SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Castle Horatio Mr Packer Several parts of ye play as it is in "/1) | (@(roleclean,performerclean) "Castle Horatio Mr Packer Several parts of ye play as it is in ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10697 matches on Event Comments, 5478 matches on Performance Comments, 2462 matches on Performance Title, 22 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [In 2nd piece the playbill assigns Orlando to Kemble, but "On account of indisposition, Barrymore last night performed Orlando for Kemble" (Oracle, 4 Oct.).] 3rd piece: To conclude with the Glorious Defeat of the Spanish Armada, and a Grand Procession. "Equal to any actor I ever saw, as far as his line extends, is Mr Parsons; his conception and expression of Sir Fretful Plagiary, in Mr Sheridan's Critic, are as strong and masterly as were Garrick's in Kitely [in Every Man in his Humour]; and his 'laughing without mirth' therein equally admirable" (Jonson, ed. Waldron, 171). Receipts: #251 4s. 6d. (213.6.6; 37.0.0; 0.18.0)

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: As You Like It

Performance Comment: Duke-Aickin; Frederick-Packer; Amiens (with songs)-Dignum; Jaques-Palmer; Le Beau-R. Palmer; Oliver-Whitfield; Jaques de Bois-Benson; Orlando-Barrymore; Adam-Moody; Touchstone-King; Corin-Waldron; Silvius-Bland; William-Burton; Rosalind (with the Cuckoo Song)-Mrs Jordan; Celia-Mrs Kemble; Phebe-Miss Collins; Audrey-Mrs Edwards.
Cast
Role: Frederick Actor: Packer

Afterpiece Title: The Critic

Performance Comment: Dangle-R. Palmer; Sneer-Palmer; Sir Fretful Plagiary-Parsons; Signor Ritornello-Hamoir; Interpreter-Baddeley; Puff-King; Mrs Dangle-Mrs Hopkins; Italian Girls-Miss Hagley, Miss DeCamp, Miss Daniels; Characters of the Tragedy: Lord Burleigh-Hollingsworth; Governor-Wrighten; Earl of Leicester-Whitfield; Sir Walter Raleigh-Burton; Sir Christopher Hatton-Waldron; Master of the Horse-Alfred; Beef@eater-Phillimore; Justice-Packer; Son-Suett; Constable-Fawcett; Don Ferolo Whiskerandos-Bannister Jun.; Nieces-Miss Heard, Miss Collins; Justice's Lady-Mrs Heard; Confidant-Mrs Booth; Tilburina-Miss Pope.
Cast
Role: Justice Actor: Packer

Song: V 2nd piece: song-Miss Hagley

Event Comment: The King's Company. Pepys, Diary: All alone to the King's house, and there sat in an upper box, to hide myself, and saw The Black Prince, a very good play; but only the fancy, most of it, the same as in the rest of my Lord Orrery's plays; but the dance very stately; but it was pretty to see how coming after dinner and with no company with me to talk to, and at a play that I had seen, and went to now not for curiosity but only idleness, I did fall asleep the former part of the play, but afterward did mind it and like it very well

Performances

Mainpiece Title: The Black Prince

Performances

Mainpiece Title: London's Triumphs

Performance Comment: : Express'd in sundry Representations, Pageants and Shows, performed on Monday Octob. 30, 1676, at the Inauguration and Instalment of the Right Honourable Sir ThomasDavies, Kt, Lord Mayor of the City of London. Containing a true Description of the several Scenes and Habits of the Representers, with the Speeches Spoken on each Pageant. All the Charge and Expences of the Industrious Designs, being the sole Undertakings of the Ancient and Right Worshipful Society of Drapers. Being the Second Year without Intermission. Devised and Composed by Tho. Jordan.

