SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Charles Lord Mohun"/1) | (@(roleclean,performerclean) "Charles Lord Mohun")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3418 matches on Author, 2747 matches on Performance Comments, 865 matches on Event Comments, 194 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The King's Company. This play has generally been assigned to June 1669, partly on the basis of a suit--see Hotson, Commonwealth and Restoration Stage, pp. 252-53, 348-55-over a scene for it which Isaac Fuller, the scene designer, states was finished by 23 June 1669. The suit also states that the play ran for fourteen days, but it is not certain that the theatres played on consecutive days in the summer. The play has been assigned to 24 June 1669 on the basis of a letter from Charles II to Princess Henriette-Anne, dated 24 June [1669]: I am just now going to a new play that I heare very much commended (Cyril Hughes Hartmann, Charles II and Madame [London, 1934], p. 259). Elizabeth Cottington to Herbert Aston, ca. May 1669: Wee ar in expectation still of Mr Draidens play. Ther is a bowld woman [Aphra Behn (?)] hath oferd one: my cosen Aston can give you a better account of her then I can. Some verses I have seen which ar not ill; that is commentation enouf: she will think so too, I believe, when it comes upon the ptage. I shall tremble for the poor woman exposed among the critticks (Arthur Clifford, Tixall Letters [London, 1815], II, 60)

Performances

Mainpiece Title: Tyrannic Love Or The Royal Martyr

Performance Comment: . Edition of 1670: Prologue-; Maximin-Mohun; Porphyrius-Hart; Charinus-Harris; Placidius-Kynaston; Valerius-Lydall; Albinus-Littlewood; Nigrinus-Beeston; Amariel-Bell; Berenice-Mrs Rebecca? Marshall; Valeria-Mrs Ellen Guyn; St Catharine-Mrs Hughes; Felicia-Mrs Knepp; Erotion-Mrs Uphill; Cydnon-Mrs Eastland; Epilogue-Mrs Ellen [when she was to be carried off Dead by the Bearers; [Downes (Roscius Anglicanus, p. 10) omits some of these roles, adds Damilcar-Mrs James [and lists Mrs Boutel [who later played the role; see the edition of 1695] for St Catharine. The edition of 1686 adds: Apollonius-$Cartwright.
Cast
Role: Maximin Actor: Mohun
Event Comment: The King's Company. Pepys, Diary: [After looking in at lif], and so to the King's house: and there, going in, met with Knepp, and she took us up into the tireing-rooms: and to the women's shift, where Nell was dressing herself, and was all unready, and is very Pretty, prettier than I thought. And so walked all up and down the house above, and then below into the scene-room, and there sat down, and she gave us fruit: and here I read the questions to Knepp, while she answered me, through all her part of Flora's Figary's which was acted to-day. But, Lord! to see how they were both painted would make a man mad, and did make me loath them; and what base company of men comes among them, and how lewdly they talk! and how poor the men are in clothes, and yet what a shew they make on the stage by candle-light, is very observable. But to see how Nell cursed, for having so few people in the pit, was pretty; the other house carrying away all the people at the new play, and is said, now-a-days, to have generally most company, as being better players. By and by into the pit, and there was the play, which is pretty good

Performances

Mainpiece Title: Floras Vagaries

Performance Comment: Edition of 1670: Alberto-Mohun; Lodovico-Beeston; Prospero-Bird; Grimani-Cartwright; Francisco-Burt; Fryer-Loveday; Flora-Mrs Ellen Gwin; Otrante-Mrs Nepp. Edition of 1677 adds: Giacomo-$Shatterel;. See also 3 Nov. 1663.. See also 3 Nov. 1663.
Cast
Role: Alberto Actor: Mohun
Event Comment: The King's Company. This performance is on the L. C. list, 5@12, p. 17: King here. See also Nicoll, Restoration Drama, p. 344. See Noyes, Ben Jonson on the English Stage, p. 307, for a letter to Lady Sunderland on this performance, and, p. 308, for an anecdote from The Life of the Late Famous Comedian, Jo. Haynes, concerning Haynes and Hart in a scene. For another allusion to the action, see Henri Ferneron, Louise de Keroualle, Duchess of Portsmouth (London, 1807), p. 179n. Pepys, Diary: 15 Jan. 1668@9: It is about my Lady Harvy's being offended at Doll Common's [Mrs Corey's] acting of Sempronia, to imitate her; for which she got my Lord Chamberlain, her kinsman, to imprison Doll: when my Lady Castlemayne made the King to release her. Mrs John Evelyn to Mr Terryll, 10 Feb. 1668@9: There has not been any new lately revived and reformed, as Catiline, well set out with clothes and scenes (Diary and Correspondence of John Evelyn, ed. William Bray, IV, 14). See also 7 and 11 Dec. 1667

