SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Charles Morris"/1) | (@(roleclean,performerclean) "Charles Morris")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2444 matches on Author, 1546 matches on Performance Comments, 369 matches on Event Comments, 128 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The Late Wells, the bottom of Lemon St., Goodman's Fields. A Concert of Vocal and Instrumental Musick. Divided into two Parts. The Concert to conclude with the Chorus of Long Live the King. Boxes 2s. 6d. Pit or First Gallery 1s. 6d. Upper Gallery 1s. Between the two Parts of the Concert will be exhibited Gratis, and not acted these 50 years, an Historical Play...written by the celebrated Mr Lee. And founded on Facts which happened in France, in the Reign of Queen Elizabeth. Shewing the unparalleled Dissimulations, Imprecations, and Perjuries of Charles the 9th of France, the Queen Mother, and Cardinal Lorrain, to draw the Hugonot Party into their snares, by which means the Death of the Queen Navarre was effected by Poison, and most of the Protestant Princes of the Blood destroyed. Chastillon, the famous Admiral of France, with his Wife, Children, Commanders, and Followers, all put to Death, with the King's Consent, bx the cruel and Revengeful Duke of Guise, and his Adherents. After which the Massacre becoming general over the Kingdom, near near 100,000 Protestants were destroyed in the most barbarous and inhuman manner. The Concert will begin every Evening Positively at Six of the Clock, and the Whole be concluded by Half an Hour after Nine, the Wdlls being appointed (after the Entertainment is over) for the Main Guard of the Militia of the Tower Hamlets

Performances

Mainpiece Title: Massacre At Paris

Performance Comment: Charles IX-Cushing; Chastellion-Furnival; Cardinal-L. Hallam; Duke of Guise-Paget; Navarre-Shepherd; Conde-Lee; Anjou-Blakey; Alberto-Julian; Rochfacault-Burt; Langoiran-Blogg; Columbiere-Barlow; Chavagnes-Dove; Queen Mother-Mrs Bambridge; Antramont-Mrs Hallam; Queen of Navarre-Mrs Williamson; Margaret-Gentlewoman; the two last never appear'd on the stage before. With the Prologue-; Epilogue- written at the late happy Revolution.
Cast
Role: Charles IX Actor: Cushing

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Charles Coffey

Song: Blogg, Barlow, Waters, Mrs Phillips, Mrs Williamson, Mrs Cushing

Dance: the two Mhe two Masters, Miss Granier

Event Comment: At Bridges, Cross, Burton and Vaughan's Great Theatrical Booth in the George Inn Yard, will be presented an Historical Drama never acted before call'd The Northern Heroes; or, The Bloody Contest between Charles XII, King of Sweden, and Peter the Great, Czar of Muscovy, with the Loves of Count Gillensternia, a Swedish General and the Fair Elimira, a Russian Princess, Containing the most remarkable Events of that Time; and concluding with the Memorable Battle of Pultowav, and Charles's Retreat into the Turkish Dominionv. Interspers'd with a Comic Interlude (never perform'd before) called The Volunteers; or, the Adventures of Roderick Random and his Friend Strap. Also the Comical Humours and Amours of Corporal Garbage and Serjeant Slim, with Mrs Vanspriggen the Swedish Sutler's Widow; the merry Pranks of her foolish son Janny, and several other diverting incidents. Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. To begin each Day at Twelve o'clock. [This notice repeated during "the short Time of the Fair." Notice repeated 24, 26, 27 Aug.

