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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Charles Dieupart"/1) | (@(roleclean,performerclean) "Charles Dieupart")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4637 results for: Keyword - Charles Dieupart
We found 3377 matches on Author, 1159 matches on Performance Comments, 307 matches on Event Comments, 89 matches on Performance Title, and 0 matches on Roles/Actors.

3476
28 March 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymens Triumph

3477
11 April 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Honest Yorkshireman

3478
13 April 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Honest Yorkshireman

3479
15 April 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Honest Yorkshireman

3480
19 April 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: Hymens Triumph

3481
25 April 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Mad House

Dance: IV: Clown-Vallois; V: Two Pierrots-Vallois, Delagarde

3482
10 May 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Honest Yorkshireman

Song: I: Dialogue (composed by Purcell)-the Masters Hamilton; III: A Song of Lord Flame's out of the Opera of All Alive and Merry-Master W. Hamilton

Dance: II: Tambourine-Mlle Roland; V: A new Serious Dance-Mlle Roland

3483
18 May 1737 @ Lincoln's Inn Fields

Performances

Mainpiece Title: King Charles The First

Afterpiece Title: The Honest Yorkshireman

Dance: III: Clown-Vallois; V: Two Pierrots-Vallois, Delagarde

Song: IV: Miss Jones

3484
03 March 1738 @ Drury Lane Theatre

Performances

Mainpiece Title: Concert

Music: Consisting of several Select Pieces by Mr Handel and other Eminent Masters, and taken from the most favourite Operas-; The Vocal Parts-Mr Beard, Mrs Clive; being several Favourite Songs in Italian and English-Mr Beard, Mrs Clive; A Preamble on the Kettle@Drums-Master Ferg; with two New Minuets-; Chorus out of Atalanta for French@Horns and Trumpets-, the two French-Horns two little Negro-Boys (Scholars to Mr Charles, who never perform'd before); Concluding with the Anthem, God save the King-

Dance: WWooden Shoe Dance-Master Ferg; Shepherd's Mount (a ballet)-

3485
09 May 1740 @ Drury Lane Theatre

Performances

Mainpiece Title: An Historical Play king Charles I

Afterpiece Title: The Virgin Unmaskd

Dance: II: Le Tambourine-Mlle Chateauneuf; III: Muilment; IV: Pierots-Lalauze, Livier; D: Muilment

Song: I: The Noon Tide Air (Comus)-Miss Edwards

3486
21 May 1740 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Miller of Mansfield

Dance: I: Pierots-Lalauze, Liviez; II: Mlle Chateauneuf; III: Muilment; A new Saraband-Miss Wright; IV: Le Tambourine-Mlle Chateauneuf; V: Le Gout Anglois-Master Matthews, Miss Wright; End Afterpiece: Larry Grogan-Master Matthews, Miss Wright

Music: I: Trumpet Piece-Adcock; IV: Concerto on French Horns-Charles; V: Preamble on Kettle Drums-Woodbridge; with Handel's Water Musick-

3487
20 February 1744 @ Haymarket Theatre

Performances

Mainpiece Title: Othello

Music: Concerto on French Horn-Charles, first time of his performing since his arrival; concerto on German Flute-Burk Thumoth; After which will be acted Gratis the Tragedy...-a set of Gentlemen for their diversion

3488
08 November 1748 @ King's Theatre

Performances

Mainpiece Title: La Comedia In Comedia

Dance: GGrand Dance (compos'd by Poitier)-Mlle Poitier, Master Charles, Miss Jenny Poitier

Music: Rinaldo da Capua

3489
01 March 1799 @ Covent Garden

Performances

Mainpiece Title: Grand Selection 0 Of Music From The Works Of handel boyce arne And purcell

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the violoncello-Charles Ashley

3490
05 March 1800 @ Covent Garden

Performances

Mainpiece Title: Grand Selection 0 Of Sacred Music From The Works Of handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End II: concerto on the violoncello-Charles Ashley

