SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Castle Horatio Mr Packer Several parts of ye play as it is in "/1) | (@(roleclean,performerclean) "Castle Horatio Mr Packer Several parts of ye play as it is in ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10699 matches on Event Comments, 5478 matches on Performance Comments, 2462 matches on Performance Title, 22 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Not acted these 6 years. [See 24 Oct. 1770.] Miss P. Hopkins made her first appearance in Celia-great applause (+Hopkins Diary). [The Young Lady who played Celia indentified by Winston MS 11 as Miss Pricilla Hopkins who became Mrs Brereton, then was married a second time to John Kemble. She had acted Celia 19 April 1773 in As You Like It. The Young Lady who played Tragedy was Miss Sharp, later married to W. Palmer (Winston MS 11).] Paid Mr Neale for a laced Hat #1 15s. Receipts: #155 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The School For Lovers

Performance Comment: Sir John Dorilant-Reddish; Modely-Dodd; Bellmour-Palmer, first time for all three in these parts; Steward-Waldron; Servant-Everard; Araminta-Mrs King; Lady Beverly-Mrs Hopkins; Celia-a Young Lady, first time.

Afterpiece Title: The Theatrical Candidates

Dance: End: The Merry Peasants, as17751018

Event Comment: Never Acted before. A Tragedy [By John Home]. I went to my Office and then slept [?] in at Drury Lane w here I see Mr and Miss Hayes, Lady Lindores who I see into a coach, I slept in at Covent Garden Gallery before the play, but see nobody I knew so I would not stay, otherwise I would have went out as I had set my mind on the Beggar's Opera for once more, but waived it all & went to my Office (Hailey Brietzcke Diary, Vol. 197, p. 72)

Performances

Mainpiece Title: The Siege Of Aquileia

Performance Comment: Actor's names only in bills, but edition of 1760 lists: Aemilius-Garrick; Titus-Holland; Paulus-Austin; Varus-Davies; Priest of Jupiter-Burton; Dumnorix-Bransby; Lucius-Packer; Gartha-Scrase; Officer-Ackman; Cornelia-Mrs Cibber; Prologue-; Epilogue-.
Cast
Role: Lucius Actor: Packer
Event Comment: Afterpiece: A New Pantomime, the Overture and Comic Tunes compos'd by Potter, the Airs and Chorusses by Batishall. Nothing under Full Prices will be taken. The Words of the Airs and Chorusses in the Entertainment will be given away at the theatre (playbill). At the end of the Play a great Noise & many cry'd out, the whole! the whole, &c. Mr Holland told 'em there never was any more play'd, which a little appeas'd em; but some noise continued till the Curtain was drawn up for the Pantomime & then all was quiet. The Pantomime got great applause; the Tunes were very bad, & a great want of Business & Incidents thro' the whole. The Scenery is very Pretty & well Executed. The Elephant is excellent & has a Fine Effect (Hopkins). Machinery Pleas'd. Business so, so (Cross Diary). [Wording in comment from Hopkins Diary-MacMillan, differs only slightly.] Receipts: #269 13s

Performances

Mainpiece Title: The London Merchant Or The History Of George Barnwell

Performance Comment: George Barnwell-Holland; Thorowgood-Love; Trueman-Packer; Uncle-Burton; Blunt-Fox; Maria-Mrs Davies; Lucy-Mrs Bennet; Milwood-Miss Haughton.
Cast
Role: Trueman Actor: Packer

Afterpiece Title: The Rites of Hecate or Harlequin from the Moon

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Obrien, first time; Beatrice-Miss Pope; Don Pedro-Packer; Leonato-Havard; Claudio-Palmer; Dogberry-Yates; Friar-Burton; Don John-Bransby; Verges-Philips; Borachio-Parsons; Clerk-Baddeley; Sexton-Clough; Margaret-Mrs Bradshaw; Ursula-Miss Hippisley; Balthazar (with a song)-Vernon; Hero-Mrs Davies; In II, a Masquerade Dance-proper to the play; To conclude with a Country Dance-.

