SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Clarke William Drunken Negro Sim"/1) | (@(roleclean,performerclean) "Clarke William Drunken Negro Sim")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10791 matches on Author, 2887 matches on Performance Comments, 530 matches on Event Comments, 448 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Pilgrim-Ryan; Alphonso-Hippisley; Roderigo-Quin; Mad Englishman-Spiller; Mad Taylor-Hall; Mad Priest-Egleton; Mad Scholar-Boheme; Drunken Servant-Bullock Sr; Juletta-Mrs Egleton; Alinda-Mrs Bret.
Cast
Role: Drunken Servant Actor: Bullock Sr

Song: Mrs Chambers

Dance: Drunken Swiss-Nivelon; Running Footman's Dance-Nivelon, Mrs Rogeir; The Humours of Bedlam-

Performances

Mainpiece Title: The Pilgrim

Cast
Role: Drunken Servant Actor: Bullock Sr

Song: As17231116

Dance: Drunken Swiss-Nivelon Jr; Running Footman's Dance-Nivelon Sr

Ballet: The Humours of Bedlam. Mad Taylor-Nivelon Sr; Mad Dancing Master-Glover; Mad Gamester-Pelling; Mad Soldier-Nivelon Jr; Mad Astrologer-Lanyam; Mad Lady-Mrs Rogeir

Performances

Mainpiece Title: Greenwich Park

Related Works
Related Work: Greenwich Park Author(s): William Mountfort

Song:

Dance: Drunken Swiss-Noaseman; French Peasant-James

Performances

Mainpiece Title: Amphitryon

Afterpiece Title: The What D'ye Call It

Dance: Drunken Man-Harper

Performances

Mainpiece Title: The Prodigal Son; Or, The Libertine Reclaimed; Wherein Is Represented His Vicious Life, And The Devil Appearing To Him To Go On In His Wickedness; And The Miserable State He Was Brought To Be His Extravagance, Being Reduced To That Extremity, That He Was Forced To Eat Husks With The Swine, To Satisfy His Hunger; Also An Angel Descending, Exhorting Him To Repent, And Return To His Father, Who Receives Him With Great Joy

Afterpiece Title: The Loves of Harlequin and Colombine

Entertainment: Drunken Man-Harper

Performances

Mainpiece Title: Aesop

Afterpiece Title: The Devil to Pay

Music: Select Pieces between the Acts, Composed by Mr Lampe

Dance: Drunken Peasant by Le Brun. English Maggot by Lally Jr and Mrs Walter

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Devil to Pay

Dance: Drunken Peasant by Janno. Punches by Janno and F. Tench. Whim by F. Tench and Miss Mann

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Harlot's Progress

Dance: Drunken Peasant by Le Brun

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Mad Captain

Dance: Drunken Peasant by D'Vallois. Scot's Dance by Miss Wherrit. Amorous Couple by D'Vallois and Mlle D'Vallois

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Mock Doctor

Dance: Drunken Peasant by Janno. Whim by F. Tench and Miss Mann. Punches by F. Tench and Janno. Watteau by Miss Robinson

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Intriguing Chambermaid

Dance: Drunken Peasant by Le Brun

Performances

Mainpiece Title: Othello, Moor Of Venice

Related Works
Related Work: Othello Author(s): William Shakespeare

Music: Select Pieces

Dance: Drunken Peasant by Le Brun. Revellers by Essex, Mrs Walter, Pelling, Davenport, Mrs Pelling, Miss Mann

Performances

Mainpiece Title: The Christian Hero

Dance: Drunken Peasant by Le Brun. Revellers by Essex and Mrs Walter

Performances

Mainpiece Title: The Way Of The World

Related Works
Related Work: The Way of the World Author(s): William Congreve

Afterpiece Title: The Devil to Pay

Dance: Drunken Peasant by Le Brun. A new Comic Dance called Tit for Tat by Denoyer, Nivelon, Mrs Walter, Miss Anderson

Performances

Mainpiece Title: The Rover; Or, The Banish'd Cavaliers

Related Works
Related Work: The Lady’s Revenge; or, The Rover Reclaim'd Author(s): William Popple

Afterpiece Title: The Devil to Pay

Dance: Drunken Peasant by Le Brun. English Maggot by Villeneuve and Mrs Walter. Revellers, as17351103

Performances

Mainpiece Title: The Mourning Bride

Related Works
Related Work: The Mourning Bride Author(s): William Congreve

Afterpiece Title: The Lottery

Related Works
Related Work: The Shepherd's Lottery Author(s): William Boyce

Dance: Drunken Peasant by Le Brun. English Maggot by Villeneuve and Mrs Walter. Revellers by Essex, Mrs Walter, &c

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Lying Valet

Dance: Drunken Peasants-Miles; Comic Ballet-Guerin, Dumay, Gosly, Miss Dawson, Miss Viviez, Mrs Guerin, Mlle Jansolin

