SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Charles Reymers"/1) | (@(roleclean,performerclean) "Charles Reymers")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2413 matches on Author, 1158 matches on Performance Comments, 306 matches on Event Comments, 86 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: [By Charles Johnson.] Never Acted before

Performances

Mainpiece Title: The Successful Pyrate

Related Works
Related Work: The Successful Pyrate Author(s): Charles Johnson
Event Comment: [By Charles Shadwell.] Never Acted before

Performances

Mainpiece Title: The Humours Of The Army

Related Works
Related Work: The Humours of the Army Author(s): Charles Shadwell
Event Comment: Afterpiece: [By Charles Shadwell. Apparently not printed.] Written by the Author of the Humours of the Navy

Performances

Mainpiece Title: Epsom Wells

Afterpiece Title: The Merry Wives of Broad Street

Related Works
Related Work: The Merry Wives of Broad Street Author(s): Charles Shadwell

Dance: Prince, Mrs Bicknell

Event Comment: [By Charles Johnson.] Never Acted before

Performances

Mainpiece Title: The Victim

Related Works
Related Work: Love's Victim: or, the Queen of Wales Author(s): Charles Gildon
Related Work: The Victim Author(s): Charles Johnson
Event Comment: [By Charles Johnson.] Never Acted before

Performances

Mainpiece Title: The Country Lasses; Or, The Custom Of The Manor

Related Works
Related Work: The Country Lasses: or, The Custom of the Manor Author(s): Charles Johnson
Related Work: The Country Lasses Author(s): Charles Johnson
Related Work: The Farm House Author(s): Charles Johnson
Event Comment: Mainpiece: [By Charles Knipe.] Never Acted before. Benefit the Author. Receipts: #114 7s

Performances

Mainpiece Title: The City Ramble; Or, The Humours Of The Comptors

Related Works
Related Work: A City Ramble: or, The Humours of the Compter Author(s): Charles Knipe

Afterpiece Title: The Country House

Afterpiece Title: Hob

Dance: As17150512

Event Comment: [By Charles Johnson.] Never Acted before

Performances

Mainpiece Title: The Sultaness

Related Works
Related Work: The Sultaness Author(s): Charles Johnson
Event Comment: [By Charles Beckingham.] Never Acted before. With Habits for all the Characters entirely New. Preface: [The play] was twice deferr'd by reason of a Principal Actor's Indisposition;...and even, when brought on the Stage, appear'd to less Advantage: The Principal Character of the Play being read the First Night, and the next Principal Character the Second

Performances

Mainpiece Title: Scipio Africanus

Related Works
Related Work: Scipio Africanus Author(s): Charles Beckingham
Event Comment: [By Charles Molloy.] A New Comedy

Performances

Mainpiece Title: The Coquet

Related Works
Related Work: The Coquet: or, The English Chevalier Author(s): Charles Molloy
Event Comment: [By Charles Johnson.] Never Acted before

Performances

Mainpiece Title: The Masquerade

Related Works
Related Work: The Masquerade Author(s): Charles Johnson
Event Comment: [By Charles Beckingham.] Never Acted before. [The Prince expected to attend.

Performances

Mainpiece Title: King Henry The Fourth Of France

Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham
Event Comment: Benefit Mrs Fryar, who has played but once since the days of King Charles, and taught three Queens to Dance

Performances

Mainpiece Title: The Half Pay Officers

Related Works
Related Work: The Half Pay Officers Author(s): Charles Molloy

Afterpiece Title: Hob's Wedding

Dance: The Bashful Country Maid, Irish Trot-Peggy Fryar

Event Comment: [By Charles Johnson.] Never Perform'd before. Applebee's, 15 Feb.: The Village Opera was perform'd...with such Hissing and Clapping that the like was never known; for great Numbers of prejudic'd and partial People got together, and fell a Hissing before the Performers utter'd a Word

Performances

Mainpiece Title: The Village Opera

Related Works
Related Work: The Village Opera Author(s): Charles Johnson
Event Comment: [By Charles Coffey.] Never Acted before. Consisting of Variety of English, Scotch, and Irish Ballads. To which will be acted several comic and diverting French Pieces, to be perform'd by Monsieur Morrell

Performances

Mainpiece Title: The Beggar's Wedding

Related Works
Related Work: The Beggar's Wedding Author(s): Charles Coffey
Event Comment: At Reynolds' Booth. Second Piece: [By Charles Coffey.] The Beggar's Wedding acted until 8 p.m. Southwark Fair acted from 8 p.m. to 11 p.m. The Humours of Harlequin added to each. [On Thursday 18 the performance was a benefit for Mrs Nokes.

