SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Christopher M Rich"/1) | (@(roleclean,performerclean) "Christopher M Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 915 matches on Author, 475 matches on Event Comments, 120 matches on Performance Comments, 29 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Never Performed There. On account of the Additional Airs, contracted into 3 Acts. [Public Advertiser, 30 Dec., notes that the principal omission was the conspiracy of Alonzo, Antonio, &c., and that the Masque in Act IV was removed to the concluding scene of the play.] With New Dresses, Scenery and Decorations. The Music by Purcell, John Christopher? Smith, Dr Arne and Fisher. [In afterpiece the playbill retains Delpini as Pierrot, but "[Hull] made an apology for the illness of Delpini, telling the audience that the Signor had hurt himself so much the preceding evening in performing the part of Pierrot that he could not come out of his room; the managers therefore hoped that the audience would accept of Wewitzer in the character" (Morning Chronicle, 28 Dec.). The playbill also adds Wewitzer as the Gardener; this part was perhaps omitted.] Paid Enderby, Oil Merchant, #258 17s. Receipts: #245 18s. (244.15; 1.3)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequins Frolicks

Dance: In: Aldridge, Miss Valois, others [the dance was composed by Aldridge (Morning Chronicle, 26 Nov. 1779), and danced, as here assigned, in all subsequent performances]; In afterpiece: as17761226

Event Comment: By Permission of the Lord Chamberlain, Mainpiece: Altered from the Original [Woman is a Riddle, by Christopher Bullock. Not in Larpent MS; not published]. 2nd piece [1st time; M. INT I, author unknown. MS not in Larpent; not published]. 3rd piece: Written by Henry Fielding, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets delivered by Davis, Wright, Mrs Lefevre will be admitted. Constant fires will be kept on the stage, Pit, Boxes and Galleries to air the house

Performances

Mainpiece Title: The Macaroni Adventurer Or Womans A Riddle

Afterpiece Title: Fashionable Love or The Happy British Tar

Afterpiece Title: The Covent Garden Tragedy

Dance: Entertainments ofDancing-

Entertainment: Monologue.End III: Imitations [Vocal and Rhetorical, never attempted, a Trumpet-a Choice Spirit [who will (to his vocal performances) accompany himself with the Symphonies (his 1st appearance on the stage [unidentified])

Event Comment: Opera: The Music by Sir Christopher Gluck; with the additons of John Christ. Bach, and with the choice of several pieces of Handel. The Whole under the direction of Anfossi. Director of and 1st singer in the Chorus-Webb. The Scenes invented and painted by Novosielski. The Dresses entirely new, executed by Sestini. [Libretto (J. Jarvis, 1785): SER 3.]

Performances

Mainpiece Title: Orfeo

Dance: Dances incidental to the Opera composed by Lepicq, and performed by him, Mme Rossi, Sg and Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival

Event Comment: Benefit for Bannister Jun. [Author of Prologue to 1st piece unknown. 2nd piece: By permission of G. Colman, Esq. [owner of the copyright]. 3rd piece [1st time; F 2 (?)]: Altered from Woman's a Riddle [by Christopher Bullock; alterer unknown. Not in Larpent MS; not published]. Public Advertiser, 2 Apr.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho. Receipts: #286 11s. (145.16; 14.5; 1.12; tickets: 124.18) (charge: #106 1s. 5d.)

Performances

Mainpiece Title: Transformation Or The Manager An Actor In Spite Of Himself

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Invisible Mistress

Entertainment: Monologue. End 2nd piece: A Touch of the Times; or, A Ramble through London-Bannister Jun

Performances

Mainpiece Title: The Generous Enemies Or The Ridiculous Lovers

Performance Comment: Edition of 1671: The Prologue-; The Epilogue-; Signior Robatzy-Wintersall; Signior Cassidoro-Lyddall; Don Alvarez-Major Mohune; Signior Flaminio-Keniston; Don Bertran-Carthwright; Sanco-Bell; Pedro-Shurley; Addibar-Rich. Hart; Jaccinta-Mrs Marshall; Alleria-Mrs James; Lysander-Mrs Bowtell; Sophia-Mrs Pratt; Julia-Mrs Cory; Livia-Mrs Susanna Uphill.
Cast
Role: Addibar Actor: Rich. Hart

