SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Cleomenes"/1) | (@(roleclean,performerclean) "Cleomenes")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 33 matches on Roles/Actors, 14 matches on Performance Comments, 6 matches on Event Comments, 3 matches on Performance Title, and 0 matches on Author.

Performances

Mainpiece Title: Erifile

Dance: As17780207

Performances

Mainpiece Title: Erifile

Dance: As17780207

Performances

Mainpiece Title: Erifile

Dance: As17780207

Performances

Mainpiece Title: Erifile

Dance: As17780207

Performances

Mainpiece Title: Erifile

Dance: End I: As17780303

Performances

Mainpiece Title: Erifile

Dance: End I: Les Bohemiens, as17780207; End II: Divertisement, as17780207; End Opera: La Polonaise Favourite, as17780207

Performances

Mainpiece Title: Erifile

Dance: End I: Les Bohemiens, as17771216; End II: Divertisement, as17780207; End Opera: La Serenade Interrompuee, as17780224

Performances

Mainpiece Title: The Winter's Tale

Cast
Role: Cleomenes Actor: Fearon

Afterpiece Title: Friar Bacon; or, Harlequin's Adventures in Lilliput, Brobdignag, &c

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Lawyers' Panic

Cast
Role: Cleomenes Actor: Fearon

Afterpiece Title: Three Weeks after Marriage

Event Comment: Gentleman's Journal, February 1691@2 (licensed 12 Feb. 1691@2): Mr Dryden has compleated a new Tragedy, intended shortly for the Stage, wherein he hath done a great unfortunate Spartan no less justice than Roman Anthony met with in his All for Love. You who give Plutarch a daily reading, can never forget with what magninimity (under all his tedious misfortunes) Cleomenes behaved himself, in the Aegyptian Court. This Hero, and the last Scene of his Life, has our best Tragic Poet chose for his fruitful Subject....Mr Dryden makes his Spartans, in this, speak as manly heroic Lacedaemonians, those more than Romans ought to speak, and since I am certain of your assent, at least, to my faith, I shall be bold to add, That tho I cannot but grant that Cleomenes alone could be author of his own glorious performances, yet I am most confident that their intire lustre will be fully maintained by Dryden's lively description, and Mr Betterton's natural imitation

Performances

Event Comment: Luttrell, A Brief Relation, II, 413: By order of the queen, the lord chamberlain has sent an order to the playhouse prohibiting the acting Mr Dryden s play called the tragedy of Cleomenes, reflecting much on the government. Gentleman's Journal, April 1692 (licensed 13 April): I was in hopes to have given you in this Letter an account of the Acting of Mr Dryden's Cleomenes; it was to have appear'd upon the Stage on Saturday last, and you need not doubt but that the Town was big with Expectation of the performance; but Orders came from Her Majesty to hinder its being Acted; so that none can tell when it shall be play'd

Performances

Event Comment: The Duke's Company. This performance, the premiere, is on the L. C. list, 5@141, p. 216: first Acting. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p406. The title page states: The English Opera; or The Vocal Musick in Psyche, with the Instrumental Therein Intermix'd...By Matthew Lock. Preface: All the Instrumental Musick (which is not mingled with the Vocal) was Composed by that Great Master, Seignior Gio. Baptista Draghi, Master of the Italian Musick to the King. The Dances were made by the most famous Master of France, Monsieur St.Andree. The Scenes were Painted by the Ingenious Artist, Mr Stephenson. In those things that concern the Ornament or Decoration of the Play, the great industry and care of Mr Betterton ought to be remember'd, at whose desire I wrote upon this Subject. Roger North Upon Music: I am sure the musick in the Psyche was composed by Mr M. Lock, of whom wee may say, as the Greeks sayd of Cleomenes, that he was ultimus Heroum. This masque is also in print, and begins 'Great Psyche,' &c. and the book containing the whole musick of that entertainment is not unworthy of a place in a vertuoso's cabanet (ed. John Wilson [1959], pp. 306-7). Preface to Settle's Ibrahim (licensed 4 May 1676): I have often heard the Players cursing at their oversight in laying out so much on so disliked a play [Psyche]; and swearing that they thought they had lost more by making choice of such an Opera: writer than they had gained by all his Comedies; considering how much more they might have expected, had such an Entertainment had that scence in it, that it deserved: and that for the future they expect the Tempest, which cost not one Third of Psyche, will be in request when the other is forgotten. Downes (Roscius Anglicanus, pp. 35-36): In February 1672. The long expected Opera of Psyche, came forth in all her Ornaments; new Scenes, new Machines, new Cloaths, new French Dances: This Opera was Splendidly set out, especially in Scenes; the Charge of which amounted to above 800l. It had a Continuance of Performance about 8 Days together it prov'd very Beneficial to the Company; yet the Tempest got them more Money

Performances

Mainpiece Title: Psyche

Event Comment: Walsh to Dryden: Is Cleomenes finisht pray or have you begun ye other design you told mee of abt ye priesthood (The Letters of John Dryden, ed. Ward, p. 44)

Performances

Event Comment: Gentleman's Journal, March 1691@2 (licensed 9 March 1691@2): And after Easter we are to have a New Opera; and Mr Dryden's Cleomenes very shortly

Performances

Performances

Mainpiece Title: The Winter's Tale

Performance Comment: Leontes-Smith; Polixenes-Bensley; Florizel-Brereton; Camillo-Aickin; Old Shepherd-Packer; Autolicus-Vernon; Clown-Yates; Perdita-Mrs Brereton (1st appearance in that character); Paulina-Mrs Hopkins; Hermione-Miss Farren. [Edition of 1785 (Bathurst) adds: Cleomenes-$Chaplin; Gentleman-$Phillimore; Dorcas-$Miss Simson; Mopsa-$Miss Kirby.]
Cast
Role: Cleomenes Actor: Chaplin

Afterpiece Title: The Critic

Dance: II: Dance-Henry, Miss Armstrong, the Miss Stageldoirs

Song: II: Sheep@shearing song-Miss Wright. [This was sung, as here assigned, in both subsequent performances.