Performances

Mainpiece Title: The Beggar's Wedding

Related Works
Related Work: The Beggar's Wedding Author(s): Charles Coffey

Afterpiece Title: Southwark Fair; or, The Sheep Shearing

Afterpiece Title: The Humours of Harlequin

Song: [On this day only?] A Song by Seedo-Mrs Nokes [in Boy's Cloaths, when the Lord Mayor passes by to proclaim the Fair

Related Works
Related Work: A Day at Rome Author(s): Charles Smith
Event Comment: By Command of His Royal Highness. [The Prince, attended by Lord Charles Cavendish and Colonel Townshend, and Princess Caroline, attended by the Countess of Suffolk, present.

Performances

Mainpiece Title: Cato

Afterpiece Title: The Beggar's Wedding

Related Works
Related Work: The Beggar's Wedding Author(s): Charles Coffey
Event Comment: Mainpiece: [By Charles Coffey.] A New Farcial Ballad Opera. Afterpiece: By Desire. Tickets delivered for the Author's Benefit will be taken

Performances

Mainpiece Title: The Female Parson; Or, Beau In The Suds

Related Works
Related Work: The Female Parson; or, Beau in the Suds Author(s): Charles Coffey

Afterpiece Title: Tom Thumb

Event Comment: Never Acted before. [by Charles Johnson.] With New Habits. [See Preface for an account of the noisy reception of the play, and Lord Hervey and his Friends, p. 61, for Hervey's amusing account of the first night.

Performances

Mainpiece Title: Medea

Related Works
Related Work: Medea Author(s): Charles Johnson
Event Comment: Benefit Bridgwater. At the particular Desire of several Persons of Quality. Afterpiece: A new Ballad Opera. [By Charles Johnson. Apparently not published.] The Rehearsals of The Ephesian Matron having obliged Mr Bridgwater to a close Attendance, he humbly hopes his Friends will excuse his not being able personally to wait on them

Performances

Mainpiece Title: Henry Iv, Part I

Related Works
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham

Afterpiece Title: The Ephesian Matron

Related Works
Related Work: The Ephesian Matron Author(s): Charles Johnson
Related Work: The Ephesian Matron Author(s): Charles Dibdin

Dance: HHighland Lass-Miss Robinson

Ballet: TThe Masques. Harlequin Petit Maitre-Essex; Mademoiselle-Mrs Walter; Punches-Thurmond, F. Tench; French Peasant-Houghton; French Peasant Woman-Mrs Delorme

Event Comment: Never Acted before. [By Charles Johnson.] Preface: I had the Mortification to see this Play acted the first Night, and to hear the Characters of Mother Lupine and her Women disapprov'd by several of the Audience, who, as if they thought themselves in bad Company, were very severe

Performances

Mainpiece Title: Caelia; Or, The Perjur'd Lover

Related Works
Related Work: Caelia; or, The Perjur'd Lover Author(s): Charles Johnson
Event Comment: Benefit Macklin. Mainpiece: By Particular Desire. The Farce never before acted. Tickets to be had of Macklin at his House in Bow St; and of Hobson at the stage door where places may be taken for the Boxes.--General Advertiser. [Afterpiece by Charles Macklin.

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Suspicious Husband Criticized; or, The Plague of Envy

Related Works
Related Work: The Suspicious Husband Criticized; or, The Plague of Envy Author(s): Charles Macklin
Event Comment: [T+Theatrical Monitor, No VI appeared this day with a blast, in the form of an occasional Epilogue, at the morals, language and plan of the Oxonian in Town. This was the first performance of Macklin's afterpiece in London. It had been played in Dublin. "Its curious idiom, half-brogue, and half Cockney, puzzled the audience, as did its highly topical Irish allusions. With his usual candor, Macklin observed: 'I believe the audience are right. (The play was withdrawn after this single performance.) There's a geography in humor as well as in morals, which I had not previously considered--'" Cooke, Macklin, p. 270. According to Kirkman, in his curtain speech Macklin "courageously admitted: 'Ladies and Gentlemen, I am very sensible tha there are several passages in this play which deserve to be probated and I assure you that they shall never offend your ears again!' As soon as Mr Macklin had finished this address, the audience testified their approbation of his determination, by loud and reiterated plaudits" (Kirkman, Memoirs of the Life of Macklin, II, 3). See Also Charles Macklin: An Actor's Life by William W. Appleton (Cambridge, Mass., 1960), p. 141.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Fine Lady

