, Serious Opera, with Chorusses (1st time [in London; 1st performed at Paris, 1788, as Arvire et Evelina]). The Music by Sacchini (being his last Work). With entirely new Scenes (painted by Greenwood), Dresses and Decorations. Books of the Opera may be had at the Office of the Theatre

Performances

Mainpiece Title: Evelina

Dance: End I: Divertissement-Didelot, Mme Rose, Mlle Parisot; End Opera: Apollon Berger-Mlle Parisot, Didelot, Mme Hilligsberg, Gentili, Mme Rose

Event Comment: 2nd piece [1st time; M. ENT 1, but printed in 2, by George Nugent Reynolds]: With new and appropriate Scenery by Phillips, &c. The new Music by Reeve. Books of the Songs and Chorusses to be had in the Theatre. [This piece is based on the attempt of the French navy to make a landing in Bantry Bay on 24 Dec. 1796.] Receipts: #293 5s. 6d. (284.5.6; 9.0.0)

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: Bantry Bay

Afterpiece Title: The Ghost

Event Comment: Mainpiece [1st time; C 5, by Elizabeth Inchbald. Author of Prologue unknown]: With new Dresses, Scenery, &c. Morning Herald, 4 Apr. 1797: This Day is published Wives as they Were, and Maids as they Are (2s). "The Manager of Covent Garden Theatre gives Mrs Inchbald #500 for her new Comedy" (True Briton, 13 Mar.). Receipts: #302 13s. 6d. (295.9.0; 7.4.6)

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: The Wicklow Mountains

Event Comment: Mainpiece: Divided into Two Parts. Afterpiece [1st time; CANT 1. Larpent MS 1156; not published. The playbill omits Apollo; added in MS]: With Chorusses and Dances. The Music composed new for occasion by Bianchi. The Dances also new, by Gallet. Poetry by DaPonte. In honour of the Glorious Victory of His Majesty's Navy [off Cape St. Vincent] on the 14th of last Month

Performances

Mainpiece Title: Il Consiglio Imprudente

Afterpiece Title: Le Nozze del Tamigi e Bellona

Dance: End I: Peggy's Love-, as17961220

Ballet: Ballet succeeding to and analogous to the Cantata. Doris-Mme Rose; Nerid-Didelot; Ocean-Gentili; Amphitrite-Mlle Parisot; Thetis-Mme Hilligsberg

Event Comment: Benefit for Mme Rose. Tickets to be had of Mme Rose, No. 8, Hay-Market. 2nd ballet: 1st time; composed by Didelot in the Erotic Style. The Music entirely new, by Mazzinghi. With new Dresses [by Sestini], Scenery [by Greenwood], and Decorations

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: L'Heureux Retour, as17970401; Minuet de la Cour-Mme Rose, Didelot

Ballet: End Opera: Sapho et Phaon. Cast from synopsis (A. Dulau, 1797): Adonis-Miss Menage; L'Amour-Master Menage; Zephyre-Gentili; Vulcain-Fialon; Phaon-Didelot; Alcee-Simpson; Nemesis-Simpson [i.e. doubled]; Le Feu-Gentili [i.e. doubled]; L'Hypocrisie-Fialon [i.e. doubled]; Sapho-Mme Rose; Damophile-Mme Hilligsberg; Venus-Mlle Parisot

Event Comment: 2nd piece [1st time; M. INT 1, by John Rose. Larpent MS 1167; not published]: A Mask, in honour of the approaching Royal Nuptials [the Marriage of Charlotte Augusta, Princess Royal of Great@Britain to Frederick William, Prince of Wurttemberg, on 18 May]. The Musick entirely new by Attwood. The Scenes, Dresses, and Decorations entirely new. Books of the Interlude to be had in the Theatre. Receipts: #254 15s. (166.15.0; 84.6.6; 3.13.6)

Performances

Mainpiece Title: The Last Of The Family

Afterpiece Title: The Fairy Festival

Afterpiece Title: Lodoiska

Dance: In 2nd piece: Dances incidental to the Piece, composed by Gentili. Principal Dancers-Gentili, Master Menage, Sga Bossi DelCaro, Mrs Wild

