SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Christopher Fishburn"/1) | (@(roleclean,performerclean) "Christopher Fishburn")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 338 matches on Author, 64 matches on Performance Comments, 34 matches on Event Comments, 0 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Mrs Midnights Concert And Oratory

Afterpiece Title: Britannias Triumph or The Contest of Love and Glory

Dance: HHornpipe-

Music: The Band all mask'd in the Venetian Taste

Performances

Mainpiece Title: Womans A Riddle

Afterpiece Title: Love a la Mode

Entertainment: III: Mr Moody will entertain the public with Teady Wolloughan's Whimsical Roratorical Description of a Man@o' War and Sea Fight-, with Hibernian notes on the whole

Performances

Mainpiece Title: Womans A Riddle

Afterpiece Title: The Register Office

Performances

Mainpiece Title: Womans A Riddle

Afterpiece Title: The Citizen

Dance: I: New Comic Dance-; V: A new Dance-

Song: some well known Ssome well known Songs in Imitation of some Favorite Italian Performers-a Comic Genius

Performances

Mainpiece Title: A Woman Is A Riddle

Related Works
Related Work: A Woman is a Riddle Author(s): Christopher Bullock

Afterpiece Title: Bon Ton

Dance: End: The Grand Garland Dance, as17760311

Event Comment: Christopher Jeaffreson to Colonel Hill, 29 Oct. 1684: Sir James Hackett, lieutenant-colonell to the Lord Dunbarton's regiment, was wounded in the thigh by one Mr Potter in the Playhouse; of which woud he has since died. He is much lamented by his Majesty, and all that knew him (J. C. Jeaffreson, A Young Squire of the Seventeenth Century [London, 1878], II, 143-44)

Performances

Event Comment: Christopher Rich's Company. The date of this revival is not certain. Apparently the revival was in preparation before the division of the company, but the publication of the Songs in 1695 confines the production to the period between mid-April and the late autumn. For the opera, see The Works of John Dryden, Vol. VIII: The Plays, edited by John Harrington Smith and Dougald MacMillan (Berkeley and Los Angeles, 1692), pp. 325-30; Moore, Henry Purcell and the Restoration Theatre, Chapter VI;and Purcell's Works, Purcell Society, Vol. XIX. The Songs (1695), the music by Henry Purcell, lists the following pieces and singers: I, Wake, wake, Quivera, sung by Freeman. I, Why shou'd men quarrel, sung by The Boy, with Flutes. Their looks are such that mercy flows, sung by Freeman. II, I come to sing, sung by Freeman. Scorn'd Envy here's nothing, sung by Freeman. Begone, curst Feinds of Hell, sung by Freeman. III, Ah, how happy we are, sung by Freeman and Church. I attempt from Love's sickness to fly, sung by Mrs Cross. IV, They tell us that you mighty powers above, sung by Mrs Cross. In addition, other parts of the opera appeared elsewhere: Act V, a Masque, set by Daniel Purcell, O Bless the Genial Bed with chast delights, in Deliciae Musicae, First Book of the Second Volume, 1696. [The others, since they do not name the performers, are omitted here.