3491
14 March 1722 @ Drury Lane Theatre

Performances

Mainpiece Title: Concert

Music: First Entertainment: 1. Concerto with Trumpets composed, performed-Grano; 2. A new Italian Concerto by Albinoni-; 3. Singing-Mrs Barbier; 4. Concerto by Carbonelli-; Second Entertainment: Concerto with Two Hautboys and Two Flutes by Dieupart-; 2. Concerto on Bass Viol composed and performed by-Pippo; 3. Singing-Mrs Barbier; 4. Eighth Concerto of Corelli-; Third Entertainment: 1. Concerto by Carbonelli-; 2. Solo on Arch Lute composed, performed-Viebar; 3. Singing-Mrs Barbier; 4. A New Concerto on Little Flute by Woodcocke-John Baston; Solo-Carbonelli; 6. Concerto on Two Trumpets-Grano

Performance Comment: Concerto with Trumpets composed, performed-Grano; 2. A new Italian Concerto by Albinoni-; 3. Singing-Mrs Barbier; 4. Concerto by Carbonelli-; Second Entertainment: Concerto with Two Hautboys and Two Flutes by Dieupart-; 2. Concerto on Bass Viol composed and performed by-Pippo; 3. Singing-Mrs Barbier; 4. Eighth Concerto of Corelli-; Third Entertainment: 1. Concerto by Carbonelli-; 2. Solo on Arch Lute composed, performed-Viebar; 3. Singing-Mrs Barbier; 4. A New Concerto on Little Flute by Woodcocke-John Baston; Solo-Carbonelli; 6. Concerto on Two Trumpets-Grano.
Cast
Role: Dieupart Actor:

3492
18 January 1712 @ Drury Lane Theatre

Event Comment: At the Request of seveal Persons of Quality. The Spectator, 18 Jan., has a letter from Thomas Clayton, Nicolino Haym, and Charlies Dieupart, who deny the rumor that their purpose in presenting concerts is to destroy opera. Rather they wish to improve the art of music, which they feel is utterly destroyed at the moment; however, there will be no performances at York Buildings until after that of the Subscription

Performances

Mainpiece Title: The Amorous Widow

Entertainment: With several additional Entertainments-

3493
25 September 1744 @ Haymarket Theatre

Performances

Mainpiece Title: The Careless Husband

Performance Comment: Foppington-Cibber; Morelove-Charles; Sir Charles-Mills, first on this stage in twelve years; Lady Betty-Mrs Mills, never here before; Lady Easy-Mrs Bailey, from Dublin; Lady Graveairs-Mrs George; Edging-Mrs Chetwood; prologue-Mrs Mills.
Cast
Role: Morelove Actor: Charles
Role: Sir Charles Actor: Mills, first on this stage in twelve years

Music:

3494
20 August 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Lord Russel

Performance Comment: Characters are as follows: King Charles II, James Duke of York, Earl of Bedford, Lord Russel, Algernon Sidney, Lord Howard, Sir George Jefferies, Father Peters, Hubert, Lieutenant of the Tower; Lady Russel. Which are kindly undertaken to be represented by Ladies and Gentlemen, who never performed on any Stage. [Cast from text (no pub. [c. 1794]): King Charles II-Capt. Harriett (of the Navy); James Duke of York-Hyanson (a Yorkshire Attorney, Brother to Mrs McNally); Earl of Bedford-Laurence [sic] (Father to the celebrated Painter); Lord Russel-Horne (of the Temple); Algernon Sidney-another Laurence (not the Painter); Lord Howard of Eserick-Supple; Sir George Jefferies-A Young Lawyer of the Temple; Father Peters-Major Sykes; Hubert, Preceptor to Lord Russel-Henry Lucas, Esq. (Son of the late celebrated Dr Lucas) (who also wrote and spoke the Prologue); Kirk, Lieutenant of the Tower-Elliot; Lady Russel-Mrs Batiere (who also wrote and spoke the Epilogue).] Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug . Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug .
Cast
Role: : King Charles II Actor: Capt. Harriett