Performances

Mainpiece Title: Catilines Conspiracy

Performance Comment: Edition of 1669: Catiline?-Hart; Cethegus?-Mohun; Cicero?-Burt; Beeston; Kynaston; Reeves; Wintershall; Cartwright; Gradwell; Bell; Sempronia-Mrs Corey?; A Prologue to Catiline To be Merrily spoke-Mrs Nell Gwyn? (in an Amazonian Habit); The Epilogue-Mrs Nell Gwyn?.
Cast
Role: Cethegus? Actor: Mohun
Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, where two acts were almost done when I come in; and there I sat with my cloak about my face, and saw the remainder of The Mayd's Tragedy; a good play, and well acted, especially by the younger Marshall, who is become a pretty good actor, and is the first play I have seen in either of the houses since before the great plague, they having acted now about fourteen days publickly. But I was in Mighty pain lest I should be seen by any body to be at a play. Elegy on that Worthy and Famous Actor, Mr Charles Hart, who departed this Life Thursday August the 18th., 1683: @Such Pow'r He had o'r the Spectators gain'd,@As forc'd a Real passion from a Feign'd.@For when they saw Amintor bleed, straight all@The House, for every Drop, a Tear let fall;@And when Arbaces wept by sympathy,@A glowing Tide of Wo gush'd from each Eye.@ [Reprinted in Thorn-Drury, A Little Ark, pp. 47ff; Sprague, Beaumont and Fletcher, p.38.

Performances

Mainpiece Title: The Maids Tragedy

Performance Comment: Pepys: Evadne?-Rebecca Marshall; [Downes (Roscius Anglicanus, p. 5): King-Wintersel; Melantius-Mohun; Amintor-Hart; Calianas-Shatterel; Aspatia-Mrs Boutel? [but she probably did not come on the stage until 1670]. [See also 17 Nov. 1660.but she probably did not come on the stage until 1670]. [See also 17 Nov. 1660.
Cast
Role: Melantius Actor: Mohun
Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359: The Rivall Queene. See also Nicoll, Restoration Drama, p. 346. That this is the premiere is indicated by a letter from the Marquis of Worcester to the Marchioness, 17 March 1676@7: Sir Charles Sedley's Cleopatra has been acted often, and to-day a new play of the death of Alexander, but I have not been to see either, living a mighty drudging life (HMC, 12th Report, Appendix, Beaufort MSS., IX, 66). Downes (Roscius Anglicanus, p. 11), has a cast which agrees (except for omissions) with that in the edition of 1677. Downes adds (p. 16): [Hart in] Alexander, towards the latter End of his Acting; if he Acted in any one of these but once in a Fortnight, the House was fill'd as at a New Play, especially Alexander, he Acting that with such Grandeur and Agreeable Majesty, That one of the Court was pleas'd to Honour him with this Commendation; That Hart might Teach any King on Earth how to Comport himself

