SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Clarke William Drunken Negro Simmons Servants Negro "/1) | (@(roleclean,performerclean) "Clarke William Drunken Negro Simmons Servants Negro ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11030 matches on Author, 3832 matches on Performance Comments, 1015 matches on Event Comments, 459 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Il Matrimonio Segreto

Performance Comment: Principal Characters by Rovedino, Braghetti, Morelli//Sga Pastorelli, Sga Casentini [Borghi]. [Cast from libretto (C. Clarke [1794)): Geronimo-C. Rovedino; Paolino-Braghetti; Il Conte Robinson-G. Morelli//Elisetta-Sga G. Pastorelli; Carolina-Sga C[asentini] Borghi; Fidalma-Sga Schinotti.] hathi. hathi.

Dance: End of Act I a new Divertisement, composed by Noverre [performers not listed]; End of Act II a new Pantomimic Ballet, composed by Noverre, Adelaide; ou, La Bergere des Alpes, by Aumer, Gentili, Mme Del Caro, Mlle Hilligsberg, Mme M. L. Hilligsberg Sen

Performances

Mainpiece Title: I Contadini Bizzarri

Performance Comment: Principal Characters by Rovedino, Braghetti, Torregiani, Garelli, Morelli//Sga Pastorelli, Sga De Mira, Sga Casentini [Borghi}. [Cast from libretto (C. Clarke [1794)), and Larpent MS 1007: Tognino-Rovedino; Il Marchese-Braghetti; Mengone-Torregiani; Nardone-Garelli; Cecchino-Morelli//Olivetta-Sga Pastorelli; Sandrina-Sga De Mira; Giannina-Sga C. Borghi.] hathi. hathi.

Dance: End of Act I Divertisement, as17940111; End of Act II Adelaide, as17940111, but added: Favre Guiardele; omitted: Mme M. L. Hilligsberg Sen

Performances

Mainpiece Title: Il Capriccio Drammatico

Performance Comment: Cast not listed [Cast from libretto (C. Clarke [17941): Don Crisobolo-Rovedino; Gelindo Scagliozzi-Braghetti; Don Perinzonio-Morelli//Merlina-Sga Colombati; Dorinda-Sga De Mira; Fiordispina Coribanti- Sga Negri.) hathi.

Afterpiece Title: DON GIOVANNI

Dance: End of 1st piece a new Ballet, composed by Noverre, L' Union des Bergeres [performers not listed, but see17940304 In 2nd piece Dances connected with the opera, composed by Noverre, by Aumer, Lahante, Gentili, Favre Guiardele, Mlle Hilligsberg, Mme Del Caro, Mlle Guiardele, Mme Hilligsberg

Opera: [It was sung by Pasquariello.]

Performances

Mainpiece Title: Il Capriccio Drammatico

Afterpiece Title: LA BELLA PESCATRICE

Performance Comment: Principal Characters by Rovedino, Braghetti, Garelli, Morelli//Sga Colombati, Sga Casentini Borghi. [Cast from libretto (C. Clarke [1794]): Conte-Rovedino; Celidoro-Braghetti; Maccabruno-Garelli; Don Alfonso-Morelli//Vespina-Sga Colombati; Dorinda-Sga Anna Casentini Borghi.] hathi. hathi.

Dance: As17940311hroughout

Performances

Mainpiece Title: Semiramide O La Vendetta Di Nino

Performance Comment: Principal Characters by Roselli (1st appearance), Rovedino, Braghetti, Torregiani, Garelli//Mme Banti (1st appearance), Sga Colombati. [Cast from libretto (C. Clarke, 1794): Arsace-Roselli; Seleuco-C. Rovedino; Oroe-Braghetti; Ombra di Nino-Torregiani; Mitrane-Garelli//Semiramide-Sga Brig. Banti; Azema-Sga Colombati.) hathi.

