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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Children of the late Mr Farquhar"/1) | (@(roleclean,performerclean) "Children of the late Mr Farquhar")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7986 results for: Keyword - Children of the late Mr Farquhar
We found 5218 matches on Event Comments, 1411 matches on Performance Comments, 1076 matches on Author, 998 matches on Performance Title, and 0 matches on Roles/Actors.

576
April 1682 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first performance is not known, but Luttrell purchased his copies of the separately printed Prologue and Epilogue on 15 May 1682 (Huntington Library); hence, the premiere occurred before that date. The Prologue also refers to the feast which the Whigs attempted to hold at Haberdashers' Hall on 21 April 1682 but were restrained, pointing toward late April as a probable date for the first performance. The separately printed Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 77-79. A song, In Phyllis all vile jests are met, with music by Giovanni Draghi, is in Choice Ayres and Songs, The Fourth Book, 1683. Langbaine (English Dramatic Poets, 1691, p. 19): This Play had the luck to be well receiv'd in the Town

Performances

Mainpiece Title: The City Heiress; Or, Sir Timothy Treatall

Performance Comment: Edition of 1682: The Prologue by Mr Otway-Mrs Barry; Sir Timothy Treatall-Nokes; Tom Wilding-Betterton; Sir Anthony Meriwill-Lee; Sir Charles Meriwill-Williams; Dresswell-Boman; Fopington-Jevon; Lady Galliard-Mrs Barry; Charlot-Mrs Butler; Diana-Mrs Corror; Mrs Clacket-Mrs Norice; Mrs Closet-Mrs Lee; Epilogue by a Person of Quality-Mrs Butler.
Cast
Role: The Prologue by Mr Otway Actor: Mrs Barry

577
July 1683 @ Dorset Garden Theatre

Event Comment: The United Company. The date of the first Performance is not known, but, as the play was advertised in The Observator, 8 Aug. 1683, it was probably first acted not later than July 1683. A song, Welcome mortal to this place, set to music by Captain Pack for this play, is in Choice Ayres and Songs, 1684

Performances

Mainpiece Title: The Atheist; Or, The Second Part Of The Souldiers Fortune

Performance Comment: Edition of 1684: Prologue-; Epilogue-Mr Duke of Cambridge; Father to Beaugard-Leigh; Beaugard-Betterton; Courtine-Smith; Daredevil-Underhill; Theodoret-Wilshire; Gratian-Perin; Porcia-Mrs Barry; Lucretia-Mrs Butler; Sylvia-Mrs Currer; Mrs Furnish-Mrs Osborn; Phillis-Mrs Percival; Chloris-Mrs Norris; Rosard-Saunders; Plunder-Richards.
Cast
Role: Father to Beaugard Actor: Leigh
Role: Theodoret Actor: Wilshire

578
April 1689 @ Drury Lane Theatre

Event Comment: The United Company. The date of the first performance is not known, but the fact that the play was announced in the London Gazette, 23-27 May 1689, and entered in the Term Catalogues, June 1689, suggests that the premiere probably occurred not later than April 1689, possibly very early in May 1689

Performances

Mainpiece Title: Bury Fair

579
May 1694 @ Dorset Garden Theatre

Event Comment: The United Company. The date of the first performance is not known, but the Gentleman's Journal, June 1694 (apparently appearing in late June) indicated that both parts of Don Quixote had by then appeared, and the Songs to Part I were announced in the London Gazette, No. 2983, 11-14 June 1694, to be published on 16 June 1694. Very likely Part I appeared in May 1694. The publication of The Songs in the New Play of Don Quixote, Part the First lists the following pieces. Sing, sing, all ye muses, the first song in Act II, composed by Henry Purcell. Young Chrysostome had vertue, sense, the second song in Act II, was composed by John Eccles. The third song in Act II, Sleep, poor youth, was composedy John Eccles. When the world first knew creation, sung in Act III, was composed by Henry Purcell. Let the dreadful engines, sung for Cardenio in Act IV, was set by Henry Purcell. 'Twas early one morning, in Act IV, for Sancho, was set by John Eccles. With this, this sacred charming wand, in Act V for Montesmo, Mellissa and Urganda, was set by Henry Purcell

Performances

Mainpiece Title: The Comical History Of Don Quixote, Part I

Performance Comment: Edition of 1694: Prologue-Mr Betterton; Epilogue-Sancho Riding upon his Ass; Don Quixote-Boen; Don Fernando-Powel; Cardenio-Bowman; Ambrosio-Verbruggen; Perez-Cibber; Nicholas-Harris; Sancho Panza-Doggett; Gines de Passamonde-Haines; Vincent-Bright; Marcella-Mrs Bracegirdle; Dorothea-Mrs Knight; Lucinda-Mrs Bowman; Teresa Pancha-Mrs Leigh; Mary the Buxom-Mrs Verbruggen.
Cast
Role: Dorothea Actor: Mrs Knight
Role: Mary the Buxom Actor: Mrs Verbruggen.

