SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Col Philip Honywood"/1) | (@(roleclean,performerclean) "Col Philip Honywood")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 829 matches on Performance Comments, 808 matches on Author, 92 matches on Event Comments, 80 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Sea Voyage

Related Works
Related Work: The Sea Voyage Author(s): Philip Massinger
Related Work: The Storm Author(s): Philip Massinger

Performances

Mainpiece Title: The Beggars Bush

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Related Work: The Beggar's Bush Author(s): Philip Massinger

Performances

Mainpiece Title: The Virgin Martyr

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Related Work: The Virgin Martyr Author(s): Philip Massinger

Performances

Mainpiece Title: The Virgin Martyr

Related Works
Related Work: The Virgin Martyr Author(s): Philip Massinger

Performances

Mainpiece Title: The Sea Voyage

Related Works
Related Work: The Sea Voyage Author(s): Philip Massinger
Related Work: The Storm Author(s): Philip Massinger

Performances

Mainpiece Title: The Spanish Curate

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Related Work: The Spanish Curate Author(s): Philip Massinger
Event Comment: The King's Company. This performance, which marks the opening of the new Theatre Royal in Drury Lane, is on the L. C. list, 5@141, p. 73. See also Nicoll, Restoration Drama, p. 345. The Prologue and Epilogue were printed in Miscellany Poems, 1684. That the Prologue was spoken by Mohun is indicated in BM Sloane MSS. 4445

Performances

Mainpiece Title: The Beggars Bush

Related Works
Related Work: The Beggar's Bush Author(s): Philip Massinger

Performances

Mainpiece Title: The Spanish Curate

Related Works
Related Work: The Spanish Curate Author(s): Philip Massinger
Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 260: The Beggars at Whitehall. See also Nicoll, Restoration Drama, p. 351. A song, Bring out your cony-skins fair? maids to me, set for this play by Samuel Ackroyde, is in Vinculum Societatis, 1687

Performances

Mainpiece Title: The Beggars Bush

Related Works
Related Work: The Beggar's Bush Author(s): Philip Massinger

Performances

Mainpiece Title: The Spanish Curate

Related Works
Related Work: The Spanish Curate Author(s): Philip Massinger

Performances

Mainpiece Title: The Spanish Priest

Related Works
Related Work: The Spanish Priest Author(s): Philip Massinger
Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 361. See also Nicoll, Restoration Drama, p. 351

Performances

Mainpiece Title: The Spanish Curate

Related Works
Related Work: The Spanish Curate Author(s): Philip Massinger
Event Comment: The United Company. This performance is on the L. C. list, 5@148, p. 145. See also Nicoll, Restoration Drama, p. 351. By this time Henry Purcell had apparently composed the Act tunes for this play. See Purcell, Works, The Purcell Society, XVI (1906), xxxii. Luttrell [A Brief Relation, I, 431): The 6th was observed as a festival of joy for the king s comeing to the crown;...and at night was a play at court

Performances

Mainpiece Title: The Double Marriage

Related Works
Related Work: The Double Marriage Author(s): Philip Massinger
Event Comment: The United Company. This performance is on the L. C. list, 5@148, p. 145. See also Nicoll, Restoration Drama, p. 351. When this play was revised and revived as The Royal Merchant; or, Beggar's Bush at Drury Lane, 19 June 1705, the bill bore the heading: Not acted these Twenty Years

Performances

Mainpiece Title: The Beggars Bush

Related Works
Related Work: The Beggar's Bush Author(s): Philip Massinger
Event Comment: The United Company. The date of the first performance is not known, but Luttrell's copy (Huntington Library) of the play bears the date of acquisition 3 June [1690, apparently], and the play was advertised in the London Gazette, No 2566, 12-16 June 1690. See Fredson Bowers, A Bibliographical History of the Fletcher-Betterton Play, The Prophetess, 1690, The Library, 5th Series, XVI (1961), 169-75. It seems likely that the opera was first given early in June 1690. An edition of The Vocal and Instrumental Musick of The Prophetess appeared in 1691. See Works of Henry Purcell, Purcell Society, IX. Downes (Roscius Anglicanus, p. 42): The Prophetess, or Dioclesian an Opera, Wrote by Mr Betterton; being set out with Coastly Scenes, Machines and Cloaths: The Vocal and Instrumental Musick, done by Mr Purcel; and Dances by Mr Priest; it gratify'd the Expectation of Court and City; and got the Author great Reputation. [See also R. E. Moore, Henry Purcell and the Restoration Theater (Cambridge, Mass., 1961), Chapter V; and E. W. White, Early Theatrical Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59), 44.] The Muses' Mercury (January 1707, pp. 4-5): This prologue was forbidden to be spoken the second Night of the Representation of the Prophetess. Mrs Shadwell was the occasion of its being taken notice of by the Ministry in the last Reign: He happen'd to be at the House on the first Night, and taking the beginning of the Prologue to have a double meaning, and that Meaning to reflect on the Revolution, he told a Gentleman, He would immediately Put a stop to it. When that Gentleman ask'd, Why he wou'd do the Author such a Disservice? He said, Because while Mr Dryden was Poet Laureat, he wou'd never let any Play of his be Acted. Mr Shadwell informed the Secretary of State of it, and representing it in its worst Colours, the Prologue was never Spoken afterwards, and is not printed in Mr Dryden's Works, or his Miscellanies. Cibber, Apology (ed. Lowe, II, 13-14): A Prologue (by Dryden) to the Prophetess was forbid by the Lord Dorset after the first War in Ireland. It must be confess'd that this Prologue had some familiar, metaphorical Sneers at the Revolution itself; and as the Poetry of it was good, the Offence of it was less pardonable

Performances

Mainpiece Title: The Prophetess Or The History Of Dioclesian

Event Comment: The United Company. This performance is on the L. C. list, 5@151, p. 369: ye Q a Box & a Box for ye Maids Honor Prophetess. See also Nicoll, Restoration Drama, p. 352

Performances

Mainpiece Title: The Prophetess

Performances

Mainpiece Title: The Prophetess

Performances

Mainpiece Title: The Prophetess Or The History Of Dioclesian

Performances

Mainpiece Title: The Prophetess

Performances

Mainpiece Title: The Prophetess

Performances

Mainpiece Title: The Prophetess Or The History Of Dioclesian

Performances

Mainpiece Title: The Prophetess

Performances

Mainpiece Title: The Prophetess

Performances

Mainpiece Title: The Prophetess

Performances

Mainpiece Title: The Prophetess Or The History Of Dioclesian