Performances

Mainpiece Title: Dame Dobson Or The Cunning Woman

Performance Comment: Edition of 1684: Prologue-Mrs Currer; Dame Dobson-Mrs Corey; Decoy-Saunders; Beatrice-Mrs Twiford; Mrs Francis-Mrs Baker; Goslin-Richards; Collonel-Kynaston; Gillet-Jevon; Gerrard-Wilshire; Hartwell-Monfort; Farmer-Bright; Jenkin-Leigh; Lady Noble-La. Slingsby; Lady Rich-Mrs Petty; Mrs Cleremont-Mrs Butler; Mrs Featly-Mrs Currer; Mrs Jenkin-Mrs Percival; Mrs Prudence-Mrs Leigh; Mrs Hellen-Mrs Osborn; Mrs Susan-Mrs Percival; Epilogue-Mr Jevorn.
Cast
Role: Goslin Actor: Richards
Role: Lady Rich Actor: Mrs Petty
Event Comment: A Comparison Between the Two Stages (1702), commenting upon Betterton's success with I Henry IV (see 9 Jan. 1699@1700) pictures Betterton entering his Closet and praying to Shakespeare for further assistance (p. 25), with the result that "tho' some of those Plays that Batterton Acted were Historical, and consequently highly irregular, yet they never fail'd to please" (p. 26). Sullen adds: Well, this lucky hit of Batterton's put D. Lane in a non-plus! Shakespear's Ghost was rais'd at the New-house, and he seem'd to inhabit it for ever: What's to be done then? Oh, says Rich I'll pray as well as he-What? Shall a Heathen Player have more Religion than a Lawyer? No, it shall never be said--with that Mr R@@ goes up to the Garret (a pair of Stairs higher than his own Apartment) and taking Ben Johnson's Picture with him, he implores. This work implies that Betterton presented Henry VIII in addition to I Henry IV and that Rich revived Volpone, The Alchymist, and The Silent Woman, which had, according to the author of this work, lain unacted for twenty years (p. 26)

Performances

Performances

Mainpiece Title: The Beau Defeated Or The Lucky Younger Brother

Performance Comment: Edition ca. 1700: Prologue-Mr Bowman; Epilogue-a Boy; Sir John Roverhead-Bowman; Elder Clerimont-Trout; Younger Clerimont-Verbruggen; Belvoir-Thurmond; Lady Landsworth-Mrs Bracegirdle; Mrs Rich-Mrs Barry; Mrs Clerimont-Mrs Bowman; Lady la Basset-Mrs Prince; Mrs Fidget-Mrs Willis.
Cast
Role: Mrs Rich Actor: Mrs Barry

Performances

Mainpiece Title: The Comical Revenge Or Love In A Tub

Performance Comment: Sir Frederick-Wilks; Beaufort-Mills; Bruce-Booth; Lovis-Bickerstaffe; Wheadle-Keene; Sir Nicholas-Norris; Palmer-Estcourt; Dufoy-Bowen; Graciana-Mrs Rogers; Aurelia-Mrs Porter; Widow Rich-Mrs Knight; Betty-Mrs Mills; With a new Epilogue-Wilks.
Cast
Role: Widow Rich Actor: Mrs Knight

Performances

Mainpiece Title: Injurd Love Or The Ladys Satisfaction

Performance Comment: Edition ca. 1711 lists: Ogle (alias Fidelia)-Mrs Oldfield; Frolick (alias Lucie)-Mrs Bicknel; Rashlove-Wilks; Captain Cruize-Cibber; Thrivemore-Mills; Surefriend-Elrington; Sir Bookish Outside-Bullock; Sir Saveall Scrape-Norris; Young Scrape-Dogget; Snuffle-Johnson; Tipple-Penkethman; Mons de la Tirouette-Burkhead; Widow Rich (alias Amabella)-Mrs Bradshaw; Lady Outside-Mrs Knight; Charmilla-Mrs Santlow; Wrinkle-Mrs Willis; Pomade-Mrs Saunders; Prologue-; Epilogue-Dogget, Penkethman.
Cast
Role: Widow Rich Actor: Mrs Bradshaw

Performances

Mainpiece Title: The Comical Revenge Or Love In A Tub

Performance Comment: Sir Frederick-Wilks; Widow Rich-Mrs Oldfield.
Cast
Role: Widow Rich Actor: Mrs Oldfield.