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Performance Comment: Edition of 1677: Prologue to Alexander by Sir Char. Scroop, Baronet-; Epilogue-; Alexander-Hart; Clytus-Mohun; Lysimachus-Griffin; Hephestion-Clarke; Cassander-Kenaston; Polyperchon-Goodman; Philip-Powell; Thessalus-Wiltshire; Perdiccas-Lydall; Eumenes-Watson; Meleager-Perin; Aristander-Coysh; Sysigambis-Mrs Corey; Statira-Mrs Boutell; Roxana-Mrs Marshall; Parisatis-Mrs Baker.
Cast
Role: Clytus Actor: Mohun
Event Comment: The King's Company. Pepys, Diary: Being full of my desire of seeing my Lord Orrery's new play this afternoon at the King's house, The Black Prince, the first time it is acted; where though we come by two o'clock, yet there was no room in the pit, but we were forced to go into one of the upper boxes, at 4s. a piece, which is the first time I ever sat in a box in my life. And in the same box come, by and by, behind me, my Lord Barkeley and his lady; but I did not turn my face to them to be known, so that I was excused from giving them my seat; and this pleasure I had, that from this place the scenes do appear very fine indeed, and much better than in the pit. The house infinite full, and the King and Duke of York was there. By and by the play begun, and in it nothing Particular but a very fine dance for variety of figures, but a little too long. But, as to the contrivance, and all that was witty (which, indeed, was much, and very witty), was almost the same that had been in his two former plays of Henry the 5th and Mustapha, and the same points and turns of wit in both, and in this very same play often repeated, but in excellent language, and were so excellent that the whole house was mightily pleased with it all along till towards the end he comes to discover the chief of the plot of the play by the reading of a long letter, which was so long and some things (the people being set already to think too long) so unnecessary that they frequently begun to laugh, and to hiss twenty times, that, had it not been for the King's being there, they had certainly hissed it off the stage. But I must confess that, as my Lord Barkeley says behind me, the having of that long letter was a thing so absurd, that he could not imagine how a man of his parts could possibly fall into it; or, if he did, if he had but let any friend read it, the friend would have told him of it; and, I must confess, it is one of the most remarkable instances that ever I did or expect to meet with in my life of a wise man's not being wise at all times, and in all things, for nothing could be more ridiculous than this, though the letter of itself at another time would be thought an excellent letter, and indeed an excellent Romance, but at the end of the play, when every body was weary of sitting, and were already possessed with the effect of the whole letter, to trouble them with a letter a quarter of an hour long was a most absurd thing. After the play done, and nothing pleasing them from the time of the letter to the end of the play, people being put into a bad humour of disliking (which is another thing worth the noting), I home by coach, and could not forbear laughing almost all the way home, and all the evening to my going to bed, at the ridiculousness of the letter, and the more because my wife was angry with me, and the world, for laughing, because the King was there, though she cannot defend the length of the letter

Performances

Mainpiece Title: The Black Prince

Performance Comment: Edition of 1672: Prologue-the Genius of England [holding Trident in one hand and a Sword in the other; King Edward-Moon [Mohun]; King John-Wintersell; Prince-Kenniston [Kynaston]; Lord Delaware-Hart; Count Guesclin-Burt; Lord Latimer-Cartwright; Page-Beeston; Alizia-Mrs Guinn; Plantaginet-Mrs Marshall; Cleorin-Mrs Corey; Sevina-Mrs Nepp; Valeria disguised-F. Damport [Davenport]; A Lady-Betty Damport [Davenport]; Epilogue to the King-.
Cast
Role: Lord Delaware Actor: Hart
Role: Lord Latimer Actor: Cartwright
Event Comment: The King's Company. This day marks the resumption of acting by the King's Company after the disastrous fire at Bridges Street, Drury Lane; the players turned to the theatre in Lincoln's Inn Fields which the Duke's Company had recently left. The Prologue was printed in Covent Garden Drollery, 1672. Sloane MS. 4455 folio 26 verso: The Prologue of a Play entitled Witt without Money-Spoken at the Dukes old Theatre (after the Kings was burnt) by the King's players, Feb. 26 1671. The Curtaine being drawne up all the Actors were discover'd on the stage in Melancholick postures, & Moone [Mohun] advancing before the rest speaks as follows, addressing chiefly to ye King then [present]. Langbaine (English Dramatick Poets, p. 216): Wit Without Money: a Comedy which I have seen acted at the Old House in little Lincolns-Inn-Fields with very great Applause: the part of Valentine being Play'd by that compleat Actor Major Mohun deceas'd. This was the first Play that was acted after the Burning the King's House in Drury-lane: a New Prologue being writ for them by Mr Dryden

Performances

Mainpiece Title: Wit Without Money

Performance Comment: Valentine-Mohun; The Prologue by John Dryden-Mohun.
Cast
Role: Valentine Actor: Mohun
Role: John Dryden Actor: Mohun.
Event Comment: The King's Company. The date of the premiere is not known, but a licensing date of 28 March 1678 suggests a first performance not later than February 1678. One song, One night while all the village slept, with music by Louis Grabu and words by Sir Car Scroop, is in Choice Ayres and Songs, The Third Book, 1681. Downes (Roscius Anglicanus, p. 17): Major Mohun...[in] Mithridates, &c. An Eminent Poet seeing him Act this last, vented suddenly this Saying: Oh Mohun, Mohun! Thou little Man of Mettle, if I should write a 100 Plays, I'd Write a Part for thy Mouth; in short, in all his Parts, he was most Accurate and Correct. [Downes, p. 12, gives an identical cast except for omissions.] Princess Anne apparently played Ziphares and Frances Apsley played Semandra in a production of this drama, probably at St James's Palace or at Sir Allen Apsley's house in St James's Square, between January 1677@8 and August 1679. See Benjamin Bathurst, Letters of Two Queens (London, 1924), p. 61