Afterpiece Title: Interlude Hymen End Act III

Afterpiece Title: The Rites of Hecate

Event Comment: Benefit for Lee and Miss Slack. Comedy never performed, Alteration of Wycherley's play into two acts by Lee (Genest, V, 69). Tickets and places to be had of Lee at LaGrange's Medicinal Warehouse, in New St., Covent Garden; of Miss Slack, at Mr Bates', Charles St., Covent Garden; and at Stage door

Performances

Mainpiece Title: The Winters Tale

Afterpiece Title: The Country Wife

Performance Comment: Pinchwife-Lee; Sparkish-King; Harcourt-Parsons; Dorilant-Packer; Mrs Pinchwife-Miss Slack; Alithea-Mrs Hopkins.
Cast
Role: Dorilant Actor: Packer

Dance: End: New Tambourine, as17640929

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedict-Garrick; Don John-J. Aickin; Balthasar (with song)-Vernon; Antonio-Hurst; Leonato-Aickin; Dogberry-Parsons; Verges-Hartry; Claudio-Cautherly; Don Pedro-Packer; Borachio-Ackman; Town Clerk-Baddeley; Sexton-Clough; Hero-Mrs Baddeley; Beatrice-Miss Pope; In Act II, a Masquerade Dance proper to the play, -Grimaldi; To Conclude with a Country Dance-.
Cast
Role: Don Pedro Actor: Packer

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Garrick; Beatrice-Miss Pope; Hero-Mrs Morland; Leonato-Aickin; Claudio-Cautherly; Balthasar (song)-Vernon; Don John-J. Aickin; Dogberry-Parsons; Verges-Hartry; Town Clerk-Baddeley; Ursula-Mrs Millidge; Friar-Burton; Don Pedro-Packer; Antonio-Hurst; Borachio-Ackman; Margaret-Mrs Bradshaw; In Act II a Masquerade Dance- proper to the play; To Conclude with a Country Dance-.

Afterpiece Title: The Anatomist or the Sham Doctor

Event Comment: Miss Mansell made her first appearance upon this Stage in Louisa Dudley She has a good face her figure rather Clumsey a hoarse Voice & not much Simplicity (Hopkins Diary). [Reviewer for Town and Country Magazine agrees Miss Mansell not too good as Louisa. Macmillan note from Kemble differs slightly: "Miss Mansell's first appearance,--she played Louisa Dudley,--a slattern figure, rather clumsy,--a coarse voice,--and no simplicity,--very unfit for the character Hopkins Diary No 7."] Paid three day's salary list at #80 7s. 5d. per diem,-#241 2s. 3d.; Mr S. French, 6 days, #1 10s.; Lampmen #2 12s.; Bill stickers #3 12s. Handbills 5s.; Candlemen #1 8s.; Mantua Maker #6 1s. 2d.; J. Stevens (Porter) 18s. (Treasurer's Book). Receipts: #205 16s. 6d. [The constant payments are tabulated for the season as follows and will not be further itemized]: @Item Weekly Average Season Total Lampmen #3 #111@Bill Stickers #2 14s. #99 15s.@Handbills 12s. #21 12s.@Candlemen & extras #8 #296@Mantua Maker #4 5s. #150@J. Stevens 18s. #33 6s.