Performances

Mainpiece Title: The Unhappy Favourite Or The Earl Of Essex

Performance Comment: Essex-a Gentleman for his Diversion [John Rich, according to Rich's Register]; Southampton-Thurmond; Burleigh-Keene; Sir Walter-Watson; Queen-Mrs Knight; Rutland-Mrs Rogers Jr; Nottingham-Mrs Kent.

Song: Randal, the Boy; Trumpet Song-Mrs Fletcher,accompanied Mr Granno

Dance: Spanish Entry, Dutch Skipper-delaGarde, Mrs Bullock; Punchanello-Shaw

Performances

Mainpiece Title: The Unhappy Favourite

Performance Comment: See17151022, but Essex-Rich.
Cast
Role: Essex Actor: Rich.

Song: Randal; Trumpet Song, as17151022

Dance: delaGarde, Shaw, Thurmond Jr, Mrs Bullock, Mrs Schoolding, Mrs Cross; A new Chacone-Mrs Bullock; A new comic dance-Aubert, Mrs Cross; Italian Night Scene, as17151026

Performances

Mainpiece Title: The Comical Revenge Or Love In A Tub

Performance Comment: Sir Frederick-Wilks; Sir Nicholas-Norris; Bruce-Booth; Palmer-Johnson; Dufoy-Bowen; Mrs Rich-Mrs Oldfield; Jenny-Mrs Saunders.
Cast
Role: Mrs Rich Actor: Mrs Oldfield

Song: As17161022

Dance:

Performances

Mainpiece Title: The Half Pay Officers

Performance Comment: Principal Part-Peg Fryer it being the first time of her Appearing on any Stage since the Reign of King Charles II; [The edition of 1720 adds: Bellayr-Ryan; Fluellin-Griffin; MacMorris-H. Bullock; Culverin-Spiller; Meagre-C. Bullock; Loadham-Harper; Sharp-Egleton; Jaspar-Boheme; Widow Rich-Mrs Vandervelt [Peg Fryer?]; Benedict-Mrs Bullock; Charlotte-Miss Stone; Jane-Mrs Robertson; Prologue-; Epilogue-.
Cast
Role: Widow Rich Actor: Mrs Vandervelt

Afterpiece Title: Hobs Wedding

Dance: Bashful Maid, Irish Trot-Mrs Fryer

Performances

Mainpiece Title: The Comical Revenge Or Love In A Tub

Performance Comment: Sir Frederick-Wilks; Beaufort-Mills; Dufoy-Cibber; Bruce-Booth; Sir Nicholas-Norris; Palmer-Johnson; Widow Rich-Mrs Horton; Graciana-Mrs Younger; Jenny-Mrs Saunders; Betty-Mrs Garnet.
Cast
Role: Widow Rich Actor: Mrs Horton

Performances

Mainpiece Title: The Half Pay Officers

Performance Comment: Widow Rich-by the celebrated Peggy Fryar aged 71.

Afterpiece Title: Hobs Wedding

Dance: The Bashful Country Maid, Irish Trot-Peggy Fryar

Performances

Mainpiece Title: The Comical Revenge Or Love In A Tub

Performance Comment: Sir Frederick-Wilks; Dufoy-Cibber; Beaufort-W. Mills; Bevil-Cory; Bruce-Bridgwater; Lovis-Watson; Sir Nicholas-Norris; Palmer-Johnson; Wheedle-Shepard; Widow Rich-Mrs Oldfield; Graciana-Mrs Butler; Amelia-Mrs Cibber; Jenny-Miss Tenoe; Betty-Miss Lindar.
Cast
Role: Widow Rich Actor: Mrs Oldfield

Performances

Mainpiece Title: The Half Pay Officers

Performance Comment: Culverin-Wells; Bellair-Lacy; Fluellin-Jones; Mackmorris-Hallam; Loadum-Mullart; Meagre-Reynolds; Jasper-Wells Jr; Sharp-Marshall; Charlotte-Miss Jones, her first appearance on this stage; Lady Rich-Mrs Clarke; Benedict-Mrs Sparling; Jane-Mrs Mullart.
Cast
Role: Lady Rich Actor: Mrs Clarke

Afterpiece Title: Flora

Related Works
Related Work: Flora's Vagaries Author(s): Richard Rhodes
Event Comment: For the Entertainment of the Free Masons Ladies. Receipts: #123 19s. 6d Rich's Register: Benefit John Rich