Performances

Mainpiece Title: The Indian Queen

Event Comment: Christopher Rich's Company. The date of the resumption of playing is not certain, for Cibber (see below) beclouds the issue by referring to Easter-Monday in April, whereas the first Monday following Easter fell on 25 March 1694@5. Nevertheless, Monday 1 April 1695 seems the likely date of the resumption of playing, with Rich's Company ready to perform before the seceding company under Thomas Betterton was fully organized. A new song for Abdelazar, Lucinda is bewitching fair, the music by Henry Purcell and sung by "the Boy" (Jemmy? Bowen), is in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 195: [The Patentees] were not able to take the Field till the Easter-Monday in April following. Their first Attempt was a reviv'd Play call'd Abdelazar, or the Moor's Revenge, poorly written, by Mrs Behn. The House was very full, but whether it was the Play or the Actors that were not approved, the next Day's Audience sunk to nothing. However, we assured that let the Audiences be never so low, our Masters would make good all Deficiencies, and so indeed they did, till towards the End of the Season, when Dues to Ballance came too think upon 'em. [See I, 195-96, for Cibber's account of his Prologue.] A Comparison Between the Two Stages, 1702, p. 7: But in my Opinion, 'twas strange that the general defection of the old Actors which left Drury-lane, and the fondness which the better sort shew'd for 'em at the opening of their Newhouse, and indeed the Novelty it self, had not quite destroy'd those few young ones that remain'd behind. The disproportion was so great at parting, that 'twas almost impossible, in Drury-lane, to muster up a sufficient number to take in all the Parts of any Play; and of them so few were tolerable, that a Play must of necessity be damn'd that had not extraordinary favour from the Audience: No fewer than Sixteen (most of the old standing) went away; and with them the very beauty and vigour of the Stage; they who were left behind being for the most part Learners, Boys and Girls, a very unequal match for them who revolted. According to a statement made in litigation, the company in Drury Lane acted 84 times between 25 March 1694@5 and 7 July 1695; and the Young Actors played 68 times from 6 July 1695 to 10 Oct. 1695 to 10 Oct. 1695. See Hotson, Commonwealth and Restoration Stage, p. 308

Performances

Mainpiece Title: Abdelazar Or The Moors Revenge

Performances

Mainpiece Title: Teraminta

Related Works
Related Work: Teraminta Author(s): John Christopher Smith

Performances

Mainpiece Title: The Fairies

Related Works
Related Work: The Fairies Author(s): John Christopher Smith

Dance: As17550203

Performances

Mainpiece Title: The Fairies

Related Works
Related Work: The Fairies Author(s): John Christopher Smith

Performances

Mainpiece Title: The Fairies

Related Works
Related Work: The Fairies Author(s): John Christopher Smith

Dance: See17550203

Performances

Mainpiece Title: The Fairies

Related Works
Related Work: The Fairies Author(s): John Christopher Smith

Dance: TThe Shepherd's Holiday- , by desire. [See17541008.

Performances

Mainpiece Title: The Fairies

Related Works
Related Work: The Fairies Author(s): John Christopher Smith

Dance: SShepherd's Holiday, as17541008

Performances

Mainpiece Title: The Fairies

Related Works
Related Work: The Fairies Author(s): John Christopher Smith

Dance: As17550203

Performances

Mainpiece Title: The Fairies

Related Works
Related Work: The Fairies Author(s): John Christopher Smith

Dance: See17550203

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Enchanter or Love and Magic

Related Works
Related Work: The Enchanter; or, Love and Magic Author(s): John Christopher Smith

Performances

Mainpiece Title: The Woman Captain

Performance Comment: As17160629 but Sir Humphrey-J. Leigh; Gripe-Griffin; Sir Christopher-Bullock Sr; Sir Nicholas-Bullock Jr; Blunderbuss-Spiller; Hildebrand-H. Bullock; Phillis-Mrs Spiller; Bellamy-Ogden; Wildman-Coker; Serjeant-Hall; Richard-Knapp; Chloris-Mrs Vincent; Celia-Mrs Finch.
Cast
Role: Sir Christopher Actor: Bullock Sr

Dance: As17160629

Performances

Mainpiece Title: The Imperial Captives

Performance Comment: Edition of 1720 lists: Genseric-Quin; Thrasimond-Ryan; Honoric-Egleton; Aspar-Boheme; Narbal-Diggs; Empress-Mrs Giffard; Eudosia-Mrs Seymour; Sophronia-Mrs Bullock; Justina-Mrs Gulick; Prologue by Beckingham-; Epilogue by Christopher Bullock-Miss Stone.