Performances

Mainpiece Title: The Northern Heros

Performance Comment: Charles XII-Usher; Prince of Wurtemburgh-Jackson; Gillensternia-Hazard; Count Piper-Thomson; Mazeppa-Reid; Czar-Burton; Dolgoruki-Paget; Menzikoif-Jones; Ivan-Shawford; Elimira-Mrs Cross.
Cast
Role: Charles XII Actor: Usher

Afterpiece Title: The Volunteers; or, The Adventures of Roderick Random and his Friend Strap

Dance: Mr Shawford, Mrs Shawford, Master Cross, Mrs Vaughan

Event Comment: Benefit Stitchbury, Phillips, Morris, and Levi and other doorkeepers

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Lying Valet

Dance: I: Dutch Skipper-Master Morris; III: A Running Footman-Master Morris; V: The French Peasant-Master Morris

Song: IV: Sing all ye Muses by Purcell-Stitchbury, a gentleman for his first appearance on any stage

Event Comment: Benefit for Morris, Gray, Dunbar, Smith. Receipts: #150 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Double Disappointment

Dance: II: A Comic Dance-Morris, Miss Shawford; IV: A Hornpipe-Morris; V: Minuet-Morris, Miss Shawford

Event Comment: Benefit for Mrs Mills. Tickets deliver'd out by Taswell and Morris will be taken. Tickets of Mrs Mills at her lodgings at Gardyner's a Printer, in Russel St., and at the Stage Door. Receipts: #130 (Cross)

Performances

Mainpiece Title: The Busy Body

Cast
Role: Charles Actor: Havard

Afterpiece Title: The Grumbler

Performance Comment: As17540430 but to conclude with a Minuet-Morris, Mrs Addison.

Song: I: The School of Anacreon-Beard; IV: A Ballad-Beard

Dance: II: Country Amusements, as17540416 III: The Drunken Peasant-Morris; the Clown-Shawford; V: A Hornpipe-Morris

Event Comment: Benefit for Mrs Mills. Tickets deliver'd out by Taswell, Wilder, Morris, and Mrs Addison will be taken. Tickets to be had of Mrs Mills at Mr Gardyner's, Printer, in Russel St., Covent Garden, and at the Stage Door. Receipts: #130 (Cross)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The King and the Miller of Mansfield

Dance: II: The Running Footmen-Morris, Walker; III: The Minuet, Louvre-Dennison, Mrs Addison; IV: Comic Dance by Three Sabatinis, as17550203

Song: V: Rule Britanniaby Beard, as17550402 concluding with a Hornpipe-Morris

Event Comment: Benefit for Raftor, Morris, LeBrun, and Goodwin. No Building on Stage. Tickets deliver'd by Lewis will be taken. Receipts: #140 (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Charles Coffey

Dance: II: Hornpipe-Morris; End: A Minuet-LeBrun, Miss Rousellet

Event Comment: Paid Duke of Bedford 1 Yrs. Rent #343 5s. 1d. Afterpiece [1st time; F 2, by Edward Morris. Author of Prologue unknown]: With new Dresses and Decorations. Public Advertiser, 8 Apr. 1790: This Morning is published The Adventurers (1s.). Receipts: #260 8s. (226.5.0; 31.16.0; 2.4.6; ticket not come in: 0.2.6)

Performances

Mainpiece Title: The Haunted Tower

Cast
Role: Charles Actor: Sedgwick

Afterpiece Title: The Adventurers

Related Works
Related Work: The Adventurers Author(s): Edward Morris

Dance: As17891204

Event Comment: EEgmont, Diary, II, 364: I went to the new play called 'King Charles the First,' acted with approbation at [lif]. The Characters are as the historians represent them, the language good and the sentiments fine, but the players are bad, he who represented General Fairfax and Cromwell excepted

Performances

Mainpiece Title: King Charles The First; An Historical Play [charles I]

Event Comment: Benefit Mr Charles. 7 p.m. 5s

Performances

Mainpiece Title: Concert

Music: the best Hhe best Hands;With a Solo, several new Pieces on the French Horn, Clarinette, Sharlarno-Mr Charles; Also several Pieces on the French Horn-an English Gentlewoman, a Negro Boy of ten Years old, both Scholars of Mr Charles

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Ryan; Aimwell-Hale; Scrub-Hippisley; Bonniface-Mullart; Foigard-Rosco; Sullen-Bridgwater; Gibbet-Neale; Sir Charles-Salway; Mrs Sullen-Mrs Horton; Dorinda-Mrs Hale; Cherry-Mrs Vincent; Lady Bountiful-Mrs James; Gipsy-Miss Horsington.
Cast
Role: Sir Charles Actor: Salway