Performances

Mainpiece Title: Mithridates King Of Pontus

Performance Comment: Edition of 1678: Prologue-; Mithridates-Mohun; Ziphares-Hart; Pharnaces-Goodman; Archelaus-Griffin; Pelopidas-Wintershul; Andravar-Powell; Aquilius-Clark; Another Roman Officer-Wiltshire; Monima-Mrs Corbett; Semandra-Mrs Boutel; Epilogue by Mr Dryden-.
Cast
Role: Mithridates Actor: Mohun
Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. According to Wright, Historia Histrionica, 1699, Mohun played Bellamante shortly after the Restoration

Performances

Mainpiece Title: Loves Cruelty

Performance Comment: Bellamante-Mohun?.
Cast
Role: Bellamante Actor: Mohun?.
Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. Pepys, Diary: I to the new playhouse and saw part of the Traitor, a very good Tragedy; Mr Moon [Mohun] did act the Traitor very well

Performances

Mainpiece Title: The Traitor

Performance Comment: Traitor-Mohun.
Cast
Role: Traitor Actor: Mohun.
Event Comment: The King's Company. Pepys, Diary: In haste to carry my wife to see the new play I saw yesterday, she not knowing it. But there, contrary to expectation, find The Silent Woman. However in; and there Knipp come into the pit...[and] tells me the King was so angry at the liberty taken by Lacy's part to abuse him to his face, that he commanded they should act no more, till Moone [Mohun] went and got leave for them to act again, but not this play. The King mighty angry; and it was better indeed, but very true and witty. I never was more taken with a play than I am with this "Silent Woman," as old as it is, and as often as I have seen it. There is more wit in it than goes to ten new plays. Nathaniel Wanby, Coventry, 1667: We have known in our time that the Silent Woman hath had the loud applause of a whole theatre (BM Harleian MS. 6430, p.23)

Performances

Mainpiece Title: The Silent Woman

Performance Comment: See16661210. Morose-Cartwright?; Truewit-Major Mohun?; Cleremont-Burt?; Dauphin-Kynaston?; Sir Amorous-Wintersel?; Sir John Daw-Shatterel?; Captain Otter-Lacy?; Epicene-Mrs Knep?; Lady Haughty-Mrs Rutter?; Mrs Otter-Mrs Corey?.
Cast
Role: Truewit Actor: Major Mohun?
Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there,--in an upper box...did see The Moor of Venice: but ill-acted in most parts; Mohun, which did a little surprise me, not acting Iago's part by much so well as Clun used to do; nor another Hart's, which was Cassio's; nor, indeed, Burt doing the Moor's so well as I once thought he did

Performances

Mainpiece Title: The Moor Of Venice

Performance Comment: Iago-Mohun; Cassio-Hart; Othello-Burt; Downes (Roscius Anglicanus, p. 7), adds: Brabantio-Cartwright; Roderigo-Beeston; Desdemona-Mrs Hughes; Emilia-Mrs Rutter. See also the cockpit, dl, 11 Dec. 1660.
Cast
Role: Iago Actor: Mohun
Event Comment: The King's Company. This performance, which marks the opening of the new Theatre Royal in Drury Lane, is on the L. C. list, 5@141, p. 73. See also Nicoll, Restoration Drama, p. 345. The Prologue and Epilogue were printed in Miscellany Poems, 1684. That the Prologue was spoken by Mohun is indicated in BM Sloane MSS. 4445

