SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Christopher Perry"/1) | (@(roleclean,performerclean) "Christopher Perry")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 412 matches on Performance Comments, 327 matches on Author, 68 matches on Event Comments, 3 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit Christopher Smith, who at his own Expence, hath provided for, and brought up the Children of the late Mr Dahuron. 7 p.m. 5s

Performances

Mainpiece Title: Concert

Music: Instrumental Music-Clegg, Weideman, Caporale, Miller; The Vocal Parts to consist of several of Mr Handel's Choruses-

Event Comment: By Particular Desire of several Ladies of Quality. Positively the last Night. [Intended as satire on the Reverend John Henley's Oratory (eccentric preacher, 1692-1756) and as a puff for The Midwife or Old Woman's Magazine, edited by Christopher Smart and John Newberry, 1751-53. The Old Woman's Oratory written and produced by Smart. See the Gentleman's Magazine, 1752, p. 43; and Horace Walpole's letter to Montagu 12 May 1752, as follows: It appeared the lowest buffoonery in the world, even to me who am used to my uncle Horace. There is a bad oration to ridicule, what is too like, Orator Henley; all the rest is perverted music. There is a man who plays so nimbly on the kettle drums, that he has reduced that noisy instrument to be an object of sight; for if you don't see the tricks with his hands, it is no better than ordinary. Another play on a violin and trumpet together; another mimics a bagpipe with a German flute, and makes it full if disagreeable. There is an admired dulcimer, a favourite saltbox and a really curious Jew's Harp. Two or three men intend to persuade you that they play on a broomstick, which is drolly brought in, carefully shrouded in a case, so as to be mistaken for a bassoon or bass viol, but they succeed in nothing but the action. The last fellow imitates farting and curtseying to a French horn. There are twenty medley overtures, and a man who speaks a prologue and epilogue, in which he counterfeits all the actors and singers upon earth' (The Yale Edition of Horace Walpole's Correspondence, IX, p. 131). [See 3 Dec. 1751.

Performances

Mainpiece Title: The Old Woman's Oratory

Event Comment: Oratorio by Benjamin Stillingfleet, words adapted from Milton, set to Music by John Christopher Smith (Biographia Dramatica)

Performances

Mainpiece Title: Paradise Lost

Music: As17740218

Event Comment: Mainpiece: Never Performed There. On account of the Additional Airs, contracted into 3 Acts. [Public Advertiser, 30 Dec., notes that the principal omission was the conspiracy of Alonzo, Antonio, &c., and that the Masque in Act IV was removed to the concluding scene of the play.] With New Dresses, Scenery and Decorations. The Music by Purcell, John Christopher? Smith, Dr Arne and Fisher. [In afterpiece the playbill retains Delpini as Pierrot, but "[Hull] made an apology for the illness of Delpini, telling the audience that the Signor had hurt himself so much the preceding evening in performing the part of Pierrot that he could not come out of his room; the managers therefore hoped that the audience would accept of Wewitzer in the character" (Morning Chronicle, 28 Dec.). The playbill also adds Wewitzer as the Gardener; this part was perhaps omitted.] Paid Enderby, Oil Merchant, #258 17s. Receipts: #245 18s. (244.15; 1.3)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequin's Frolicks

Dance: In: Aldridge, Miss Valois, others [the dance was composed by Aldridge (Morning Chronicle, 26 Nov. 1779), and danced, as here assigned, in all subsequent performances]; In afterpiece: as17761226

Event Comment: By Permission of the Lord Chamberlain, Mainpiece: Altered from the Original [Woman is a Riddle, by Christopher Bullock. Not in Larpent MS; not published]. 2nd piece [1st time; M. INT I, author unknown. MS not in Larpent; not published]. 3rd piece: Written by Henry Fielding, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets delivered by Davis, Wright, Mrs Lefevre will be admitted. Constant fires will be kept on the stage, Pit, Boxes and Galleries to air the house

Performances

Mainpiece Title: The Macaroni Adventurer; Or, Woman's A Riddle

Related Works
Related Work: A Woman is a Riddle Author(s): Christopher Bullock

Afterpiece Title: Fashionable Love; or, The Happy British Tar

Afterpiece Title: The Covent Garden Tragedy

Dance: Entertainments ofDancing-

Entertainment: Monologue.End III: Imitations [Vocal and Rhetorical, never attempted, a Trumpet-a Choice Spirit [who will (to his vocal performances) accompany himself with the Symphonies (his 1st appearance on the stage [unidentified])

Event Comment: Opera: The Music by Sir Christopher Gluck; with the additons of John Christ. Bach, and with the choice of several pieces of Handel. The Whole under the direction of Anfossi. Director of and 1st singer in the Chorus-Webb. The Scenes invented and painted by Novosielski. The Dresses entirely new, executed by Sestini. [Libretto (J. Jarvis, 1785): SER 3.]