Afterpiece Title: The Mock Doctor

Dance: I: Grand Ballet-Mlle Roland the Elder; II: Serious Dance-Master Charles Poitier; a Child of Five Years Old, the first time of his appearing on the Stage. III: Serious Dance-Poitier, Mlle Roland the Elder; IV: French Peasants-Poitier, Mlle Roland the Elder, Master Charles Poitier; End Afterpiece: Minuet-Poitier, Mlle Roland the Elder, Charles Poitier

Performance Comment: III: Serious Dance-Poitier, Mlle Roland the Elder; IV: French Peasants-Poitier, Mlle Roland the Elder, Master Charles Poitier; End Afterpiece: Minuet-Poitier, Mlle Roland the Elder, Charles Poitier.

Song: II: Duet-Mrs Lampe, Miss Young

Music: V: By Desire, a Preamble on the Kettle Drums-Poitier

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 361: The King at ye Mistress. See also Nicoll, Restoration Drama, p. 351. There is no indication as to whether this performance was the premiere. As the play was licensed on 24 May 1687, the premiere may have been as late as 12 May, but possibly was earlier. Sir George Etherege to Will Richards, 19 May 1687: I have heard of the success of The Eunuch, and am very glad the town has so good a taste to give the same just applause to Sir Charles Sedley's writing, which his friends have always done to his conversation (Letterbook, ed. Rosenfeld, p. 212). Sir George Etherege to Middleton, 2O June 1687: I saw a play about ten years ago Called the Eunuch, so heavy a lump the players durst not charge themselves with the dead weight, but it seems Sir Charles Sedley has animated the mighty mass and now it treads the stage lightly (ibid., p. 227). [See also 26 March 1687 and season of 1676-77.] Thomas Shadwell, The Tenth Satyr of Juvenal (licensed, 25 May 1687.) Dedication to Sir Charles Sedley: Your late great obligation in giving me the advantage [presumably the third day's gain] of your comedy, call'd Bellamira, or the Mistress, has given me a fresh subject for my Thanks; and my Publishing this Translation affords me a new opportunity of owning to the world my grateful resentments to you. I am heartily glad that your Comedy (as I never doubted) found such success, that I never met with any Man of Sence but applauded it: And that there is abundance of Wit in it, your Enemies have been forced to confess....For the Judgment of some Ladies upon it that it is obscene, I must needs say they are Ladies of a very quick apprehension, and did not find their thoughts lye very much that way, they could not find more obscenity in that than there is in every other Comedy. A song, Thyrsis unjustly you complain, headed A Song in Bellamira, or, the Mistress. Set by Mr Tho. Shadwell, is in Vinculum Societatis, 1687 (licensed 8 June 1687)

Performances

Mainpiece Title: Bellamira; Or, The Mistress

Related Works
Related Work: Bellamira; or, The Mistress Author(s): Sir Charles Sedley

Performances

Mainpiece Title: King Charles The First; An Historical Play

Performance Comment: Edition of 1737 lists: King Charles-Giffard; Duke of York-Master Giffard; Duke of Gloucester-Master W. Hamilton; Bishop Juxon-Havard; Duke of Richmond-Bardin; Marquis of Lindsey-Richardson; Oliver Cromwell-Wright; Fairfax-Johnson; Bardshaw-Rosco; Ireton-W. Giffard; Colonel Tomlinson-Hamilton; Queen-Mrs Giffard; Princess Elizabeth-Miss Norris; Lady Fairfax-Mrs Roberts; Prologue-Giffard; Epilogue-Mrs Giffard.
Cast
Role: King Charles Actor: Giffard

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: Miss in Her Teens

Song: End: Charles Gondorff, a Hungarian. He mimicks three Voices at one and the same time-Charles Gondorff ,to wit the natural sound of the Base, the Bassoon and Flagolet (the latter has the sound of a small organ) all which is performed without the least movement of the lips

Performance Comment: He mimicks three Voices at one and the same time-Charles Gondorff ,to wit the natural sound of the Base, the Bassoon and Flagolet (the latter has the sound of a small organ) all which is performed without the least movement of the lips.

