SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Col Philip Honywood"/1) | (@(roleclean,performerclean) "Col Philip Honywood")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1001 matches on Author, 829 matches on Performance Comments, 92 matches on Event Comments, 80 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Wonder

Performance Comment: Don Lopez-Aickin; Don Felix-Kemble; Frederick-Caulfield; Don Pedro-Suett; Col. Briton-Wroughton; Gibby-Walthen; Lissardo-Bannister Jun.; Alguazile-Maddocks; Vasquez-Trueman; Soldier-Wentworth; Servant-Webb; Donna Violante-Miss Biggs; Donna Isabella-Miss DeCamp; Inis-Miss Mellon; Flora-Miss Pope.

Afterpiece Title: The Shipwreck

Event Comment: [2nd piece: Prologue by George Colman, elder.] Receipts: #190 19s. (138.13.6; 49.16.6; 2.9.0)

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: Bon Ton

Performance Comment: Lord Minikin-Russell; Sir John Trotley (with the original Prologue)-King; Col. Tivy-Barrymore; Jessamy-Wathen; Davy-Suett; Lady Minikin-Miss Pope; Miss Tittup-Miss Humphries.

Afterpiece Title: A Trip to the Nore

Performances

Mainpiece Title: A Trip To Scarborough

Performance Comment: Lord Foppington-R. Palmer; Young Fashion-Palmer; Loveless-Wroughton; Col. Townly-Barrymore; Sir Tunbelly Clumsey-Aickin; Probe-Wewitzer; Lory-Wathen; La Varole-Maddocks; Berinthia-Miss Mellon; Amanda-Mrs Goodall; Mrs Coupler-Miss Tidswell; Nurse-Mrs Walcot; Miss Hoyden-Mrs Jordan.

Afterpiece Title: Blue-Beard

Related Works
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger

Performances

Mainpiece Title: Lionel And Clarissa

Performance Comment: Lionel-Incledon; Col. Oldboy-Munden; Sir John Flowerdale-Murray; Jessamy-Betterton; Harman-Clarke; Jenkins-Townsend; Diana-Mrs Mountain; Lady Oldboy-Mrs Davenport; Jenny-Mrs Martyr; Clarissa (with new songs)-Mme Mara (1st appearance in that character).

Afterpiece Title: Raymond and Agnes

Dance: As17980430

Performances

Mainpiece Title: Fontainbleau

Performance Comment: Lackland-Lewis; Lepoche-Murray; Squire Tally@ho-Munden; Lord Winlove-Incledon; Sir John Bull-Waddy; Col. Epaulette-Farley; Henry-Johnstone; Rosa-Mrs Mountain; Lady Bull-Mrs Davenport; Cecilia (1st time)-Miss Wheatley; Mrs Casy-Mrs Clendining; Nannette-Mrs Martyr; Miss Dolly Bull-Mrs Mattocks.

Afterpiece Title: Cross Purposes

Afterpiece Title: The Poor Sailor

Music: End 1st piece: the British March- his Royal Highnessthe Duke of York's Band

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Performance Comment: Lord Simper-R. Palmer; Col. Modish-Trueman; Plainwell-Ledger; Mr Level-Caulfield; Mrs Level-Miss Heard.

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Blue Devils

Related Works
Related Work: Blue Devils Author(s): George Colman, the younger

Performances

Mainpiece Title: The Spanish Barber

Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): George Colman, the elder

Afterpiece Title: The Honest Thieves

Performance Comment: Teague-Johnstone; with a Planxty in character, The Tight Irish Boy-Johnstone; Abel-Suett; Col. Careless-Trueman; Capt. Manly-Palmer Jun.; Justice Day-Davenport; Mr Story-Abbot; Coachman-Ledger; Bailiff-Lyons; Servant-Chippendale; Obadiah-Munden; Ruth-Mrs Gibbs; Arabella-Miss Heard; Mrs Day-Mrs Davenport.

Afterpiece Title: My Grandmother

Performances

Mainpiece Title: The Heir At Law

Related Works
Related Work: The Heir at Law Author(s): George Colman, the younger

Afterpiece Title: Sylvester Daggerwood

Related Works
Related Work: Sylvester Daggerwood Author(s): George Colman, the younger

Afterpiece Title: The Farmer

Performance Comment: Jemmy@Jumps-Munden; Valentine-Johnstone; Rundy-Trueman; Col. Dormant-Davenport; Farmer Blackberry-Bannister; Molly Maybush-Mrs Bland; Louisa-Miss Griffiths (1st appearance in that character); Betty Blackberry-Mrs Gibbs (1st appearance in that character).