Performances

Mainpiece Title: Orfeo

Dance: Dances incidental to the Opera composed by Lepicq, and performed by him, Mme Rossi, Sg and Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival

Event Comment: Benefit for Bannister Jun. [Author of Prologue to 1st piece unknown. 2nd piece: By permission of G. Colman, Esq. [owner of the copyright]. 3rd piece [1st time; F 2 (?)]: Altered from Woman's a Riddle [by Christopher Bullock; alterer unknown. Not in Larpent MS; not published]. Public Advertiser, 2 Apr.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho. Receipts: #286 11s. (145.16; 14.5; 1.12; tickets: 124.18) (charge: #106 1s. 5d.)

Performances

Mainpiece Title: Transformation; Or, The Manager An Actor In Spite Of Himself

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Invisible Mistress

Entertainment: Monologue. End 2nd piece: A Touch of the Times; or, A Ramble through London-Bannister Jun

Event Comment: We play'd the Beggar's Opera & ye Oracle by Children for the Benefit of some distress'd Actors who formerly belong'd to the Theatres. There was #102 in the House, the following Persons receiv'd from it Mr Marshall #23. Mr Morgan #21. Mrs Edgerton #5 5s. Mr Bowman #5 5s. Mr Phenix #10 10s. Mrs Gardner (formerly printer to ye house) #2 2s. N.B.: Mrs Clive refus'd to play her part of Lucy , it was done by Miss Young. New performers engag'd Y: Fletewood, Obrien, Packer, Perry, Miss Glen (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Oracle

Dance: II: The Prussian Sailors, as17580601 End Opera: The Faggot Binders, as17580601

Event Comment: This Play tho' all new dress'd and had Fine Scenes did not seem to give ye audience any great plasure, or draw any applause (Cross). Written by Shakespear. Never Acted there. New Habits, Scenes, and Decorations. Nothing under Full Prices will be taken during the Performance. No Gentleman can possibly be admitted behind the Scenes, or into the Orchestra on account of the Music, Decorations, and number of Performers which are necessary to the Representation (playbill). [See "Garrick's Presentation of Antony and Cleopatra," RES, Jan. 1937. The following characters appear in Capel's acting text, 23 Oct. 1958, Maecenas-Perry; Seleucas-$Burton.] Receipts: #200 ($Cross">Atkins; Proculeius-$Austin; Soothsayer-$Burton; Mardian-$Perry; Seleucas-$Burton.] Receipts: #200 ($Cross); #193 14s. (Winston MS 8)

Performances

Mainpiece Title: Antony And Cleopatra

Event Comment: Paid Mrs Perry for walking 6 nights in the Coronation #1 10s.; Paid Mr Cooper, Printer #41 16s. (Account Book). Receipts: #110 9s. 6d. (Account Book)

Performances

Mainpiece Title: King John

Afterpiece Title: Coronation

Performances

Mainpiece Title: Cyrus

Performance Comment: As17681221, but Perry, _Clarke (playbill); Clarke remains (Public Advertiser).

Afterpiece Title: Harlequin Skeleton

Event Comment: The Last time of the Company's performing this season. The Oxonian in Town, cannot be perform'd on account of the indisposition of a performer. Doors open at Half past 5. To begin at Half past 6. [Account Book indicates the following as paying up their deficiencies or half value of tickets: Perry, Gardner, Legg, Mrs Lampe and Mrs Jones, Wignell, Barnshaw, Wild, Mrs Hartle, Miss Brown, Ellis and Sherratt. Master Harris receiv'd #5 5s. for his performances this season. The Salary list for 25 May, recording payments for a ten day Period, amounted to #639 2s. 2d., or about #63 per day. Basic house charges of #63 may have been based on this salary figure, with the extras of candles, music, wardrobe, &c. added. See 6 June.] Receipts: #67 12s. (Account Book)