Performances

Mainpiece Title: The Beggars Bush

Performance Comment: Prologue at the Opening of the New House by John Dryden-Mohun; Epilogue at the Opening of the New House by John Dryden-.
Cast
Role: John Dryden Actor: Mohun
Event Comment: The King's Company. This performance is known through a document summarized in The Theatrical Inquisitor and Monthly Mirror, July 1816, p. 25, and summarized in Fitzgerald, A New History, I, 145. Although this performance is the first certainly known, it is probably not the premiere, for the attendance (see below) was too small for the premiere of a new work by John Dryden. Since the play was entered in the Stationers' Register, January 1678, the first production was probably not long before this performance. The document in The Theatrical Inquisitor gives this information: The King's Box, no receipts; Mr Hayles' boxes, #3 (probably 15 spectators); Mr Mohun's boxes, #1 12s. (probably 8 spectators); Mr Yeats' boxes, 12s. (probably 3 spectators); James' boxes, #2 (probably 10 spectators). Mr Kent's pitt, 82 spectators, and Mr Britan's pitt, 35 spectators, a total of 117, paying #14 12s. 6d. Mr Bracy's gallery, 42 spectators; and Mr Johnson's gallery, 21 spectators; a total of 63 spectators, who paid #4 14s. 6d. Mr Thomson's gallery, 33 spectators, paying #1 13s. The total attendance appears to have been 249; the receipts were #28 4s. The house rent came to #5 14s. Downes (Roscius Anglicanus, p. 11) gives a cast which is identical except for omissions

Performances

Mainpiece Title: All For Love Or The World Well Lost

Performance Comment: Edition of 1678: Prologue to Anthony and Cleopatra-; Marc Anthony-Hart; Ventidius-Mohun; Dollabella-Clarke; Alexas-Goodman; Serapion-Griffin; Another Priest-Coysh; Cleopatra-Mrs Boutell; Octavia-Mrs Corey; Epilogue-.
Cast
Role: Ventidius Actor: Mohun
Related Works
Related Work: Love's Victim: or, the Queen of Wales Author(s): Charles Gildon
Event Comment: [In mainpiece the playbill retains Wroughton as Lord Morelove and Henderson as Sir Charles Easy, but "an apology was made for the Illness of [Henderson], and Wroughton became his substitute, Wroughton's Place in Lord Morelove being supplied by Williamson from the Haymarket" {Public Advertiser 13 Feb.). Afterpiece in place of Rosina, announced on playbill of 10 Feb.] Receipts: #277 6s. (269/9; 7/17)

Performances

Mainpiece Title: The Careless Husband

Performance Comment: As17840123, but Lord Morelove-Williamson; Sir Charles Easy-Wroughton .
Cast
Role: Lord Morelove Actor: Williamson
Role: Sir Charles Easy Actor: Wroughton
Role: Lord Foppington Actor: Lewis

Afterpiece Title: Harlequin Rambler

Event Comment: Benefit for Hobson. Tickets and places of Hobson at the stage door of the Theatre. Presentment of the Grand Juryv for the County of Middlesex: We the Grand Jury sworn to enquire for our Sovereign Lord The King, and the body of this county, have observed from most of the presentments delivered to us by the Constables of this County, that they have been, as we apprehend and fear, very remiss in their duty, by returning their several districts to be quiet and in good order. Whereas the contrary does most manifestly appear, in many instances as well from the accounts or advertisements we read in the daily Papers, printed and dispersed within the County (inviting and seducing, not only the inhabitants, but also all other persons, to several places kept apart for the encouragement of Luxury, Extravagance, and Idleness, and we fear other wicked, illegal purposes, which by such means go on with impunity, to the destruction of many families) as otherwise to the great Dishonour of the Kingdom...especially at a time when we are engaged in expensive Wars, and so much overburdened with Taxes of all sorts, both Parliamentary and Parochial, that it is much as a prudent man can do, without a taste to extravagant and illegal pleasure to support himself and family according to his degree and station in life under the most regular economy. [If unchecked this bad example will lead to National destruction]. We do accordingly hereby present as places riotous, of great extravagance, luxury, idleness, and ill fame, the several house &c following: [lists two gambling houses, then the Proprietors of the avenues leading to the several playhouses for not preventing wicked loose and disorderly persons from loitering at the front of their several houses on nights of the play to the prejudice of playgoers.] 4. Saddlers Wells, near Islington; 5. New Wells, Goodman's Fields; 6. New Wells, Clerkenwell; 7. The Proprietors of a Place call'd Hallam's New Theatre at Mayfair. Prays that the court will close all listed. N.B. Many people believed that after this presentment, the places mentioned would be shut up or reformed, but they advertise and continue the same diversions as before.-Gentlemen's Magazine (May, 1744), pp. 278-79

