SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Cleopatra"/1) | (@(roleclean,performerclean) "Cleopatra")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 158 matches on Roles/Actors, 68 matches on Performance Comments, 12 matches on Event Comments, 11 matches on Performance Title, and 0 matches on Author.

Performances

Mainpiece Title: Giulio Cesare In Egitto

Cast
Role: Cleopatra Actor: Mme Mara.

Dance: As17870301

Performances

Mainpiece Title: Giulio Cesare In Egitto

Cast
Role: Cleopatra Actor: Mme Mara.

Dance: As17870301

Performances

Mainpiece Title: Giulio Cesare In Egitto

Cast
Role: Cleopatra Actor: Mme Mara.

Dance: As17870301

Performances

Mainpiece Title: Giulio Cesare In Egitto

Cast
Role: Cleopatra Actor: Mme Mara.

Dance: End I: Divertissement-the principal Dancers; in which the Pas de Deux Russe, as17870313End Opera: Le Divertissement Asiatique, as17870614

Performances

Mainpiece Title: Aethiopian Concert

Performance Comment: Cleopatra will entertain the town with the surprizing History of Elizabeth Canning. Song-Smith; Cantata-Sadler; Clown-Mulliner; Singing-Sadler, Mrs Yeates; Singing-Lauder; Dance-Mme Katharine.

Performances

Mainpiece Title: Antony And Cleopatra

Performances

Mainpiece Title: The Catch Club [i

Afterpiece Title: Gretna Green

Afterpiece Title: Look before You Leap

Afterpiece Title: The Village Lawyer

Entertainment: Monologue End 1st piece: George Alexander Stevens's Original Lecture on Heads (Head of Alexander the Great, Head of a Cherokee Chief, Head of a Quack-Doctor, Cuckold's Head, Nobody's Head, The laughing and crying Philosophers' Heads, Head of Flattery, A fine Lady's Head, Head of an Old Maid, Cleopatra's Head, Plain Moll's Head, Head of a Married Lady)-Palmer

Event Comment: At Cleopatra's Cataract between the several acts of her concert, will be pour'd upon the Town a cataract of Originals and Amazing Geniusses, brought by that antient Soverign from Anamamboo, Upper Egypt, and the renown'd Kingdom of Abyssinia. These being an entire new set of performers will exhibit that evening in a new manner sever strange and surprising Feats of an Egyptian Broomstick, the Ghosts, Witches, Imps, modern Saints, Ballad Singer, Conjuror, and Elizabeth Canning. Boxes 5s. Pit 3s. Gallery 2s. To begin at 6 p.m. [A cryptic "puff" in the Daily Advertiser suggests that Mrs Midnight has abdicated in favour of Cleopatra, who will now take over the Haymarket.

Performances

Mainpiece Title: Aethiopian Concert

Performances

Mainpiece Title: Pompey The Great

Performance Comment: Edition of 1664: wo actors' names. Prologue At the House-; Epilogue at the House-; Epilogue to the King at Saint James's-; Epilogue To the Dutchess at Saint James's-; [One Epilogue was written by Sir Edward Deering.] [At the end: After which a grand Masque [is Danc'd before Caesar and Cleopatra[, made (as well as the other Dances and the Tunes to them) by Mr John Ogilby-.
Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359: The Rivall Queene. See also Nicoll, Restoration Drama, p. 346. That this is the premiere is indicated by a letter from the Marquis of Worcester to the Marchioness, 17 March 1676@7: Sir Charles Sedley's Cleopatra has been acted often, and to-day a new play of the death of Alexander, but I have not been to see either, living a mighty drudging life (HMC, 12th Report, Appendix, Beaufort MSS., IX, 66). Downes (Roscius Anglicanus, p. 11), has a cast which agrees (except for omissions) with that in the edition of 1677. Downes adds (p. 16): [Hart in] Alexander, towards the latter End of his Acting; if he Acted in any one of these but once in a Fortnight, the House was fill'd as at a New Play, especially Alexander, he Acting that with such Grandeur and Agreeable Majesty, That one of the Court was pleas'd to Honour him with this Commendation; That Hart might Teach any King on Earth how to Comport himself

