SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "College of New York"/1) | (@(roleclean,performerclean) "College of New York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3243 matches on Event Comments, 2695 matches on Performance Title, 1654 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Tomorrow, A New Comic Opera, never perform'd, call'd The Duenna, or The Double Elopement, with New Dances, Dresses, and Scenery

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Midas

Event Comment: With New Music, Scenes, Dresses, and Decorations for the Afterpiece. This Farce is brought on the Stage by Mrs Abington--it is very dull--It is vastly well got up and was receiv'd with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly, mentioning Bickerstaff as the author. Larpent MS 397 contains elaborate stage direction at opening: "An interior apartment in the Seraglio. An arch in the middle of the back scene, which is shut with a curtian. On the right hand toward the front is a sopha in the Turkish manner, low deep, and long, covered with carpets and cushions. A little gold table about eight inches high and a foot and a half square. Upon it a rich or gold saver set with jewels, with two cups on porcelain, and a spoon made of the beak of an Indian bird, which is redder than coral, extremely rare and of extensive price." This may have been intended for a reading audience. In the piece Mrs Abington, an English slave , rebels in the confines of the Seraglio, and start a reform movement wherein men are to please the women. Concludes with demostration of the nobility of English women who will not be enslaved, who will not flatter, who will preserve their liberty and dignity, and who are capable of returning love for honor and respect. Reviewed in Westminster Magazine for Dec.: "The Audience appeared to be divided in their opinion of the merit of the Sultan, some loudly applauding, and others as loudly condemning it, when the curtain dropped. The Majority however, stood firmly for it, and a verdict was returned in its favor. The managers not only well dressed this dramatic trifle, but bestowed three new scenes on it: The Outer Gate of the Seraglio--An Interior view of it--and a Garden terminating in a prospect of the sea. The first was but la! la! The last two were beautiful and picturesque. Five airs were introduced into this piece which had a very good effect....The music of the two first was the composition of Mr Dibdin, and was exceedingly pretty."] Receipts: #143 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Sultan or A Peep into the Seraglio

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: As17751120, but New Occasional Prologue-Reddish.

Afterpiece Title: Miss in Her Teens

Event Comment: Afterpiece: A New Pantomime Entertainment, never performed. With New Music, Scenes, Dresses, and Machinery. The Overture composed by Fisher. The scenes painted by Messrs Dahl and Richards. Nothing under FULL PRICE will be taken. The Words of the songs to be given at the Doors. [This information included in all subsequent bills for the pantomime this season, until 25 March when the half-price practice is announced. Full account of the content of the afterpiece is given in The Westminster Magazine for Dec. The reviewer was delighted with the adherence to the classical myth in the first and last scenes, and with the variety of action and excellence of the machinery and painting in the interventing comic portion.

Performances

Mainpiece Title: King Henry Ii

Afterpiece Title: Prometheus

Event Comment: A New comic opera; Music entirely new by Vento. [The Libretto by Bodini (Public Advertiser, 10 Jan.).

Performances

Mainpiece Title: Il Bacio

Dance: I: Serious Ballet-Fierville, Mlle Bacelli; II: Les Evenemens Imprevues-M N. N., Helm, Mlle Tinti, Mlle Sophie; End Opera: La Generosite de Scipion-N. N., Fierville, Mlle Baccelli

Event Comment: A new serious Opera; Music entirely New by Vento

Performances

Mainpiece Title: La Vestale

Dance: I: Les Deux Soeurs, as17760203; II: Ballet Pastoral, as17760120; End of Opera: A Divertissement-Mlle Baccelli, Mlle Sophie

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: As17751215, but the Vocal Parts-Mrs Smith, Mrs _Scott, Mrs _Jewell; +The Last New Epilogue-Mrs Abington (playbill). [The Public Advertiser retains Mrs Scott and Mrs Jewell and makes no mention of Mrs Smith.]The Public Advertiser retains Mrs Scott and Mrs Jewell and makes no mention of Mrs Smith.]