Performances

Mainpiece Title: London's Triumph; Or, The Goldsmith's Jubilee

Performance Comment: Performed on Saturday, October XXIX. 1687. For the Confirmation and Entertainment of the Right Honourable Sir John Shorter, Kt. Lord Mayor of the City of London. Containing A Description of the several Pageants and Speeches, made proper for the Occasion. Together with a Song, for the Entertainment of His Majesty, who with His Royal Consort; the Queen Dowager; their Royal Highnesses, the Prince and Princess of Denmark, and the whole Court, honour his Lordship, this Year, with their Presence. All set forth at the proper Costs and Charges of the Worshipful Company of Goldsmiths. By Mr Taubman.

Performances

Mainpiece Title: Othello

Performance Comment: Othello-a Gentleman (who has not appeared in several years); Cassio-Cooke(, 2nd appearance this stage); Desdemona-Mrs Osborne; Iago-Storer; Brabantio-Wignell; Roderigo-Vaughan; Duke-Stoppelaer; Montano-Turner; Emilia-Mrs Smith.

Afterpiece Title: The Upholsterer

Song: Between Acts: a Gentleman (who never appeared upon any Stage before)

Dance: HHornpipe-Mrs Blake(, from the theatre in Dublin)

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be

Afterpiece Title: The Rape of Proserpine

Performance Comment: With an additional Comic Scene-; Harlequin-Lun; the other parts as usual. the other parts as usual.
Event Comment: The King's Company. The date of the premiere is not known. As the play was entered in the Term Catalogues, June 1679, it probably was acted first sometime in the preceding two or three months. Gildon's revision of Langbaine, English Dramatick Poets: This Play met not with the Applause the Author and his Friends expected (p. 28)

Performances

Mainpiece Title: The Ambitious Statesman; Or, The Loyal Favourite

Event Comment: The United Company. The date of the first performance is not certain, but Luttrell acquired his copy of the separately-printed Prologue and Epilogue on 18 Aug. 1684. (Bindley Collection, William Andrews Clark@Jr@Library), and the play was probably first performed on that day or in the preceding week. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 221-23. In the broadside the speaker of the Prologue is identified as Jevon. A sofg, Ah poor Oliver never boast, the verse by a Lady, and the music by R. King, is in A Collection of Twenty-Four Songs, 1685. Another, Damon if you wilt believe me, the verse by a Person of Quality and the music by Alexander Damascene, is in The Banquet of Musick, The Fifth Book, 1691. Two songs, Tell me no more I am deceived, the verse by Sir George Etherege and the music by J. B. Draghi, and Who can resist my Celia's charms, the music by J. B. Drahgi, and the verse by A Person of Quality, are in the printed play. This cast contains the last new role certainly assigned to John Wiltshire, who, according to (Cibber, Apology, ed. Lowe, I, 84-85), entered the army and was killed in action

Performances

Mainpiece Title: A Duke And No Duke

Event Comment: The United Company. The date of the first performance is not known, but the play was licensed 6 April 1687 in the Stationers' Register, 24 May 1687. The play was probably given first in March, as the Prologue refers to the speaking head, which was mentioned in the Newdigate newsletters (Folger Shakespeare Library), 26 March 1687: A Country man haveing invented a head & soe contrived it that whatever language or tune you speak in the Mouth of it it Repeated distinctly and Audibly. [I owe this reference to Professor John Harold Wilson]

Performances

Mainpiece Title: The Emperour Of The Moon

Event Comment: The United Company. The date of the premiere is not known, but as the play was licensed to be published, 21 May 1688, it was probably first acted early in April 1688, perhaps in late March. In 1688, also was separately printed New Songs Sung in The Fool's Preferment: In I, I sigh'd and pin'd and There's nothing so fatal as Woman, the music composed by Henry Purcell. In III, Fled is my love, the music composed by Henry Purcell, and sung by Mountfort. 'Tis death alone and I'le mount to yon blue coelum, the music composed by Henry Purcell. In IV, I'le sail upon the Dog-star, and A Dialogue by Jockey and Jenny, Jenny, gin you can love, the composer not stated. In V, If thou wilt give me back my love, composed by Henry Purcell and sung by Mountfort. See also Purcell's Works, The Purcell Society, XX (1916), iv-vi. When this play was revived at Drury Lane on 16 July 1703, the bill was headed: Not Acted these Fifteen Years

