SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Castle Horatio Mr Packer Several parts of ye play as it is in "/1) | (@(roleclean,performerclean) "Castle Horatio Mr Packer Several parts of ye play as it is in ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10699 matches on Event Comments, 5478 matches on Performance Comments, 2462 matches on Performance Title, 22 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Ross; Capulet-Sparks; Montague-Redman; Paris-Perry; Fryar Lawrence-Hull; Mercutio-Dyer; Tibalt-Bennet; Benvolio-Gibson; Nurse-Mrs Pitt; Juliet-Mrs Bellamy, first appearance here in 2 years; Minuet-Sg Maranesi, Sga Maranesi; Masquerade Dance-proper to the play; An Additional Scene will be introduc'd, representing The Funeral Procession of Juliet, which will be accompanied by a Solemn Dirge Vocal parts-Beard, Miss Brent, Mrs Vernon, Mattocks, Legg, Baker, Roberts, Mrs Lampe, Mrs Abegg, Miss Young.

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: Love In A Village

Performance Comment: Hawthorn-Bannister; Woodcock-Weston; Sir William, first time-J. Aickin; Young Meadows-DuBellamy; Eustace-Owenson; Rosetta-Mrs Smith; Hodge-King; Margery-Miss Pope; Lucinda-Mrs Scott; Deborah Woodcock-Mrs Love; [Mrs Smith and J. Aickin acted their parts for first time.] [In Act I, a Dance [incidental to the opera-.

Afterpiece Title: The Register Office

Performance Comment: As17740503, but LeBrush-King; Gulwell-Fearon; Scotchman-Moody; Frenchman-Burton; Frankly-Courtney. [Burton did Frenchman for first time, and according to the Public Advertiser Moody played the Irishman also.]Burton did Frenchman for first time, and according to the Public Advertiser Moody played the Irishman also.]

Dance: II: The Haymakers-Giorgi's Scholars; End Opera: Hornpipe-Master Burn

Entertainment: End Opera: Bannister's Imitations-Bannister

Performances

Mainpiece Title: The Earl Of Essex

Performance Comment: Actors only: Sheridan, Holland, Davies, Packer, Ackman, a young Gentlewoman (1st appearance); Mrs Kennedy, Mrs Pritchard. With a new Prologue, and Epilogue. Essex-Sheridan; Southampton-Holland; Cecil-Davies; Queen Elizabeth-Mrs Pritchard; Countess of Rutland-Miss Mowat; Countess of Nottingham-Mrs Kennedy; Raleigh-Packer; Lt of Tower-Ackman; New Prologue-Sheridan; Epilogue-Mrs Pritchard (Winston MS 9).
Cast
Role: Raleigh Actor: Packer

Afterpiece Title: Polly Honeycombe

Event Comment: Christopher Rich's Company. The date of the resumption of playing is not certain, for Cibber (see below) beclouds the issue by referring to Easter-Monday in April, whereas the first Monday following Easter fell on 25 March 1694@5. Nevertheless, Monday 1 April 1695 seems the likely date of the resumption of playing, with Rich's Company ready to perform before the seceding company under Thomas Betterton was fully organized. A new song for Abdelazar, Lucinda is bewitching fair, the music by Henry Purcell and sung by "the Boy" (Jemmy? Bowen), is in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 195: [The Patentees] were not able to take the Field till the Easter-Monday in April following. Their first Attempt was a reviv'd Play call'd Abdelazar, or the Moor's Revenge, poorly written, by Mrs Behn. The House was very full, but whether it was the Play or the Actors that were not approved, the next Day's Audience sunk to nothing. However, we assured that let the Audiences be never so low, our Masters would make good all Deficiencies, and so indeed they did, till towards the End of the Season, when Dues to Ballance came too think upon 'em. [See I, 195-96, for Cibber's account of his Prologue.] A Comparison Between the Two Stages, 1702, p. 7: But in my Opinion, 'twas strange that the general defection of the old Actors which left Drury-lane, and the fondness which the better sort shew'd for 'em at the opening of their Newhouse, and indeed the Novelty it self, had not quite destroy'd those few young ones that remain'd behind. The disproportion was so great at parting, that 'twas almost impossible, in Drury-lane, to muster up a sufficient number to take in all the Parts of any Play; and of them so few were tolerable, that a Play must of necessity be damn'd that had not extraordinary favour from the Audience: No fewer than Sixteen (most of the old standing) went away; and with them the very beauty and vigour of the Stage; they who were left behind being for the most part Learners, Boys and Girls, a very unequal match for them who revolted. According to a statement made in litigation, the company in Drury Lane acted 84 times between 25 March 1694@5 and 7 July 1695; and the Young Actors played 68 times from 6 July 1695 to 10 Oct. 1695 to 10 Oct. 1695. See Hotson, Commonwealth and Restoration Stage, p. 308