Performances

Mainpiece Title: Cyrus

Afterpiece Title: The Apprentice

Dance: End: The Merry Sailors, as17680920

Performances

Mainpiece Title: George Barnwell

Cast
Role: Truman Actor: Perry

Afterpiece Title: Mother Shipton

Performance Comment: Characters-Lewes, Miles, Morris, Quick, Baker, King, Barnshaw, Fox, Holtom, Hamilton, Stoppelaer, Banks, Bates, Rayner[, Reinhold, DuBellamy], Mrs White, Miss Helme, Mrs Copin, Mrs Perry, Mrs Evans, Miss Twist; The Dances-Fishar, Hamoir, Sga Manesiere, Miss Hamoir; [The Music-Arnold; [Edition of 1770 lists Mother Shipton-Reinhold; Shepherd-DuBellamy.
Event Comment: Mainpiece: By Desire. Paid Pattinson (tallow chandler) #63; Barrett (wax chandler) #11 17s. 9d.; Advanc'd Perry as per note #12 12s. Paid Walker for a silver Tissue suit of Women's Cloaths #11 11s. (Account Book). Receipts: #142 7s. 6d. (Account Book)

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Harlequin Skeleton

Event Comment: Benefit for Mrs Hartle, Francis, Walters, Mas. Blurton, Symonds. Tickets deliver'd for the Inconstant will be taken. Tickets deliver'd by Longley, Mas. Jones, Singleton, Shuter, Norbury, Roberts, Frenzdorf, Miller, Stephenson, Read, Robson, Walker, Clarridge, Perry Sr; and Bassan will be taken. [Hours received half value of tickets plus the ready receipt money.] @Tickets Box Pit Gallery Value Half Value@Mrs Hartle 5 31 43 #10 4s. #5 2s.@Francis 2 26 25 #6 18s. #3 9s.@Patterson 5 79 71 #20 4s. #10 2s.@Blurton - 15 28 #5 1s. #2 10s. 6d.@Symonds 19 45 42 #15 14s. #7 17s.@Longley 18 112 53 #26 12s. #13 6s.@Jones - 2 11 #1 8s. 14s.@Singleton - 8 14 #2 12s. #1 6s.@Shuter - 52 8 #8 12s. #5 14s. 6d.@Norbury 9 26 53 #11 9s. #5 14s. 6d.@Roberts 9 125 59 #26 18s. #13 9s.@Frensdorf - 42 31 #9 8s. #4 14s.@Miller 5 62 56 #16 3s. #8 1s. 6d.@Stephenson 16 61 52 #18 7s. #9 3s. 6d.@Read - 15 45 #6 15s. #3 7s. 6d.@Robson 3 101 32 #19 2s. #9 11s.@Walker - 17 68 #9 7s. #4 13s. 6d.@Claridge 5 36 35 #10 3s. #5 1s. 6d.@Perry 3 30 81 #13 7s. #6 13s. 6d.@Bassan 1 12 21 #4 3s. #2 1s. 6d.@Total 100 897 828 #242 7s. #121 3s. 6d.@ Paid Lee for a quantity of velvet #21 (Account Book). Receipts: #12 7s. 6d. (Account Book)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Devil to Pay

Dance: III: Hornpipe-Mas. Blurton; End: The Provenzale-Mas. Blurton, Miss Besford [see17700928]

Event Comment: Benefit for Quick. Afterpiece: A new Farce never performed. Altered from Sir Charles Sedley's Piece of the same title by Dr Goldsmith. Acted only this night (playbill). [The notation on the alteration is by Kemble on the playbill. The characters are: Sourby, Octavio, Wentworth, Dancing Master, Scamper, Clarissa and Jenny. See Edition by Alice I. Perry Wood (Cambridge, Mass., 1931).] Charges #66 5s. Profit to Quick #7 6d., plus #80 from tickets (Box 100; Pit 263; Gallery 156) (Account Book). [Brief review of the Grumbler in the Westminster Magazine for May 1773: "It was several years ago translated from the French, and received this night some additional touches from the pen of Dr Goldsmith. An entertainment of one act cannot be expected to contain much. The whole merit of this is centered in one character, and perhaps in one scene."] Receipts: #73 5s. 6d

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Grumbler

Dance: After the Interlude: The Whim, as17730426

Monologue: 1773 5 8 End of Play: Interlude. An Interlude by S. Foote Esq; Lady Pentweazle-Quick; Carmine-Davis