Performances

Mainpiece Title: The Woman Captain

Performance Comment: Woman Captain-Mrs Stevens; Sir Humphrey Scattergood-Salway; Bellamy-Ridout; Wildman-Stevens; Sir Christopher Swas -Mullart; Blunderbuss-Penkethman; Hildebrand-Bencraft; Sir NicholasPeakgoose-Yates; Serjeant-Rosco; Gripe-Lyon; Richard-James; Phillis-Mrs Hamilton; Chloris-Miss Horsington; Caelia-Miss Brunette.
Cast
Role: Sir Christopher Swas Actor: Mullart

Afterpiece Title: Damon and Phillida

Song: TThe Ladies' Lamentation, as17370414 A Dialogue set by Henry Purcell-the Masters Hamilton

Dance: JJe ne scai quoi-Tench, Villeneuve, Miss Oates

Event Comment: Three Brothers of ye Delavals play'd ye Eldest Othello, ye next Iago, ye next Cassio--+Brabantio & Lodovico Mr Pine Roderigo-Cap. Stevens and Wife Emelia $Mrs Quan did Desdemona, the performance was very decent & met with great applause the Audience from ye Boxes to the upper Gallery were fill'd with people of ye first rank & make a most brilliant appearance. & ye greatest Crowd at ye Doors I ever saw. their Agreement for ye House was a receipt of one of the Alfred Houses upon an Averidge. they had all new cloaths, & very nicely ornamented with Diamonds (Cross). [See eulogy and criticism in some detail concerning the acting, by John Hill, Inspector No 3.] All Gentlemen and Ladies who intend going in coaches this evening to Drury Lane Theatre, are desired to order their coachmen to drive thro' Covent Garden, and stop at Bridges St. Door, and as soon as they have set down the company to drive off directly towards the Strand.--Those who go in chairs, are requested to order the men to the New Door in Russel St., and to prevent the avenues being stopt up no person will be admitted to either passage without first showing their tickets at the outward door (General Advertiser). Tickets Lost. If any person has found three tickets (numbers forgot) for the private play this night at Drury Lane, and will be so kind as to bring them to the Bar of the Rainbow Coffee House, Ironmonger Lane, shall receive 15s. for the whole, or in proportion for one or two of them (General Advertiser). Tomorrow Morning at 8 o'clock will be published' (price 6d.) by Thomas Carnan, at Mr Newberry's, at the Bible and Sun in St Paul's Churchyard; An Occasional Prologue and Epilogue to Othello, as it will this night be acted at the theatre-Royal in Drury Lane, by Persons of distinction, for their diversion. Written by Christopher Smart, A.M., Fellow of Pembroke Hall in the University of Cambridge. To be had at the place above mentioned, and at the pamphlet shops at the Royal Exchange and Charing Cross. This Prologue and Epilogue will be entered in the Hall Book of the Company of Stationers, and whoever presumes to pyrate them, or any part of them, will be persecuted as the Law directs (General Advertiser). [Both pieces by Christopher Smart, according to the Daily Advertiser. See two exceedingly favorable critical comments and one derogatory reprinted in the Gentleman's Magazine, March 1751 (pp. 119-22): "The greatest part of the play was much better performed than it ever was on any stage before. In the whole, there was a face of nature that no theatrical piece, acted by common players ever came up to." Macklin was Delaval's dramatic coach, according to one of these articles.

Performances

Mainpiece Title: Othello By Gentlemen

Performances

Mainpiece Title: The Maid Of Bath

Performance Comment: Parts-Foote, Aickin, Fearon, Vandermere, Weston, Davis, Didier, Castle, Woodward, Mrs Fearon, first appearance; Mrs Collett, Mrs White, Mrs Jewell. Prologue and Epilogue. Flint-Foote; Billy Button-Weston; Sir Christopher Cripple-Woodward; Major Racket-J. Aikin; Jersey-Didier; Peter Poultice-Fearon; Jack-Vandermere; Philip-Davis; Sourgrouts-Castle; Lady Catherine-Mrs Fearon; Miss Linnet-Mrs Jewell; Mrs Linnet-Mrs Collet; Maid-Mrs White; Prologue-Foote; Epilogue-Mrs Jewell (Genest, V, 312).