Performances

Mainpiece Title: The West Indian

Performance Comment: Stockwell-Aickin; Belcour-King; Major O'Flaherty-Moody; Capt. Dudley-Packer; Charles Dudley-Cautherly; Fulmer-Baddeley; Varland-Parsons; Lady Rushport-Mrs Hopkins; Louisa Dudley-Miss Mansell; first time; Charlotte Rushport-Mrs Abington; Mrs Fulmer-Mrs Egerton.
Cast
Role: Dudley Actor: Packer

Afterpiece Title: The Padlock

Event Comment: The Farce was Much Applauded Mrs Barry play better than the Night before (Hopkins Diary). Paid 6 day's salary list at #85 7s. 11d. per diem, #512 7s. 6d.; Mr French on Acct #5 5s.; Rec'd Stopages #18 10s. (Treasurer's Book). Receipts: #177 5s. (Treasurer's Book)

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: Osmyn-Barry; Garcia-Davies; King-J. Aickin; Gonzales-Packer; Heli-Hurst; Selim-Fawcett; Alonzo-Ackman; Perez-Keen; Zara-Mrs Hopkins; Almeria-Miss Younge; Leonora-Mrs Johnston.
Cast
Role: Gonzales Actor: Packer

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17721023

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Lottery

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus-Powell, first time; Guiderius-Jackson; Cymbeline-Love; Iachimo-Holland; Cloten-King; Arviragus-Palmer; Philario-Parsons; Bellarius-Havard; Pissanio-Packer; Queen-Mrs Bennet; Imogen-Miss Bride; In Act II, introduc'd a Masque-Grimaldi, Aldridge, Lauchery, Miss Baker; singing-Mrs Vincent.
Cast
Role: Pissanio Actor: Packer

Afterpiece Title: The Mayor of Garratt

Performance Comment: As17631130, but Castle.
Cast
Role: Lint Actor: Castle
Event Comment: [Benefit for Mr Mathews & $Jan: Auretti. Ye provok'd Husband? was play'd Palmer being ill (Cross). No Building on Stage. [The bills, all printed before the last minute change, list The Non Juror. Probably announcement was unnecessary, as audience came mainly to enjoy the dances this night.] Receipts: #100 (Cross)

Performances

Mainpiece Title: the Non Juror

Afterpiece Title: The Chaplet

Performance Comment: As17530301 but Dancing End of play +Matelot Basque-Ferrier.

Dance: [I: A +Hornpipe-the Little Swiss, a child 5 years old; II: A Grand Ballet-Devisse, Mlle Auguste; III: A Serious Dance-Janeton Auretti; V: The Louvre, Minuet-Mathews, Janeton Auretti

Ballet: [IV: +La Chacone des Characters. Harlequin-Mlle Auretti; Punch-Devisse

Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the London Gazette, No. 3130, 7-11 Nov. 1695, suggests that it was acted not later than October 1695, although the first production may have been earlier than that. Part of the music was composed by Henry Purcell: Celia has a thousand charms, sung by Young Bowen; Take not a woman's anger ill, sung by Leveridge; and How happy is she, sung by Miss Cross; all are in Deliciae Musicae, The Third Book, 1696. See also Purcell's Works, Purcell Society, XXI (1917), x-xi. Another song, To me you made a thousand vows, set by John Blow, is in Amphion Anglicus, 1700. Dedication, Edition of 1696: I...found so much interrutpion and discouragement from some prejudic'd Gentlemen, who ought to have us'd me better, or, at least, had no reason to use me ill, that I repented I had bestow'd any time upon it....In spite of 'em, my Lord, it was kindly receiv'd, and that too, at a time when the Town was never thinner of Nobility and Gentry

Performances

Mainpiece Title: The Rival Sisters Or The Violence Of Love

Event Comment: Benefit for Wilkinson. At the Request of several Persons of Quality. Tickets delivered by Fox, Royall, and for The Distress'd Mother will be taken

Performances

Mainpiece Title: Tamerlane

Performance Comment: As17591105, but Arpasia-a Lady, 1st appearance on any stage [Mrs Wiers, according to O. Smith (Winston MS 8)]; Packer_; Bransby_; Scrase_; Burton_.Mrs Wiers, according to O. Smith (Winston MS 8)]; Packer_; Bransby_; Scrase_; Burton_.
Cast
Role: Prince of Tanais Actor: Packer