Performances

Mainpiece Title: Abdelazar Or The Moors Revenge

Event Comment: Benefit for Macklin. Afterpiece: A New Dramtic Satire in two acts. N.B. As several of the Town have prejudged the Pit the Boxes and Galleries acting their own parts themselves for their diversion, to be of the same species of the Lick at the Town last year; and that it can mean only the ordinary Approbation or Disapprobation of the Audience, Signor Pasquin thinks it incumbent on himself to assure to Publick that all those conjectures are groundless; And farther, he assures them that the Pit, &c. acting their parts has no other meaning than the common literal sense; and that the Audience are really interwoven in the piece; and are to be bona fide part of the Dramatis Personae; and he makes no doubt but that he shall make them perform their parts to a numerous and polite audience, and with universal Applause. But he begs that those Ladies and Gentlemen who intend to perform in the Pit and Galleries will be at the Theatre betimes, for particular reasons; and those who are to act in the Boxes are requested to send their servants to keep their places by three o'clock. Signor Pasquin has received the letters sent by the Town and the Village, and they may depend upon having Places kept for them upon the Stage. The Hiss concerning the Robin Hood Society will be complied with (General Advertiser). [The parts were: Pasquin, Marforio, Sir Eternal Grinn, Sir Conjecture Positive, Sir Roger Ringwood, Bob Smart, Soloman Common Sense; Count Hunt Bubble, Sir John Ketch, hic and Hac (Scribblers), Hydra, Lady Lucy Loveit, Miss Diana Singlelife, Miss Brilliant, Miss Bashfull (Larpent MS 96).

Performances

Mainpiece Title: The Provokd Husband

Performance Comment: As17511128, but following parts only are listed: Lady Townly-Miss Macklinher 1st appearance in Comedy; Sir Francis-Macklin; Townly-Barry.

Afterpiece Title: Covent Garden Theatre or Pasquin turnd Drawcansir Censor of Great Britain

Performance Comment: The parts of the Pit, Boxes, Galleries, Stage, and Town to be performed by themselves, for their diversion; the parts of several Dull, disorderly characters, in and about St Jame's to be performed by certain persons, for example; And the part of Pasquin@Drawcansir to be performed by his Censorial Highness;, for his interest. The Satire to be introduced by an Exordium;, and to conclude by a satirical@panegyrical@ironical@comical@original Peroration upon the Virtues, Vices, Wisdom and Folly, Judgment and Power of the Town. Both to be spoken from the Rostrum-Signor Pasquin.