Dance: End of Act I New Divertisement, as17940311End of Act II Les Ruses de l'Amour, as17940401, but omitted: Mlle Guirdele

Performances

Mainpiece Title: Il Burbero Di Buoncuore

Performance Comment: Principal Characters by Rovedino, Braghetti, Garelli, Torregiani, Morelli//Sga Morichelli (1st appearance in this country), Sga Colombati, Sga Schinotti. [Cast from libretto (C. Clarke [17941): Dorval-C. Rovedino; Giocondo-Braghetti; Valerio-Garelli; Castagna-Torregiani; Ferramondo-G. Morelli / / Angelica-Sga A. Morichelli; Marina-Sga Colombati; Lucilla-Sga Schinotti.] hathi. hathi.

Dance: As17940426 throughout

Performances

Mainpiece Title: Semiramide

Afterpiece Title: LA SERVA PADRONA

Performance Comment: Characters by Garelli, Morelli//Sga Banti. [Cast from libretto (C. Clarke [1794]): Vespone-Garelli [in libretto, unassigned]; Uberto-Morelli//Serpina-Sga Banti.] hathi. hathi.

Dance: End of Act I of afterpiece us Ruus dt I' A11WMr (performers not listed, but see17940401 No other ballet performed this evening.]

Performances

Mainpiece Title: La Frascatana

Performance Comment: Principal Characters by Rovedino, Braghetti, Torregiani, Morelli//Sga Pastorelli, Sga De Mira, Sga Morichelli. [Cast from libretto (C. Clarke [!794]): Nardone-C. Rovedino; Il Cavaliere Giocondo-Braghetti; Pagnotta-Torregiani; Don Fabrizio-Morelli//Donna Stella-Sga Pastorelli; Lisetta-Sga De Mira; Violante-Sga A. Morichelli.] hathi. hathi.

Dance: As17940531 throughout

Performances

Mainpiece Title: I Zingari In Fiera

Performance Comment: Principal Characters by Braghetti, Cipriani, Morelli, Mme Morichelli, Sga Colombati, Sga Pastorelli. Cast from libretto (C. Clarke, 1794): Barbadoro-Braghetti; Scevola-Cipriani; Pandolfo-Morelli; Eleuterio-Torregiani; Lucrezia-Mme Morichelli; Stellidaura-Sga Colombati; Cecca-Sga Pastorelli.

Dance: End I: Divertisement, as17941220; End II: L'Espiegle Soubrette, as17941220, but Mme Derlotti

Performances

Mainpiece Title: Semiramide Or La Vendetta Di Nino

Performance Comment: Principal Characters by Kelly, Rovedino, Mme Banti. Cast adjusted from libretto (C. Clarke, 1794): Arsace-Kelly; Seleuco-C. Rovedino; Mitrane-Cipriani?; Oroe-Braghetti; Ombra di Nino-Torregiani; Semiramide-Mme Brig. Banti; Azema-Sga Colombati.

Dance: As17950124

Performances

Mainpiece Title: Aci E Galatea

Performance Comment: Principal Characters by Brida, Rovedino, Mme Banti. Cast from libretto (C. Clarke, 1795): Aci-Brida; Polifemo-Rovedino; Oronte-Bonfanti; Lisia-Braghetti; Galatea-Mme Banti; Dorinda-Sga Colombati.

Dance: As17950228

Performances

Mainpiece Title: La Scola Dei Maritati

Afterpiece Title: Ati e Cibele

Performance Comment: Principal Characters by Mme Morichelli, Mme DelCaro. Cast from libretto (C. Clarke, 1795): Ati-Mme DelCaro; Cibele-Mme Morichelli.

Dance: End I: L'Amant Retrouve, as17950120, but Mme Bossi [DelCaro], Mlle _Rosine [no other ballet listed]

Music: End II: concerto on the hautboy-Harrington

Performances

Mainpiece Title: Semiramide

Performance Comment: Principal Characters-Roselli, Rovedino, Mme Banti. [Cast adjusted from libretto (C. Clarke, 1794): Arsace-Roselli; +Seleuco-Rovedino; +Mitrane-$DeGiovanni; Oroe-$Braghetti; Semiramide-Mme Banti; +Azema-$Sga Colombati.]