Event Comment: By Particular Desire. Benefit for Symonds, Norbury, Francis. Tickets deliver'd by Perry, Roberts, Wooley, Stevenson, Singleton, Shuter, Miller, Walker, and Real as well as those deliver'd for The Recruiting Officer will be Taken. [No charges. House rec'd the ready money receipts plus half-value of the tickets deliver'd:] @Tickets Box Pit Gallery Value Half Value@Symonds 27 50 107 #27 16s. #13 18s.@Norbury 23 33 31 #13 14s. #6 17s.@Francis 13 36 17 #9 8s. #4 14s.@Perry 4 14 25 #6 3s. #3 1s. 6d.@Roberts 9 80 191 #38 18s. #19 9s.@Wooley 3 24 3 #3 12s. #1 16s.@Stephenson 14 107 64 #23 16s. #11 18s.@Singleton 3 48 10 #7 1s. #3 10s. 6d.@Shuter 11 39 86 #19 11s. #9 15s. 6d.@Miller 8 74 49 #16 #8@Walker .. 95 19 #12 7s. #6 3s. 6d.@Read 7 65 21 #11 8s. #5 14s.@Total 122 665 618 #189 14s. #94 13s.@ Paid Symonds for performing 5 nights in The Fair to 13 Nov. last 5s., and for 25 nights in The Sylphs to the 4th of April #1 5s. Receipts: #57 15s. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Mother Shipton

Event Comment: Afterpiece: For the Last time this season. Tickets deliver'd by Blurton, Stoppelaer, Besford, Mrs Perry, and Mrs Lawrence? will be admitted

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Druids

Dance: III: Double Hornpipe-Blurton, Miss Mathews; IV: The Humours of Blackwall, as17750429

Event Comment: Tickets delivered for this Evening [Account-Book: by Stokes, Massingham, Massingham Jun., Gray, Cole, Hough, Tice, Calkin, Ross, Thompson, Fosbrook, Faux, Gillis, Waters, Perry, Chumbley, Powell, Appleby, Chatterley, Roffey, Henderson, Phillips, Master Gregson, Mrs Scott] will be admitted. Receipts: #623 14s. 6d. (64.11.6; 26.2.0; 9.19.6; tickets: 523.1.6)

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Adopted Child

Event Comment: [Account-Book: Tickets delivered by Appleby, Bennett, Calkin, Chumbley, Caton, Cawston, Dale Jun.; Fosbrook (door-keeper), Gray, Faux, Humphries, Hough, Massingham Sen., Massingham Jun., Pilsbury, Perry, Powell, Ross, Thompson, Tice, Waterer will be admitted.] The Last Time of the Company's Performing this Season. Receipts: #106 16s. (59.1.0; 28.6.6; 11.18.6; tickets: none listed; odd money: 7.10.0)

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: The Deaf Lover

Event Comment: Tickets delivered for this Evening [by Bennett, Calkin, Chumbley, Caton, Cawston, Fosbrook, Faux, Massingham, Maddocks, Perry, Purser, Ross, Sherwood, Stevens, Tice, Waterer (Account-Book)] will be admitted. Receipts: #315 1s. (19.9; 23.7; 1.5; tickets: 271.0)

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Prize

Event Comment: Account-Book: Tickets delivered by Calkin, Edmonds, Gorman, Gooding, Humphries, Henderson, Jacobs, Marks, Massingham Jun., Perry, Ross, Scott, Waterer will be admitted. Receipts: #40 7s. (18.11.0; 19.11.6; 2.4.6; tickets: none listed)

Performances

Mainpiece Title: First Love

Afterpiece Title: The Prize

Event Comment: [Account-Book: Tickets delivered by Appleby, Bennett, Butler, Calkin, Dale Jun., Fosbrook, Gooding, Henderson, Humphries, Jacobs, Marks, Powell, Perry, Gaudry, Phillimore, Ryder, Scott, Tice, Williams, Wooldridge will be admitted.] Receipts: #58 10s. 6d. (28.15.6; 18.2.6; 0.0.0; odd money: 11.12.6; tickets: none listed)

Performances

Mainpiece Title: The Castle-spectre

Afterpiece Title: High Life below Stairs

Dance: As17980920

Event Comment: Account-Book: Tickets delivered by Appleby, Briggs, Benson, Byrne, Bynam, Dale, Doyle, Edmonds, Faux, Garbutt, Gregson, Gauron, Henderson, Kent, Powell, Perry, Rhodes, Ross, Robson, Robinson, Smith, Sherwood, Stevens, Townsend, Williams, Whitmell, Wyler will be admitted. Receipts: #49 7s. (25.17; 20.3; 3.7; tickets: none listed)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Of Age To-morrow

Ballet: End: The Scotch Ghost. As18000612