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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Castle Horatio Mr Packer Several parts of ye play as it is in "/1) | (@(roleclean,performerclean) "Castle Horatio Mr Packer Several parts of ye play as it is in ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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16021 results for: Keyword - Castle</i>. <i>Horatio-$Mr Packer</i>. Several parts of ye play, as it is in $<span class=
We found 10697 matches on Event Comments, 5478 matches on Performance Comments, 2462 matches on Performance Title, 22 matches on Author, and 0 matches on Roles/Actors.

526
11 April 1711 @ Stationer's Hall

Event Comment: Benefit Cuthbert and Smith. For the Entertainment of several Foreign Ministers. Tickets 5s. At 6 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Performers; Particularly several select Entertainments out of the following English Operas: The Fairy Queen, King Arthur, The Indian Queen, Dioclesian, with the Masque in Timon of Athens; all by that great Master the late Mr Henry Purcell-

527
04 March 1726 @ Haymarket Theatre

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; most of the celebrated Songs in our new Operas-Signor Rochetti; and several others lately brought from Italy. And the Instrumental Parts-best Hands from the Opera

Performance Comment: And the Instrumental Parts-best Hands from the Opera.
Cast
Role: nd the Instrumental Parts Actor: best Hands from the Opera.

528
16 February 1728 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In Several Masques

Performance Comment: Principal parts-Wilks, Mills, Cibber, Bridgwater, Griffin, Harper, Miller, Mrs Oldfield, Mrs Porter, Mrs Moor, Mrs Mills; but edition of 1728 lists: Wisemore-Mills; Mertial-Wilks; Malvil-Bridgwater; Lord Formal-Griffin; Rattle-Cibber; Sir Postive Trap-Harper; Sir Apish Simple-Miller; Lady Matchless-Mrs Oldfield; Vermilia-Mrs Porter; Helena-Mrs Booth; Lady Trap-Mrs Moor; Catchit-Mrs Mills; Prologue Occasioned by its Succeeding The Provoked Husband,-Mills; Epilogue-Miss Robinson Jr.
Cast
Role: Principal parts Actor: Wilks, Mills, Cibber, Bridgwater, Griffin, Harper, Miller, Mrs Oldfield, Mrs Porter, Mrs Moor, Mrs Mills

529
08 May 1732 @ Haymarket Theatre

Event Comment: Benefit Mrs Cross, who has not appeared on the Stage these several Years. At the Desire of several Persons of Quality

Performances

Mainpiece Title: The Orphan

Afterpiece Title: Damon and Phillida

Entertainment: littleBoy of eleven Years old is to fly from the Footman's Gallery to the farthest Part of the Stage; first with two Pistols, one in each Hand; a second Time with two Flags, and to make a small Stop in the Middle, and flourish them over his Head.

530
16 March 1797 @ Covent Garden

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Raymond and Agnes; or, The Castle of Lindenbergh