Dance: GGrand Comic Ballet, as17511216

Event Comment: The Duke's Company. Downes (p. 30): This Comedy in general was very well Perform'd. Pepys, Diary: I alone to the Duke of York's house, to see the new play, called The Man is the Master, where the house was, it being not above one o'clock, very full. But my wife and Deb. being there before, with Mrs Pierce and Corbet and Betty Turner, whom my Wife carried with her, they made me room; and there I sat, it costing me 8s. upon them in oranges, at 6d. apiece. By and by the King come; and we sat just under him, so that I durst not turn my back all the play. The play is a translation out of French, and the plot Spanish, but not anything extraordinary at all in it, though translated by Sir W. Davenant, and so I found the King and his company did think meanly of it, though there was here and there something Pretty: but the most of the mirth was sorry, poor stuffe, of eating of sack posset and slabbering themselves, and mirth fit for clownes; the prologue but poor, and the epilogue little in it but the extraordinariness of it, it being sung by Harris and another in the form of a ballet

Performances

Mainpiece Title: The Mans The Master

Performance Comment: Edition of 1669: Prologue-; Epilogue in a Ballad-Two; [Downes (Roscius Anglicanus, p. 30): Master-Harris; The Man-Underhill; Singing the Epilogue [like two Street Ballad-Singers-Mr Harris, Mr Sandford. [According to the Catalogue of the MS Music, Christ Church, John Bannister set a song for this play.]According to the Catalogue of the MS Music, Christ Church, John Bannister set a song for this play.]
Event Comment: At a Booth on Windmill Hill. London Journal, 20 April: On Monday Night last one Mr Redshaw, one of the Actors belonging to the Theatre in Lincoln's-Inn Fields, being to be kill'd in Jest in the Play of Darius on Windmill Hill, was kill'd in Earnest, for he was accidentally run into the Eye, of which Wound he died the Day following. [In British Journal, 20 April, the name is Redstraw; in Freeholder's Journal, 20 April, it is Rackstraw.

Performances

Mainpiece Title: Darius King Of Persia

Event Comment: Not Acted these Twenty Years. Carefully revis'd, and alter'd from Mr D'Urfey. And Machinery and other Decorations proper to the Play. Receipts: #39 7s

Performances

Mainpiece Title: The History Of The Rise And Fall Of Massaniello Or A Fisherman A Prince

Performance Comment: Massaniello-Walker; Cardinal-Leigh; Viceroy-Smith; Mataloni-Hulett; Bissignano-Ogden; Pedro-Huddy; Belleraza-Mrs Moffett; Comic Parts-Bullock, Morgan, Hall, H. Bullock, Norris; With a New Prologue-.

Song: The Original Song:In Praise of Fishing-

Dance: A new dance:Fishermen and Their Wives-

Event Comment: Benefit Ward and Mrs Haughton. By Mr Bullock's and Spiller's Company of Comedians At their great Theatrical Booth in Bird-Cage Alley. With all the Scenes, Machines, and other Decorations proper to the Play

Performances

Mainpiece Title: Oedipus King Of Thebes

Performance Comment: Oedipus-Ward; Creon-Ogden; Adrastus-Miller; Haemon-Buck; Tiresias-Browme; Phorbas-Merrivale; Diocles-Buchanan; Jocasta-Mrs Haughton; Eurydice-Mrs Plomer; Manto-Miss Edward; Comic Parts-Bullock, Spiller, Penkethman, Willcox.

Dance: Haughton, Mrs Ogden, James, Mrs Haughton; End II: particulary Tollet's Grounds-Mrs Haughton, Mrs Ogden; End IV: French Peasant-; End V: Swedish Dale Karl-Haughton, Mrs Ogden

Event Comment: Written by George Duke of Buckingham. Never perform'd there before. Tis hop'd no Gentleman will take it ill if they are not admitted behind the Scenes, it being impossible to go through the Performance, if the Passages are not kept clear. Tickets at 4s., 2s. 6d., 1s. 6d. [prices repeated for the run of this play]

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Garrick; Johnson-Giffard; Smith-W. Giffard; two Kings of Brentford-Vaughan, Clough; Prince Pretty@man-Marshall; Volscius-Peterson; Drawcansir-Paget; Thunder and Lightning-Dunstall, Miss Naylor; Players, Soldiers, Cardinals, Bishops, Judges, Lord@Mayor, Serjeants at Arms-the Comedians; the facetious Grand Dance-the Whole Company; King Phiz-Julian; Gentleman Usher-Yates; Amaryllis-Mrs Dunstall; Chloris-Mrs Yates; Pallas-Blakes; Parthenope-Miss E. Hippisley; With the total Eclipse of the Sun and Moon-; the part of Sol-Hemskirk; Luna-Stitchbury; Orbis-Mrs Bishop; Likewise Mr Bayes's Representation of a Grand Theatrical Battle by his new@rais'd Troops-; With Dancing-, Scenes, Machines, Habits, other proper Decorations.