Afterpiece Title: The Double Disappointment

Performance Comment: As17600429 *uòdl SSpecialty. Foote's Prologue to The Author, spoken in the manner of the Original-Wilkinson; and, By Particular Desire, the Scene between Lady Pentweazel and Mr Carmine , from the Comedy of Taste-; Lady Pentweazle-Wilkinson; Carmine-Packer.
Cast
Role: Carmine Actor: Packer.
Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No Admittance behind Scenes. No Money to be returned after Curtain is drawn up. Places to be had of Mr Johnston at the Stage Door. To Begin precisely at half an hour after Six. [Customary information at foot of each bill, will not be further noted.] [Announcement of improvements in the physical plant appeared in the newspapers in August 1762. Aug. 2. "A great number of workmen are now employed in getting ready Drury Lane Theatre for the ensuing season. The stage has been greatly lengthened, and the Pit and Boxes considerably enlarged, having taken in one of the lobbies for that purpose; the two galleries are also entirely rebuilt, and rendered much larger and more commodious, and the slips on each side are formed into green boxes. It is computed from the several alterations made that the house will contain #90 more than heretofore." Aug. 11: "We hear that the greatest improvements are making in Drury Lane Theatre against the ensuing season ever known, particularly a fine artificial cascade which will be exhibited in an entertainment the grandest and most beautiful ever seen in this or in any Kingdom."-Theatrical Miscellanies, Boston Public Library, Cuttings, G 60.23.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Old Maid

Performance Comment: Clerimont-Obrien; Harlow-Packer; Heartwell-Philips; Capt. Cape-Burton; Mrs Harlow-Miss Haughton; Miss Harlow-Mrs Bennett.
Cast
Role: Harlow Actor: Packer

Dance: End: Hornpipe-Vincent

Event Comment: The Provoked Husband and Rival Candidates was given out for Tuesday. On Sunday Morning Mrs Yates sent word she was ill and could not play--sent to Miss Younge, and she sent word that she was ill in bed--King sent word he had a sore Throat, and could not play--so that we could do no Play but the Committee and Rival Candidates. On Monday the Managers met, but nothing was settled. At twelve o'clock Mrs Baddeley sent word she had a sore Throat, and could not play in the Riv[al] Can[didates] (Hopkins Diary). The Hypocrite and The Christmas Tale are obliged to be deferred. "[Smith] has a good figure, is gentlemanlike, and decent in everything he undertakes. When we allow that, we have said all; he wants both feeling to be affected, and powers to convey his feelings, if he had them. In fine, in spite of all the partiality of his friends, or the ignorant prejudices of those who never judge but at second hand, his performance of Richard was little more than a strong union of judgement and industry, unaided by nature. He should woo genteel Comedy oftener; and not that coy sister of hers, who certainly holds Smith at the point of her lance" (London Magazine, Oct. 1776, p. 511). Receipts: #186 18s. 6d

Performances

Mainpiece Title: King Richard Iii

Performance Comment: King Richard-Smith; Richmond-Palmer; Buckingham-Jefferson; Tressel-Davies; Lord Stanley-Bransby; Norfolk-Hurst; Catesby-Packer; Prince Edward-Miss P. Hopkins; Duke of York-Master Pulley; Lord Mayor-Griffiths; Ratcliffe-Wright; Lieutenant-Fawcett; King Henry-Reddish; Lady Anne-Mrs Greville; Dutchess of York-Mrs Johnston; Queen-Mrs Hopkins.
Cast
Role: Catesby Actor: Packer

Afterpiece Title: The Elopement

Performances

Mainpiece Title: The Constant Couple

Performance Comment: As17230117, with Wilks advertised to play Sir Harry for the last time.