580
August 1695 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the premiere is not known, but the Epilogue refers to it as a summer production and the play was advertised in the London Gazette, No 3108, 22-26 Aug. 1695; hence, it appeared first not later than August. A song, Stretch'd in a dark and dismall grove, composed by John Eccles and sung by Mrs Hudson, is in Deliciae Musicae, The Third Book, 1696. A Comparison Between the Two Stages (p. 16): Sullen: Imprimis, Here's Pyrrhus King of Epire. Ramble: Whose is that? Sullen: Charles Hopkin's, an Irish Gentleman of good Sense, and an excellent Ovidian. Ramble: What was it's Fate? Sullen: Damn'd

Performances

Mainpiece Title: Pyrrhus King Of Epirus

581
December 1695 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the London Gazette, No. 3151, 20-23 Jan. 1695@6, and entered in the Term Catalogues, February 1695@6, suggests that it was probably acted not later than December 1695. According to the Edition of 1696, the music was set by John Eccles: Come, Thyrsis, come was sung by Reading and Mrs Hodgson; the other songs in the edition lack the names of the singers. In addition, Rich mines of hot love are rooted here, sung by Bowman, was in Deliciae Musicae, The First Book of the Second Volume, 1696; and Let us revel and roar, set by John Eccles and sung by Curco and Reading, was published in Thesaurus Musicus, The Fifth Book, 1696. Downes, Roscius Anglicanus, p. 44: Lovers Luck, a Comedy, Wrote by Captain Dilks, which fill'd the House 6 Days together, and above 50# the 8th, the Day it was left off. A Comparison Between the Two Stages (1702), p. 20, lists it among the plays under the heading: Damn'd

Performances

Mainpiece Title: The Lover's Luck

582
March 1696 @ Drury Lane Theatre

Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the London Gazette, No. 3177, 20-23 April 1696, suggests that it was first performed not later than March 1696. Preface, Edition of 1696: This Comedy by the little success it met with in the Acting, has not at all deceived my Expectations....Give me leave to thank the Well-natur'd Town for Damning me so suddenly; They would not suffer me to linger in suspence, nor allow me any degrees of Mortification; neither my Sex, Dress, Musick and Dancing, cou'd allow it a three Days Reprieve. A Comparison Between the Two Stages (1702), p. 17: Ramble: I never heard of that. Sullen: Oh this is a Lady's

Performances

Mainpiece Title: The Lost Lover; Or, The Jealous Husband

583
February 1698 @ Drury Lane Theatre

Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Man, 3-5 March 1697@8, suggests that the first performance occurred probably not later than early February 1697@8. The Preface is signed by George Powell, who refers to the author of the play as unknown. In addition, Powell mentions that his company has recently revived some of Dryden's plays: Don Sebastian, Secret Love; or, The Maiden Queen, Marriage a la Mode, King Arthur, and adds: In relation to our reviving his Almanzor...very hard crutching up what Hart and Mohun...could not prop

Performances

Mainpiece Title: The Fatal Discovery; Or, Love In Ruines

584
March 1698 @ Drury Lane Theatre

Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the Flying Post, 29-31 March 1698, suggests that the first performance probably occurred in late February or very early in March. One song, Though over all mankind, the music by Leveridge and sung by Mrs Lindsey, was published in A Second Book of Songs with a Through Bass, 1699

Performances

Mainpiece Title: Caligula

Performance Comment: Edition of 1698: Prologue-Mr Powell who Acted the Emperor; Epilogue-a Girl; Caligula-Powell; Valerius Asiaticus-Williams; Annius Minatianus-Simpson; Vitellius-Mills; Cassius Cheraea-Thomas; Lepidus-Evans; Philo-Disney; Cesonia-Mrs Knight; Julia-Mrs Temple; Salome-Mrs Cross.
Cast
Role: Prologue Actor: Mr Powell who Acted the Emperor

585
June 1698 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 26-28 July 1698, suggests that the premiere occurred probably in mid-June or late June 1698. A Comparison Between the Two Stages (1702), p. 20: Damn'd