Afterpiece Title: Miss in Her Teens

Dance: II: Double Hornpipe-Master West, Miss West

Performances

Mainpiece Title: The Maid Of Bath

Performance Comment: Principal Parts by Foote, Aickin, Parsons, Fearon, T. Davis, Griffiths, Massey, Stevens, Edwin, Mrs Fearon, Miss Platt, Mrs Jewell. Cast adjusted from text (T. Cadell, 1778): Mr Flint-Foote; Major Rackett-Aickin; Sir Christopher Cripple-Parsons; Peter Poultice-Fearon; Fillup-T. Davis; Mynheer Sour@Crout-Griffiths; Mons de Jarsey-Massey; John-Stevens; Billy Button-Edwin; Lady Catharine Coldstream-Mrs Fearon; Mrs Linnet-Miss Platt; Miss Linnet-Mrs Jewell.

Afterpiece Title: The Mayor of Garratt

Dance: End: The Venetian Regatta, as17770611

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Critic or A Tragedy Rehearsd

Performance Comment: Principal Characters by King, Dodd, Palmer, Parsons, Baddeley; Mrs Hopkins. Principal Tragedians by Moody, Farren, Aickin, Waldron, Lamash, Burton, Chaplin, Holcroft, Hurst, Wright, Wrighten, Grimaldi, Bannister Jun, Mrs Bradshaw, Mrs Davenett, Miss Pope; [Cast from text (T. Becket, 1781): Puff-King; Dangle-Dodd; Sneer-Palmer; Sir Fretful Plagiary-Parsons; Interpreter-Baddeley; Signor Pasticcio Ritornello-Delpini; Under Prompter-Philimore; Mrs Dangle-Mrs Hopkins; Italian Girls-Miss Field, Miss Abrams; [Tragedians: Lord Burleigh-Moody; Earl of Leicester-Farren; Sir Christopher Hatton-Waldron; Son-Lamash; Sir Walter Raleigh-Burton; Beefeater-Wright; Governor of Tilbury Fort-Wrighten; Don Ferolo Whiskerandos-Bannister Jun.; Master of the Horse-Kenny; Justice-Packer; Constable-Fawcett; Thames-Gaudry; Confidante-Mrs Bradshaw; Justice's Lady-Mrs Davenett [in text: Mrs Johnston]; Tilburina-Miss Pope; Nieces-Miss Collett, Miss Kirby; unassigned-Aickin, Chaplin, Holcroft, Hurst, Grimaldi; Prologue-King. [This was spoken, as here assigned, at the 1st 14 performances only (see17791124), and again on 3 and 10 Dec.]This was spoken, as here assigned, at the 1st 14 performances only (see17791124), and again on 3 and 10 Dec.]

Performances

Mainpiece Title: The Winters Tale

Afterpiece Title: The Critic

Performance Comment: Principal Characters-Palmer, Dodd, Brereton, Parsons, Baddeley, Mrs Hopkins; Principal Tragedians-Farren, Waldron, Burton, Packer, Lamash, Bannister Jun., Mrs Davenett, Mrs Bradshaw, Miss Pope. Cast adjusted from text (T. Becket, 1781): Puff-Palmer; Dangle-Dodd; Sneer-Brereton; Sir Fretful Plagiary-Parsons; Interpreter-Baddeley; Mrs Dangle-Mrs Hopkins; Tragedians: Earl of Leicester-Farren; Sir Christopher Hatton-Waldron; Sir Walter Raleigh-Burton; Justice-Packer; Son-Lamash; Don Ferolo Whiskerandos-Bannister Jun.; Justice's Lady-Mrs Davenett; Confidante-Mrs Bradshaw; Tilburina-Miss Pope.

Dance: As17791126