SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Clarke William Drunken Negro Simmons Servants Negro "/1) | (@(roleclean,performerclean) "Clarke William Drunken Negro Simmons Servants Negro ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10791 matches on Author, 3832 matches on Performance Comments, 1015 matches on Event Comments, 459 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Palmer. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Afterpiece: Never performed there. Receipts: #313 15s. (160/14; 17/6; 1/0; tickets: 134/15)(charge: #67 2s.)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Nabob

Dance: As17860318athi

Event Comment: Benefit for Miss Pope. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Public Advertiser, 8 Apr.: Tickets to be had of Miss Pope, Great Queenstreet, Lincoln's Inn Fields. Receipts: #254 11s. (82/17/0; 18/7/6; 1/2/6; tickets: 152/4/0) (charge: #114 12s. 2d.)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: Arthur and Emmeline

Event Comment: Benefit for Mrs Jordan. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Morning Herald, 10 Apr.: Tickets to be had of Mrs Jordan, No. 8, Henriettastreet, Covent Garden. Receipts: #312 5s. 6d. (131/4/0; 13/10/6; 0/17/0; tickets: 166/14/0) (charge: #106 3s. 5d.)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Irish Widow

Dance: End of mainpiece The Lucky Return, as17860420; End of Act I of afterpiece The Irish Fair by Mills, Miss Stageldoir, &c

Related Works
Related Work: Friar Bacon; or, Harlequin's Adventures in Lilliput, Brobdignag, &c Author(s): William Shield
Related Work: The Device; or, The Marriage-Office Author(s): William Bates
Related Work: National Prejudice Author(s): C. Simmons
Event Comment: Benefit for Mr and Mrs Brereton. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Morning Chronicle, 21 Apr.: Tickets to be had of Mr and Mrs Brereton, No. io, Charles-street, Covent Garden. Receipts: #317 6s. 6d. (121/17/0; 7/11/6; 1/6/0; tickets: 186/12/0) (charge: #106 2s.)

Performances

Mainpiece Title: Isabella

Afterpiece Title: Who's the Dupe

Song: As17860223

Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Morning Herald, 1 May: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. "In the apparent assumption of madness [and] the express'd weakness and melancholy of the character Kemble is not equalled by any of his predecessors . . . Till [Mrs Siddons] there never was, in sensible discrimination, as there ought to be, the real madness of Ophelia from the feigned distraction of Hamlet. Till then the dignity, the love, even the pathos of the part [were] but poorly, if at all administered" (Public Advertiser, 17 May). Receipts: #326 14s. 6d. (137/3/0; 7/3/6; 0/4/0; tickets: 182/4/0)(charge: #109 16s.)

Performances

Mainpiece Title: Hamlet

Cast
Role: Guildenstern Actor: Williames
Related Works
Related Work: Hamlet Author(s): William Shakespeare

Afterpiece Title: Comus

Performance Comment: Comus-Palmer; Bacchanals-Bannister, Williames; Spirit-Barrymore; Brothers-Bannister Jun., R. Palmer; Euphrosyne (with Sweet Echo, accompanied by Parke)-Mrs Wrighten; Pastoral Nymph-Mrs Crouch; Sabrina-Mrs Forster; Principal Bacchant-Miss George; The Lady (for this night only)-Mrs Siddons .
Cast
Role: Bacchanals Actor: Bannister, Williames

Performances

Mainpiece Title: I'll Tell You What

Performance Comment: As 13 June, but omitted: Servants. hathi.

Afterpiece Title: The Son-in-Law

Dance: As17860706

Event Comment: Paid Renter's Interest #30 [this sum entered daily in the Account-Book]; Their Majesties' Yeomen and Servants [for 5 Oct.] #5 8s. 7d. Receipts: #172 0s. 6d. (128.10.0; 43.0.0; 0.10.6)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Arthur and Emmeline

Performance Comment: Arthur-Kemble; Oswald-Barrymore; Merlin-Aickin; Conon-Packer; Osmond-Staunton; Aurelius-Phillimore; Grimbald-Bannister; Matilda-Miss Barnes; Emmeline-Miss Farren; Philidel-Mrs Forster; Venus-Mrs Crouch; The Rest of the Vocal Parts-Williames, Danby, Fawcett, Wilson, Chaplin, Alfred, Newbold, Mrs Love, Mrs Booth, Miss Cranford.
Event Comment: A Serious Opera in 2 acts [1st time; altered by Carlo Francesco Badini from Demetrio, by Metastasio]; the music by Gresnick. By their Majesties' Command no person can be admitted behind the scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [see 2 June 1787]. Subscriptions are received at Messrs Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the subscription tickets. The Nobility and Gentry, subscribers to the Opera-house, are respectfully intreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The doors in Market-lane for chairs only. [Synopsis of opera in Morning Post, 25 Dec. Mme Perignon and Goyon were from the Opera, Paris.] Receipts: #86 11s. 6d. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 84 at 10s. 6d. (i.e. #44 2s.). 100 were delivered to Reynolds, office-keeper at the King's Door pit entrance; he sold 6 at 10s. 6d. (i.e. #3 3s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 112 at 5s. (i.e. #28). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 70 at 3s. (i.e. #10 10s.). "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 16s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed of was almost invariably the case on every night of the season. If a subscriber's box was released for sale it could be had for 2 guineas (see 6 Feb. 1787).

