SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Castle Horatio Mr Packer Several parts of ye play as it is in Shakespeare"/1) | (@(roleclean,performerclean) "Castle Horatio Mr Packer Several parts of ye play as it is in Shakespeare")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10816 matches on Event Comments, 5862 matches on Author, 5498 matches on Performance Comments, 2490 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: End I: Divertissement-, as17970103; End Opera: Flore et Zephire, as17961126

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Spoil'd Child

Entertainment: MonologueEnd: Address (written for the Occasion)-Mrs Yates

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Midnight Hour

Song: Admiral Benbow-Incledon

Entertainment: Imitations The Beggar-Townsend

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Raft; or, Both Sides of the Water

Afterpiece Title: Lovers' Quarrels

Song: In III 1st piece: a song-Incledon

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Raymond and Agnes

Dance: In III: Hornpipe in Fetters, as17971025; Afterpiece to conclude: Spanish Fandango-; Finale- as17971009

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: British Fortitude

Afterpiece Title: The Round Tower

Song: In course: Old Towler-Incledon; Fat Dolly the Cook-Munden; an admired Ballad-Incledon

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: The Follies of a Day

Dance: End: a new Scotch Ballet, The Highland Lovers (under the direction of Bologna Jun.)-Bologna Jun., Hawtin, King, Mrs Watts, Miss Brugier (1st appearance)

Song: In course Evening: Sally in our Alley-Incledon

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: The Vanguard

Afterpiece Title: The Virgin Unmask'd

Song: End II: The Storm-Incledon (written by G. A. Stevens); Black Ey'd Susan-Incledon; Sally in our Alley-Incledon

Entertainment: Monologue End: An Occasional Address-H. Johnston; Imitations-Rees

Performances

Mainpiece Title: The Point Of Honour

Afterpiece Title: The Review; or, The Wags of Windsor

Event Comment: This performance is known by the Prologue and Epilogue printed in Thomas Jordan's A Nursery of Novelities or Variety of Poetry. The Prologue is dated 24 June 1660, but as this date falls on Sunday, the performance has been entered as Saturday 23 June 1660, for in this same work (p. 19) Jordan mentions: A Speech by way of Epilogue to those that would rise out of the Pit at the Red Bull in the last Scene, and disturb the conclusion by going on the Stage, June 23d 1660. [The Prologue and Epilogue have been reprinted in the Shakespeare Society Papers, IV (1849), 140-42, and in Sprague, Beaumont and Fletcher on the Restoration Stage, pp. 9-10. See also the list at the beginning of the season 1659-1660.

Performances

Mainpiece Title: The Tamer Tamed

Event Comment: Possibly Davenant opened Salisbury Court on this date, but no certain evidence exists. (See Spencer, Shakespeare Improved, pp. 37-39; Nicoll, Restoration Drama, p. 300.)

Performances

Event Comment: According to the diary of the Reverend John Ward, ed. Charles Severn (London, 1839), Ward saw The Alchymist at this time. The Folger MS V.a. 292, of Ward's journal, gives it as performed between 1 and 25 Sept. 1662. See Shakespeare Quarterly, XI (1961), 336. See also Dec. 1660

Performances

Event Comment: In the notebooks of John Ward, between 1 and 25 Sept. 1662, appears The Alchemist [by Ben Jonson]. See A. L. D. Kennedy-Skipton, "A Footnote to John Ward and Restoration Drama," Shakespeare Quarterly, XII (1961), 353. For an early cast, see Dec. 1660

Performances

Event Comment: The Newdigate newsletters (Folger Shakespeare Library), 9 Feb. 1679@80: The late disorders at the Playhouse hath soe much incenst his Matye that tis said he hath commanded the persons to be proceeded Agt as Ryotters (Wilson, Theatre Notes, p. 80). [In Domestick Intelligence, 8-10 Feb. 1679@80, is a reference to an information in the King's Bench brought against those who participated in the disorders in the Duke's playhouse.

Performances

Event Comment: A poem--To the Duke on His Return. Written by Nat. Lee--was separately printed in 1682, and Luttrell's copy (Huntington Library) is dated 29 May 1682. A note on the Folger Shakespeare Library copy states that the lines were spoken at the King's Theatre, but the date on which it was recited is uncertain. The poem has been reprinted in Wiley, Rare Prologues and Epilogues, pp. 113-15

Performances

Event Comment: Newdigate Newsletters (Folger Shakespeare Library), 6 Sept. 1684: A Crocdile was this weeke brought over from the E. Indies & showed in the faire the like haveing never been seen before it is a young one abt 4 ffoot long. [I owe this notice to Professor John Harold Wilson.

Performances

Event Comment: Rich's Company. This performance is known by a playbill in the Folger Shakespeare Library: At the New Theatre, in Little Lincolns-Inn Fields, this present Wensday the 27th of October, will be presented, A Comedy call'd, The Committee, or The Faithful Irishman. No Persons to Stand on the Stage. Nor any Money to be after Return'd [sic] the Curtain is Drawn up. By his Majesties Servants. Vivat Rex. [The playbill is reproduced, opposite page 230, in William VanLennep, Some Early English Playbills, Harvard Library Bulletin, VIII (1954).

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Event Comment: Benefit the Author of Shakespeare Restor'd. Mainpiece: Written Originally by Shakespear

Performances

Mainpiece Title: The Double Falshood; Or, The Distress'd Lovers

Afterpiece Title: The Strolers

Dance: TThe Fawns-; The Pierete-

Event Comment: [Written by Shakespeare. Receipts: #61 18s. 6d

Performances

Mainpiece Title: The True And Antient History Of King Lear And His Three Daughters

Event Comment: Mainpiece: Written by Shakespeare. Receipts: #47 3s. 6d

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: The Dutch and Scotch Contention

Event Comment: Written by Shakespeare. Receipts: #47 2s

Performances

Mainpiece Title: King Lear And His Three Daughters

Event Comment: Mainpiece: Written by Shakespeare. Receipts: #62 4s

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: The Necromancer

Event Comment: Written by Shakespeare. The Scenes and Decorations entirely New. Receipts: #55 10s

Performances

Mainpiece Title: The True And Antient History Of King Lear And His Three Daughters

Event Comment: By Command of his Royal Highness. Mainpiece: Written by Shakespeare. And By His Majesty's Command no Persons to be admitted behind the Scenes, nor any Money to be returned after the Curtain is drawn up. Boxes 5s. Pit 3s. Gallery 2s. 6 P.M. [For performances at SF and by the summer company after 1 Sept., see season of 1734-35.]

Performances

Mainpiece Title: Julius Caesar: With The Deaths Of Brutus And Cassius

Afterpiece Title: Colombine Courtezan: With the Ridotto Al'Fresco

Dance: By Essex and Mrs Walter

Event Comment: Mainpiece: Alter'd from Shakespeare by N. Tate, Esq. Afterpiece: Taken from Moliere

Performances

Mainpiece Title: King Lear And H1s Three Daughters

Afterpiece Title: The Mock Doctor