Performances

Mainpiece Title: A Fool's Preferment; Or, The Three Dukes Of Dunstable

Event Comment: Betterton's Company. The date of the first performance is not known. As the play was advertised in the Post Boy, 20-23 Nov. 1697, it was probably first acted not later than October 1697; and, in view of its apparently unsuccessful appearance, may have been a late summer or early fall production. When this play was entered in the Term Catalogues, it had the title, Love's Reward; or, The Unnatural Mother

Performances

Mainpiece Title: The Unnatural Mother

Event Comment: LLondon Daily Post and General Advertiser, 17 March: This is to inform the Publick, that the new Tragi-Comedy, intitled The Free-Thinker; or, The Fox uncas'd, which was last Summer rehearsed and was to have been play'd at [lif], but by Mr Rich's letting that House to Mr Giffard, for that Season, was prevented, will be acted on the 14th of April next [at yb], by Mr Hallam's Company of Comedians. The Play is writ much in the same Stile and Manner of George Barnwell....The Author hopes that the Generous and Judicious will encourage the Performance, tho' the Company of Players are not dropt down from the Clouds, nor does the Play libel the Government. [No further announcement of the performance has been noted before 28 April.

Performances

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based on DER DEUTSCHE HAUSVATER, by Otto Heinrich Freiherr von Gemmingen. Prologue by the author and John Thelwall (Boaden, Kemble, II, 114). Epilogue by the author (Knapp, p. 263)]: With new Scenes, Dresses and Decorations. Morning Chronicle, 18 Feb. 1794: This Day is published LOVE'S FRAILTIES (2s.). Oulton, 1796, II, 154: It was the first play published at the advanced price of 2s. [i.e. hitherto (since, at least, 1776) the price of full-length plays had been 1s. 6d.]. Receipts: #308 17s. 6d. (296/8/6; 12/9/0)

Performances

Mainpiece Title: Love's Frailties; Or, Precept Against Practice

Afterpiece Title: HARTFORD BRIDGE

Performances

Mainpiece Title: Concert And Thomyris (one Scene)

Music: The Entertainment of Musick, which was performed before Her Majesty on her Birth Day-; To which will be added, the famous Scene of Thomyris, by Signior Scarlatti-Signior Cavalliero Nicolino Grimaldi

Dance: Several Entertainments-Mrs Santlow, young Mr Camille, composed by Mr Isaack

Performances

Mainpiece Title: Rosamond

Performance Comment: King Henry-Lowe; Queen Elinor-Mrs Arne; Rosamond-Mrs Clive; Page-Miss Edwards; Sir Trusty-Savage; Grideline-Mrs Jones; between the Interludes will be performed several Grand Concertos-; end Act I, will be performed the Solemn Invocation@Scene in Oedipus-; with the Chorusses-; And after the Opera the Songs and Chorusses in As You Like It-; In which (By Desire) will be introduced the Song of Sweet Bird in the L'Allegro-Mrs Arne; accompanied on the Violin-Mr Arne.
Event Comment: [In mainpiece the playbill assigns Horatio to Kemble, but he "being indisposed, Harley was the Horatio" (Thespian Magazine, June 1793, p. 1).] Receipts: #129 7s. (123.0; 6.7)

Performances

Mainpiece Title: At Hay The Fair Penitent

Performance Comment: Sciolto-Bensley; Altamont-Barrymore; Horatio-Harley [of cg]; Lothario-Palmer; Rossano-Caulfield; Servants-Maddocks, Webb, Lyons; Calista-Mrs Siddons; Lavinia-Mrs Powell; Lucilla-Miss Heard.
Cast
Role: Horatio Actor: Harley

Afterpiece Title: The Cheats of Scapin

Event Comment: BM Add. Mss. 34096, folio 63r 64v, Whitehall, 15 July 1692: The Prince and Princesse of Danemarke...yesterday...tooke barge to Goe to ye Play House. [See Benjamin Bathurst, Letters of Two Queens (London, 1924), p. 225, for a letter by Princess Anne ordering boats to take her to the theatre.