Performances

Mainpiece Title: Queen Catharine; Or, The Ruines Of Love

Performance Comment: Edition of 1698: Prologue-Mr Batterton; Epilogue by Mrs Trotter-Miss Porter; Edward the Fourth-Scudamore; Duke of Clarence-Verbruggen; Duke of Gloucester-Arnold; Earl of Warwick-Kynnaston; Mallavill-Bayly; Owen Tudor-Batterton; Lord Dacres-Freeman; Sir James Thyrrold-Thurmond; Queen Catharine-Mrs Barry; Isabella-Mrs Bracegirdle; Esperanza-Mrs Martin.
Cast
Role: Edward the Fourth Actor: Scudamore

586
April 1699 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the first production is not know, but the fact that the play was advertised in the Post Boy, 20-23 May 1699, suggests that the premiere was probably not later than April, possibly just after Easter

Performances

Mainpiece Title: The Princess Of Parma

587
May 1699 @ Drury Lane Theatre

Event Comment: Rich's Company. The date of the first production is not known, but the Prologue to the Second Part [1699] refers to warm weather and to May Fair. The Songs to both parts were advertised in the Post Boy, 24-27 June 1699, suggesting a first production not later than the end of May 1699. The following among the songs for Part I list the singer or composer or both: From azure plains, sung by Pate, in A Second Collection of New Songs and Ballads (1699). How comes it now good Mrs Spratt, sung by Pate and Leveridge (ibid.). Of all the world's enjoyments, sung by Leveridge (ibid.). Whilst wretched fools sneak up and down, composed by Daniel Purcell and sung by Leveridge and Pate (ibid.). Young Philander wooed me long, composed by Daniel Purcell (ibid.). For Part II: The devil he pulled off his jacket of flame, composed by Samuel Ackroyde (ibid.). He led her by the milk-white hand, composed by Samuel Ackroyde (ibid.)

Performances

Mainpiece Title: The Famous History Of The Rise And Fall Of Massaniello

Performance Comment: In Two Parts. Edition of 1700: Prologue-Mr Pinkethman [holding a Paper with Prick'd Notes, in his Hand; Epilogue-Mrs Rogers; Part II [1699 edition]: Prologue to the Second Part-; Epilogue for Miss Campian-.
Cast
Role: Prologue to the Second Part Actor:

588
May 1699 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 6-8 July 1699, suggests a first performance not later than June, probably in May 1699

Performances

Mainpiece Title: The False Friend; Or, The Fate Of Disobedience

589
26 March 1708 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-; viz. A full Piece of the late Mr Henry Purcell-Dean, Holmes, Feiston; A new Set of Airs for the Arch Lute and Violin Composed on purpose by Tho. Dean-; That celebrated Sonata for a Violin and Flute made by the famous Signor Gasperini, and played by him and Paisable often before her Majesty, and at the Theatre,-two young Gentlemen that never Play'd in Publick; who also perform some new Italian Sonatas of the most Eminent Masters in Europe, Double/stopped Solos of the Famous Archangelo Corelli-two young Gentlemen; Singing to the Lute-Dean; Several Pieces for Trumpets Flutes and Haut/boys-; Also Select Airs out of the Operas of Camilla and Thomyris, with their Symphonies-the best Performers

Performance Comment: A full Piece of the late Mr Henry Purcell-Dean, Holmes, Feiston; A new Set of Airs for the Arch Lute and Violin Composed on purpose by Tho. Dean-; That celebrated Sonata for a Violin and Flute made by the famous Signor Gasperini, and played by him and Paisable often before her Majesty, and at the Theatre,-two young Gentlemen that never Play'd in Publick; who also perform some new Italian Sonatas of the most Eminent Masters in Europe, Double/stopped Solos of the Famous Archangelo Corelli-two young Gentlemen; Singing to the Lute-Dean; Several Pieces for Trumpets Flutes and Haut/boys-; Also Select Airs out of the Operas of Camilla and Thomyris, with their Symphonies-the best Performers.
Cast
Role: and at the Theatre, Actor: two young Gentlemen that never Play'd in Publick
Role: Singing to the Lute Actor: Dean
Role: with their Symphonies Actor: the best Performers.

