Event Comment: John Dryden to Lord Latimer, July 1677: But the Kings Comedy [probably Mr Limberham] lyes in the Sudds till you please to send me into Northamptonshyre: it will be almost such another piece of business as the fond Husband, for such the King will have it, who is parcell poet with me in the plott; one of the designes being a story he was pleas'd formerly to tell me; and therefore I hope he will keep the jeast in countenance by laughing at it...I have a farther honour to beg, that my Tragedy [All for Love], which will be acted at Michaelmasse, & is already written, may have the honour to be addressed to my Lord Treasurer; & that your Lordship and My Lord Mulgrave wil I hope beg together for me (The Letters of John Dryden, ed. Ward, pp. 11-12)

Event Comment: John Dryden to Jacob Tonson, ca. August 1684: I desire to know whether the Dukes house are makeing cloaths & putting things in a readiness for the singing opera [The Tempest?], to be playd immediately after Michaelmasse: for the Actors in the two plays, which are to be acted of mine, this winter [All for Love and The Conquest of Granada], I had spoken with Mr Betterton by chance at the Coffee house the afternoon before I came away: & I believe that the persons were all agreed on, to be just the same you mentioned. Only Octavia was to be Mrs Buttler, in case Mrs Cooke were not on the Stage. And I know not whether Mrs Percivall who is a Comedian, will do so well for Benzayda (Letters of John Dryden, ed. Ward, pp. 23-24)

Event Comment: John Dryden to Sir George Etherege, 16 Feb. 1686@7: The Coffee-house stands certainly where it did, & angry men meet in the square sometimes, as Abercomy, & Goodman lately did, where they say Alexander the Great was wounded in the arme (The Letters of John Dryden, ed. Ward, p. 27). See 27 Oct. 1686

Event Comment: Walsh to Dryden: Is Cleomenes finisht pray or have you begun ye other design you told mee of abt ye priesthood (The Letters of John Dryden, ed. Ward, p. 44)

Event Comment: Benefit Ward, Chapman, and Mackenzie. Written by Shakespear. Receipts: money #12 2s. 6d; tickets #81 13s

Event Comment: At the Desire of the Worthy Inhabitants of Farringdon Ward, at the Dog Tavern, in Ludgate Street

Event Comment: Benefit Ward and Gwinn, Pit Doorkeepers. Receipts: money #8 15s.; tickets #100 13s

Event Comment: Benefit Ward and Gwinn. Receipts: money #8 11s.; tickets #107 8s

Event Comment: At Fielding-Reynolds Booth. [On 23 Sept. Miss Ward was announced as play Polly.

Event Comment: Receipts: #80 2s. Probable attendance: boxes 70 paid and 12 orders; stage, 2 paid; pit, 227 paid and 20 orders; slips, 19 paid and 3 orders; first gallery, 183 paid and 10 orders; second gallery, 152 paid and 1 order. [For a performance of The Beggar's Opera at sf, with Polly by Miss Ward, see season of 1727-28, under 6 Sept. 1728.

Event Comment: Benefit Mil ward. Mainpiece: Written by Shakespear. Afterpiece: Taken from Moliere

Event Comment: Benefit Turbutt, Este. Tickets for Gray, Rainton, Ward, Miss Bennet also taken. Tickets to be had at Este's Lodgings in Wild Street

Event Comment: Benefit the Widow and Four Small Children of the late Henry Carey. Tickets at the stage door, or at the Widow Carey's in Cross St., Hatton-Garden; at Langbourn-Ward Coffee House; and of Mrs Suertt, at the Apple Tree in Cold Bath Fields. N.B. The Unfortunate Widow humbly hopes that the Good Nature and Humanity of her Friends will admit her melancholy circumstances, and the shortness of time, as a sufficient excuse for not waiting on them, and continue the favours, formerly shown to her late Husband, to her and her Distress'd Family, being left entirely destitute of any provision

Event Comment: Benefit Quin. By Command of their Royal Highnesses the Prince and Princess of Wales, Prince George, Prince Edward, and the Lady Augusta. N.B.: Servants will be permitted to keep places on the stage which will be form'd into an amphitheatre, enclos'd, covered, and kept ward, as at the late Oratorios. Tickets to be had at Quin's House in Bedford St., Covent Garden; and of Page at the stage door

Event Comment: Published at 1s. 6d. Romeo and Juliet, revised by Theo. Cibber, first rev[ived] in Sept. 1744 at the Theatre in the Haymarket. Now acted at the Theatre Royal in Drury Lane. Great objects only strike the Gen'rous Heart@Praise the Sublime, o'er look the Mortal Part@Be there your judgment, Here your Candor shown@Small is our Portion-and we wish 'Twere none.-Prologue to Comus alter'd, &c. To which is added a Serio-Comic Apology for part of the life of Theophilus Cibber, Comedian, written by himself. Interspers'd with Memoirs and Anecdotes relating to the Stage managements, Theatrical Resolutions, &c., also Cursory Observations on some Pribcipal players. Particularly, Mr Quin, Ryan, Delane, Mrs Woffington, Mrs Ward, Miss Bellamy, Mr Garrick, Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard and others. Likewise Original Letters that passed between the late Sir Thomas deVeil and Mr Theophilus Cibber relating to the Stage Act. "Each Puny Critic can Objections raise@The Greatest still is Knowing when to praise,"-Buckingham. Concluding with a Copy of Verses called The Contrite Comedian's Confession. Printed for C. Corbett &c. (General Advertiser). [This pamphlet details Cibber's troubles with Fleetwood during the years 1743-46.] Receipts: #160 (Cross); #151 11s. (Powel)

Event Comment: TThe Suspicious Husband oblig'd to be deferr'd on account of Mrs Ward's indisposition. Last night (i.e., 29 Oct. in Dublin) were married Mons Granier and Miss Vandersluys, two celebrated dancers (General Advertiser). Receipts: #180 (Cross)

Event Comment: MMrs Pritchard, belonging to Drury Lane is recovering from her late indisposition, and it is hoped will be able to act in a few days. Mrs Ward, last Sunday Morning, belonging to Drury Lane, was aafely deliver'd of a son, at her lodgings in little Wild St., and is in a fair way of recovery (General Advertiser). Receipts: #100 (Cross)

Event Comment: Benefit for Lacey and Wilder. Tickets deliver'd out by Ward, Harvey, and Mrs Addison will be taken. Receipts: #170 (Cross)