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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Castle Horatio Mr Packer Several parts of ye play as it is in "/1) | (@(roleclean,performerclean) "Castle Horatio Mr Packer Several parts of ye play as it is in ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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16021 results for: Keyword - Castle</i>. <i>Horatio-$Mr Packer</i>. Several parts of ye play, as it is in $<span class=
We found 10697 matches on Event Comments, 5478 matches on Performance Comments, 2462 matches on Performance Title, 22 matches on Author, and 0 matches on Roles/Actors.

1726
01 August 1712 @ Drury Lane Theatre

Performances

Mainpiece Title: The Guardian; Or, The Cutter Of Coleman Street

Performance Comment: Jolly-Keen; Cutter-Powell; Worm-Norris; Puny-Pack; Truman-Booth; Lucia-Mrs Bradshaw; Aurelia-Mrs Saunders; Barebottle-Mrs Willis; Tabitha-Miss Willis; With a new Prologue proper to the Play-Pack.
Cast
Role: With a new Prologue proper to the Play Actor: Pack.

1727
27 November 1734 @ Drury Lane Theatre

Event Comment: Benefit the Author. Lady Elizabeth Compton to Countess of Northampton, 28 Nov.: Mr Buncombe's Brother has written a Play & last night was the Poetts night, I was there & I think he had a prodigious full house, especially considering that the Town is not near so full as it will be after Xmas. A Play comes out now with great disadvantage for 'twas sadly acted. MSS of Marquess Townshend, p. 244

Performances

Mainpiece Title: Junius Brutus

1728
29 April 1742 @ Drury Lane Theatre

Event Comment: Benefit Neale and Desse. Tickets to be had of Neale, a Silk Dyer in David St., Moor's in the Playhouse Passage; and at Mr Desse'd, at Gresham's, Shoemaker, in York St., Covent Garden. London Daily Post and General Advertiser announced Chrononhotonthologos as afterpiece by Rylands has The King and Miller, Receipts: #140

Performances

Mainpiece Title: The Provoked Wife

Performance Comment: As17420313 but Constant-Cross; Col Bully-Beard will introduce songs proper to the play; particularly You Good Fellows All-.
Cast
Role: Col Bully Actor: Beard will introduce songs proper to the play

Afterpiece Title: The King and Miller of Mansfield

Dance: I: By particular desire, a Chacone-Desse; III: Running Footman's Dance, as17420428

Song: IV: Song-Lowe

1729
04 December 1745 @ Goodman's Fields

Performances

Mainpiece Title: The Tempest; Or, The Enchanted Island

Performance Comment: Prospero-Furnival; Ferdinand-Kennedy; Hippolita-Mrs Phillips; Ariel (with the Songs proper)-Mrs Kennedy; Stephano-Morgan; Trincalo-L. Hallam; Alonzo-Lee; Caliban-Paget; Antonio-Dove; Gonzalo-Blakey; Ventoso-Cushing; Mustacho-Julian; Sycorax-Hallam Sen; Miranda-Mrs Hallam; Dorinda (with the Songs proper)-Mrs Cushing; Setebos-Granier; Pluto-Brett; Demons-Baker, Jackson, Toole; With all the Dances- proper to the Play; Concluding with a Grand Masque of Neptune and Amphitrite-.
Cast
Role: With all the Dances Actor: proper to the Play

1730
14 November 1748 @ Haymarket Theatre

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discovered

Performance Comment: Pierre-Gentleman who played Gloucester in Jane Shore; Belvidera-Mrs Daniel.
Cast
Role: Pierre Actor: Gentleman who played Gloucester in Jane Shore

Afterpiece Title: The Lying Valet

1731
30 March 1749 @ Drury Lane Theatre

Event Comment: Benefit for Cooke. [The Devil to Pay was advertised in today's bill, but "Mrs Clive was taken ill, the Anatomist was Play'd" (Cross). Stage and Pit arranged as of 7 March.] Tickets and places to be had of Cooke at Mr Clarke's an Upholsterer in James St., Covent Garden. Receipts. #200 (Cross); charges, #60 (Powel)

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: As17490228, but Dogberry-James; Country Dance- included at end of play.
Cast
Role: Country Dance Actor: included at end of play.
Role: Musical parts Actor: Beard, Reinhold, Mrs Clive.

