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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Children of the late Mr Farquhar"/1) | (@(roleclean,performerclean) "Children of the late Mr Farquhar")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5218 matches on Event Comments, 1411 matches on Performance Comments, 1076 matches on Author, 998 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The United Company. The date of the first performance is not known. The January issue of the Gentleman's Journal, wnich did not appear until some time in February, stated: Mr Congreve...hath written a Comedy, which will be acted in a little time, and is to be call'd, The Old Batchelor (p. 28). The Gentleman's Journal, February 1692@3 (issued in March 1693): The success of Mr Congreve's Old Batchelor has been so extraordinary, that I can tell you nothing new of that Comedy; you have doubtless read it before this, since it has been already printed thrice. And indeed the Wit which is diffus'd through it, makes it lose but few of those Charms in the Perusal, which yield such pleasure in the Representation. Mr Congreve will in some time give us another play; you may judge by this how acceptable it will be (p. 61). In addition, a reference in the Epilogue indicates that it was produced during Lent, ano since the third edition was advertized in the London Gazette, No. 2856, 23-27 March 1693, early March seems the most likely date for the premiere. According to The Female Wits (ca. 1696), The Old Batchelor was acted fourteen days successively. John Barnard of Yale University states that Narcissus Luttrell's copy of The Old Batchelor in the Newberry Library bears the notation: "10d Mar. 16 1692@3." BM Add. Mss. 4221 (341) Memoirs Relating to Mr Congreve Written by Mr Thomas Southern (in Macdonald, Bibliography of Dryden, p. 54n): When he began his Play the Old Batchelor haveing little Acquaintance with the traders in that way, his Cozens recommended him to a friend of theirs, who was very usefull to him in the whole course of his play, he engag'd Mr Dryden in its favour, who upon reading it sayd he never saw such a first play in his life, but the Author not being acquainted with the stage or the town, it woud be pity to have it miscarry for want of a little Assistance: the stuff was rich indeed, it wanted only the fashionable cutt of the town. To help that Mr Dryden, Mr Arthur Manwayring, and Mr Southern red it with great care, and Mr Dryden putt it in the order it was playd, Mr Southerne obtained of Mr Thos. Davenant who then governd the Playhouse, that Mr Congreve should have the privilege of the Playhouse half a year before his play was playd, wh. I never knew allowd any one before. The music for the play was composed by Henry Purcell. See Purcell's Works, Purcell Society, XXI (1917), iii-v

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Edition of 1693: Prologue intended for the Old Batchelor [sent to the Author, by an unknown Hand-; Prologue-Mrs Bracegirdle; Epilogue-Mrs Barry; Heartwell-Betterton; Bellmour-Powel; Vainlove-Williams; Sharper-Alexander [Verbruggen]; Sir Joseph-Bowen; Bluff-Hains; Fondlewife-Dogget; Servant-Underhill; Araminta-Mrs Bracegirdle; Belinda-Mrs Mountfort; Laetitia-Mrs Barry; Sylvia-Mrs Bowman; Lucy-Mrs Leigh.
Event Comment: Benefit Tho. Dean Jr. At the Desire of several Ladies of Quality. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; viz. A full Piece of Music of the famous Signior Pepusch-Mr Banister, Mr Dean, Mr Lamour; A set of Airs for the Arch/Lute and Violin-the Two Mr Deans, composed on purpose by Mr Dean Jun; A Sonata for the Arch/Lute and Flute Alleman-Mr Dean Jun, Mr Latour; Singing to the Arch/Lute-Mr Hughes; A Solo of the famous Archangelo Corelli-Mr Dean Sen; A Cantata to the Arch/Lute-Mr Newbury; Singing to the Arch/Lute-a Gentleman come on purpose from Worchester

Performance Comment: A full Piece of Music of the famous Signior Pepusch-Mr Banister, Mr Dean, Mr Lamour; A set of Airs for the Arch/Lute and Violin-the Two Mr Deans, composed on purpose by Mr Dean Jun; A Sonata for the Arch/Lute and Flute Alleman-Mr Dean Jun, Mr Latour; Singing to the Arch/Lute-Mr Hughes; A Solo of the famous Archangelo Corelli-Mr Dean Sen; A Cantata to the Arch/Lute-Mr Newbury; Singing to the Arch/Lute-a Gentleman come on purpose from Worchester.
Event Comment: 1st piece: In 3 Scenes of Dialogue. 2nd piece: The Music compiled by Pepusch. [The playbill assigns Filch to Mrs Wilson and Mat o' th' Mint to Miss Morris, but "Miss Morris was merely a temporary substitute for Mrs Wilson who, it seems, is too far advanced in her pregnancy to dress en bomme" (Miming Chronicle, 4 June). But beginning with 7 June Mrs Wilson acted regularly until 3 Aug. Who acted Mat o' th' Mint on this present night has not come to light; the part was perhaps omitted.] 3rd piece: Ballet Tragi-comique. Composed by Signior Novestris [i.e. George Colman, the elder]. The Music by Gluck. With new Scenes, Dresses and Decorations. Machinist and Painter-Sg Rookereschi. Tailor-Sg Walkerino. Places for the Boxes to be taken of Rice at the Theatre. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s