3495
04 August 1785 @ Haymarket Theatre

Performances

Mainpiece Title: Ill Tell You What

Performance Comment: Principal Characters by Palmer, Bensley, Aickin, Bannister Jun. Williamson, R. Palmer, Lyons, Ledger, Gaudry, Parsons; Mrs Bulkley, Mrs Bates, Mrs Riley, Miss Farrcn. [Cast from text (G. G. J. and J. Robinson, 1786): Major Cyprus-Palmer; Mr Anthony Euston-Bensley; Colonel Downright-Aickin; Charles Euston-Bannister Jun.; Sir George Euston-Williamson; Sir Harry Harmless-R. Palmer; Servants-Lyons, Ledger, Gaudry; Mr Euston-Parsons; Lady Euston-Mrs Bulkley; Lady Harriet Cyprus-Mrs Bates; Bloom-Mrs Riley; A Young Lady [in review of the play in Public Advertiser, 5 Aug., called Mrs Charles Euston]-Miss Farren.] Prologue [spoken by Palmer]. Epilogue [spoken by Miss Farren. These were spoken as, here assigned, at all subsequent performances] . Prologue [spoken by Palmer]. Epilogue [spoken by Miss Farren. These were spoken as, here assigned, at all subsequent performances] .
Cast
Role: Charles Euston Actor: Bannister Jun.
Role: called Mrs Charles Euston] Actor: Miss Farren.

Afterpiece Title: The Author

3496
28 December 1793 @ Covent Garden

Performances

Mainpiece Title: The Beaux Stratagem

Performance Comment: As17930927, but Boniface-Powel; Sullen-Davies; omitted: Sir Charles Freeman . omitted: Sir Charles Freeman .
Cast
Role: Sir Charles Freeman Actor: Evatt

Afterpiece Title: HARLEQUIN AND FAUSTUS

3497
08 August 1660 @ no theater listed

Event Comment: Edition of 1660: A Tragy-Comedy. Relating to our latter Times. Beginning at the Death of King Charles the First. And ending with the happy Restaurant of King Charles the Second. Written by a Person of Quality. [This work was probably not acted. The British Museum copy (E 1038) has a MS date 8 Aug. 1660.

Performances

Mainpiece Title: Cromwells Conspiracy

3498
09 February 1663 @ Whitehall or St. James's

Event Comment: L. C. 5@137, p. 389, in Boswell, Restoration Court Stage, p. 281. By the Duke's Company. Charles II to Madame (his sister), 9 Feb. 1662@3: I am just now called for to goe to Play (C. H. Hartman, Charles II and Madame [London, 1934], p. 68)

Performances

Mainpiece Title: An Unidentified Play

3499
04 October 1664 @ The (first) Drury Lane Theatre

Event Comment: Pepys, Diary: Thence after dinner to a play, to see The Generall; which is so dull and so ill-acted, that I think it is the worst I ever saw or heard in all my days. I happened to sit near to Sir Charles Sidly; who I find a very witty man, and he did at every line take notice of the dullness of the poet and badness of the action, that most pertinently; which I was mightily taken with; and among others where by Altemire's command Clarimont, the Generall, is commanded to rescue his Rivall, whom she loved, Lucidor, he, after a great deal of demurre, broke out, "Well, I'le save my Rivall and make her confess, that I deserve, while he do but possesse." "Why, what, pox," says Sir Charles Sydly, "would he have him have more, or what is there more to be had of a woman than the possessing her?" Thence...vexed at my losing my time and above 20s. in money, and neglecting my business to see so bad a play

Performances

Mainpiece Title: The Generall

3500
18 February 1667 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. Pepys, Diary: With my wife by coach to the Duke of York's play-house, expecting a new play, and so stayed not no more than other people, but to the King's house, to The Mayd's Tragedy; but vexed all the while with two talking ladies and Sir Charles Sedley; yet pleased to hear their discourse, he being a stranger. And one of the ladies would, and did sit with her mask on, all the play, and, being exceeding witty as ever I heard woman, did talk most pleasantly with him; but was, I believe, a virtuous woman, and of quality. He would fain know who she was, but she would not tell.... By that means lost the pleasure of the play wholly, to which now and then Sir Charles Sedley's exceptions against both words and pronouncing were very pretty

Performances

Mainpiece Title: The Maids Tragedy