Dance: As17960102

Event Comment: [Account-Book: Tickets delivered by Hall (box-keeper), Clarke, Townsend, Bent, Coombs, Wilkins, Robson, Warwhick, the widow Ansell, W. Linton, Wost, Purkins, Simpson, Standen will be admitted.] Receipts: #365 3s. 6d. (44.5.0; 3.13.0; tickets: 317.5.6(

Performances

Mainpiece Title: Lifes Vagaries

Afterpiece Title: The Poor Sailor

Cast
Role: Lieutenant Actor: Williamson

Dance: As17951002

Song: End: The [Little] Farthing Rushlight-Young Standen

Monologue: After Singing: A Pantomimic Interlude in which the Dying and Skeleton Scene, with the Escape of Harlequin through a Hogshead of Fire. Harlequin-Simpson; Clown-Follett; Pantaloon-Hawtin; Scaramouch-Abbot; Doctor-Rees; Colombine-A Young Lady [unidentified]

Performances

Mainpiece Title: Semiramide

Performance Comment: Principal Characters-Viganoni, Mme Banti. [Cast adjusted from libretto (C. Clarke, 1794): Arsace-Viganoni; Seleuco-Rovedino; Mitrane-DeGiovanni; Oroe-Braghetti; Semiramide-Mme Banti; Azema-Sga Colombati.]

Dance: End I: Divertisement Ballet, composed by Gallet, La Chasse d' Amour- [see below]; End Opera: Ariadne et Bacchus, as17971216

Performances

Mainpiece Title: Il Capriccio Drammatico

Performance Comment: [Cast adjusted from libretto (C. Clarke 1794): Don Crisobolo-Rovedino; Don Perinzonio-Morelli; Gelindo Scagliozzi-Braghetti; Fiordispina Coribanti-Sga Angelelli; Merlina-Sga Colombati; Dorinda-Sga Pastorelli.]

Afterpiece Title: Il Consiglio Imprudente

Dance: As17980331

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Reformed in Time

Performance Comment: Principal Characters by Munden, Farley, Townsend, Philipps (1st appearance this season), Claremont, Incledon, Mrs Martyr, Miss Wheatley, Mrs Mountain. [Cast from text (Cadell and Davies, 1798): Old Insight-Munden; Puff-Farley; Faithless-Townsend; Colonel Fairfield-Philipps [in text: Clarke (see17981005)]; Friendly-Claremont; Sir George Insight-Incledon; Handy-Mrs Martyr; Lady Bell Insight-Miss Wheatley; Lady Charlotte Fairfield-Mrs Mountain [in text: Mrs Follett (see17981005)].in text: Mrs Follett (see17981005)].

Afterpiece Title: The Honest Thieves

Song: In course: Old Towler, Black Ey'd Susan-Incledon

Monologue: Monologue. End 1st piece: (for that night only) a humourous, satirical Recitation, Kraniographon; selected from the favourite parts of G. A. Stevens's Lecture on Heads. in which: The Head of Alexander the Great-; The Head of a Lawyer-; The Head of a Cherokee-; Every Body's Coat of Arms-; The Head of a Quack Doctor-; The Head of Flattery-; Girdle of Venus-; The Quack Doctor's Coat of Arms-; The Head of Nobody-Mrs Mountain in the Character of a Student

Event Comment: Account-Book: Tickets delivered by Mrs Maxwell, Miss Briggs, Miss Clarke, Mrs Horton alias Hedges will be admitted. Receipts: #129 4s. 6d. (92.12.0; 35.1.0; 1.11.6; tickets: none listed)

Performances

Mainpiece Title: The Castle spectre

Afterpiece Title: The Smugglers

Event Comment: "I did not act this Night, being at Home to receive the 4th & 5th Acts of my Part in the new Play [see 24 May]" (Kemble Mem). Tickets delivered [Account-Book: by Miss Briggs, Miss Clarke, Rhodes] for Thursday will be admitted. Receipts: #187 13s. 6d. (123.12.6; 62.10.0; 1.11.0; tickets: none listed)