Performance Comment: Principal Characters-Farley, Follett, Simmons, Simpson, Cranfield, Hawtin, Blurton, Mlle DeLaCroix (1st appearance on this stage), Mlle St.Amand, Mrs Follett, Mrs Watts, Mrs Mountain; [Probable cast (see17990413): Raymond-Farley; +Robert-Follett; +Theodore-Simmons; +Claud-Simpson; +Count of Lindenbergh-Cranfield; +Don Felix-Hawtin; +Jaques-Blurton; +Baptist-Delpini see17970320 +Maugerette-Mlle De La Croix; +Spectre of the Bleeding Nun-Mlle St.Amand; +Countess of Lindenbergh-Mrs Follett; +Annette-Miss Burnett [see17970321 +Abbess of St. Claire-Mrs Watts; +Agnes-Mrs Mountain.] [I. +A Gothic Library in the Castle of Don Felixv. Raymond, discovered at his studies, is interrupted by the entrance of Don Felix (his father), who informs him 'tis his wish he should go upon his travels; Theodore, his favorite domestic, intreats to accompany him. II. Madrid; with a View of an Hotel and a Conventv. Procession of Nuns and Friars. Chorus. Agnes, the daughter of Count Lindenbergh, discovered at the lattice. Raymond and Theodore enter, order refreshments from the Hotel, and proceed on their journey, under the guidance of Claud, one of a banditti infesting the neighbouring Forest. III. A Forest at Midnight, with a distant Hovelv. Enter Baptist (one of the Banditti) disguised as a woodman. The carriage with Raymond and Theodore is seen to break down. Claud, pointing to the Hovel, informs them they may there find shelter for the night. IV. The Inside of the Hovelv. Maugerette and her Child discovered. Raymond and Theodore are introduced by Baptist. Theodore is shewn to his room by Maugerette. Robert and Jaques (sons to Baptist) enter armed, making a servile obedience to Raymond, who is conducted to his chamber by Robert. V. The Bed-room prepared for Raymondv. Maugerette wishing to preserve the life of Raymond from the assassins, conveys a Pillow stained with blood upon his bed, thereby to inform him of his danger. She conceals herself. Raymond retires to rest, but is prevented by finding the bloody Pillow, and struck with horror, falls into a swoon. Robert enters, attempts to murder him, is prevented by Maugerette; and Raymond, at her request, retires. VI. The Lower Apartment of the Hovelv. Robert informs his father and brother of the ineffectual attempt on the life of Raymond, who is brought in by Maugerette. A knocking is heard without. Agnes (who has been also benighted in the forest) is led in by Claud, attended by Servants. Supper is prepared. Opiates are mixed with the wine. Agnes drinks, and falls into a slumber. Maugerette begs Raymond not to drink, but to put on the semblance of sleep. Baptist sends Robert and Jaques to secure the servants, who have retired; and supposing Raymond at rest, prepares to murder him. Raymond seizes him, and Baptist falls by the hand of Maugerette, who points out a secret avenue, through which she, taking her child, Raymond and Agnes escape, followed by Theodore. VII. Inside of Lindenbergh Castlev. The mother of Agnes, the late Countess, pourtrayed in the habit of a Nun. The Count discovered viewing the picture with agitation; kneels to implore forgiveness for the Murder. Agnes brought in by Raymond, is introduced to the present Countess. She becomes enamoured of him, offers him her Picture, which he rejects with scorn. VIII. The Chamber of Agnesv. Portrait of a Nun, with a wound upon her breast, a Lamp, Dagger, and a Rosary on her arm. Agnes enamoured of Raymond, enters, and prepares to draw his Portrait. Raymond entering unperceived, throws himself at her feet, and obtains a promise of her hand. He requests an explanation of the picture of the bleeding Nun. She informs him (in a Song) 'tis the resemblance of a Spectre which haunts the Castle every fifth year. The Count and Countess approach; and in anger order Raymond to quit the castle. IX. The Outside of the Castlev. Raymond, about to depart, is diverted by the sound of a Mandoline. A paper is lowered by Agnes from the Castle, containing a drawing of the Nun, with the following Scrole: "When the castle-bell tolls One. Expect me like this bleeding Nun." X. The Outside of the Castle, as beforev. Raymond descends the Wall; the Clock strikes One; the Gates fly open; the apparition of the Nun comes from the Castle. Raymond (supposing it Agnes) follows in extasy. Theodore approaching is met by Agnes in the habit of the Nun. Agitated by the apparent neglect of Raymond, they retire. XI. A Dreary Woodv. Raymond, following the spectre (still supposing it Agnes), attempts to embrace it, when suddenly vanishing, a Cloud rises from the earth bearing the following inscription: "Protect the Child of the Murder'd Agnes." XII. The Mountainsv. Robert, Jaques and Claud (the Robbers) discovered at the grave of Baptist. Theodore and Agnes enter. Agnes is seized and borne into the Cavern. XIII. A Woodv. Theodore and Maugerette meet Raymond, and inform him of Agnes being seized by the Robbers. They hasten to her rescue. XIV. Inside of the Cavernv. The three Robbers cast lots for the possession of Agnes. She becomes the prize of Robert. He attempts to seize her. She resisting, he aims a stiletto at her breast. At this instant Raymond, Theodore and Maugerette rush in. Robert falls by the dagger of Raymond, Jaques by the sword of Theodore, and Claud by a pistol from the hand of Maugerette. XV. The Castle of Don Felix. Raymond presents Agnes to his Father, who joins their hands; and the Piece concludes with aFinale and Spanish Fandango-.
Cast
Role: When the castle Actor: bell tolls One. Expect me like this bleeding Nun." X. The Outside of the Castle, as beforev. Raymond descends the Wall

Song: Afterpiece: Vocal Parts-Gray, Linton, Street, Mrs Henley, Mrs Castelle, Miss Leserve. [Not listed on playbill, but in Songs (see below).