Performances

Mainpiece Title: A Preludio

Related Works
Related Work: A Preludio Author(s): George Colman, the elder

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Performance Comment: Creon (in the Character of Punch)-Wewitzer; Prince de la Cour (as a Running Footman)-Master Byrn; Furies (in the Character of Chimney-sweeps)-Rossi, Nicolini, &c.; Captain of the Guard-Master Edwin; Jason (in the Character of Pierrot)-Delpini; Creusa (en dishabille Francoise)-Miss Byrn; Nurse-Mr Painter; Medea (in the Character of Mother Shipton)-Mme Dagueville .

Dance: In Act III of mainpiece a Hornpipe by Master Byrn. [This was danced, as here assigned, in all subsequent performances.]

Event Comment: In order to prevent Confusion among the Carriages, Ladies and Gentlemen are humbly requested to order their Servants to set down and take up with their Horses' Heads towards Pali-Mall. Servants are particularly desired not to croud the Doors, or to come up till called for. 1st piece: In three Scenes of Dialogue

Performances

Mainpiece Title: A Preludio

Related Works
Related Work: A Preludio Author(s): George Colman, the elder

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of 2nd piece Hornpipe by Byrn

Event Comment: Benefit for Havard. Fairy Tale deferr'd, Miss Wright ill. This morning Mr Obrien was married to Lady Susan Strangeways. Mr Powell made an Apology & Mr King play'd his part in the Farce. N.B. This Night Mrs Yates sent me word She could play no more this Season (Hopkins). Mr Obrien married, cou'd not come. Mr King play'd his Part Mr I. Palmer King's (Cross Diary). Mr O'Brien being married this morning to Lady Susan Strangeways [sic] after the Play Mr Powell made apology that Mr O'Brien had sent word he was not able to do his part [Lovel], and that Mr King had undertaken it at every short warning, and hoped for their indulgence.-Mr J. Palmer did Mr King's part [Sir Harry's Servant]. This Night Mrs Yates gave notice she could play no more this season (Hopkins Diary-MacMillan). Receipts: #214 2s. (MacMillan); charges: #64 4s. [Profit to Havard: #149 18s.

Performances

Mainpiece Title: The Orphan

Afterpiece Title: High Life below Stairs

Dance: End: The Irish Lilt, as17630922

Event Comment: After this night the Theatrical Candidates will be laid aside on account of other performances. Mr Jefferson hiss'd in Mirabel-not perfect (+Hopkins Diary). [Treasurer's Book suggests (erroneously) mainpiece as The Clandestine Marriage.] Paid Tallow chandler's second bill #34 16s. 9d.; Mr Hatsell for Theatrical Fund Benefit balance 25 May last #293 4s. 2d., plus 5 month's Interest at 3, #3 13s. 2d., #296 17s. 4d.; Remainder of Mr Garrick's salary for last season paid to Mr Hatsell #235 13s. 2d.; Valcour on note by order #10 10s.; Tabor and pipe 9 nights #4 14s. 6d. Rec'd Mr Garrick's draft on Mr Wallis #532 10s. 6d.; Stopages #13 14s. 6d. Receipts: #159 9s. 6d. (Treasurer's Book).*c1775 10 27 dl After this night the Theatrical Candidates will be laid aside on account of other performances. Mr Jefferson hiss'd in Mirabel-not perfect (+Hopkins Diary). [Treasurer's Book suggests (erroneously) mainpiece as The Clandestine Marriage.] Paid Tallow chandler's second bill #34 16s. 9d.; Mr Hatsell for Theatrical Fund Benefit balance 25 May last #293 4s. 2d., plus 5 month's Interest at 3, #3 13s. 2d., #296 17s. 4d.; Remainder of Mr Garrick's salary for last season paid to Mr Hatsell #235 13s. 2d.; Valcour on note by order #10 10s.; Tabor and pipe 9 nights #4 14s. 6d. Rec'd Mr Garrick's draft on Mr Wallis #532 10s. 6d.; Stopages #13 14s. 6d. Receipts: #159 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018

