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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Castle Horatio Mr Packer Several parts of ye play as it is in "/1) | (@(roleclean,performerclean) "Castle Horatio Mr Packer Several parts of ye play as it is in ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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16021 results for: Keyword - Castle</i>. <i>Horatio-$Mr Packer</i>. Several parts of ye play, as it is in $<span class=
We found 10697 matches on Event Comments, 5478 matches on Performance Comments, 2462 matches on Performance Title, 22 matches on Author, and 0 matches on Roles/Actors.

851
02 July 1661 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Siege Of Rhodes, Part Ii

852
15 November 1661 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Siege Of Rhodes, Part Ii

853
20 May 1662 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Siege Of Rhodes, Part Ii

854
13 January 1682 @ Drury Lane Theatre

Performances

Mainpiece Title: The Destruction Of Jerusalem By Titus Vespasian, Part Ii

855
March 1697 @ Drury Lane Theatre

Performances

Mainpiece Title: Aesop, Part Ii

856
05 April 1759 @ Drury Lane Theatre

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Benvolio Actor: Packer
Role: The Vocal Parts Actor: Beard, Champnes, Miss Young
Role: a Masquerade Dance Actor: proper to the Play.

Afterpiece Title: Miss in Her Teens

Entertainment: S+Specialty Anniversary Ode in Commemoration of Shakespeare set to music by Dr Boyce; The Vocal Parts-Champnes, Beard

857
14 February 1760 @ The Great Room, Dean Street, Soho

Performances

Mainpiece Title: Charlottenburg Festegiante

Performance Comment: Vocal Parts-Signora Passerini, Signora Frederick, Signora Tenducci, Signora Magalli (who never sung in public before except at the Opera).
Cast
Role: Vocal Parts Actor: Signora Passerini, Signora Frederick, Signora Tenducci, Signora Magalli

Music: Instrumental parts: First Violin-Passerini;, with viols and the others by the best performers. Between the First and Second Part: a Concerto on the Organ-Sga Frederick

858
19 December 1760 @ Covent Garden

Performances

Mainpiece Title: King Henry Iv, Part I

Afterpiece Title: Love a-la-Mode

Performance Comment: Actors only: Macklin, Barrington, Dunstall, Creswick, Mrs Burden, Shuter. Sir Archy-Macklin; Squire Groom-Shuter; Sir Callaghan-Barrington; Mordecai-Cresswick; Sir Theodore-Dunstall; Charlotte-Miss Macklin (Genest, IV, 623); Parts-Creswick, Mrs Burden.
Cast
Role: Parts Actor: Creswick, Mrs Burden.

Dance: [Unspecified]

859
04 September 1770 @ Mary-le-Bone Gardens

Event Comment: marly Benefit for Richards. [Vocal parts in concert as 16 Aug. plus Bannister's musical imitations, by desire.]

Performances

Mainpiece Title: La Serva Padrona

Music: marly First Violin and Solo Concerto by Barthelemon; Concerto on Organ by Hook ; Fourth Concerto of Corelli with the additional parts for trumpets, French Horns, and Kettle Drums adapted to that favourite piece by the late ingenious Sg Pasquali

860
16 March 1771 @ Covent Garden

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Padlock

Song: I: The Soldier Tir'd of War's Alarms-Miss Catley; II: The song Cease Gay@Seducer- to the favourite Scotch air; End Opera: Water parted from the sea-Miss Catley after the manner of the original

Dance: II: An Allemande-Aldridge, Miss Twist

861
23 March 1778 @ Covent Garden

Performances

Mainpiece Title: Iphigenia; Or, The Victim

Afterpiece Title: Poor Vulcan

Dance: As17771222

Song: V: will be introduced a Sacrifice-;, with new Music by Fisher-; the vocal parts and chorus-Miss Brown, others

862
21 July 1786 @ Haymarket Theatre

Performances

Mainpiece Title: The First Part Of King Henry Iv, With The Humours Of Sir John Falstaff