Performances

Event Comment: James Brydges, Diary: About 6: went to ye play. I staid there a quarter of an hour (Huntington MS St 26)

Performances

Event Comment: James Brydges, Diary: With Sr G. Coply to ye Play (Huntington MS St 26)

Performances

Event Comment: CCovent Garden drops ye play, & tonight does the Beg. Opera (Cross). Dropped because Mrs Cibber would act in Romeo no longer (Winston MS 7). Daily Advertiser: On the Run of Romeo and Juliet: @Well--what tonight, says angry Ned,@As up from bed he rouses,@Romeo again! and shakes his head,@Ah! Pox on both your houses!@I. H-tt Receipts: #160 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: Foote Sir Courtly. Foote very indiff-so all ye play (Cross). Receipts: #120 (Cross)

Performances

Mainpiece Title: Sir Courtly Nice; Or, It Cannot Be

Afterpiece Title: The Chaplet

Song: III: Beard

Event Comment: For the Benefit of some Distressed Actors, who formerly belonged to the Theatres. Play to begin at exactly 7 o'clock

Performances

Mainpiece Title: The Careless Husband

Performance Comment: Foppington-Obrien; Lady Easy-Mrs Pritchard; Lady Betty-Miss Pritchard; Morelove-Packer; Edging-Miss Barton; Sir Charles-Havard; Lady Graveairs-Miss Haughton.
Cast
Role: Morelove Actor: Packer

Afterpiece Title: Miss in Her Teens

Dance: II: A New Dutch Dance, as17590515; V: Hornpipe-Master Mathews, a child of 5 years of age

Event Comment: Mainpiece: By Particular Desire. I slept [?] at Drury Lane before the play & was at my Office, it was a cold frostly night (Hailey, "Brietzcke Diary," Vol. 197, p. 69). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: High Life Below Stairs

Performance Comment: See17591106, but Duke's Servant-Palmer; Sir Harry's Servant-King; Lovel-Obrien; Philip-Yates; Freeman-Packer; Kitty-Mrs Clive.
Cast
Role: Freeman Actor: Packer
Event Comment: Benefit for Foly (Box lobby doorkeekper) and Veal (First Gallery doorkeeper). British Chronicle, 16 May: Yesterday Foulkes, a Beadle of Vere St Clare Market fell from the upper gallery of Drury Lane play house into the pit & expired immediately. The seat on which he fell was broke in half. British Chronicle, 16 May: It is said Mrs Pritchard is appointed Dresser to her intended Majesty for the Royal Wedding

Performances

Mainpiece Title: The Fair Quaker Of Deal; Or, The Humours Of The Navy

Performance Comment: Mizen-Obrien; Cribbage-Packer; Rovewell-Austin; Jenny Private-Miss Pearce; Worthy-Havard; Sir Charles-Palmer; Flip-Yates; Arabella-Miss Macklin; Belinda-Miss Haughton; Fair Quaker-Mrs Davis; Sailors-Philips, Vaughan, Clough, Blakes, Champnes (with a song in character).
Cast
Role: Cribbage Actor: Packer

Afterpiece Title: The Miller of Mansfield

Dance: HHornpipe-a sailor on board the Royal Sovereign

Event Comment: Full Prices. To prevent any mistakes for the future in advertising the Plays and Entertainments at the above theatre, the managers think it proper to declare that the Playbills are inserted by their direction in this paper only (Public Advertiser)

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

Performance Comment: Careless-Havard; Clarinda-Miss Bride, 1st time; Atall-King; Clerimont-Packer; Sir Solomon-Yates; Old Willful-Burton; Sir Harry-Parsons; Finder-Blakes; China Woman-Mrs Simson; Situp-Mrs Bradshaw; Lady Sadlife-Mrs Cibber; Sylvia-Mrs Palmer; Lady Dainty-Mrs Pritchard.
Cast
Role: Clerimont Actor: Packer

Afterpiece Title: The Witches

Cast
Role: Misers Actor: Blakes, Castle