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Event Comment: Afterpiece: With Alterations, not performed for 2 years [see 25 Nov. 1756]. Antony and Cleopatra deferred till Tuesday to give major performers a necessary respite (Winston MS 8). Receipts: #150 (Cross); #145 0s. 6d. (Winston MS 8)

Performances

Mainpiece Title: Aesop

Afterpiece Title: Fortunatus

Event Comment: Receipts: #150 (Cross); #178 14s. (Winston MS 8). Antony and Cleopatra deferred on account of the indisposition of some of the performers

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Virgin Unmask'd

Event Comment: Tomorrow will be reviv'd a Tragedy (not acted these 30 years) call'd The Ambitious Stepmother. Antony and Cleopatra is deferr'd a few days. Receipts: #200 (Cross); #197 13s. (Winston MS 8)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Mock Doctor

Ballet: TThe Prussian Camp. As17581214

Event Comment: Benefit for Clough, Raftor, Shawford, Walker. Tickets deliver'd by Mr Danny, and for Friday the 18th will be taken. Last time of performing the afterpiece this season. [Moody's actual first appearance was in Antony and Cleopatra, 12 Jan.] Receipts: #180 (Cross)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: Fortunatus

Event Comment: Mainpiece: A New Comedy of 3 Acts [by George Colman] never performed. [In the Shakespearean Pageant, with figures from seventeen of his plays, the chief effectiveness lay with the Musicians who ushered in each group with appropriate music: Martial Music-The Roman Characters of Coriolanus and Julius Caesar; Soft Music-Antony and Cleopatra; Grand Music, Old English Characters-King John, Richard III, Henry VIII: Magical Music, "above, about, underneath" for Prospero; Macbeth's Music; Fairy Music-Oberon and Titania; Solemn Music for Tragic Muse accompanied by Othello, Hamlet, the Ghost, Mad Ophelia and Lear with Cordelia; Dead March in Saul-Juliet's Bier with attendants; Allegro for the Comic Muse-Falstaff, Touchstone, Launcelot, Malvolio; Andante-Florizel and Perdita, Portia Antonio and Bassanio; Flourish-for Car drawn by the muses carrying Shakespeare's Bust; Final Song by Mrs Mattocks, "Sweetest Bard that Ever Sung, Nature's glory, Fancy's Child--." The Prelude is, in print, entirely favorable to Garrick's effort at Stratford. But it could be rendered in a mercilessly ironical manner if the three participating actors so chose. Mainpiece reviewed in the Freeholder's Magazine, Oct.] Receipts: #224 10s

Performances

Mainpiece Title: Man And Wife; Or, The Shakespeare Jubilee

Afterpiece Title: Damon and Phillida

Entertainment: End II: Pageant exhibiting the characters of Shakespeare-; End III: Representation of the Amphitheatre at Stratford Upon Avon-; with a Masquerade-

Event Comment: The Afterpiece a New Pantomime [by Henry Woodward, satirizing Garrick's Jubilee] with New Music by Fisher. New Scenes painted by Messrs Dahl and Richards. Nothing under Full Prices will be taken. [Full Prices notice throughout the run of the pantomime this season. Town and Country Magazine (from Theatre No XIII) comments: "In the Pageant scene several of the characters that walk at Drury Lane are highly ridiculed, particularly Mark Antony and Cleopatra, who dance off with their black retinue to the playing of casquets." The scene closes with the descent of the statue of the late Mr Rich under the name of Lun, and the Harlequins all pay him honour.] Receipts: #250 6s

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Harlequin's Jubilee

Performances

Mainpiece Title: Alexander Balus; Judas Maccabeus

Performance Comment: As17730226 Parts were: Alexander Balus (King of Syria); Ptolomee (King of Egypt); Jonathan (Chief of the Jews); Cleopatra (Ptolomee's daughter); Aspasia (her Friend and Companion); Chorus of Israelites; Chorus of Asiatics.

Music: I: Concerto on Organ-Stanley