SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Charles E Ward"/1) | (@(roleclean,performerclean) "Charles E Ward")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3389 matches on Author, 1870 matches on Performance Comments, 438 matches on Event Comments, 303 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Which Is The Man

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard

Afterpiece Title: The Dramatic Puffers

Afterpiece Title: The Golden Pippin

Performances

Mainpiece Title: La Contadina In Corte

Dance: End of Act I New Divertisement Dance, as17820214; End of Act II Le Triomphe de l'Amour Conjugal, as17820110

Performances

Mainpiece Title: Quinto Fabio

Dance: End of Act I Pastoral Dance, as17820129; End of Act II New Divertisement Dance, as17820216; End of Act III Divertisement Dance, as17811117, but Raymond in place of Bournonville

Performances

Mainpiece Title: Leroe Cinese

Dance: End of Act I Divertisement Dance, as17820205; End of Act II New Divertisement Dance, as17820216; End of Act III Le Triomphe de l'Amour Conjugal, as17820110

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Devil upon Two Sticks

Performances

Mainpiece Title: Il Pittore Parigino

Dance: As17850122 throughout

Performances

Mainpiece Title: Double Falsehood Or The Distrest Lovers

Afterpiece Title: Tippoo Saib or British Valour in India

Afterpiece Title: Barnaby Brittle

Dance: In 2nd piece: Battle Dance-, and a Representation of English and British Grand Martial Procession

Song: I: Hark the Lark at Heaven's Gate sings (set by Dr Cooke)-Bannister, Johnstone, Incledon, Mrs Mountain; End II: Black Eyed Susan-Incledon; IV: Fond Echo Forbear thy fond sigh (written by Shakspeare [recte Lewis Theobald], and composed new for the Evening's Performance by Shield)-Mrs Mountain; In Pantomime: Poor Orra tink on Yanco dear (the music by Dibdin)-Mrs Mountain; The Gallant Soldier born to Arms (composed by Hook)-Incledon; Indian War Song-Bannister; The Tobacco Box: Tho' the Fate of Battle on Tomorrow wait-Johnstone, Mrs Warrell

Performances

Mainpiece Title: King Henry The Viii

Afterpiece Title: Selima and Azor

Entertainment: Monologue. End: Collins's Ode on the Passions (for this night only)-Mrs Siddons

Performances

Mainpiece Title: La Discordia Conjugale

Dance: As17920310

Performances

Mainpiece Title: Richard Iii

Performance Comment: Richard-T. Morris; Lieutenant of the Tower-A. Morris; King Henry-Horwell; Tressel-Birch; Richmond-Crewe; Catesby-Uncle; Buckingham-Meredith; Stanley-Webber; Prince Edward-Miss S. Francis; Queen-Mrs Hunter; Lady Anne-Mrs Pollard; Duchess of York-Mrs McGeorge; Prologue-T. Morris; Epilogue-Mrs Pollard.

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Hurlstone; Young Philpot-Hewardine; Old Wilding-Hurlstone Jun.; Young Wilding-Crewe; Quildrive-Ridgway; Dapper-Lane; Maria-Mrs Pollard; Corinna-Miss S. Francis.
Cast
Role: Young Philpot Actor: Hewardine
Related Works
Related Work: The Citizen Turned Gentleman Author(s): Edward Ravenscroft
Event Comment: 1st piece [1st time; PREL 1, by Richard Cumberland. Larpent MS 958; not published]. Without insisting on the great Expence that has been incurred in re-building this Theatre (in the erecting of which no other Object has been attempted but the greater ease, safety and accomodation of the Spectators) it appears upon the Books that the Annual Disbursements of the past Seasons have gradually been encreasing from Year to Year, under the Direction of the present Proprietor, to nearly the sum of #10,000 per Annum more than the usual Expenditure of any of his Predecessors; it is therefore trusted the Necessity of the following small Advancement of the Prices of Admission to the Boxes and the Pit will be sufficiently apparent to the Justice of that Public whose Liberality has never yet been doubted. E. Barlow, Treasurer. Boxes 6s. 2nd Price 3s. Pit 3s. 6d. 2nd Price 2s. Gallery 2s. 2nd Price 1s. No Money to be returned. The Office for taking Places for the Boxes is removed to Hart-street. The principal new Entrance to the Boxes is from the Great Portico in Bow-street; from the Small Portico are Entrances to the Pit and Gallery only. In the Old Passage from the Piazza are new Entrances to the Boxes, Pit, and Gallery. Carriages coming to Bow-street Entrances are desired to set down and take up with the Horses' Heads towards Hart-street. The Doors to be opened at 5:30. To begin at 6:30 [see 12 Nov.]. [The audience objected vociferously to the increased prices of admission and to the absence of a 2nd gallery (and see under 19 Sept.). "The Prelude passed off without a syllable of it being heard...Two acts of The Road to Ruin displayed the performers' skill in pantomime, for not a word was heard...The Irishman in London then walked over the stag amidst the same riot and confusion which attended the preceding pieces" (Times, 18 Sept.).] Receipts: none listed