Dance: As17221211

Event Comment: Paid Quin on account #100. Gilbert Walmesley to Garrick, 3 Nov,: I see by the prints you are engaged with Mr Rich. I hope you will take care not to hurt your health by playing more than you can well bear....But I must not forget to tell you what Lord Chesterfield says of you. He says you are not only the best tragedian now in the world, but the best, he believes, that ever was in the world; but he does not like your comedy, and particularly objects to your playing Bayes, which he says is a serious solemn character and that you mistake it. He spoke much in praise of Barry's handsome figure, but made a joke of his rivaling or hurting you.-Boaden, Private Correspondence of Garrick, I, 44. Receipts: #170 9s

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Garrick; Johnson-Ryan; Smith-Cashell; Kings of Brentford-Arthur, Morgan; Prince Prettyman-Havard; Gentleman Usher-Hippisley; Prince Volscius-Gibson; Physician-Rosco; Drawcansir-Dunstall; Lt. General-Ridout; Tom Thimble-James; Thunder-Bridgwater; Lightning-Miss Morrison; Sun-Bencraft; Moon-Leveridge; Earth-Roberts; Amarillis-Miss Hippisley; Chloris-Mrs Bland; Pallas-Woodward; Two Sing song Dancing Spirits-Mrs Lampe, Miss Young; Players, Soldiers (Horse and Foot), Heralds, Cardinals, Judges, Serjeants at Arms-the rest of the comedians; With all the Music-; Songs-; Dances-; Scenes-; Machines, Habits and Other Decorations proper to the play; The vocal parts-Leveridge, Bencraft, Roberts, Mrs Lampe, Miss Young; Also an Additional Reinforcement of Mr Bayes's new/rais'd troops-.

Afterpiece Title: The Virgin Unmasked

Event Comment: Benefit for Cross, and Burton. Rec'd cash #36 15s., plus #116 6s. from tickets. Total #153 1s.; Paid Norton 6 Chorus #1 10s.; Paid Mr Dolmain (Embroiderer) #3 (Treasurer's Book). Tickets to be had of Mr Page at the Stage Door. Tickets deliver'd out by Grandchamps will be taken. Publish'd this day, the third edn. of Colley Cibber's Apology for his Life at 6s. With an Historical view of the stage during his own time, to which is now added A short account of the Rise and Progress of English Stage: also a dialogue on old plays and old players. Printed for R. Dodsley (General Advertiser). Receipts: #154 (Cross); charges, #63 (Treasurer's Book)

Performances

Mainpiece Title: Macbeth

Performance Comment: As17500129, but Duncan-Barnet; Lennox-Ackman; The Vocal Parts-Miss Norris.
Cast
Role: The Vocal Parts Actor: Miss Norris.

Afterpiece Title: Miss in Her Teens

Music: II: Concerto on Violincello-Cervetti

Dance: I: Black Joke, as17500420 II: Comic Dance-Grandchamps; III: L'Entree de Flore, as17491024; V: Venetian Gardeners-Grandchamps, Mlle Auretti

Event Comment: Benefit for Dodd. N.B. Mr King still continuing lame with the Gout is incapable of performing both in Play and Farce. Mr Baddeley, therefore has kindly undertaken, at short notice, to perform the character of Old Groveby, and humbly hopes for the indulgence of the public. Paid Machin, Chorus, 9 nights #2 5s. Receipts: #131 10s. Charges: #70 7s. Profits to Dodd: #61 3s. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: As17760208, but Old Groveby-Baddeley, first time; the Vocal Parts-Mrs Scott, Mrs +Jewell, Mrs +Smith.