Performances

Mainpiece Title: The Careless Husband

Performance Comment: Sir Charles Easy-Giffard; Lord Foppington-Cibber Jun.; Lord Morelove-Delane; Lady Betty Modish-Mrs Woffington; Lady Easy-Mrs Giffard; Lady Graveairs-Mrs Roberts; Edging-Mrs Ridout.
Cast
Role: Sir Charles Easy Actor: Giffard
Role: Lord Foppington Actor: Cibber Jun.
Role: Lord Morelove Actor: Delane

Afterpiece Title: The Lying Valet

Song: I, IV: Morland

Dance: III: Mlle Auguste

Event Comment: [In mainpiece the playbill assigns Lord Trinket to Dodd, but he "having been taken ill, Kennedy of Covent Garden Theatre performed Lord Trinket, and was favourably received" (Public Advertiser, 28 Sept.).] Receipts: #170 18s. (120/7/0; 49/11/6; 0/19/6)

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Smith; Lord Trinket-Kennedy; Sir Harry Beagle-Palmer; Charles-Bannister Jun.; Russet-Aickin; Captain O'Cutter-Moody; Major Oakly-Baddeley; Lady Freelove-Mrs Hopkins; Harriet-Mrs Brereton; Mrs Oakly-Miss Farren .
Cast
Role: Lord Trinket Actor: Kennedy
Role: Charles Actor: Bannister Jun.

Afterpiece Title: The Caldron or Pantomimical Olio

Dance: In afterpiece, by Mills, Miss J. Stageldoir, and others

Event Comment: By Permission of the Right Hon. the Lord Chamberlain. Benefit for a Lady in Distress. To begin at 7:00

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-West; Major Oakly-Bowles; Charles-Swindall; Russet-Kenny; Sir Harry Beagle-Everard; Captain O'Cutter-Bailey; Tom-Johnson; Paris-Thompson; Lord Trinket-Creswick; Mrs Oakly-Mrs Lee; Lady Freelove-Mrs Roach; Toilette-Mrs Bailey; Chambermaid-Mrs Everard; Harriet-Mrs West.
Cast
Role: Charles Actor: Swindall
Role: Lord Trinket Actor: Creswick

Afterpiece Title: Catherine and Petruchio

Entertainment: Monologues. End: [a Parody on Shakespeare's Stages [recte Seven Ages]-Creswick; Between Acts afterpiece: [an Epilogue[, concluding with Marplot's Address,-Creswick

Event Comment: By Authority of the Lord Chamberlain. Benefit for Lacy, formerly of the Theatre Royal, Drury-Lane. Tickets to be had of Fosbrook, at the Box Office of the Drury Lane Theatre, and Rice, at the Box Office of the Theatre-Royal, Haymarket, where Places for the Boxes may be taken. [Address by John Taylor (Monthly Mirror, Dec. 1798, p. 370). On this night the following appeared both at dl and at the hay: Hollingsworth, Caulfield, Bannister Jun., Suett, Miss Pope, Mrs Bland.

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Lacy; Major Oakly-Wilmot Wells; Charles-Macready; Mrs Oakly-Mrs Abington; And, with Permission of the Proprietors of the Theatre Royal, Drury-Lane: Russet-Hollingsworth; Sir Harry Beagle-R. Palmer; Lord Trinket-Russell; Captain O'Cutter-Caulfield; Paris-Wewitzer; William-Ryder; John-Surmont; Tom-Webb; Lady Freelove-Mrs Sparks; Harriet-Miss Heard; Toilet-Mrs Cuyler.
Cast
Role: Charles Actor: Macready
Role: Lord Trinket Actor: Russell