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: An Harmonic Jubilee

Afterpiece Title: The Honest Thieves

Performance Comment: As17980621 but The Tight Irish Boy-_; Col. Careless-_; Capt. Manly-_; Mr Story-_; Coachman-_; Bailiff-_; Servant-_.

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Farmer

Performance Comment: Jemmy Jumps-Munden; Valentine-Johnstone; Farmer Blackberry-Townsend; Col. Dormant-Davenport; Rundy-Simmons; Fairly-Thompson; Farmer Stubble-Powel; Molly Maybush-Mrs Martyr; Louisa-Miss Walcup; Landlady-Mrs Platt; Betty Blackberry-Mrs Litchfield.
Event Comment: Mainpiece: Not acted these 2 years. [Afterpiece: Prologue by George Colman elder.] Receipts: #327 8s. (244.10.6; 81.2.0; 1.15.6)

Performances

Mainpiece Title: King Richard The Third

Related Works
Related Work: The Tragical History of King Richard III Author(s): Colley Cibber

Afterpiece Title: Bon Ton

Performance Comment: Lord Minikin-R. Palmer; Sir John Trotley (with the original Prologue)-King; Col. Tivy-Barrymore; Jessamy-Wathen; Davy-Suett; Lady Minikin-Miss Pope; Miss Tittup-Miss Mellon.

Performances

Mainpiece Title: The Wonder

Performance Comment: Don Lopez-Aickin; Don Felix-Powell (from the Theatre Royal Norwich; 1st appearance on this stage); Frederick-Caulfield; Don Pedro-Suett; Col. Briton-Barrymore; Gibby-Sparks; Lissardo-King; Alguazile-Maddocks; Vasques-Trueman; Soldier-Wentworth; Servant-Webb; Donna Violante-Miss Biggs; Donna Isabella-Miss DeCamp; Inis-Miss Mellon; Flora-Miss Pope.

Afterpiece Title: The Liar

Performances

Mainpiece Title: What Is She

Afterpiece Title: The Farmer

Performance Comment: As17980919, but Col. Dormant-Hull; Farmer Stubble-Dyke.

Performances

Mainpiece Title: A Trip To Scarborough

Performance Comment: Lord Foppington-Palmer; Young Fashion-Barrymore; Loveless-Powell; Col. Townly-Holland; Sir Tunbelly Clumsey-Dowton; Probe-Wewitzer; Lory-Russell; Berinthia-Miss Mellon; Amanda-Miss Heard; Mrs Coupler-Miss Tidswell; Nurse-Mrs Walcot; Miss Hoyden-Jordan.

Afterpiece Title: The Prize

Music: End: a new Grand Concerto on the violin (his composition)-Spagnoletti (1st appearance in public since his arrival from Italy)

Ballet: End II: a new Comic Ballet, The Happy Stratagem; or, The Deluded Mother. Jack-Bartolomici (1st public appearance); Fanny , Younger Sister-Sga Bossi DelCaro; Margaret , Elder Sister-Mlle Parisot; Susanna , their Mother-Mrs Brooker

Performances

Mainpiece Title: King Richard The Third

Related Works
Related Work: The Tragical History of King Richard III Author(s): Colley Cibber

Afterpiece Title: The Farmer

Performance Comment: Jemmy Jumps-Munden; Valentine-Johnstone; Farmer Blackberry-Townsend; Col. Dormant-Davenport; Rundy-Simmons; Fairly-Thompson; Farmer Stubble-Atkins; Waiter-Abbot; Flummery-Rees; Molly Maybush-Mrs Martyr; Louisa-Mrs Sydney; Landlady-Mrs Platt; Betty Blackberry-Mrs Litchfield.

Performances

Mainpiece Title: The Wonder

Performance Comment: Don Lopez-Aickin; Don Felix-Kemble; Frederick-Caulfield; Don Pedro-Suett; Col. Briton-Barrymore; Gibby-Sparks; Lissardo-King; Alguazile-Maddocks; Vasques-Evans; Soldier-Wentworth; Servant-Webb; Donna Violante-Miss Biggs; Donna Isabella-Miss DeCamp; Inis-Miss Tidswell; Flora-Miss Pope.