Event Comment: It is possible that Katherine Phillips' Pompey, which was given in Dublin in February 1662@3, may have been presented in London in the late spring of 1663. Sir William Davenant's The Playhouse To Be Let, which apparently appeared in London in the late summer of 1663, has in Act V some elements of travesty upon Pompey. It is unlikely that its appearances in Dublin would make satire upon it have much point to London audiences without a performance in London; the spring of 1663 would be the most likely time for a presentation in London

Performances

Event Comment: Rugge's Diurnal, BM Add. Mss. 10117, folio 179: Acted at Whitehall atcourt a play witt wt'out mony before King and nobility. Pepys, Diary, 15 Oct.: But she [Lady Carteret] cries out of the vices of the Court, and how they are going to set up plays already; and how, the next day after the late great fast, the Duchesse of York did give the King and Queene a play. Nay, she told me that they nave heretofore had plays at court the very nights before the fast for the death of the late King [i.e., on the night preceding 30 Jan.]

Performances

Mainpiece Title: Wit Without Money

Event Comment: The King's Company. Pepys, Diary: I to the King's playhouse, to fetch my wife, and there saw the best part of The Mayden Queene, which, the more I see, the more I love, and think one of the best plays I ever saw, and is certainly the best acted of any thing ever the House did, and particularly Becke Marshall, to admiration

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Performance Comment: Queen?-Rebecca Marshall. See also late Feb. 1666@7.
Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Man, 4-6 June 1696, suggests that it was acted not later than May 1696, possibly that it was given in late April. In III is a song, Unguarded lies the wishing maid, set by John Eccles and sung by Leveridge. In IV is a song, The secrets of peace, set by Finger and sung by Mrs Hudson. A Comparison Between the Two Stages (1702), p. 20: This is Mrs Manley's; it made a shift to live a half a dozen Days, and then expir'd

Performances

Mainpiece Title: The Royal Mischief

Event Comment: Note, That the Theatre in Dorset-Garden being now repair'd from the Damage done by the late great Winds, the same will be ready by the latter end of this Week to Act in, or for Entertainments of Musick and Danceing

Performances

Mainpiece Title: The Plain Dealer

Music: Several Italian sonatas on the violin-Gasperini

Dance: Spanish Dance, Punchanello-Cherrier; Other Dances-Mrs Lucas, Mrs Bicknell

Performances

Mainpiece Title: The Chances

Performance Comment: As17111006, but Peter-Cross; 2d Constantia-Mrs Porter; Mother-Mrs Powell. As it was Alter'd by the late Duke of Buckingham.
Event Comment: Benefit Wilks. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Careless Husband

Performance Comment: See17151022, but And a New Epilogue upon the late Aurora Borealis-Wilks.

Dance: As17151029

Performances

Mainpiece Title: The Careless Husband

Performance Comment: See17190124, but Sir Charles-Wilks being the first time of his Acting since his late Indisposition.

Dance: As17190423

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Diana on Mount Latmos

Performance Comment: Diana-Mrs Robinson, late Mrs Turner.

Performances

Mainpiece Title: Le Joueur

Afterpiece Title: L'Arlequin Nouvelliste; ou, Le Retour de la Bezons

Performance Comment: Part-Mademoiselle DeLisle late arriv'd from France.

Dance:

Event Comment: [By James Moore Smythe.]All the Characters new dress'd

Performances

Mainpiece Title: The Rival Modes

Performance Comment: Principle Parts by Cibber, Cibber Jr, Wilks, Mills, Harper, Miller, Norris, Mrs Oldfield, Mrs Porter, Mrs Horton, but edition of 1727 lists: Earl of Late Airs-Cibber; Lord Toupet-Cibber Jr; Sir Oliver Bruin-Harper; Ballamine-Wilks; Sagely-Mills; Henry-Norris; George-Miller; Amoret-Mrs Oldfield; Melissa-Mrs Porter; Clary-Mrs Horton; Prologue by Theobald-Wilks; Epilogue-Mrs Horton.
Cast
Role: Earl of Late Airs Actor: Cibber
Role: Prologue by Theobald Actor: Wilks
Related Works
Related Work: The Rival Modes Author(s): James Moore Smythe

Performances

Mainpiece Title: The Spanish Fryar

Performance Comment: Torrismond-Rosco; Queen-Mrs Roberts; Bertran-Bardin; Raymond-Huddy; Alphonso-Williams; Pedro-Havard; Lorenzo-Giffard; Elvira-Mrs Giffard; Fryar-W. Giffard; Gomez-Norris, from Dublin, Son of the late famous Comedian of that Name, alias Jubilee Dicky.