Afterpiece Title: Gretna Green

863
21 October 1786 @ Covent Garden

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: Richard Coeur de Lion

Song: In V: a Roman Ovation-; Vocal Parts-Johnstone, Darley, Cubitt, Brown, Mrs Martyr, Miss Stevenson, Miss Stuart, Miss Cranfield, Mrs Kennedy

864
14 April 1788 @ Covent Garden

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: High Life below Stairs

Dance: II: Masquerade Dance, as17871107; End: New Divertisement, as17880124

Song: II afterpiece: Ally Croaker in two parts,-Mrs Abington, Johnstone

865
12 April 1792 @ Covent Garden

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: Modern Antiques

Song: II: Grand Triumphal Entry of Alexander into Babylon-; Vocal Parts-Johnston, Incledon, Darley, Cubitt, Marshall, Gray, Rock, Rowson, Letteney, Mrs Mountain, Mrs Harlowe, Miss Broadhurst, Miss Stuart, Miss Barnett, Mrs Arnold, Mrs Cross, Mrs Powell, Miss Leserve, Mrs Watts, Mrs Gray, Miss Francis, Mrs Masters, Miss Taylor, Mrs Lloyd, Mrs Martyr; End: Wine cannot cure the Pain I endure-Johnstone, Incledon; with new Accompaniments by Shield-

866
06 August 1792 @ Haymarket Theatre

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: King Henry the Fourth [Part I]

867
24 November 1792 @ Covent Garden

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Animal Magnetism

Dance: End: A New Divertisement-Byrn, Holland, Mme Rossi

Song: In: the Principal Vocal Parts-Miss Broadhurst, Mrs Blanchard, Miss Barnett, Mrs Martyr

868
09 October 1793 @ Covent Garden

Event Comment: Mainpiece: With new Scenery, Dresses and Decorations. [This was the version, altered probably by Joseph George Holman, in which he appeared in Dublin on 29 July 1794, on which occasion the playbill reads, "Dressed in the Habits of the Times, and with other Alterations, adopted in its Representations 19 [recte 11] Nights last Winter, at the Theatre Royal, Covent Garden." It further states that the part of Ophelia would be performed "without the Airs, and with a considerable Restoration of the Text." No record of what these alterations consisted of has come to light. In III.iv Hamlet's father was represented by a life-sized portrait that hung over the chimney, and the Queen wore a large miniature of Claudius on her arm as a bracelet (London Chronicle, 10 Oct.). The words of the Dirge are printed in European Magazine, Nov. 1793, p. 393; they are stanza X of Shakespeare's Passionate Pilgrim. Miss Poole had appeared as a singer at king's and at Vauxhall in 1787 and at the cg oratories in 1791.] Afterpiece: Not acted these 2 years [and in place of The Prisoner at Large, advertised on playbill of 8 Oct.]. Receipts: #332 4s. (330.3; 2.1)

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Holman; Ghost-Farren; Horatio-Harley; Laertes-Middleton; King-Powel; Polonius-Munden; Ostrick-Bernard; Rosencraus-Macready; Guildenstern-Davies; Player King-Thompson; Marcellus-Evatt; Grave@Diggers-Quick, Rees; Ophelia-Miss Poole (1st appearance on any stage); Mad Bess-Miss Poole; Player Queen-Mrs Platt; Queen-Mrs Pope.
Cast
Role: Horatio Actor: Harley
Role: Player King Actor: Thompson
Role: Player Queen Actor: Mrs Platt

Afterpiece Title: Three Weeks after Marriage

Song: In V: a Dirge set to music by Shield, the words from Shakespeare; Vocal Parts-Mrs Martyr, Mrs Mountain, Mrs Clendining, Miss Hopkins, Miss Stuart, Miss Barnett, Mrs Watts, Mrs Follett, Mrs Lloyd, Mrs Masters, Miss Paye, Mrs Blurton, Mrs Castelle, Miss Leserve, Williamson, Linton, Street, Gray