Performance Comment: [Not listed on playbill, but in Songs (see below).]

531
25 April 1785 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Deserter

Dance: End of mainpiece The fancy Races {performers not listed]

Song: End of Act I of mainpiece Tantivy, the welkin resounds (the Music by Hook); End of Act II a new song, The New Blown Rose (the Words by Mrs Cumyns, the Music by Dale), both by Mrs Martyr

532
05 May 1791 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Love a-la-Mode

Song: End I: Wine cannot cure the pain I endure for my Chloe-Johnstone, Incledon; with new accompaniments by Shield-; End: Catches and Glees-Bannister, Johnstone, Incledon, Davies, Blanchard, Williamson; The Anacreontic Song-Bannister; The Introductory Dialogue, in Irish Character-Rock

533
06 March 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast, With Coronation Anthems

Music: First Violin-Mr Ximene; with a Solo on the Violincello-Mr Janson, lately arrived from Paris, (Who has never performed in Public in England)

534
20 March 1739 @ King's Theatre

Performances

Mainpiece Title: Alexander's Feast

Music: With several Concertos on the Organ-; other Instruments-; Particularly a New Concerto on the Organ-by Mr Handel, on purpose for this Occasion

535
28 March 1740 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Acis And Galatea

Music: With the two new Concertos-; performed in the same this Season, for several Instruments. Also the last new Ode- of Mr Dryden's; And the Concerto on the Organ, that was by Mr Handel- on the same Occasion this Season

536
22 April 1756 @ Drury Lane Theatre

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: Lethe, with Mr Garrick's new Scene

Dance: II: A New Dance-several Children, Scholars to Mr Leviez; III: A New Sailor's Dance, as17560217; IV: (By Particular Desire) Minuet-Leviez, Miss Macklin; V: The Garlands, as17560213

537
18 May 1791 @ Covent Garden

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Union; or, St

Dance: Afterpiece conclude: Highland Fling-the Scotch Characters

Song: End II: Black Eyed Susan-Incledon

Music: In afterpiece: will be introduced the Highland Competition Prizeexactly as represented annually in the City of Edinburgh,-McLane, McGregor, McTavish; several Strathpays, Laments, Pebruchs-several other celebrated Pipers

Entertainment: Monologue End: Epilogue (riding on an Ass,)-Wilson

538
29 March 1704 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Particularly a Sonata for a Flute and a Violin-Signior Gasperini, Mr Paisable; And likewise a Sonata for two Flutes-Mr Paisable, Mr Banister; the whole being entirely New. Margaretta Gallia mention'd in my former Bills, has since got a Cold, and is very much indispos'd, therefore will not venture to Sing; but in her room Several Pieces of the late Mr Henry Purcell-Mrs Lindsey, Mrs Hudson, Mr Hughes, Mr Laroone

Performance Comment: Margaretta Gallia mention'd in my former Bills, has since got a Cold, and is very much indispos'd, therefore will not venture to Sing; but in her room Several Pieces of the late Mr Henry Purcell-Mrs Lindsey, Mrs Hudson, Mr Hughes, Mr Laroone.

539
02 April 1705 @ York Buildings

Event Comment: Benefit Signora Celotti. At the Desire of several Persons of Quality. At 7 p.m

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-; the vocal part-Signora Juliana Celotti; the instrumental part-twenty of the most eminent masters in London

540
10 November 1719 @ Drury Lane Theatre

Performances

Mainpiece Title: The Way Of The World

Song: As17191003

Dance: Pastoral Dance from Myrtillo, in which-Mr Lallie performs a Part, it being the first Time of his Appearance on any Stage

541
30 March 1761 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fair Penitent

Cast
Role: Horatio Actor: Sheridan

Afterpiece Title: Polly Honeycombe

Entertainment: End: will be perform'd a New Coronation Ode by Havard; Vocal parts-Lowe, Champness, Mrs Vincent, Miss Young

542
November 1681 @ Dorset Garden Theatre

Performances

Mainpiece Title: The False Count; Or, A New Way To Play An Old Game

543
22 May 1771 @ Covent Garden

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Intriguing Chambermaid

Performance Comment: As17701009, but add Goodall-Dunstall; Oldcastle-Quick.
Cast
Role: Oldcastle Actor: Quick.