Afterpiece Title: Between II and III of the aboveSylvester Daggerwood

Afterpiece Title: High Life below Stairs

Dance: In II 3rd piece: A Mock Minuet-R. Palmer, Miss Pope

Song: End I 1st piece: Little Taffline-Mrs Bland

Entertainment: MonologuePrevious 1st piece: Occasional Address-Lacy

Event Comment: "...Richard III, which I saw performed at Drury-lane theatre at the beginning of the present season...The dresses of the characters which here make their appearance are in the usual half-and-half mode, made up from portraits of Charles I's reign, and from unrestrained fancy. Richard's habit, indeed, shews a faint hint, at the costume of his day; but how modernized! A fancy cap and feather,with a milliner's white-ribband rose, sewed thereon. A deep ruff, of that make not known until the reign of James I From the neck depends a ribband With the George: this decoration never seen in paintings till about the fashions of the abovementioned monarch's court. On his legs and feet, white silk stockings, white shoes, and red roses. These latter ornaments unknown before Elizabeth or James I's modes of dress prevailed; at any rate, they should have been white ones to have accorded with the party-badge in his cap." Writer signing himself "An Artist and an Antiquary" in Gentleman's Magazine, Apr. 1800, p. 319. Receipts: #225 16s. 6d. (178.3.6; 47.12.0; 0.1.0)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Henry-Aickin; Prince of Wales-Miss Wentworth; Duke of York-Master Chatterley; Richard-Kemble; Duke of Buckingham-Barrymore; Earl of Richmond-C. Kemble; Duke of Norfolk-Holland; Sir Richard Ratcliff-Maddocks; Sir William Catesby-Caulfield; Tressel-Surmont; Earl of Oxford-Sparks; Sir Robert Brackenbury-Trueman; Lord Stanley-Packer; Sir James Blount-Wentworth; Sir James Tyrrel-Webb; Lord Mayor-Hollingsworth; Queen Elizabeth-Mrs Powell; Lady Anne-Miss Biggs; Dutchess of York-Miss Tidswell.
Cast
Role: Lord Stanley Actor: Packer
Role: Lord Mayor Actor: Hollingsworth

Afterpiece Title: The Embarkation

Event Comment: By Command of his Royal Highness. [The Prince, accompanied by the Duke of Manchester, Lord Charles Cavendish, and Colonel Schutz, present.

Performances

Mainpiece Title: The Careless Husband

Performance Comment: Foppington-Cibber; Morelove-Mills; Sir Charles-Wilks; Lady Betty-Mrs Oldfield; Lady Easy-Mrs Porter; Lady Graveairs-Mrs Horton; Edging-Mrs Mills.
Cast
Role: Sir Charles Actor: Wilks

Afterpiece Title: Perseus and Andromeda

Related Works
Related Work: The Medley; or, Harlequin At-All Author(s): Charles Dibdin
Event Comment: The United Company. This play was in rehearsal before the death of Charles II-see 6 Feb. 1684@5-and was staged shortly after the playhouse reopened. Luttrell's date of acquisition of the separately-printed Prologue and Epilogue is 9 May 1685 (in possession of Pickering and Chatto, Ltd., 1938), and the play may have been first given on that date or during the week preceding Saturday 9 May 1685. For Cibber's account of Mountfort as Sir Courtly, see Cibber, Apology, ed. Lowe, I, 129. The separately-printed Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 228-30. A separately-printed Three New Songs in Sir Courtley Nice (1685) contains three songs, with the music by Samuel Ackroyde and an unknown composer. In addition, two songs, As I grazed unaware and O be kind my dear be kind, both composed by R. King, are in The Theater of Music, Second Book, 1685. Downes (Roscius Anglicanus, pp. 40-41): The first new Comedy after King James came to the Crown, was Sir Courtly Nice, wrote by Mr Crown:...The Comedy being justly Acted, and the Characters in't new, Crown'd it with a general Applause: Sir Courtly was so nicely Perform'd, that not any succeeding, but Mr Cyber has Equall'd him. Note, Mr Griffin so Excell'd in Surly, Sir Edward Belfond, The Plain Dealer, none succeeding in the 2 former have Equall'd him, except his Predecessor Mr Hart in the latter. The Lover's Session; In Imitation of Sir John Suckling's Session of Poets (in Poems on Affairs of State, II [1703], 162): @Montrath was in Foppery conceiv'd another@Of Whitehall true Breed, Sir Nices Twin Brother:@None could tell, so alike all their Follies did seem,@Whether he acted Mumford, or Mumford him.

Performances

Mainpiece Title: Sir Courtly Nice Or It Cannot Be

Performance Comment: Edition of 1685: Prologue-; Epilogue-; Downes (Roscius Anglicanus, p. 40): Sir Courtly-Mountfort; Hothead-Underhill; Testimony-Gillo; Lord Beaugard-Kynaston; Surly-Griffin; Sir NicholasCallico-Anthony Leigh; Leonora-Mrs Barry.
Cast
Role: Lord Beaugard Actor: Kynaston
Event Comment: Benefit for Wilson. Second Course [1st time; M. INT I, by James Cobb. Larpent MS 567; not published]: With Songs and a New Overture. Entrement [1st time: INT I, by Charles Stuart. Larpent MS 566; not published]. Desert: Never acted here; by Permission of Harris [proprietor of cg. The playbill assigns Princess Huncamunca to Mrs Kennedy, but "Huncamunca was very well performed by a Lady who resembled Mrs Kennedy in her voice" (Public Advertiser, 23 Aug.; and see 24 Aug.)]