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Diamond Cut Diamond

Dance: II: Masquerade Dance- incident to the Play

Entertainment: Monologue.Preceding: a new Occasional Address-Murray

Performance Comment: Preceding: a new Occasional Address-Murray.
Event Comment: 2nd piece [1st time; M. INT 1, by Andrew Franklin. It refers to the King's departure from Greenwich on the Royal Charlotte yacht, 30 Oct. 1797, to visit Lord Duncan's fleet at the Nore. The visit was subsequently cancelled because of inclement weather]: With new Scenery, and Machinery. The Music partly new [by William Linley] and partly compiled; with an introductory Full Piece. In the course of the Piece a View of Greenwich Hospital, and an exact Representation of the Departure of the Royal Yatch [sic]. To conclude with a View of the British Fleet, and the Dutch Prizes [taken at Camperdown. 11 Oct.]. [These were included in all subsequent performances.] Books of the Songs to be had in the Theatre. Morning Herald, 16 Nov. 1797: This day is published A Trip to the Nore (1s.). Receipts: #317 5s. 6d. (234.8.6; 76.10.6; 6.6.6)

Performances

Mainpiece Title: The London Merchant; Or, George Barnwell

Afterpiece Title: A Trip to the Nore

Afterpiece Title: The Virgin Unmask'd

Dance: In 2nd piece: Dance of Sailors-; Hornpipe-Sga Bossi DelCaro

Event Comment: Afterpiece [1st time; P 2 (?), by John Cartwright Cross]: With new Music, Scenery, Machinery, Dresses, &c. The Overture and new Music by Reeve. The Scenery painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper, Goostree, &c. The Dresses by Dick, Mrs Egan, &c. Receipts: #314 15s. (303.1; 11.14)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Harlequin and Quixotte; or, The Magic Arm

Performances

Mainpiece Title: He's Much To Blame

Afterpiece Title: Joan of Arc

Performance Comment: As17980216, but Edwin-_; here specified as: An Aerial Spirit in disguise-Miss Sims; [slight verbal changes in The Argument; and A New Grand Scene-[, representative of Antient British Heroes [who they were not specified] in place of the; Grand Historical Pageant-_.
Cast
Role: and A New Grand Scene Actor:

Music: As17980214

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music, From The Works Of handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Introduction-; Ye sons of Israel-Chorus; Relieve thy Champion, Return O God of Hosts-Miss Dufour (Samson); Air-Reinhold; Let the bright seraphim-Mme Mara (Samson); Let them come if they dare-Incledon, Chorus (Purcell); What's sweeter than the new blown rose-Miss Poole, Master Elliot (Joseph); For the horse of Pharaoh-Incledon; The Lord shall reign-Chorus; And Miriam the Prophetess, Sing ye to the Lord-Incledon; The horse and his rider-Double Chorus (Israel in Egypt).

Music: End I: concerto on the violoncello-C. Ashley; End II: concerto= on the Piano Forte-Dussek

Performances

Mainpiece Title: A Grand Selection 0 From The Most Favourite Works Of Handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Select parts of the Water Music-; Softly sweet-Miss Poole; [accompanied on the violoncello-C. Ashley (Alexander's Feast); I feel I feel, Arm arm ye brave-Reinhold; We come we come-Chorus (Judas Maccabaeus); The Soldier tir'd-Mme Mara (Dr Arne); What's sweeter than the new blown rose-Miss Poole, Master Elliot (Joseph); Oh come, let us worship-Incledon ([Chandos] Anthems); But bright Cecilia-Mme Mara; As from the power-Mme Mara, Chorus; The dead shall live-Chorus (Dryden's Ode); . .

Music: As17980309

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Quarter Deck; or, Half an Hour's Festivity

Performance Comment: In which The New Mariners-; The Mid Watch-Incledon; Queen Bess; or, The Spanish Armada-Johnstone; Great Britain still her Charter boasts-Incledon, Fawcett, Johnstone, Linton, Street, Gray.
Cast
Role: In which The New Mariners Actor:

Afterpiece Title: Botheration; or, A Ten Years Blunder

Dance: In 2nd piece: a Hornpipe (in Character)-Blurton

Song: In course Entertainment: Old Towler-Incledon; Black Ey'd Susan-Incledon; Incidental to 3rd piece: Mr O'Blarney's Description of London (Including his Remarks on St. James's, St. Giles's, St. Paul's, Debating Clubs, Squares, Gardens, The Monument, Wigs and Crops, Boarding Schools, Inns, Fields, Soldiers, Sailors, and Volunteers) in Character-Johnstone