Afterpiece Title: Blue-Beard

Related Works
Related Work: Blue-Beard; or, Female Curiosity! Author(s): George Colman, the younger

Performances

Mainpiece Title: Inkle And Yarico

Related Works
Related Work: Inkle and Yarico Author(s): George Colman, the younger

Afterpiece Title: 'Tis All a Farce

Performance Comment: Characters by Fawcett, Emery, Farley, J. Palmer, Klanert, Chippendale, Abbot, Atkins, Davenport, Miss Menage, Mrs Whitmore. Cast from text (J. Ridgway, 1800): Numpo-Fawcett; Don Gortez-Emery; Col. Belgardo-Farley; Don Alphonso-J. Palmer; Mirtillo-Klanert; Sticko-Chippendale; Serjeant-Abbot; Servant to Don Gortez-Atkins; Don Testy-Davenport; Carolina-Miss Menage; Ursula-Mrs Whitmore.
Event Comment: The Duke's Company. The date of performance is uncertain. The play was entered in the Stationers' Register, 15 Feb. 1663@4, and its publication noted in The Newes, 3 March 1663@4. Katherine Philips, writing from Cardigan, Wales to Lady Temple in London, 24 Jan. 1663@4: I beleive er'e this you have seen the new Pompey either acted or written & then will repent your partiallity to ye other, but I wonder much what preparations for it could prejudice Will Davenant when I heare they acted in English habits, & yt so aprope yt Caesar was sent in with his feather & Muff, till he was hiss'd off ye Stage & for ye Scenes I see not where they could place any yt are very extra-ordinary, but if this play hath not diverted ye Cittizens wives enough Sr W: D: will make amends, for they say Harry ye 8th & some later ones are little better then Puppett-plays. I understand ye confederate-translators are now upon Heraclius, & I am contented yt Sr Tho. Clarges (who hath done that last yeare) should adorn their triumph in it, as I have done in Pompey (Harvard Theatre Collection)

Performances

Mainpiece Title: Pompey The Great

Event Comment: This play was presumably acted by the Duke's Company. In the preface to Heraclius, Emperour of the East, published in 1664, the author, Lodowick Carlell, complains that he had submitted his translation of Corneille, only to have it returned the very day that this version appeared on the stage. See also the letter by Katherine Philips, under Pompey the Great, Jan. 1663@4. Pepys, Diary: We made no long stay at dinner; for Heraclius being acted, which my wife and I have a mighty mind to see, we do resolve, though not exactly agreeing with the letter of my vowe, yet altogether with the sense, to see another this month, by coming hither instead of that at court, there having ueen none conveniently since I made my vowe for us to see there, nor like to be this Lent, and besides we did walk home on purpose to make this going as cheap as that would have been, to have seen one at Court, and my conscience knows that it is only the saving of money and the time also that I intend by my oaths....The play hath one very good passage well managed in it, about two persons pretending, and yet denying themselves, to be son to the tyrant Phocas, and yet heire of Mauricius to the crowne. The garments like Romans very well. The little girle is come to act very prettily, and spoke the epilogue most admirably. But at the beginning, at the drawing up of the curtaine, there was the finest scene of the Emperor and his people about him, standing in their fixed and different postures in their Roman habitts, above all that ever I yet saw at any of the theatres

Performances

Mainpiece Title: Heraclius

Event Comment: The King's Company. Pepys, Diary: All alone to the King's playhouse, and there did happen to sit just before Mrs Pierce, Mrs Knepp, who pulled me by the hair; and so I addressed myself to them, and talked to them all the intervals of the play, and did give them fruit. The play is Brenoralt, which I do find but little in, for my part. Here was many fine ladies--among others, the German Baron, with his lady, who is envoye from the Emperour, and their fine daughter, which hath travelled all Europe over with them, it seems; and is accordingly accomplished, and indeed, is a wonderful pretty woman. Here Sir Philip Frowde, who sat next to me, did tell me how Sir H. Belasses is dead, and that the quarrel between him and Tom Porter, who is fled, did arise in the ridiculous fashion that I was first told it, which is a strange thing between two so good friends. The play being done, I took the women, and Mrs Corbett, who was with them, by coach, it raining, to Mrs Manuel's, the Jew's wife, formerly a player, who we heard sing with one of the Italians that was there; and, indeed, she sings mightily well, and just after the Italian manner, but yet do not please me like one of Mrs Knepp's songs, to a good English tune, the manner their ayre not pleasing me so well as the fashion of our own, nor so natural

Performances

Mainpiece Title: Brenoralt; Or, The Discontented Colonel

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there, the pit being full, sat in a box above, and saw Catiline's Conspiracy, yesterday being the first day: a play of much good sense and words to read, but that do appear the worst upon the stage, I mean, the least diverting, that ever I saw any, though most fine in clothes; and a fine scene of the Senate, and of a fight, that ever I saw in my life. But the play is only to be read, and therefore home, with no pleasure at all, but only in sitting next to Betty Hall, that did belong to this house, and was Sir Philip Howard's mistress, a mighty pretty wench. Evelyn, Diary: I went to see the old play Cataline acted, having ben now forgotten 40 years almost