Performances

Mainpiece Title: Alceste

Dance: End I: Divertissement-Mlle Mozon, Laborie, Henry, Gricourt, Mme Bithmer, Mme Delfevre, Mme Gervais Perignon (1st appearance in England); End Opera: La Chercheuse d'Esprit-Goyon (1st appearance in England), Laborie, Mlle Mozon, Henry, Gricourt, Sala, Mme Delfevre, Mme Bithmer, Giorgi, Mme Gervais Perignon. Scenario (Paris, 1778) lists the parts: Mme Madre, Subtil, Narquois, Nicette, Alain, L'Eveille, Finette

Related Works
Related Work: King Henry the Fourth: With the Humours of Sir John Falstaff Author(s): William Shakespeare
Related Work: Henry VIII Author(s): William ShakespeareSir William Davenant
Related Work: Henry the Fourth, Part I Author(s): William Shakespeare
Related Work: Henry The Eighth Author(s): William Shakespeare
Related Work: Henry the Sixth: The First Part, With The Murder of Humphrey Duke of Glocester Author(s): William Shakespeare
Related Work: 1 Henry IV Author(s): William Shakespeare
Related Work: Henry the Second; or, The Fall of Rosamond Author(s): William Hawkins
Related Work: Henry ye Fourth, Part II Author(s): William Shakespeare
Related Work: The Misery of Civil War Author(s): William Shakespeare
Related Work: The Conspiracy Discover'd; or, French Policy Defeated Author(s): William Shakespeare
Related Work: 3 Henry IV Author(s): William Shakespeare

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Harlequin's Invasion

Related Works
Related Work: Harlequin's Invasion; or, A Christmas Gambol Author(s): William Boyce
Event Comment: Benefit for Palmer. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants at half past Four o'Clock. Public Advertiser, 10 Mar.: Tickets to be had of Palmer, Kentish Town. Receipts #322 8s. 6d. (151.11.0; 8.2.0; 0.3.6; tickets: 162.12.0) (charge: #66 4s. 8d.)

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Sultan

Event Comment: Benefit for Bensley. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants at half past Four o'Clock. The Romp [announced on playbill of 16 Apr.] cannot be performed on Account of the Indisposition of Mrs Jordan. Public Advertiser, 31 Mar.: Tickets to be had of Bensley at his house, No. 21, Charlotte-street, Bedford-square. Receipts: #285 12s. (126.18.0; 13.17.6; 2.16.6; ticket2: 140.0.0;) (charge: #107 8s.)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Who's the Dupe

Event Comment: Benefit for Mrs Siddons [whose 1st appearance as Alicia was at York, 26 Apr. 1777]. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants by half past Four o'Clock. Public Advertiser, 27 Apr.: Tickets to be had of Mrs Siddons, Gower-street. [In the interim she changed the play. The Announcement of 27 Apr. advertises Romeo and Juliet, by Kemble and Mrs Siddons, in which play she did not appear until May 1789.] Receipts: #337 16s. 6d. (146.1.0; 8.7.6; 0.14.0; tickets: 182.14.0) (charge: #105 16s.)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Bon Ton

Event Comment: Benefit for Kelly. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their servants by Half past Four o'Clock. [Mme Mara had sung in concert at the Pantheon in 1784; in opera at the king's in 1786; and in the dl oratorios in 1787 and 1788.] Public Advertiser, 27 Mar.: Tickets to be had of Kelly, No. 48, Rathbone Place. Receipts: #351 5s. 6d. (177.12.0; 9.13.6; 0.5.0; tickets: 163.15.0) (charge: #111 3s.)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Who's the Dupe

Event Comment: Benefit for Bensley. Tickets delivered for the 10th will be admitted. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their servants by Half past Four o'Clock. Public Advertiser, 28 Mar.: Tickets to be had of Bensley, No. 21, Charlotte-street, Bedford-Square. Receipts: #271 19s. 6d. (122.5.0; 22.15.6; 0.9.0; tickets: 126.10.0) (charge: #114 5s. 6d.)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Critic

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: A Quarter of an Hour before Dinner

Cast
Role: Sir William Wealthy Actor: Kemble
Role: William Actor: Abbot
Role: Mr Level Actor: Williamson