Afterpiece Title: The Anatomist

Dance: I: Pastoral Dance-Cooke, Anne Auretti; II: New Scotch Dance, as17490118; III: The Gondoliers-Cooke; V: Louvre and Minuet-Cooke, Anne Auretti

1732
07 December 1750 @ Covent Garden

Event Comment: No play at Covent Garden (Cross). Because Mr Barry & Mrs Cibber would not play (Winston MS 7)

Performances

Mainpiece Title: None

1733
20 December 1753 @ Drury Lane Theatre

Event Comment: Benefit for Mr Macklin, to which he spoke a farewell Prologue hinting at his new scheme (a Coffee house now fitting up in the Piazza) Mrs Mack, Miss & He play'd (Cross). [Macklin discharged last June from Covent Garden, one night given him at Drury Lane when he took leave; Poor I toss'd up...King Henry 7, 1764 (Winston MS 8). Gray's Inn Journal noted this performance by the bequeathing to the stage of Miss Macklin who should succeed in genteel comedy.] Receipts: #220 (Cross)

Performances

Mainpiece Title: The Refusal

Performance Comment: Sir Gilbert Wrangle-Macklin; Frankly-Palmer; Witling-Yates; Granger-Davies; Cook-Blakes; Charlotte-Miss Macklin, 1st time; Lady Wrangle-Mrs Macklin; Betty-Miss Minors; Sophronia-Mrs Clive; In Act IV The Cantata proper to the play,-Beard; A Farewell Prologue-Macklin.
Cast
Role: In Act IV The Cantata proper to the play, Actor: Beard

Afterpiece Title: The Englishman in Paris

1734
16 September 1757 @ Covent Garden

Performances

Mainpiece Title: The Country Lasses; Or, The Custom Of The Manor

Performance Comment: Modely-Dyer; Heartwell-Ridout; Lurcher-Anderson; Vulture-Cushing; Double Jugg-Dunstall; Constable-Redman; Sir John-Arthur; Freehold-Gibson; Carbuncle-Marten; Sneak-Costollo; Timothy-Collins; Longbottom-Bencraft; Aura-Mrs Vincent; Flora-Mrs Hamilton; With a Country Dance- incident to the play; and the original Sheep Shearing Ballad-Lowe.
Cast
Role: With a Country Dance Actor: incident to the play

Afterpiece Title: The Contrivances

1735
31 December 1759 @ Covent Garden

Performances

Mainpiece Title: The Country Lasses; Or, The Custom Of The Manor

Performance Comment: Modely-Dyer; Heartwell-Ridout; Lurcher-Anderson; Vulture-Bennet; Doublejugg-Dunstall; Constable-Redman; Sir John English-Collins; Carbuncle-Marten; Sneak-Holtom; Timothy-Costollo; Langbottom-Buck; Freehold-Gibson; Aura-Mrs Vincent; Flora-Mrs Hamilton; With a Country Dance-incident to the Play; the Original Sheep@Shearing Ballad-Lowe.
Cast
Role: With a Country Dance Actor: incident to the Play

Afterpiece Title: The Fair

1736
05 October 1770 @ Haymarket Theatre

Event Comment: By authority. Benefit for Vandermere. As this play is desired in Lieu of the Clandestine Marriage, Mr Vandermere humble hopes it will be acceptable to his Friends in general. Tickets for the Clandestine Marriage will be taken

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Miss in Her Teens

Dance: IV: Hornpipe-Mas. Lapper; End of Play: Hornpipe-Mrs Cope

Performance Comment: Lapper; End of Play: Hornpipe-Mrs Cope.