590
09 May 1711 @ Stationer's Hall

Event Comment: Benefit Cuthbert, Lovelace, and White. At the Desire of several Persons of Quality. Tickets 5s. At 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Performers; particularly, several select Entertainments of the following (English Operas) Operas viz. The Indian Queen, King Arthur, The Fairy Queen, and Dioclesian, the Masque in Timon of Athens, the Pastoral in The Libertin-; with several Songs out of the St. Cecilia's Musick: All by that great Master the late Mr Henry Purcell-

Performance Comment: The Indian Queen, King Arthur, The Fairy Queen, and Dioclesian, the Masque in Timon of Athens, the Pastoral in The Libertin-; with several Songs out of the St. Cecilia's Musick: All by that great Master the late Mr Henry Purcell-.
Cast
Role: the Pastoral in The Libertin Actor:

591
27 May 1714 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Performance Comment: Vocal and Instrumental Music-; wherein several Solos and Sonatas on two different Instruments never heard in England before-Gli Signori Vegelini (two select Musicians lately arriv'd); With some celebrated Songs of the late Mr Henry Purcell-; and an Addition of a famous Harp-.

592
09 January 1722 @ Lincoln's Inn Fields

Event Comment: Written by the late Mr Otway. Receipts: #26 3s. 6d. Weekly Journal or Saturday's Post, 13 Jan.: Mr C. Bullock having a considerable Part in the Play; and being sick in his Bed, chose to rise and perform his Part; rather than disappoint the Audience, but was not able to finish it; therefore his Part in the last Act was read by another

Performances

Mainpiece Title: The Soldier's Fortune

Dance:

593
20 April 1730 @ Lincoln's Inn Fields

Event Comment: Benefit Milward. Mainpiece: Written by the late Mr Addison. Afterpiece: At the particular Desire of several Persons of Quality. Written by Mr Essex Hawker. Receipts: money #42 2s. 6d.; tickets #97 15s

Performances

Mainpiece Title: Ato

Afterpiece Title: The Wedding

594
14 October 1732 @ Drury Lane Theatre

Event Comment: At the Desire of several Persons of Quality

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Devil to Pay; or, The Wives Metamorphos'd

Performance Comment: Jobson-Harper; Nell-Miss Raftor; Sir John-Stoppelaer; Lady Loverule-Mrs Grace; And a new Prologue to the Memory of the late Mr Wilks-.
Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Dance: new Scots Dance-Houghton, Mrs Walter

595
17 October 1732 @ Drury Lane Theatre

Performances

Mainpiece Title: Henry Iv, Part I

Performance Comment: King-Mills; Prince-Wm. Mills; Hotspur-Bridgwater; Glendower-Cibber Jr; Falstaff-Harper; Kate-Mrs Booth; 1st Carrier-Johnson; Northumberland-Boman; Worcester-Corey; Douglas-Roberts; Vernon-A. Hallam; Poins-Watson; Mortimer-Berry; Blunt-Oates; Francis-R. Wetherilt; 2d Carrier-Jones; Hostess-Mrs Willis.
Cast
Role: Francis Actor: R. Wetherilt

Afterpiece Title: The Mock Doctor

Performance Comment: As17320930, but And a new Prologue to the Memory of the late Mr Wilks-.
Cast
Role: Harry Actor: R. Wetherilt.

Music: new Piece proper to the Occasion by Seedo-

Dance: Houghton, Mrs Walter, Miss Robinson

596
12 January 1733 @ Drury Lane Theatre

Event Comment: Benefit Carey. Mainpiece: Written by the late Mr Congreve. Daily Advertiser, 12 Jan.: Mr Carey depends entirely on the Favour of his Friends, hoping they will accept of this General Invitation, and honour him with their Presence as much as if he had attended them with Tickets

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Contrivances

597
13 February 1733 @ Covent Garden

Event Comment: Benefit the Sisters of the deceas'd Mr Gay. Written by the late Mr Gay. Receipts: #153 12s

Performances

Mainpiece Title: Achilles

Related Works
Related Work: Achilles in Petticoats Author(s): George Colman, the elder

598
19 February 1733 @ Covent Garden

Event Comment: Benefit the Sisters of the Deceas'd Mr Gay. Written by the late Mr Gay. Receipts: #165 1s

Performances

Mainpiece Title: Achilles

Related Works
Related Work: Achilles in Petticoats Author(s): George Colman, the elder

599
24 February 1733 @ Covent Garden

Event Comment: Receipts: #146 9s. 6d. Benefit the Sisters of the deceased Mr Gay. Written by the late Mr Gay

Performances

Mainpiece Title: Achilles

Related Works
Related Work: Achilles in Petticoats Author(s): George Colman, the elder

600
07 March 1733 @ Lincoln's Inn Fields

Event Comment: The Words by the late Mr Addison. And new set to Musick after the Italian manner by Mr Arne Jr. With New Scenes and Dresses. 5s., 3s., 2s., 1s. 6d. 6 p.m

Performances

Mainpiece Title: Rosamond