Dance: New Dance, as17880707 but Ratchford

Event Comment: By Command of Their Majesties. To prevent inconvenience, Ladies and Gentlemen are requested to be early at the Theatre--and to order their Servants to keep Places at Four o'Clock. Receipts: #396 14s. 6d. (394.8.0; 2.6.6)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Barnaby Brittle

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Fairy Favour

Event Comment: [Extra night] Benefit for a Fund, established for the Relief of those Performers who through Infirmity shall be obliged to retire from the Stage. [Author of Prologue unknown. This was Mrs Pitt's last appearance on the stage.] Received for the King's box #50; for the Princess Royal's box #25; for Their Majesties' Servants' box #2 2s.; from Cadell for Books #30 0s. 6d. Receipts: none listed

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Barataria; or, Sancho Turned Governor

Dance: As17920509

Entertainment: As17920414; Imitations End I: several Imitations entirely New,-Mrs Wells; Monologue

Event Comment: A Comic Opera; the music chiefly composed by Paisiello. Under the direction of Storace. Pit 10s. 6d. Gallery 5s. No Money to be returned. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season]. The subscriptions are received at Messrs Ransoms, Morland and Hammersley's only, upon whose receipt the tickets will be immediately made out, and delivered at the office of Jewell, treasurer. And the subscribers at the head of Boxes are intreated to observe that if the subscription money is not paid into the hands of the Bankers, before the opening of the Theatre, his Box will be considered as relinquished. N.B. The seats of the Pit and the Boxes will be entirely new furnished on the Opera Nights; and Gentlemen are most respectively [sic] informed that they cannot be admitted, either into the Boxes or the Pit on those Nights, unless they are in Afternoon dress. The Nobility are intreated to give directions to their servants to set down and take up the at Theatre with the horses' heads towards Pall Mall. The door in Market-lane for Chairs only

Performances

Mainpiece Title: Il Barbiere Di Siviglia

Dance: End I: a new Divertisement (composed by Noverre)-Mlle Millerd (from the Grand Opera in Paris; 1st appearance in this country), Mlle Hilligsberg, Favre Gardel, Nivelon; End Opera: Les Caractres de la Danse-; a new divertisement (composed by Noverre), Les Epoux du Tempe-Mlle Hilligsberg, Mlle Millerd, Nivelon, Favre Gardel

Performances

Mainpiece Title: At King's False Colours

Performance Comment: [Characters by Suett, King, Wroughton, Barrymore, Bannister Jun., R. Palmer, Wewitzer, Maddocks, Alfred, Banks, Webb, Miss Pope, Miss Farren, Mrs Goodall, Miss Heard. Cast from text (T. Cadell, 1793): Lord Visage-Suett; Sir Paul Panick-King; Sir Harry Cecil-Wroughton; Captain Montague-Barrymore; Grotesque-Bannister Jun.; Subtle-R. Palmer; Tony-Wewitzer; Robert-Maddocks; Cook-Alfred; Servants [so listed in text, but actors' names omitted]-Banks, Webb; Lady Panick-Miss Pope; Constance Evelyn-Miss Farren; Harriet-Mrs Goodall; Lucy-Miss Heard; Prologue-Wroughton; Epilogue-Miss Farren. [These were spoken, as here assigned, at all subsequent performances, except on 1 and 2 May.]These were spoken, as here assigned, at all subsequent performances, except on 1 and 2 May.]

Afterpiece Title: The Prisoner

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Critic

Event Comment: By Permission of the Lord Chamberlain. Benefit for Miss Thomas. Tickets to be had of Miss Thomas, No. 41, Great Portland-street; and of Rice at the Theatre, where places for the Boxes may be taken. To begin at 6:45. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. Servants to keep places are requested to be at the Theatre at half past Five o'Clock

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: THREE WEEKS AFTER MARRIAGE

Music: End of mainpiece Master Julien Baux, a Child under Six Years of Age, will perform a Concerto on the Violin by Viotti

Monologue: 1794 05 22 End of afterpiece an Occasional Address by Miss Thomas

Performances

Mainpiece Title: The Natural Son

Performance Comment: Sir Jeffery Latimer-Baddeley; Blushenly-Palmer; Captain O'Carol-Moody; Jack Hustings-King; David-Burton; Servants Webb, Lyons//Lady Paragon-Miss Farren; Mrs Phoebe Latimer-Miss Pope; Penelope-Miss Tidswell .

Afterpiece Title: NO SONG NO SUPPER

Cast
Role: William Actor: Sedgwick

Performances

Mainpiece Title: The Natural Son

Performance Comment: As17940610 but omitted: Servants .

Afterpiece Title: LODOISKA

Performances

Mainpiece Title: Emilia Galotti

Afterpiece Title: The Wedding Day

Song: In afterpiece: In the dead of the night-Mrs Jordan [not listed on playbill, but see BUC, 1061]