Performances

Mainpiece Title: The Castle Of Montval

Afterpiece Title: The Adopted Child

Event Comment: [Account-Book: Tickets delivered by Wells, Thompson (stage door keeper), Thomas, Clarke, Robson (pit door keeper), Ansell, Little, Bagley, Noble, Bonsor, Walls (constable), Townsend, Linton, Morris, Klanert, Ward, Coombs will be admitted.] Receipts: #329 16s. (18.3.0; 2.13.6; tickets: 308.19.6)

Performances

Mainpiece Title: The Votary Of Wealth

Afterpiece Title: A Divertisement

Dance: Afterpiece: Minuet de la Cour and Gavot-Klanert, Mrs Watts

Performances

Mainpiece Title: I Due Svizzeri

Afterpiece Title: La Serva Padrona

Performance Comment: Principal Parts-Morelli, Mme Banti. [Cast from libretto (C. Clarke [1794]): Uberto-Morelli; +Serpina-Mme Banti. Also listed, here unassigned, a mute character, +Vespone.]

Dance: As17990617

Performances

Mainpiece Title: il Drammatico Capricioso Recte Il Capriccio Drammatico

Performance Comment: Principal Characters-Morelli, Rovedino, Viganoni, Sga Bolla. [Cast adjusted from libretto (C. Clarke, 1794): Don Perinzonio-Morelli; +Don Crisobolo-Rovedino; +Gelindo Scagliozzi-Viganoni; +Fiordispina Coribanti-Sga Bolla; also listed: +Merlina, Dorinda.] also listed: +Merlina
, Dorinda.]

Afterpiece Title: I Due Svizzeri

Dance: End 1st piece: Divertisement, as18000508; End 2nd piece: Laura et Lenza (with alterations), as18000508

Event Comment: Edition of 1662: Being a True Relation of the Honourable the City of Londons Entertaining Their Sacred Majesties Upon the River of Thames, and Welcoming them from Hampton-Court to White-Hall. Expressed and set forth in several Shews and Pageants, the 23 day of August 1662. According to the printed version, the management of the pageant was under the care of Peter Mills, Surveyor; Malin, Water Bayliff; Thomas Whiting, Joyner; Richard Cleere, Carver. The songs were set by John Gamble, one of His Majesty's Servants. Evelyn, Diary: I this day was spectator of the most magnificent Triumph that certainly ever floted on the thames, considering the innumerable number of boates & Vessels, dressed and adorned with all imaginable Pomp: but above all, the Thrones, Arches, Pageants, & other representations, stately barges of the Lord Major, & Companies, with various Inventions, musique, & Peales of Ordnance both from the vessels & shore, going to meete & Conduct the new Queene from Hampton Court to White-hall, at the first time of her Coming to Towne.... his Majestie & the Queene, came in an antique-shaped open Vessell, convered with a State or Canopy of Cloth of Gold, made in forme of a Cupola, supported with high Corinthian Pillars, wreathd with flowers, festoones & Gyrlands: Pepys, Diary: We got into White Hall garden, and so to the Bowling-green, and up to the top of the new Banqueting House there, over the thames, which was a most pleasant place as any I could have got; and all the show consisted chiefly in the number of boats and barges; and two pageants, one of a King, and another of a Queen, with her Maydes of Honour sitting at her feet very prettily; and they tell me the Queen is Sir Richard Ford's daughter. Anon come the King and Queen in a barge under a canopy with 10,000 barges and boats, I think, for we could see no water for them, nor discern the King nor Queen. And so they landed at White Hall Bridge, and the great guns on the other side went off

Performances

Mainpiece Title: Aqua Triumphalis

Performances

Mainpiece Title: Heraclius

Performances

Mainpiece Title: Comment Continued