Performances

Mainpiece Title: Catiline

Event Comment: In L. C. 5@12, p. 212, is a list of plays formerly acted at Blackfriars and now allowed (ca. 12 Jan. 1668@9) to the King's Company: Everyman in his Humour. Everyman out of his Humour. Cyntheas Revells. Sejanus. The ffox. The Silent Weoman. The Alchymist. Catilin. Bartholomew ffayre. Staple of Newes. The Devills an Asse. Magnitick Lady [The Humours Reconciled]. Tale of a Tubb. New Inn [or The Light of Heart]. Beggers Bush [by John Fletcher, with Philip Massinger?]. Bonduca. Custome of ye Country. The Captaine. The Chances. The Coxcombe. The Double Marriage. The ffrench Lawyer. The ffalse One. The fayre Mayd of ye Inn. The Humorous Leivt. The Island Princes. The Knights of Malta. Nathan Field. The Loyall Subject. The Lawes of Candye. Loves Progresse [The Lover's Progress; or, The Wandering Lovers. The Winters Tale. King John. Richard the Second. Loues Cure [or The Martial Maid]. Loues Pilgrimage. The Noble Gentlemen. The Nice Valour [or, The Passionate Madman]. The Prophetesse. The Marshall Mayd [see Love's Cure]. The Pilgrim. The Queene of Corinth. The Spanish Curate. The Sea Voyage. Valentinian. The Weomans Prize [or, The Tamer Tamed]. A Wife for a Moneth. The Wyd Goose-Chase. The Elder Brother. The ffaythfull Shepherdesse. A King & noe King. The Maydes Tragedie. Phylaster. Rollo Duke of Normandy [or, The Bloody Brother]. The Scornefull Lady. Thiery & Theodorat. Rule a Wife. The Gentlemen of Verona. The Merry Wives of Windsor. The Comoedy of Errors. Loves Labour Lost. Midsomer Nights Dreame. The Merchant of Venice. As you like it. The Tameing of ye Shrew. Alls well yt ends well. Henry ye fourth. The Second part Henry IV. The Royall Slaue

Performances

Event Comment: The King's Company. The date of the premiere is not known, but this play belongs to a group which have been considered as "Lenten plays," ones in which the young actors of a company comprise a large portion of the cast. On this basis, as Easter fell on 30 March 1673, this play has been assigned to March 1673. See Philip B. Gray Jr, Lenten Casts and the Nursery: Evidence for the Dating of Certain Restoration Plays, PMLA, LIII (1938), 781-94; for this play particularly, pp. 791-92. A song, Down with this love, set for this play by Alphonso Marsh, is in Choice Ayres and Songs, 1676

Performances

Mainpiece Title: The Spanish Rogue

Event Comment: At the particular Desire of several Ladies of Quality. Afterpiece: [By Edward Philips.] A Comedy (of one Act), Intermix'd with Songs made to old Ballad Tunes. Benefit the Author

Performances

Mainpiece Title: The Constant Couple

Cast
Role: Colonel Standard Actor: Mills

Afterpiece Title: The Chambermaid

Performance Comment: Edition of 1730 lists: Sir NicholasWiseacre-Harper; Sir William Freeman-Griffin; Freeman (Colin)-Mrs Roberts; Brush-Miller; File-Oates; Lady Wiseacre-Mrs Wetherilt; Rosella-Miss Raftor; Betty-Mrs Thurmond; Dolly-Mrs Grace.
Event Comment: By Particular desire of persons of Quality. Afterpiece: By Desire. Lady Hertford wrote to her son Lord Beauchamp: Mrs Clive either was really suddenly taken ill, or was not in the humor to act Nell, so that the part was done by a frightful Mrs Philips, who could neither, sing, laugh, or do any other thing that was fit for a cobbler's wife; in short she spoiled the whole thing.-Hughes, Hertford, p. 233. Enlightenment as to Mrs Clive's health appears in the gossip sent by Lady Hertford to her son in a letter 23 Jan. 43: About ten days ago Mrs Woffington and Mrs Clive met in the Green room. Mrs Woffington came up to Mrs Clive and told her she had long looked for the favor of a visit from her and begged she would let her know when she designed her that pleasure, for she was often engag'd in an afternoon. Mrs Clive paused a little and then answered, Madam, I have a reputation to lose. Madam, said Mrs Woffington, so should I have too if I had your face. Whether this repartee has affected Mrs Clive's health I cannot tell, but she is extremely ill and in danger.-Hughes, Hertford, pp. 236-37

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Devil to Pay

Music: I: Concerto on German Flute-Burk Thumoth; IV: Concerto-Piantanida

Song: II: Baard