Performances

Mainpiece Title: the Feast Of Thalia Or A Dramatic Olio

Afterpiece Title: First Course a substantial Dish from Henry IV

Afterpiece Title: Second Courae a Comic Dish never servd up before Kensington Gardens or The Walking Jockey

Afterpiece Title: Third Course an Operatic Dish The Son in Law

Afterpiece Title: Also by way of Entremet Ripe Fruit or The Marriage Act

Related Works
Related Work: Ripe Fruit; or, The Marriage Act Author(s): Charles Stuart
Related Work: The Marriage Act Author(s): Charles Dibdin

Afterpiece Title: Desert Tom Thumb

Performance Comment: Mr Noodle-Bannister; Mr Doodle-Bannister Jun.; Tom Thumb-Master Edwin; Lord Grizzle-Edwin; Ghost of Gaffer Thumb-Simpkinson; King Arthur-Wilson; Princess Huncamunca-A Young Lady (1st appearance on any stage [unidentified]); Glumdalca-Mrs Webb; Plumante-Mrs Lefevre; Queen Dollalolla-Mrs Cargill. [As no Supper will be provided, the Cloth will be removed by Eleven o'Clock.As no Supper will be provided, the Cloth will be removed by Eleven o'Clock.
Cast
Role: Lord Grizzle Actor: Edwin

Song: In Second Course: Auld Robin Gray-Miss Harper

Event Comment: Mainpiece [1st time; C 5, by Edward Morris, with incidental music by Richard Suett. Prologue by Charles Morris; Epilogue by George Colman, ynger (see text)]: With new Dresses, Decorations, &c. Morning Herald, 23 Apr. 1793: To-morrow will be published False Colours (1s. 6d.). Receipts: #231 9s. (188.2; 38.18; 4.9)

Performances

Mainpiece Title: At Kings False Colours

Performance Comment: [Characters by Suett, King, Wroughton, Barrymore, Bannister Jun., R. Palmer, Wewitzer, Maddocks, Alfred, Banks, Webb, Miss Pope, Miss Farren, Mrs Goodall, Miss Heard. Cast from text (T. Cadell, 1793): Lord Visage-Suett; Sir Paul Panick-King; Sir Harry Cecil-Wroughton; Captain Montague-Barrymore; Grotesque-Bannister Jun.; Subtle-R. Palmer; Tony-Wewitzer; Robert-Maddocks; Cook-Alfred; Servants [so listed in text, but actors' names omitted]-Banks, Webb; Lady Panick-Miss Pope; Constance Evelyn-Miss Farren; Harriet-Mrs Goodall; Lucy-Miss Heard; Prologue-Wroughton; Epilogue-Miss Farren. [These were spoken, as here assigned, at all subsequent performances, except on 1 and 2 May.]These were spoken, as here assigned, at all subsequent performances, except on 1 and 2 May.]
Cast
Role: Lord Visage Actor: Suett

Afterpiece Title: The Prisoner

Event Comment: Benefit for Hull and Macready. 1st piece: In Act I a Grand Banquet. With the Procession [in Act IV] from the Abbey at the Coronation of Anne Bullen . To conclude with the Ceremonial of a Royal Christening. [In 2nd piece the scenes, as listed on 10 May, are indicated.] Morning Herald, 20 May: Tickets to be had of Hull, No. 7, Duke's-court, Westminster; Diary, 21 May: of Macready, No. 3, Mary-street, Charles-street, Tottenham-Court-Road. Receipts: #282 14s

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Holman (1st and only appearance in that character); Duke of Buckingham-Farren; Cranmer-Hull; Cromwell-Davies; Lord Chamberlain-Cubitt; Bishop of Winchester-Quick; Surrey-Macready; Duke of Norfold-Harley; Duke of Suffolk-Marshall; Cardinal Wolsey-Pope; Anne Bullen-Miss Chapman; Queen Catherine-Mrs Pope.
Cast
Role: Lord Chamberlain Actor: Cubitt

Afterpiece Title: The Sailors Festival

Afterpiece Title: The Follies of A Day

Song: III: a song-Mrs Clendining