Afterpiece Title: The Lovers Opera

Dance: As17311104

Event Comment: Benefit a Gentleman, late of Eaton School. At the Desire of several Persons of Quality. Receipts: money #65 6s.; tickets #88 16s. Daily Advertiser, 6 March: To-morrow...for the Benefit of a Gentleman late of Eaton School...and the Company of his School Fellows will be very acceptable to meet at the Bedford Arms Tavern...in order to proceed to the said Theatre

Performances

Mainpiece Title: The Beggar's Opera

Dance: HHornpipe-Jones

Event Comment: Benefit Cibber. At the particular Desire of several Ladies of Quality. Mainpiece: Written by the late N. Rowe, Esq; Poet Laureat. Afterpiece: Taken from the French by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Country House

Music: A Comic Medley Overture composed by Charke

Dance: I: A new Maggot by Le Brun. In II: Polonese, as17340325 V: Pierrots by Poitier and Nivelon. End I of Afterpiece: English Maggot by Lally and Mrs Walter. End Afterpiece: Grand Dance in Momus, as17340316

Song: III: Was ever Nymph like Rosamond by Miss Arne. IV: Bella Sorge L'Esperanza (from Ariadne) by Miss Arne

Performances

Mainpiece Title: The Unhappy Favourite

Performance Comment: As17351119, but Raleigh-Ray. With the Ceremony of his [Essex'] Lying in State, after the Manner of his Grace the late Duke of Buckingham .Essex'] Lying in State, after the Manner of his Grace the late Duke of Buckingham .
Event Comment: DDaily Advertiser, 19 Feb.: To the Author, &c. Sir, In a late Paragraph in one of your Papers [4 Feb.] it was insinuated, that there was a Design on foot for erecting a New Theatre, which by some Wise Heads was suppos'd to come from a certain Manager, in order to revive the Playhouse Bill this Session of Parliament; I think it proper therefore, in Justice to the Gentleman levell'd at, to inform the Publick, that it is actually intended for a Company of Comedians every Day expected here, late Servants to their Majesties Kouli Kan and Theodore, who in the mean time will entertain the Town in the true Eastern manner, at the New Theatre in the Hay-Market, with a celebrated Piece call'd A Rehearsal of Kings. I am, Sir, Yours, &c. Agent for the Company

Performances

Event Comment: Benefit Vaughan, Boxkeeper, and Gwinn's Widow, late Pit Doorkeeper. Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Provok'd Wife

Cast
Role: With the additional Scene Actor: .

Afterpiece Title: The Honest Yorkshireman

Dance: I: Comic Dance-Richardson, Miss Cantrel; II: Two Pierrots-Nivelon, Lalauze; III: Je ne scai quoy-Tench, Villeneuve, Miss Oates; IV: Pantomime Dance-Nivelon, Mrs LeBrun; V: Grecian Sailors-Glover

Song: III: Chancon a Boire-Leveridge, Laguerre

Event Comment: Mainpiece: Written by the late Mrs Centlivre. Afterpiece: Written by the Author of the Toy Shop. N.B. Whereas several Audiences have of late been very much disgusted at the Performances being interrupted by Persons crouding upon the Stage; none for the future can be admitted behind the Scenes, except those who have Annual Silver Tickets

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The King and the Miller of Mansfield

Dance: II: Grand Aethiopian Dance-Muilment, Mrs Walter; V: Grand Ballet-Denoyer, Mlle Roland

Event Comment: Benefit Miss Jenny and Miss Betty Cibber?, Two Infant Daughters of the late Mrs Jane Cibber. Mainpiece: Written by the late Sir John Vanbrugh. Afterpiece: Taken from Moliere, and Intermixed with Songs. At 6:45 p.m

Performances

Mainpiece Title: The Relapse

Performance Comment: See17390514, but Foppington (new dressed)-Cibber, being the first time of his appearance on that stage; Berinthia-Mrs Horton; Loveless-Hallam; Worthy-Bridgwater; Young Fashion-Walker; Sir Tunbelly-Marten; Amanda-Mrs Stevens; Hoyden-Mrs Vincent; Coupler-Arthur; Bull-Littleton; Shoemaker-Clark; Nurse-Mrs Martin; Seringe and Lory-Chapman.

Afterpiece Title: The Mock Doctor

Performance Comment: See17390518, but Doctor-Cibber; Also an Epilogue by Jo. Haines, Comedian of facetious Memory) by particular Desire,-the young Captain in his Regimentals, Riding on an Ass.

Dance: Master Oates, Phillips from dl, Miss Oates, Master Ferg