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: Perseus and Andromeda

Event Comment: During this month was publish'd The Dramatic Congress, a short state of the stage under present management, by W. R. Chetwynd. The older actors and dramatists sit in Elysium and discuss the fate of the theatre under Fleetwood and Rich. Much on cartels and the decay of the stage, and the chicanery indulged in to starve the Macklin-Garrick revolters. Probably about this time was also publish'd Tyranny Triumphant...Or Historical and critical remarks on the famous Cartel lately agreed on by the masters of the two theatres, by Patrick Fitz-Crambo. Discusses the rumor that Rich shut up Lincoln's Inn Fields for six months and for #600 gave the key to the Manager of Drury Lane, leaving the actors to starve, and the town to be satisfied with whatever nonsense Drury Lane chose to put on

Performances

Mainpiece Title: The Orphan Or The Unhappy Marriage

Afterpiece Title: The School Boy

Event Comment: TThe Suspicious Husband deferr'd by Garrick's Indisposition [repeated in the bills]. From The Museum, or Literary and Historical Register, No 25, 28 Feb. 1747, p. 382: On the Present State of the Theatre: I remember when you and I were last in Town together, some years ago, we were eternally repining at the wretched condition of the stage. Quin was then at the head of the Fraternity; but a very different man from what he is at present, and merely a bad copy of Booth; with all his mouthing and pageantry, but without his musical elocution, or his dignity. Whether Time or Emulation has had the greatest hand in Improving him, I know not; but certain it is, that he is improved, beyond what you will really imagine. He has got much more variety, and much more Spirit. He was always a tolerably just speaker; but then he has hardly anything more; he recited rather than acted....However, Rich has...got Quin, Garrick, Mrs Cibber and Mrs Pritchard to the new house. The consequence has been, that the stage was never, in my memory, so fashionable; not even in the Time of Mrs Oldfield's highest fame. A good taste both of acting and of plays themselves, is much more general than I ever expected to have seen it; and those who are skilled in such matters, tell me, that Rich will be a greater gainer this season than has been known for these many years. Receipts: #108 1s. 6d

Performances

Mainpiece Title: The Conscious Lovers

Related Works
Related Work: The Conscious Lovers Author(s): Richard Steele

Afterpiece Title: Orpheus and Eurydice

Performances

Mainpiece Title: Susanna An Oratorio

Performance Comment: Parts were: Chelsias (Susana's father); Joacim (Her Husband); Daniel; 1st Elder; 2nd Elder; Judge-; [ Susannah; Attendant (Larpent MS). But Susanna-Signora Frasi; Attendant-Signora Sibilla; Daniel-the Boy; Joacim-Signora Galli; First Elder-Lowe; Second Elder-Rheinhold; Chelsias-Reinhold (Deutsch, Handel, p. 656).*c1749 2 10 cg [For Prices and times see Advertisement 2 Feb.] I think I never saw a fuller house. Rich told me that he believed he would receive near #400.--Deutsch, Handel, p. 657: Letter frmm Countess of Shaftesbury to James Harris, dated 11 Feb. 1749.For Prices and times see Advertisement 2 Feb.] I think I never saw a fuller house. Rich told me that he believed he would receive near #400.--Deutsch, Handel, p. 657: Letter frmm Countess of Shaftesbury to James Harris, dated 11 Feb. 1749.
Event Comment: MMr Barry flew from his articles & engag'd with Rich; Mrs Cibber (who did not play last season) is also engag'd there--Y: King went to Ireland--Macklin and Wife came from thence to Mr Rich (Cross). Passage open'd from Russel St. into the boxes where Ladies and Gentlemen may be set down from their coaches, and there is likewise a better accommodation made for Chairs to come up to the House, and be kept in waiting, at the end of the Passage from Bridges St. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Hobson at the stage door of the Theatre. [The notice about the Passage was continued through 20 Sept. The notice about prices was customary throughout the season. Neither will be repeated further here.] Receipts: #110 (Cross)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Virgin Unmaskd

Event Comment: 'TTis said Miss Bellamy, who engag'd lately with Mr Rich is off again. Mr Colthorp who kept her, swears to kick Rich &c. Great noise about it in ye Bedford Coffee House (Cross)

Performances

Mainpiece Title: The Country Lasses Or The Custom Of The Manor

Afterpiece Title: Harlequin Sorcerer

Dance: Grandchamps, Mlle Camargo