SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Catherine"/1) | (@(roleclean,performerclean) "Catherine")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 595 matches on Roles/Actors, 151 matches on Performance Title, 137 matches on Performance Comments, 61 matches on Event Comments, and 1 matches on Author.

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: The Invasion

Performances

Mainpiece Title: Barbarossa

Afterpiece Title: St

Performances

Mainpiece Title: The Wives Revenged

Afterpiece Title: Alexander the Great

Afterpiece Title: The Farmer's Return from London

Afterpiece Title: Midas

Performances

Mainpiece Title: Illumination

Afterpiece Title: The Comedy of Errors

Afterpiece Title: True-Blue

Afterpiece Title: The Invasion

Dance: 3rd piece: As17790405; End IV: Hornpipe-Master Davies (scholar to Hurst; 1st appearance in public)

Song: In III: song in character-Mrs Morton

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Invasion

Cast
Role: Lady Catherine Actor: Mrs Green.

Song: As17791018

Performances

Mainpiece Title: The First Part Of King Henry The Fourth, With The Humours Of Sir John Falstaff

Afterpiece Title: The Invasion

Cast
Role: Lady Catherine Actor: Mrs Green.

Dance: End II: The Dockyard, as17791204

Performances

Mainpiece Title: King Henry The Eighth

Cast
Role: Queen Catherine Actor: Miss Younge.

Afterpiece Title: Harlequin Free-Mason

Song: As17801030

Performances

Mainpiece Title: King Henry The Eighth

Cast
Role: Queen Catherine Actor: Mrs Pope.

Afterpiece Title: The Citizen

Song: As17870326

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Relief of Williamstadt

Afterpiece Title: The Invasion

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: The Invasion

Dance: As17930418

Performances

Mainpiece Title: May Day; Or, The Little Gipsey

Afterpiece Title: Fashionable Levities

Afterpiece Title: The Soldier's Festival

Afterpiece Title: Hartford Bridge

Dance: As17921116

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Soldier's Festival

Afterpiece Title: Rosina

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Joan of Arc; or, The Maid of Orleans

Performance Comment: Ballet Characters. English: Young Talbot-Bologna Jun.; General Talbot-Bologna; Herald-Helme; Officers-Blurton, Wilde, Abbot, L? Bologna; [French: Alenson-Farley; Charles (King of France)-Simpson [in Airs: Claremont (see17980214)]; Cardinal-Powel; Abbot-Thompson; Nobles and Officers-Dyke, Lee, Curties; Joan of Arc-Mrs Parker; [Infernals: Lucifer-Follett; Demons-Goostree, Parsloe, Letteney, Goodwin, Wilkins; [Vocal Characters. British Officer-Incledon; Edwin (the Page) [in Airs: Aerial Spirit, disguised as...(see17980226)]-Miss Sims; French and English Officers and Choristers-Linton, Street, Gray; Minstrel-Mrs Clendining; Female Choristers-Mrs Henley, Mrs Follett, Mrs Watts, Miss D'Evelyn, Mrs Gilbert, Mrs Norton, Mrs Masters, Mrs Castelle, Mrs Lloyd, Miss Walcup, Mrs Ward, Mrs Iliff, Mrs Bologna, Miss Leserve; Blanche-Mrs Mountain; Grand Historical Pageant-. [The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .The Argument. Joan of Arc and her sister Blanche, being placed in the power of the English Troops besieging Orleans, become both enamoured of Young Talbot--he prefers Blanche, which urges Joan to revenge, and then by employing Magic, she is gifted by +Lucifer, for a stated time with supernatural Power, which she employs against the English with success--in the midst of her triumphs her power is crushed by the superior influence of Courage of and Virtue, and she is consigned a Victim to the Fiend whose agency she solicited--Then Britannia seated in the Clouds, attended by Commerce, Plenty and Neptune, beholds A Grand Historical Pageant of the following Illustrations of British Heroism: Caractacus' Magnanimity before the Throne of Claudius. Alfred disguised in the Danish Camp as an Harper, and discovering himself to his desponding Countrymen. Richard Coeur de Lion imprisoned in Germany, & liberated by the Voluntary Contributions of his fair Countrywomen. King John uniting his Kingdom by signing Magna Charta. Henry the Third--The Effects of French Invasion--the +Dauphine subdued, and the magnanimous conduct of England towards him. Edward and Eleanora--The affectionate Wife sucks from her husband's arm the Venom of a poisoned Arrow, by which Edward was wounded in Palestine. +The Black Prince--His taking the French King prisoner at the Battle of Poictiers, and his gallantly serving him at a Banquet. +Henry V--The Triumphs of Agincourt, and his Marriage with +Catherine. Britannia then pays honour to her Heroes--and a Grand Chorus (wherein Englishmen are exhorted to emulate the Glories of their Ancestors) concludes the Piece. [For a more detailed synopsis of the action see17980216] .
Event Comment: [By Catherine Trotter. Premiere.

Performances

Mainpiece Title: Love At A Loss; Or, Most Votes Carry It

Event Comment: [By Catherine Trotter. Premiere.

Performances

Mainpiece Title: The Unhappy Penitent

Event Comment: Never acted before. [By Catherine Trotter.

Performances

Mainpiece Title: The Revolution Of Sweden

Event Comment: Not Acted these Eight Years. Written by Shakespear. Containing, the Death of the Duke of Buckingham. The Fall of Cardinal Wolsey. The Divorce, and Death of Queen Catherine. The Coronation of Queen Anne Bullen, and the Christning of Queen Elizabeth. With Decorations proper to the Play. [The Prince of Wales present.