Afterpiece Title: The Jubilee

Event Comment: Afterpiece: A New Masque [by Capt. Edward Thompson] never perform'd. With New Music, Dresses, Scenery, and Decorations. The Music composed by Fisher. The Scenes painted by Dall and Carver. Books of the songs to be had at the Theatre. [The Westminster Magazine for March also lists Boreas -Reinhold; Carlos -DuBellamy; Traverse -Mahon; Druid -L'Estrange, and tells the story of the play. The reviewer did not approve of the piece, since for him it lacked unbounded fire of fancy, originality of idea, language, and character. He approved of Fisher's music.

Performances

Mainpiece Title: Cato

Afterpiece Title: The Syrens

Event Comment: Benefit for Rauzzini. A New Opera, written by Badini; Music entirely New by Rauzzini

Performances

Mainpiece Title: Le Ali Damore

Dance: I: Les Deux Soeurs, as17760203; II: Ballet Pastoral, as17760120; End Opera: Pigmalion Amoureuse de La Statue, as17751031

Performances

Mainpiece Title: The Orphan Or The Unhappy Marriage

Performance Comment: Castalio-Reddish; Chamont-Smith; Polydore-Brereton; Chaplain-Usher; Page-Mas. Pulley; Servt-Everard; Acasto-Packer; Monimia-A Lady [Mrs Canning] first appearance this season; Ernesto-Wrighten; Serina-Miss Platt; Florella-Mrs Johnston; before the play A New Occasional Address to the Public-Reddish.

Afterpiece Title: Valentines Day

Dance: II: The Grand Garland Dance, as17760311

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Irish Widow

Monologue: Interlude. Taken from The Register Office. End of Play, By Particular Desire and for that night only. The New Character-Mrs Gardener , her first appearance here these 2 years; Melpomene-Miss Francis

Performance Comment: Taken from The Register Office. End of Play, By Particular Desire and for that night only. The New Character-Mrs Gardener , her first appearance here these 2 years; Melpomene-Miss Francis.

Entertainment: After Interlude: Epilogue-Lee Lewes in the character of Harlequin (Written by late Dr Goldsmith) which will conclude with an escape thro' the Tub, as in the Pantomime of Mother Shipton

Dance: End Epilogue: The Merry Sailors, as17760314

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-King; Johnson-Lamash; Smith-Aickin; Others-Baddeley, Parsons, Moody, Whitfield, Hurst, Fawcett, Waldron, Bransby, Burton, Carpenter, Griffiths, Norris, Garland, Wrighten, Wright, Legg, Messink, Cubitt, Everard, Master Pulley, Mrs W. Palmer, Miss Platt, Mrs Davies; With an Additional Reinforcement of Bayes's New Raised Troops-.

Afterpiece Title: The Election

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17751003; II: The Sailors Revels, as17751220

Performances

Mainpiece Title: He Bankrupt

Performance Comment: As17760520, but new listing of Actors-Foote, Whitefield, Fearon, Aickin, R. Palmer, Griffith, Palmer, L'Estrange, Lloyd, Bannister, Stephens, Walters, Baddeley, Miss Sherry, Miss Ambrose, Miss Platt, Mrs Jewell.

Afterpiece Title: The Lyar

Dance: The Haymakers-

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Foote; others-Aickin, Whitefield, Parsons, Davis, Fearon, Baddeley, L'Estrange, Lloyd, Edwin, Brett, Jones, Griffith, Pierce, Walters, Francis, Miss Ambrose, K. Palmer, Miss Francis, Miss Platt; With the Reinforcement of Bayes's New Rais'd Troops-.

Afterpiece Title: The Padlock

Dance: Tambourine Dance-

Event Comment: A new Comic Opera; the Music by Paisiello; under the Direction of Giardini

Performances

Mainpiece Title: La Fraschetana

Performances

Mainpiece Title: Astarto

Performance Comment: As17761102, but new Airs-Sga Pozzi.
Cast
Role: new Airs Actor: Sga Pozzi.