Related Works
Related Work: The Irish Fine Lady Author(s): Charles Macklin

Dance: End: The Dutch Milkmaid, as17671114

Event Comment: Benefit for Miss Macklin. Mainpiece: Not acted these 3 years. [See 27 Jan. 1770.] Afterpiece: For this night only this season (playbill). Charges #64 5s. Profit to Miss Macklin #19 4s., plus #43 from 172 Box tickets. Paid Whitefield one fourth year's salary due Lady Day last #25. Paid Mr Barber for a suit of regimentals embroider'd with gold, #12 12s. Paid Lowe and Lucas (linnen drapers) #13 19s.; Paid Evans for Spermecita candles as per bill #12. Paid Barrett (wax chandler) #3 4s. (Account Book). [Miss Macklin considered this a poor benefit, and on 6 May 1772 wrote to her father about the troubles she met in getting it underway. Woodward would not play in the farce since it did not belong to the theatre and since he had not be asked before she put his name in the bills. Kniveton labored hard and did quite well as Sir Archy. Ann Pitt so ill she could not do Lady Wrangle, but Mrs Hull sat up two nights, learned the part and acted it creditably (Harvard, Memoirs of Charles Macklin, Vol. II, pt. 2, after p. 55).] Receipts: #83 9s. (Account Book)

Performances

Mainpiece Title: The Refusal; Or, The Lady's Philosophy

Afterpiece Title: Love a-la-Mode

Related Works
Related Work: Love a-la-mode Author(s): Charles Macklin

Dance: End: A Dance in which will be an Allemande,-Hamoir, Miss Hamoir

Event Comment: [Macklin dismissed after this night. See the account in The Genuine Arguments of the Council, with the Opinion of the Court of the King's Bench, &c., By a Citizen of the World, (London, 1774). Extracts in E. R. Page, George Colman, the Elder (New York, 1935). See notes for 23 and 30 Oct. and the subsequent action in note for 20 Nov. He did not return until 18 May 1775. This night was aparently, except for #4 5s. which was not recorded on the books of the theatre until 18 June well after the season closed. Macklin's suit in court against the rioters was judged 24 Feb. 1775. A column and a half account of the trial appeared in the Public Advertiser, Saturday 13 May 1775, giving the testimony of the witnesses accused of starting the riot, the lawyers, and the judge. The accused were Leigh, Miles, James, Aldus, and Clarke. The first four were convicted of a conspiracy and a riot, the last of a riot only. During the Course of the Business Lord Mansfield took Occasion to observe, that the Right of Hissing, and Applauding in a theatre was an unalterable Right, but there was a wide Distinction between expressing the natural Sensations of the Mind as they arose on what was seen and heard, and executing a pre-concerted Desagn, not only to hiss an Actor when he was playing a Part in which he was universally allowed to be excellent, but also to drive him from the theatre, and effect his utter ruin." See also William W. Appleton, Charles Macklin, An Actors Life (Cambridge, Mass., 1960), Chapter X.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Related Works
Related Work: Love a-la-mode Author(s): Charles Macklin

Dance: III: The Merry Sailors, as17731007; IV: The Highland Reel, as17731112

Event Comment: Paid 5 days salary list #441 15s.,; King's extra salary #2 10s.; Mr J. French on acct #5 5s.; Mr J. Palmer on note #21 (Treasurer's Book). [This month was printed An Apology for the Conduct of Charles Macklin, Comedian, which, it is hoped, will have some effect in favour of an aged player, by whom the public at large have been uncommonly gratified." Price 1s. Axtell (Gentleman's Magazine Register). This year was publish'd Miscellaneous Pieces in Verse and Prose, with Cursory Theatrical Remarks, by P. Lewis, Comedian. Contains some apostrophes to Garrick, Holland, etc.] Receipts: #213 4s. (Treasurer's Book)

Performances

Mainpiece Title: A Christmas Tale

Related Works
Related Work: A Christmas Tale Author(s): Charles Dibdin

Afterpiece Title: Catharine and Petruchio