Performances

Mainpiece Title: King Charles The First

Performance Comment: King Charles-Wroughton; Oliver Cromwell-Aickin; Bishop Juxon-Hull; Duke of Richmond-Davies; Ireton-Peile; Bradshaw-L'Estrange; Lindsay-Thompson; Tomlinson-J. Wilson; Fairfax-Lewis; Lady Fairfax-Mrs Lewis; Queen-Mrs Inchbald.
Cast
Role: King Charles Actor: Wroughton

Afterpiece Title: True Blue

Afterpiece Title: Midas

Dance: 2nd piece: a Dance of Sailors Sailor's Dance-Aldridge

Performances

Mainpiece Title: King Charles I

Performance Comment: King Charles-Connell; Fairfax-Diamond; Duke of York-Mrs Hudson; Duke of Gloucester-Miss Barnes; Bishop Juxon-Banyard; Ireton-Loader; Colonel Tomlinson-Ferguson; Duke of Richmond-Randall; Marquis of Lindsey-Wood; Servant-Cooper; Bradshaw-Thompson; Oliver Cromwell-Gray; Lady Fairfax-Miss Clarke; Princess Elizabeth-Miss Brooksbank; Queen-Miss Greenleaf. With an Occasional Prologue .
Cast
Role: King Charles Actor: Connell

Afterpiece Title: The Beggar's Opera (Last Act only)

Dance: In afterpiece a Hornpipe by Middleton. IMITATIONS. End of mainpiece a variety of new Imitations by a Gentleman [probably Kean (see17850124)]. VAUDEVILLE. After the Imitations A Comic Sketch of the Times by Ryder, Greville, Mrs Hudson; and Bucks have at ye All by Cross

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2: Charles 8. See also Nicoll, Restoration Drama, p. 347

Performances

Mainpiece Title: The History Of Charles The Eighth Of France

Event Comment: At the Desire of several Gentlemen and Ladies. Benefit Charles the Merry Trumpeter, a Batchelor, who used to Sound with Mr Bullock. At Lee's Booth on the Bowling Green. The Doors will be open'd at Five, and begin pricisely at Six

Performances

Mainpiece Title: A Bold Stroke For A Wife

Dance: AA Comic Dance between Scaramouch and a Countryman-; Countryman-Charles the Trumpeter

Event Comment: At the Desire of several Gentlemen and Ladies. Benefit Charles, the Merry Trumpeter of Oxford. At Fielding's Great Booth. 6 P.M. And tis well if it takes@If not the Trumpeter breaks

Performances

Mainpiece Title: A Bold Stroke For A Wife

Entertainment: Between the Acts: particularly the Black and White Joak, to be sounded-Charles, and also a Joak of his own

Event Comment: Benefit Charles, the Merry Trumpeter of Oxford. At Lee's Great Booth on the Bowling Green. ...and tis well if it takes If not, the Trumpet breaks; And they that are my Friends, that come to see my Play, If it happens to rain, shall have a Coach to carry 'em away

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Performance Comment: Persons from the Theatres but the principal Part to be perform'd by Charles the Merry Trumpeter, that is to take the Money.