Performances

Mainpiece Title: Love For Love

Performance Comment: Valentine-Reddish; Sir Sampson Legend-Moody; Scandal-Bensley; Foresight-Parsons; Ben-Yates; Jeremy-Baddeley; Trapland-Waldron; Buckram-Wrighten; Officer-Griffiths; Tattle-King; Angelica-Miss Younge; Mrs Frail-Miss Pope; Mrs Foresight-Miss Sherry; Nurse-Mrs Bradshaw; Miss Prue-Mrs Abington; The new occasional Prologue-Dodd. [This was spoken, as here assigned, at the first 2 performances only (see17761205).]This was spoken, as here assigned, at the first 2 performances only (see17761205).]

Afterpiece Title: The Elopement

Event Comment: Mainpiece: by Shakespeare, in 5 acts. With New Music, Scenes, Dresses and Decorations. Public Advertiser, 6 Jan.: The Shipwreck, which opened the Piece, was designed and executed under the Direction of DeLoutherbourg. The new Airs and Chorusses are composed by Linley Jun. The Musical Instrument (played behind the Scenes) is the Invention of Merlin. Morning Chronicle, 6 Jan.: Caliban is by much the best performed character in the piece... The dresses were rich, but to our amazement those of Ferdinand, Sebastian, &c. were in the Spanish taste. [Ibid., 8 Jan., remarks that the entire omission of I. i is to be regretted. Miss Field and Mrs Cuyler are identified by MS annotations on Kemble playbill.] Receipts: #231 9s. 6d. (211.19.0; 17.5.6; 2.5.0)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequins Invasion

Dance: I: a Dance of Spirits (composed by Gallet)-Mlle Dupre; III: [a Fantastic Dance-Grimaldi; [Both these dances, as here assigned, except on 14, 25 Apr. and 0 May, were included in all subsequent performances.] End IV: The Double Festival, as17761107, but Giorgi, +Blurton

Event Comment: The new Serious Opera of Germondo [announced in Public Advertiser, 2 Jan.] is obliged to be deferred 'till This Day Se'nnight, on account of the Illness of a principal Performer

Performances

Mainpiece Title: La Fraschetana

Dance: End I: La Force de l'Amour, as17761214; End II: Grand Serious Ballet, as17761130; End Opera: Les Amans Heureux, as17761217, but Sga Zuchelli

Performances

Mainpiece Title: Artaxerxes

Performance Comment: As17770125, but new air-_.
Cast
Role: with a new air Actor: Mrs Farrell

Afterpiece Title: The Old Maid

Dance: As17761123

Performances

Mainpiece Title: Douglas

Performance Comment: As17761031, but Officers-_Davis; Before the Play a New Occasional Address-Mrs Barry.

Afterpiece Title: The Jovial Crew

Dance: As17770218

Performances

Mainpiece Title: A Trip To Scarborough

Performance Comment: As17770225; but Young Fashion-Palmer (1st appearance in that character); New Prologue-King[as17770301.as17770301.
Cast
Role: New Prologue Actor: King

Afterpiece Title: The Deserter

Dance: As17770225

Performances

Mainpiece Title: Il Geloso In Cimento

Performance Comment: As17770204, but a new Duet-Sga Sestini; Songs-Sga Sestini.
Cast
Role: a new Duet Actor: Sga Sestini

Dance: End I: Les Amans Heureux, as17770104; End II: Serious Ballet, as17770225; End Opera: Masquerade Dance, as17770204

Event Comment: Benefit for Rauzzini. Opera: With Alterations, New Songs, and grand Chorusses. The Music by Rauzzini. Public Advertiser, 15 Feb.: Tickets to be had of Rauzzini, No. 5, Great Suffolk-street

Performances

Mainpiece Title: Lali Damore

Dance: End I: La Force de l'Amour, as17761214; End II: Comic Ballet, as17770204; End Opera: Serious Ballet, as17770225

Performances

Mainpiece Title: Know Your Own Mind

Performance Comment: As17770222, but New Prologue-_; New Epilogue-_[and thereafter, except on 30 Apr.].and thereafter, except on 30 Apr.].

Afterpiece Title: The Two Misers

Dance: As17770125