Event Comment: Mainpiece: A tragedy [by John Hoole] never performed. Paid Williams for performing the Bells 3 nights #1 2s. 6d.; Paid Gard and Singleton each 7s. 6d. for performing 3 nights in the Lyon (Account Book). [Mainpiece reviewed in the Freeholder's Magazine, March.] Receipts: #227 6s. 6d

Performances

Mainpiece Title: Timanthes

Performance Comment: Parts-Smith, Bensley, Clarke, Wroughton, Gardner, Davis, R. Smith, Mrs Bulkley, Mrs Yates. Prologue and Epilogue in Act III a Procession. The Vocal parts-Reinhold, Mrs Baker, Mrs DuBellamy, Baker, Fox. Timanthes-Smith; Demaphoon-Bensley; Mathusius-Clarke; Cherinthus-Wroughton; Adrastus-Gardner; Orcanes-Davis; Cephisa-Mrs Bulkley; Ismena-Mrs Yates; playbill matched with 1770 Edn. The 1770 Edn. includes Olinthus-;,a child but specifies no actor. Playbill includes R. Smith; but assigns no part. In Act III, a Procession-; the Vocal Parts-Reinhold, Mrs Baker, DuBellamy, Baker, Fox; Prologue-Bensley; Epilogue-Mrs Bulkley.

Afterpiece Title: Damon and Phillida

Entertainment: II: Concert on Hautboy-Simpson

Event Comment: Mainpiece [1st time; T 5, by Frances Brooke, based on the anonymous libretto of Sarti's opera Mitridate a Sinope. Prologue by the Rev. William? Collier (see text). Epilogue by Arthur Murphy (Murphy, Works, 1786, VII, 54)]: With New Scenes, Dresses, &c. Public Advertiser, 8 Feb. 1781: This Day at Noon will be published The Siege of Sinope. (1s. 6d.). Receipts:#231 5s. (228.10; 2.15)

Performances

Mainpiece Title: The Siege Of Sinope

Performance Comment: Principal Characters by Henderson, Aickin, Clarke, Whitfield, Davies, Robson, L'Estrange, Thompson, Mrs Yates. [Cast from text (T. Cadell, 1781): Pharnaces-Henderson; Athridates-Aickin; Orontes-Clarke; Artabanes-Whitfield; Artaxias-Davies; Tigranes-Robson; Xiphares-L'Estrange; Orchanes-Thompson; Eumenes-Master Langrish; Messenger-J. Wilson; Thamyris-Mrs Yates; Prologue-Henderson; Epilogue-Mrs Yates. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Orontes Actor: Clarke

Afterpiece Title: Harlequin Free-Mason

Event Comment: Benefit for the Voluntary Contribution now open at the Bank, for the Defence of our Country. Boxes 10s. 6d. Pit 5s. Gallery 2s. Upper Gallery 1s. Tickets to be had and Places to be taken of Brandon, at the Stage-Door in Hart-street. Tickets also to be had at the Bar of Lloyd's Coffee-House. [Prologue by William Boscawen (Monthly Mirror, Mar. 1798, p. 178. Author of Address unknown.] "A subscription was set on foot behind the scenes," to which most of the performers contributed #10 apiece (Monthly Mirror, ibid). Account-Book, 12 May: Paid into the Bank of England in aid of the Voluntary Contribution #394 15s. Receipts: #518 8s. (280.9; 12.2; tickets: 225.17) [the difference of #123 13s. appears to have been the house charge]

Performances

Mainpiece Title: England Preserv'd

Performance Comment: Earl of Surry-Holman; Earl of Pembroke-Pope; Earl William-Betterton; Robert Fitzwalter-Whitfield; Bishop of Winchester-Hull; Earl of Chester-Davenport; English Squire-Clarke; Earl of Lincoln-Waddy; French Prince-Toms; Viscount de Beaumont-Claremont; French Guard-Powel; Count de Nevers-Thompson; Herald-Farley; John de Warrenne-Miss Standen; Lady Surry-Miss Betterton.
Cast
Role: Earl William Actor: Betterton
Role: English Squire Actor: Clarke

Afterpiece Title: The Poor Sailor; or, Little Bob and Little Ben

Dance: In afterpiece: Triple Hornpipe-Blurton, Mrs Watts, Mlle St.Amand

Song: End: Interlude of Songs, Glees, and Chorusses: With a jolly full Bottle, Great Britain still her Charter boasts, The Wooden Walls, Queen Betty was a famous Queen, To arms to arms-Incledon, Johnstone, Townsend, Linton, Gray, Street, Lee, Curties, Blurton, Wilde

Entertainment: Monologues. Preceding: An Occasional Prologue-Holman; Preceding singing: An Address to the Audience (instead of Epilogue)-Pope

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Jew and the Doctor

Performance Comment: Principal Characters-Barry Jun., Clarke, Williams, Barrett, Setwell, The Young Gentleman who performed Wilford, Miss Cox, Miss Leserve, Mrs Litchfield [And see17981123].And see17981123].