Performances

Mainpiece Title: A New Occasional Prelude

Afterpiece Title: The Road To Ruin

Afterpiece Title: The Irishman in London

Performance Comment: Principal Characters by Johnstone, Blanchard, Wilson, Fawcett, Harley, Macready, Miss Chapman, Mrs Fawcett, Mrs Mattocks. Cast adjusted from text (T. N. Longman, 1793): Murtoch Delany-Johnstone; Cymon-Blanchard; Mr Frost-Wilson; Edward-Fawcett; Captain Seymour-Harley; Mr Colloony-Macready; Caroline-Miss Chapman; Cubba-Mrs Fawcett; Louisa-Mrs Mattocks.
Cast
Role: Edward Actor: Fawcett

Performances

Mainpiece Title: At Kings The Pirates

Afterpiece Title: Katharine and Petruchio

Dance: The Dances (composed by D'Egville)-Hamoir, D'Egville, Master D'Egville, Miss Prevot, Miss Menage, Miss Phillips, the Miss D'Egvilles. [These were danced, as here assigned, in all subsequent performances until 8 Apr. 1793.

Performances

Mainpiece Title: At Hay King Henry The Eighth

Afterpiece Title: Ozmyn and Daraxa

Dance: As17930307

Performances

Mainpiece Title: The Cherokee

Afterpiece Title: The Wedding Day

Performances

Mainpiece Title: La Scola Dei Maritati

Dance: As17950411

Performances

Mainpiece Title: Alceste

Dance: As17960202 [One of these dances was a Hornpipe by Mlle DelCaro, now Mme Bossi (Morning Chronicle, 8 Feb.).

Performances

Mainpiece Title: The Wedding Day

Afterpiece Title: The Child of Nature

Afterpiece Title: The Shepherdess of Cheapside

Performances

Mainpiece Title: The Messiah 0

Music: End I: concerto on the violoncello-C. Ashley

Performances

Mainpiece Title: Ipermestra

Dance: End I: Divertisement, composed by Gallet [with music by Bossi] L'Offrande a Terpsichore-Didelot, Mme Rose, Laborie (1st appearance in this country since 1790 [recte 1792]), Mme Hilligsberg, Mlle J. Hilligsberg, Mme Laborie

Ballet: End Opera: a new Grand, Heroic, Pastoral Ballet, composed by Gallet [with music by Bossi] Ariadne et Bacchus. Bacchus-Laborie; Ariadne-Mme Laborie; Silenus-Blake; Cupid-Master Menage; Followers of Bacchus-Mme Hilligsberg, Mlle J. Hilligsberg, Didelot, Mme Rose. [And see dl, 9 May 1798.

Performances

Mainpiece Title: La Scola Dei Maritati

Dance: As17980116

Performances

Mainpiece Title: Cinna

Dance: As17980210

Performances

Mainpiece Title: The Messiah

Music: End I: concerto on the violin-Master Pinto (aged Eleven Years, Grandson to the celebrated Performer of that Name [ThomasPinto])

Performances

Mainpiece Title: La Cifra

Dance: As17980306

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: End I: A New Divertisement, as17980419; End Opera: La Vengeance de l'Amour-; Pas de Quatre de Panurge-

Performances

Mainpiece Title: Elfrida

Dance: End I: Peggy's Love composed by Didelot [with music by Bossi]-; Pas de Trois-Laborie, Mme Laborie, Mme Hilligsberg; End Opera: La Vengeance de l'Amour, as17980421