Afterpiece Title: Bon Ton

Cast
Role: Parts Actor: Miss _Platt.
Event Comment: The United Company. The date of the first performance is not known, but Luttrell's copy (Huntington Library) of the play bears the date of acquisition 3 June [1690, apparently], and the play was advertised in the London Gazette, No 2566, 12-16 June 1690. See Fredson Bowers, A Bibliographical History of the Fletcher-Betterton Play, The Prophetess, 1690, The Library, 5th Series, XVI (1961), 169-75. It seems likely that the opera was first given early in June 1690. An edition of The Vocal and Instrumental Musick of The Prophetess appeared in 1691. See Works of Henry Purcell, Purcell Society, IX. Downes (Roscius Anglicanus, p. 42): The Prophetess, or Dioclesian an Opera, Wrote by Mr Betterton; being set out with Coastly Scenes, Machines and Cloaths: The Vocal and Instrumental Musick, done by Mr Purcel; and Dances by Mr Priest; it gratify'd the Expectation of Court and City; and got the Author great Reputation. [See also R. E. Moore, Henry Purcell and the Restoration Theater (Cambridge, Mass., 1961), Chapter V; and E. W. White, Early Theatrical Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59), 44.] The Muses' Mercury (January 1707, pp. 4-5): This prologue was forbidden to be spoken the second Night of the Representation of the Prophetess. Mrs Shadwell was the occasion of its being taken notice of by the Ministry in the last Reign: He happen'd to be at the House on the first Night, and taking the beginning of the Prologue to have a double meaning, and that Meaning to reflect on the Revolution, he told a Gentleman, He would immediately Put a stop to it. When that Gentleman ask'd, Why he wou'd do the Author such a Disservice? He said, Because while Mr Dryden was Poet Laureat, he wou'd never let any Play of his be Acted. Mr Shadwell informed the Secretary of State of it, and representing it in its worst Colours, the Prologue was never Spoken afterwards, and is not printed in Mr Dryden's Works, or his Miscellanies. Cibber, Apology (ed. Lowe, II, 13-14): A Prologue (by Dryden) to the Prophetess was forbid by the Lord Dorset after the first War in Ireland. It must be confess'd that this Prologue had some familiar, metaphorical Sneers at the Revolution itself; and as the Poetry of it was good, the Offence of it was less pardonable

Performances

Mainpiece Title: The Prophetess Or The History Of Dioclesian

Performance Comment: [Edition of 1690: No actors' names. Geta-Leigh (Cibber, Apology, ed. $Lowe, I, 149).] A Prologue by John Dryden was suppressed after the first performance; it appeared in the first edition of the play. Epilogue. A Prologue by John Dryden was suppressed after the first performance; it appeared in the first edition of the play. Epilogue.
Event Comment: The United Company. The date of the first performance is not known, but the Preface states:...the many inconveniences this hasty Peice has been expos'd to, as the Season of the being [sic] so near Christmas. [The Preface also refers to several scenes omitted in the action and expresses gratitude to Mountfort who wrote one scene of the fifth act.] This play was entered in the Term Catalogues, Feb. 1690@1

Performances

Mainpiece Title: The Mistakes

Performances

Mainpiece Title: The School For Lovers

Performance Comment: Sir John Dorilant-Holland, 1st time; Modely-Palmer; Bellmour-Packer; Steward-Baddeley; Caelia-Mrs Palmer, 1st time; Araminta-Mrs Yates; Lady Beverley-Mrs Clive.
Cast
Role: Bellmour Actor: Packer

Afterpiece Title: The Faithful Irish Woman

Performance Comment: Characters-Love, Packer, King, Miss Pope, Mrs Hopkins, Miss Rogers, Miss Heath, Miss Pearce; Irishwoman-Mrs Clive.

Dance: End: The Irish Lilt, as17641011

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: A Peep behind the Curtain

Performance Comment: Glib-King; Sir Toby Fuz-Love; Patent-Packer; Carpenter-Moody; Sir Macaroni-Dodd; Wilson-Palmer; Prompter-Bannister; Housekeeper-Johnston; Shepherds-Dodd, Parsons, Hartry, Fawcett, Kear, Messink; Orpheus-Vernon; Rhodope-Mrs Baddeley; Sweepers-Mrs Bradshaw, Mrs Love; Miss Fuz-Miss Burton; Lady Fuz-Mrs Hopkins.
Cast
Role: Patent Actor: Packer

Dance: I: Comic Dance, as17690926

Entertainment: LLinco's Travels-King (with considerable alterations and additions) His remarks on England and the Jubilees