Dance: As17420115

Event Comment: With all the Musick, Songs, Dances, Scenes, Machines, Habits, and other Decorations proper to the Play

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Foote; Johnson-Ryan; Smith-Bridges; Kings of Brentfort-Stoppelaer, Paget; Prince Prettyman-Ridout; Gent. Usher-Collins; Volscius-Gibson; Physician-Rosco; Drawcansir-Dunstall; Thimble-James; Thunder-Bridgwater; Lightening-Miss Morrison; Sun-Bencraft; Moon-Leveridge; Earth-Roberts; Amarillis-Miss Hippisley; Chloris-Mrs Bland; Pallas-Storer; the Sing@Song Dancing Spirits-Mrs Lampe, Miss Younge; Players, Soldiers (horse and foot), Heralds, Cardinals, Judges, Serjeant's at Arms-the rest of the Comedians; Vocal Parts-Leveridge, Bencraft, Roberts, Mrs Lampe, Miss Younge; Also an Additional Reinforcement of Mr Bayes's New Rais'd Troops-.
Event Comment: Mainpiece: Never before acted. A tragedy written by Mr Henry? Jones, a Bricklayer of Ireland. This play has been delay'd for 3 Or 4 years. Went of with great Applause (Cross). All the Characters New Dress'd. None to be admitted behind the scenes

Performances

Mainpiece Title: The Earl Of Essex

Performance Comment: Principal parts-Barry, Smith, Sparks, Bransby, Usher, Mrs Bland, Mrs Vincent, Mrs Cibber. [Essex-Barry; Southampton-Smith; Burleigh-Sparks; Raleigh-Usher; Lieutenant-Bransby; Queen Elizabeth-Mrs Bland; Rutland-Mrs Cibber; Nottingham-Mrs Vincent; Prologue-Barry; Epilogue-Mrs Cibber (Edition of 1753).]
Event Comment: MMiss Macklin's benefit will be on Tuesday the 5th of February; the Play will be the Recruiting Officer, in which she will act the part of Sylvia , and Mr Foote the part of Brazen , being the first time of their appearing in those characters. To which will added a piece by Foote call'd the Knights. Receipts: #110 (Cross)

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: Fortunatus

Event Comment: Written by Mr Hume. Author of Douglas. Went off wth. great Applause (Cross). A New Tragedy. The Music composed by Dr Boyce. As this is the 1st night of representation, and much depends upon keeping the scenes clear, 'tis hoped no gentleman will be offended that he cannot be admitted upon the stage or into the orchestra. [See Theatrical Review, 1757 and Beginning of 1758 for contemporary comment on source, and at act-by-act progress of play. Judicial but appreciative. Finds some rant and bombast, as well as inconsistency, in Lysander 's characterization: "If...not...known that the author of Agis is the same to whom we are indebted for Douglas, one would not have suspected those two tragedies to have sprung from the same pen...Agis inspires us with admonition; Douglas speaks forcibly to our softer feelings. In Douglas he has shown himself perfect master of nature and the human heart: in Agis of contrivance in point of plot and incidents. What a masterpiece may not we expect from such talents when united in one tragedy!"] Receipts: #200 (Cross)