1737
05 March 1722 @ Lincoln's Inn Fields

Event Comment: Benefit Ryan. At the Desire of several Ladies of Quality. Receipts: money #93 17s. 6d.; tickets #57 16s

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Magician

Song: As17220210

1738
15 April 1740 @ Drury Lane Theatre

Event Comment: Benefit Giffard. At the particular Desire of several Persons of Quality. Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat. Afterpiece: a new Dramatic Satire. [By David Garrick.] Tickets at Giffard's Lodgings [Mr Bolney's) in Great Queen Street

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Lethe; or, Esop in the Shades

Dance: II: La Matelote-Desnoyer, Mlle Chateauneuf; III: Muilment; V: Le Tambourine-Mlle Chateauneuf

1739
10 March 1746 @ Goodman's Fields

Event Comment: Benefit Mr and Mrs Cushing. At the Desire of several Persons of Distinction. Tickets at Cushing's, No 3, Lambeth St. [Prices as 14 Jan.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Mock Doctor

Dance: Two Masters Granier, Miss Granier; Hornpipe-Williams

1740
11 January 1779 @ Haymarket Theatre

Event Comment: By Authority of the Lord Chamberlain. Benefit for Stewart and M'Donald. Mainpiece: With new Dresses and Decorations. Afterpiece: With several new additions and two new characters. [Authors of Prologues unknown.] The Doors to be opened at 5:00. To begin at 6:00. No Person whatever to be admitted behind the Scenes, nor any Money returned after the Curtain is drawn up. Books of the Farce to be had at the Theatre

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Students; or, The Humours of St

Dance: End I afterpiece: Hornpipe-

Music: Between the Acts: proper Scotch Music-; a new Scotch overture-

1741
09 February 1784 @ Haymarket Theatre

Event Comment: By Authority of the Lord Chamberlain. At the request of several of the Scotch Nobility. Benefit for Raeburn. Mainpiece: In its original state, as it was written by Allan Ramsay in 1724 [recte 1725]. The Characters to be entirely new dressed. The Doors to be opened at 5:00. To begin at 6:00. No persons to be admitted behind the scenes, nor any money returned after the curtain is drawn up. Ladies are requested to send their servants by Five to keep places. Tickets to be had of Raeburn, No. 4, Gloucester-court, St. James's; of Walker, the Globe, Pall-mall; of Mackintosh, the George, East Harding-street, Shoe-lane; of Watson, the Fleece, Little Windmill-street (being the original Scotch house); of Mrs Shaw, the St. Andrew, near the Armitage-bridge, Wapping

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: Wit's Last Stake

Dance: End of Act III of mainpiece a new composed Reel (performers not listed); In Act IV a Hornpipe by Middleton

Monologue: 1784 02 09 The Edinburgh Buck by a Genleman [unidentified]

1742
July 1685 @ Dorset Garden Theatre

Performances

Mainpiece Title: Cuckolds-haven; Or, An Alderman No Conjurer

1743
December 1696 @ Drury Lane Theatre

Performances

Mainpiece Title: Cinthia And Endimion; Or, The Loves Of The Deities

1744
28 April 1783 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Flitch of Bacon

Dance: End of Act II of mainpiece The Poney Races by Harris, Miss Matthews, and others; In Act III, as17830422

1745
02 August 1788 @ Haymarket Theatre

Performances

Mainpiece Title: Ways And Means

Afterpiece Title: A Quarter of an Hour before Dinner; or, Quality Binding

Afterpiece Title: Peeping Tom

1746
13 April 1790 @ Covent Garden

Event Comment: Benefit for Bannister. [Mrs Wells had 1st acted Macheath at the hay, 14 Sept. 1781; Bannister had acted Polly at the same theatre, 16 Sept. 1785.] Gazetteer, 3 Apr.: Tickets to be had of Bannister, No. 7, Suffolk-street, Haymarket. "There is now a most vehement rage of innovation in language, government, religion, and everything else...On the British stage, with infinite applause, young and beautiful actresses perform sometimes the Parts of highwaymen; and some singing actors squall in an affected voice resembling, and intended to imitate, that of women; the most humourous dramatic pieces are frittered away into songs; and I should not be surprised to hear that henceforth Miranda and Juliet are to be personated by grim-visaged grenadiers seven feet high, and Falstaff by a slender miss just entered her teens" (Universal Magazine, Mar. 1795, p. 171). Receipts: #285 14s. (162.4.6; 5.9.6; tickets: 118.0.0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Flitch of Bacon