Performances

Mainpiece Title: King Henry The Eighth

Event Comment: Mainpiece: Alter'd from Shakespear. [For a letter by Catherine Clive on th role of Polly in The Beggar's Opera, see London Daily Post and General Advertiser, 19 Nov.

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: The Fall of Phaeton

Dance: In II: Muilment

Music: Select Pieces-

Event Comment: Benefit the Widow Robinson in Catherine Street

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Impostor

Afterpiece Title: Damon and Phillida

Dance: FFrench Peasant, as17361109; Clown-Nivelon; Comic Dance, as17361213

Event Comment: Mainpiece: At the Desire of Several Persons of Quality. N.B. Some few days ago Mrs Catherine Penny was Committed, by Col DeVeil, to Bridewell, for selling Counterfeit tickets, for the Theatre Royal in Drury Lane; and as she has deliver'd out others for several Benefits to come (Mrs Clive's in particular) it is thought proper to give this public notice of the fraud, in order to prevent any tickets being bought in the Passages of the Theatre, proper care being taken to prevent all Tickets so bought from coming into the House

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Virgin Unmasked

Event Comment: Benefit Havard and Mrs Ridout. Tickets deliver'd for The Orphan will be taken....But if you are for a good sober piece, that has a great deal of good sense in it, and but few absurdities, pray read the play of Regulus. The run of the Town is against it, but whether it is the dulness of the poetry, or the nobleness of the sentiments that makes fine folks dislike it, I am unwilling to determine.--Series of Letters between Mrs Elizabeth Carter and Miss Catherine Talbot (London, 1808), I, 35

Performances

Mainpiece Title: Regulus

Afterpiece Title: The Lying Valet

Event Comment: The First Night. By Subscription. An Oratorio [Sung in English (Dean p. 238)]...with a Concerto on the Organ. Pit and Boxes to be put together and no Persons admitted without Tickets, which will be delivered this Day, at the Opera House in the Haymarket, at Half a Guinea each. Gallery 5s. The Gallery will be open'd at Four o'Clock, Pit and Boxes at Five. To begin at 6 p.m. Tickets are delivered to Subscribers at Mr Handel's House in Brooke St., near Hanover Square; at Mr Walsh's in Catherine St., in the Strand; and at White's Chocolate House in St. James St. [Repeated substantially in each ensuing bill.

Performances

Mainpiece Title: Deborah

Event Comment: Benefit Widow and Child of James Miller, the author. As the Play of to-night is entirely for mine and my children's Benefit, and was allotted (by the Manager) for that purpose a considerable time ago, has since been advertis'd in the Publick papers upwards of ten days, and the Boxes chiefly been taken by Ladies of Quality and Distinction, I humbly hope, as Charity and Humanity are my advocates, the Performance will be permitted without interruption. D. Miller.--General Advertiser. To Those who remained in the Pit in Drury Lane Playhouse on Thursday Evening, and were refus'd their money: GENTLEMEN: If you are sensible of the Insults that we receiv'd from the servants of the Manager (after we had remain'd orderly in the House expecting our money for the best part of an hour) being expos'd to the danger of our lives from several sticks, &c being thrown at us from the stage, and from the attack of Soldiers jumping into the Pit with their bayonets fix'd, you'll meet tomorrow several Gentlemen equally injur'd, at the Fountain Tavern in Catherine Street in the Strand, at two o'clock, as well as, Your most humble Servant, J. Johnston.--Daily Advertiser. [Daily Gazetteer contained a letter by Anti-Mimus on the manager's publication of reasons for his late extraordinary measures.

Performances

Mainpiece Title: Mahomet

Afterpiece Title: The School Boy

Song: Lowe

Dance: Muilment

Event Comment: Tragedy never acted. By James Thomson. Characters New Dress'd. But as it is rather more fashionable to run mad about Mr Thomsons's play, I will change my theme and talk to you of Tancred. I want much to know how you like it, at this distance I would lay any wager you do not like it so well as your sister does, who certainly cannot be your sister and not have been to see it long ago. Everybody agrees that no play was ever so much improved in acting, at least since the Booths and Bettertons. That first scene expecially, where Siffredi discovers to Tancred who he is, pleased me almost beyond anything I ever saw, indeed even before I saw it, that scene was my favourite. But what do you think of the story, and what of the style?-A Series of Letters between Mrs Elizabeth Carter and Miss Catherine Talbot, I, 60 (dated strangely 2 March). [On 26 April, the Daily Post published a letter by Bellario on Tancred and Sigismunda, discussing the kind of support it received]: A very remarkable new Lord of the Treasury was proud of appearing its Foster Father, and attended at the public rehearsals; the first night of the performance this celebrated person and his friends in the Box with him (all very lately most flaming Patriots) were seen clapping their hands at the following remarkable speech: First of You All...To Quit Mistakes. [The letter also discussed political aspects of the play, then the poetry of the lines. The author heard that three hundred lines were cut out after the first performance, and was of opinion that double that amount would have been beneficial.

Performances

Mainpiece Title: Tancred And Sigismunda

Event Comment: HHickford's Great Room, Brewer St. Benefit Brown. Tickets 5s. Tickets at Walsh, in Catherine St., Strand; Mrs Wamsley's/Musick/shop the Corner of Picadilly; Simpson's Musick shop in Swithin's Alley, Cornhill; Johnson's Musick shop, Cheapside; Brown's in Margaret St., near Cavendish Square; and at the place of performance

Performances

Mainpiece Title: A Concert