Song: End II: Hope told a flattering tale-Mrs Ferguson; accompanied on the Pedal Harp-Weippert

Music: End I: Grand Sonata on the Piano Forte, as17990515; End IV: Lesson of Nicolai, as17990515

Entertainment: Monologues Before: [Collins' Ode on the Passions-Master Parker; End III: The Birth Day Ode [by Henry James Pye, 1st performed at St. James's Palace, 4 June, the birthday of George III]-Master Parker; End: Imitations-Mrs Sumbel (late $Mrs Wells)

Event Comment: The King's Company. The date of the first performance is not known. Wilson (Six Restoration Play-Dates, pp. 222-23) argues from a number of references (principally in the Epilogue) to events of early 1681 which point to a premiere near May 1681: to the dissolution of Parliament, 28 March 1681; to the comet which appeared in November 1680 and disappeared in January 1680@1; to the Hatfield Maid; to William Lilly, the astrologer, who is referred to as though alive, thus suggesting a premiere before his death, 9 June 1681. It is possible that the premiere may have been earlier than this. In 1681 was published Poeta de Tristibus; or, The Poet's Complaint, whose author had obviously read the Prologue and Epilogue to The Unhappy Favourite. He represents himself as a disappointed dramatist whose tragedy has been rejected by both houses because "their Summer-store@Will all this Winter last." With the work entered in the Term Catalogues in 1682 and a copy purchased by Narcissus Luttrell with his note "4d 1681 12 Nov" (see A Bibliography of John Dryden, ed. Macdonald, pp. 235-36), his quotations from the Epilogue to The Unhappy Favourite and references to the Prologue would offer no difficulties if it were not that the "Author's Epistle" in which the references are made is dated "at Dover the Tenth day of January 1680@1," thus suggesting that he had seen the Prologue and Epilogue before that date. Nevertheless, some of the references in the Epilogue (to Heraclitus Ridens, beginning on 1 Feb. 1680@1, and Democritus Ridens, beginning on 14 March 1680@1) preclude a January premiere for the Prologue and Epilogue. Possibly the dating of the "Author's Epistle" is in error

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Performance Comment: Edition of 1682: The Earl of Essex-Clarke; Earl of Southampton-Gryffin; Burleigh-Major Mohun; Sir Walter Rawleigh-Disney; Queen Elizabeth-Mrs Quyn; Countess of Rutland-Mrs Cook; Countess of Nottingham-Mrs Corbett; Prologue-Major Mohun the first Four Dayes; Prologue to the King and Queen at their coming to the House, and Written on Purpose by Mr Dryden-; Epilogue by Mr Dryden-; Prologue Intended to be spoken, by the Author-.
Cast
Role: The Earl of Essex Actor: Clarke
Event Comment: Mainpiece: A Dramatic Poem, Never Performed [written on the model of a Greek Tragedy by William Mason]. The Overture and all the Music entirely New Composed by Dr Arne. With New Scenery, Dresses, and Decorations (playbill). Altered by Colman to Mason's distress. (Biographia Dramatica). Books of the Chorus to be had at the Theatre. Rec'd from Bensley on account of Cash advanc'd last season #100 (Account Book). Receipts: #201 12s

Performances

Mainpiece Title: Elfrida

Performance Comment: Athelwold-Smith; Edgar-Bensley; Orgar-Clarke; Edwin-Hull; Albina-Mrs Mattocks; Elfrida-Mrs Hartley; Chorus of British Virgins-Mrs Mattocks, Mrs Baker, Miss Twist, Miss Brown, Miss Valois, Miss Wewitzer, Miss Catley, others.
Cast
Role: Orgar Actor: Clarke
Related Works
Related Work: Elfrida Author(s): William Mason

Afterpiece Title: The Mock Doctor

Dance: End: The Recruits, as17721117

Event Comment: Mainpiece: With alterations by the author [William Mason]. The Overture and all the new Music composed by Giardini.[On playbill of 27 Feb.: With a New Scene painted by Richards.] Public Advertiser, 23 Feb. 1779: This Day at Noon is published Elfrida (price not listed). [Afterpiece: Prologue by the author (New Spouter's Companion, c. 1798, p. 59).

Performances

Mainpiece Title: Elfrida

Performance Comment: Athelwold-Lewis; Edgar-Aickin; Orgar-Clarke; Edwin-Hull; Ardulph-Whitfield; Albina-Mrs Mattocks; 2nd Speaking Virgin-Mrs Jackson; Elfrida-Mrs Hartley; Chorus of British Virgins-Miss Brown, Mrs Wrighten, Mrs Morton, Mrs Kennedy.
Cast
Role: Orgar Actor: Clarke
Related Works
Related Work: Elfrida Author(s): William Mason

Performances

Mainpiece Title: He's Much To Blame

Cast
Role: Williams Actor: Clarke

Afterpiece Title: Rosina

Performance Comment: Captain Belville-Incledon; Belville-Clarke; William-Townsend; Rustic-Street; Irish Haymaker-Rees; Phoebe-Mrs Martyr; Dorcas-Mrs Davenport; Rosina-A Young Lady (1st appearance [Mrs Francis]).Mrs Francis]).
Cast
Role: Belville Actor: Clarke
Role: William Actor: Townsend