869
28 March 1794 @ Drury Lane Theatre

Performances

Mainpiece Title: The Messiah

Music: End of Part I concerto on the oboe by W. Parke; End of Part II concerto on the violin by Giornovichi, in which the favourite air of Lullaby

870
04 March 1795 @ Covent Garden

Event Comment: Oratorio: In two Parts, Principal Instrumental Performers as 27 Feb., but omitted: Seutze. [The playbill retains Miss Poole, but "Miss Poole, it appears, could not perform at the Oratorio on Wednesday last, because she had ate pork for dinner" (Morning Herald, 9 Mar.). Morning Post, 10 Mar., prints a public statement from Miss Poole apologizing for her "neglecting to attend and perform her duty on Wednesday last".

Performances

Mainpiece Title: L'allegro Ed Il Pensieroso; Grand Selection 0

Afterpiece Title: A Grand Miscellaneous Act

Music: End Part II: 3rd concerto of Giardini on the violin-G. Ashley

871
26 March 1795 @ King's Theatre

Performances

Mainpiece Title: Semiramide

Dance: End I: New Divertisement, in which the Pas Russe-Mme Hilligsberg, Mme Hilligsberg's sister in men's clothes; End II: a new Grand Dramatic Pantomime Ballet, in 3 parts, composed by Onorati, Paul et Virginie-Gentili, Aumer, Lahante, Simpson, Mme DelCaro, Miss J. Hilligsberg, Mme Rossi, Mme Hilligsberg who will perform in men's clothes and dance a Scotch Reel in that character

872
19 February 1796 @ Covent Garden

Event Comment: Oratorio: Composed by G. F. Handel. Instrumental Performers as 17 Feb., but added: Ware. [The playbill retains Miss Leak, but she "was so hoarse as to be unable to take her oratorical share last night" (Oracle, 20 Feb.).

Performances

Mainpiece Title: The Messiah; Alexander's Feast; Grand Selection 0

Music: End Part I: 3rd concerto of Giardini on the violin-G. Ashley; End Part II: concerto on the Piano Forte-Dussek

873
24 February 1796 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End Part I: concerto on the violincello-C. Ashley; End Part II: concerto on the harp-Mme Delaval

874
04 March 1796 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music From The Works Of Handel

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Music: End Part I: concerto on the violin-G. Ashley; End Part II: concerto on the Grand Piano Forte-Miss M'Arthur

875
24 March 1798 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; D 5, by Benjamin Thompson, altered from Menschenhass und Reue, by August Friedrich Ferdinand von Kotzebue. Prologue by William Linley; Epilogue by Matthew Gregory Lewis (European Magazine, Mar. 1798, p. 260)]: With new Scenes, Dresses, &c. With Musick [by Thomas Shaw]. "Mrs Siddons was succesful in all the impassioned parts; but she cannot sustain a mixed character. She is the Muse of Tragedy herself, and when she descends from her lofty state to the level of familiar dialogue, she instantly ceases to astonish and we to admire" (Monthly Mirror, Apr. 1798, p. 234). "The dialogue must be considerably abridged, as well for the purpose of preserving the interest of the piece, as for shortening the time of representation, which is at least an hour too long, it being half past ten before the curtain dropt" [see 26 Mar.] (Morning Herald, 26 Mar.). Receipts: #420 7s. 6d. (378.11.6; 40.18.0; 1.8.0)

Performances

Mainpiece Title: The Stranger

Afterpiece Title: The Prize

Song: Incidental: Vocal Parts-Mrs Bland, Miss Leak their songs; To welcome mirth and harmless glee-Mrs Bland, Miss Leak; I have a silent sorrow here-Mrs Bland

Dance: Incidental to mainpiece: Principal Dancer-Sga Bossi DelCaro. [These were the same in all subsequent performances, except on 5 May.