Performances

Mainpiece Title: Agis

Performance Comment: Actors only listed, but Vocal Parts-Beard, Champness, Vernon, Mrs Vernon, Miss Young; but edition of 1758 lists: Agis-Mossop; Lysander-Garrick; Amphares-Havard; Rhesus-Holland; Euxus-Davies; Agesistrata-Mrs Pritchard; Sandane-Mrs Yates; Euanthe-Mrs Cibber; Prologue-Garrick; Epilogue-Mrs Pritchard.
Event Comment: At the Desire of several Ladies of Quality

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Performance Comment: As17070428 but King-Keen; Horatio-Verbruggen; Laertes-Booth; Ghost-Mills; Ostrick-Norris; Polonius-Cross; Gravemaker-Johnson.
Cast
Role: Horatio Actor: Verbruggen
Event Comment: At the Desire of several Ladies of Quality

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Performance Comment: Hamlet-Wilks; King-Keene; Horatio-Mills; Laertes-Booth; Gravemaker-Johnson; Ostrick-Bowen; Ophelia-Mrs Bradshaw.
Cast
Role: Horatio Actor: Mills
Event Comment: At the Desire of several Persons of Quality

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Performance Comment: Hamlet-Thurmond, being the first time of his performing it in England; King-Keene; Laertes-Powell; Horatio-Husband; Polonius-Cross; Gravedigger-Johnson; Fop-Thurmond Jr; Queen-Mrs Powell; Ophelia-Mrs Bradshaw.
Cast
Role: Horatio Actor: Husband
Event Comment: At the Desire of several Ladies of Quality

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Performance Comment: As17100223, but Horatio-_; Gravedigger-_.
Cast
Role: Horatio Actor: Booth
Event Comment: At the Desire of several Ladies of Quality

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Performance Comment: Hamlet-Wilks; King-Keene; Horatio-Mills; Laertes-Powell; Ghost-Booth; Fop-Bowen; Gravedigger-Johnson; Queen-Mrs Knight; Ophelia-Miss Santlow.
Cast
Role: Horatio Actor: Mills
Event Comment: At the Desire of several Ladies of Quality

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Performance Comment: Hamlet-Wilks; Ophelia-Mrs Mountfort; King-Keene; Horatio-Mills; Ghost-Booth; Queen-Mrs Knight; Gravedigger-Johnson.
Cast
Role: Horatio Actor: Mills
Event Comment: At the Desire of several Ladies of Qualtiy

Performances

Mainpiece Title: The Wifes Relief Or The Husbands Cure

Performance Comment: Riot-Cibber; Volatil-Wilks; Horatio-Booth; Sir Tristram-Dogget; Young Cash-Pack; Spitfire-Norris; Cynthia-Mrs Rogers; Arabella-Mrs Mountfort.
Cast
Role: Horatio Actor: Booth
Event Comment: At the Desire of several Ladies of Quality

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Performance Comment: Hamlet-Wilks; Ghost-Booth; Horatio-Mills; Gravedigger-Johnson; Queen-Mrs Porter; Ophelia-Mrs Santlow.
Cast
Role: Horatio Actor: Mills
Event Comment: At the Desire of several Ladies of Quality

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Performance Comment: Hamlet-Wilks; King-Bickerstaff; Horatio-Mills; Ghost-Booth; Polonius-Cross; Laertes-Ryan; Gravedigger-Johnson; Queen-Mrs Porter; Ophelia-Mrs Santlow.
Cast
Role: Horatio Actor: Mills
Event Comment: At the Desire of several Ladies of Quality. Receipts: #48 16s

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Performance Comment: As17161006, but King-Keene; Horatio-J. Leigh; Ghost-Smith; Laertes-Corey; Gravediggers-Spiller, Hall; Queen-Mrs Knight; Ophelia-Mrs Cross.
Cast
Role: Horatio Actor: J. Leigh

Dance: Salle, Mlle Salle; particularly The Dutch Skipper-

Event Comment: At the Desire of several Persons of Quality

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Performance Comment: As17170928, but Horatio-Mills.
Cast
Role: Horatio Actor: Mills.