Dance: As17891024

Song: In course of Evening: The Wolf-Bannister

1747
02 October 1797 @ Covent Garden

Event Comment: [In mainpiece the playbill assigns Richard to Holman, but "Holman being indisposed, Murray assumed the arduous part of Richard this evening. (Monthly Mirror, Oct. 1797, p. 238).] Afterpiece: Not acted these 2 years. Account-Book: Paid Music #9 1s. 8d.; Properties #12 8s.; Kettle Drum 5s.; Chorus Singers #1 10s.; Wardrobe #6 10s. 3d.; Supernumeraries #3 11s.; Sloper [master carpenter] for Scenemen #40 13s. 4d.; Phillips and Creswell #4 4s.; Lupino #2 14s. 6d.; Hollogan #2. Receipts: #286 17s. (282.15; 4.2)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: A Divertisement

Performance Comment: Speaking Characters-Johnstone, Incledon, Townsend, Powel, Simmons, Gray, Mrs Martyr, Mrs Clendining, Mr Rees; [Cast adjusted from playbill of 7 Oct. 1795: Capt. Frederick-Johnstone; +Thicket-Incledon; +Clueline-Townsend; +Sir Fidget Fearful-Powel; +Gregory-Simmons; +Flambeau-Gray; +Peggy-Mrs Martyr; +Sophia-Mrs Clendining; +Whim-Mr Rees.] With Dialogue-; [to introduce the following favorite Songs, selected, written and composed (with new Accompaniments) by $Dibdin: The Lamplighter, I'm jolly Dick the Lamplighter-Gray; [Peggy Perkins, Let Bards elate-Simmons; [Irish Drinking Song, Of the Ancients its speaking-Johnstone; [The Greenwich Pensioner 'Twas in the good ship Rover-Townsend; [Taffy and Griddy, Abergavenny is fine-Mrs Martyr; [Hunting Song, To Batchelor's Hall, [and Poor Jack, Go Patter to Lubbers, [and The Portrait, Come Painter with thy happiest flight-Incledon; Rural Masquerade-; [Indian Song, Dear Yanco say and true he say-Mrs Mountain; [Sea Song, A Sailor's life's a life of woe-Mrs Clendining; [The Masquerade, Sure an't the world a Masquerade-Johnstone, Chorus.

Dance: In afterpiece: a Ballet-Blurton, Mrs Watts, Mlle St.Amand

1748
13 March 1800 @ Drury Lane Theatre

Performances

Mainpiece Title: The Egyptian Festival

Afterpiece Title: The Wedding Day

1749
October 1663 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. The play was licensed on 26 Dec. 1663, but the date of the premiere is uncertain. The Prologue and Epilogue refer to the end of the Long Vacation, and the beginning of Michaelmas Term on 9 Oct. 1663 suggests a performance in October

Performances

Mainpiece Title: The Step-mother

1750
10 December 1663 @ Whitehall or St. James's

Event Comment: Charles II to Madame, 10 Dec. 1663: I am just now going to see a new play (C. H. Hartmann, Charles II and Madame[1934], p. 89). The Duke's Company. W. J. Lawrence, in a review of Boswell, The Restoration Court Stage, in Modern Language Review, XXVIII (1933), 103, suggests that it was The Step-Mother which was given on this occasion. The edition of 1664 lists: The Prologue to the King at the Cockpit at White-Hall. The Epilogue to the King

Performances

Mainpiece Title: The Step Mother