Dance: HHarlequin and a Countryman-; Countryman-Charles

Event Comment: Benefit Mr Charles, Master of the French Horn. 51. 6 P.M

Performances

Mainpiece Title: Concert

Music: A Solo and several Pieces on the French Horn by Mr Charles. And several Songs and Duets by the two Miss Youngs. The German Flute by Mr Pelicour [Balicourt in Daily Advertiser], lately arrived from abroad; Being the first Time of his Performing in England

Event Comment: The King's Company. Pepys, Diary: It being almost twelve o'clock, or a little more, and carried [Mercer, Mrs Horsfield, and Mrs Gayet] to the King's playhouse, where the doors were not then open; but presently they did open; and we in, and find many people already come in, by private ways, into the pit, it being the first day of Sir Charles Sidly's new play, so long expected, The Mulberry Garden, of whom, being so reputed a wit, all the world do expect great matters. I having sat here awhile, and eat nothing to-day, did slip out, getting a boy to keep my place...And so to the play again, where the King and Queen, by and by, come, and all the Court; and the house infinitely full. But the play, when it come, though there was, here and there, a pretty saying, and that not very many neither, yet the whole of the play had nothing extraordinary in it, at all, neither of language nor design; insomuch that the King I did not see laugh, nor pleased the whole play from the beginning to the end, nor the company; insomuch that I have not been less pleased at a new play in my life, I think. And which made it the worse was, that there never was worse musick played--that is, worse things composed, which made me and Captain Rolt, who happened to sit near me, mad. So away thence, very little satisfied with the play, but pleased with my company. [For Bannister's setting a song for Mrs Knepp for this play, see 7 May 1668.

Performances

Mainpiece Title: The Mulberry Garden

Related Works
Related Work: The Mulberry Garden Author(s): Sir Charles Sedley
Event Comment: Mainpiece [1st time; C 5, by Edward Morris, with incidental music by Richard Suett. Prologue by Charles Morris; Epilogue by George Colman, ynger (see text)]: With new Dresses, Decorations, &c. Morning Herald, 23 Apr. 1793: To-morrow will be published False Colours (1s. 6d.). Receipts: #231 9s. (188.2; 38.18; 4.9)

Performances

Mainpiece Title: At King's False Colours

Afterpiece Title: The Prisoner

Event Comment: Benefit for Hull and Macready. 1st piece: In Act IV a Martial Procession with the Body of Marcus. 2nd piece [1st time: M. INT 1, author unknown. Larpent MS 1173; not published]: With appropriate Scenery and Dresses. The Music selected from Boyce, Purcell, Reeve and Shield. Morning Herald, 31 May: Tickets to be had of Hull, No. 7, Duke's-court, near Dean's-yard, Westminster; of Macready, No. 22, Charles-street, Tottenham-court-road. Receipts: #314 3s. (112.9.0; 4.14.6; tickets: 196.19.6, of which Hull sold 70.12.6, and Macready 126.7.0)

Performances

Mainpiece Title: Cato

Performance Comment: Cato-Pope; Juba-Holman; Sempronius-Murray; Portius-Middleton (Their 1st appearance in those characters); Syphax-Hull; Marcus-Macready; Lucius-Powel; Decius-Thompson; Lucia (1st time)-Miss Mansel; Marcia (1st time)-Miss Morris.
Cast
Role: Marcia Actor: Miss Morris.

Afterpiece Title: Cambro' Britons; or, Fishguard in an Uproar

Afterpiece Title: Animal Magnetism

Song: In 2nd piece: Together let us range the fields-Incledon, Mrs Mountain; Gallant Soldiers born to Arms, Old England will be England still-Incledon; To arms! Britons strike Home!-Incledon, Bowden

Event Comment: Tickets deliver'd by Mrs Lampe, Mrs Jones, Mrs Morris, Miss Cranfield and Mr Hollingsworth will be admitted. Doors opened at half past 5. To begin at half past 6

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Lewis, first time; Aimwell-Whitefield, first time; Scrub-Quick; Gibbet-Booth; Bonniface-Dunstall; Sir Charles Freeman-DuBellamy; Sullen-Thompson; Foigard-Fox; Dorinda-Mrs Mattocks; Cherry-Miss Brown; Lady Bountiful-Mrs Pitt; Mrs Sullen-Mrs Lessingham.

Afterpiece Title: The Apprentice

Dance: I: A Hornpipe-Miss Cranfield; II: The Pilgrim, as17750503