Dance: II: A Comic Dance-Mrs Hartle; End of Play: A Minuet-Hussey, Miss Madden

544
08 May 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Padlock

Dance: End of Play: By Particular Desire, The Louvre, Minuet-Noverre, Miss Rogers his scholar

545
20 April 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Deserter

Cast
Role: Parts Actor:

Dance: The Sailors Revels, as17740920

Monologue: End of Play: Henry and Emma. Henry-Brereton; Eugenius-Palmer; Venus-Mrs Smith; Emma-Mrs Baddeley

546
28 July 1777 @ Haymarket Theatre

Event Comment: "DuBellamy, who played Douglas, and was to have assailed Falstaff, during the combat between Harry Percy and the Prince of Wales [in V.iv], went up to undress, having forgot that his part was not finished" (Morning Chronicle, 29 July)

Performances

Mainpiece Title: The First Part Of King Henry Iv

Performance Comment: As17770724 but Douglas-DuBellamy [not listed in playbill; see below].not listed in playbill; see below].

Afterpiece Title: The Portrait

Dance: End II: The Merry Lasses, as17770611

547
02 November 1797 @ Covent Garden

Event Comment: Mainpiece: In Act I incidental to the Tragedy, a Grand Masquerade. [This was included in all subsequent performances.] Afterpiece: With the Fantoccini, as 30 Oct. ["In the late performance of this play at Covent Garden theatre, we perceive that this objection [i.e. Romeo and Juliet in III. v standing on the stage] is removed; the principal part of the scene is spoken from a balcony...The grand funeral dirge is introduced with magnificence and ostentation. A long procession of monks, friars, &c., accompanied with music, is made to passover the stage. But what end is all this farce and shew to answer?...We must rather laugh at so much pomp and expence bestowed on Juliet. If there is any distress stirring, the candle-snuffers and scene-shifters, who assist as chief mourners, have it all to themselves" (Monthly Mirror, Nov. 1797, p. 293). Receipts: #197 3s. 6d. (193.5.6; 3.18.0)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin and Oberon

Cast
Role: Principal Vocal Parts Actor: Townsend, Linton, Gray, Street, Blurton, Tett, J. Linton, Miss Leserve, Mrs Henley, Mrs Castelle, Miss Burnett, Mrs Watts, Miss Walcup, Mrs Masters, Miss Gray

Song: End IV: the Funeral Procession of Juliet to the Monument of the Capulets, and a Solemn Dirge-; Vocal Parts-Johnston, Incledon, Townsend, Linton, Blurton, Gray, Street, Abbot, Lee, Little, Sawyer, Tett, Mrs Mountain, Mrs Clendining, Miss Wheatley, Miss Sims, Mrs Henley, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Mrs Martyr

548
28 May 1715 @ York Buildings

Performances

Mainpiece Title: Entertainments

Entertainment: It consisted of Pyramids-; of all manner of Sweetmeats, the most generous Wines, Burgundy, Champaign, and was usher'd in by a Prologue-Mrs Younger; written by Mr Tickel, under Secretary to Mr Addison, and concluded by an Epilogue-Mr Wilks; written by himself; which was very merry and free with his own Character; after which, a large Table that was in th Area of the Consort-House, was taken away to make Room for the Company to Dance Country-Dances...We are likewise to acquaint the Reader, that an Ode of Horace-; was set to Musick and sung upon the Occasion, with several other very particular Songs and Performances, both Vocal and Instrumental Music- and that Mrs Younger spoke the Prologue, and Mr Wilks the Epilogue, which, after Sir Richard's Way, was extremely Diverting (Weekly Packet, 4 June)

Performance Comment: ..We are likewise to acquaint the Reader, that an Ode of Horace-; was set to Musick and sung upon the Occasion, with several other very particular Songs and Performances, both Vocal and Instrumental Music- and that Mrs Younger spoke the Prologue, and Mr Wilks the Epilogue, which, after Sir Richard's Way, was extremely Diverting (Weekly Packet, 4 June).

549
10 November 1662 @ Whitehall or St. James's

Event Comment: Pepys, Diary: Having sent for Mr Creed, had thought to have shown my wife a play before the King, but it is so late that we could not

Performances

Mainpiece Title: An Unidentified Play

550
05 June 1713 @ Drury Lane Theatre

Event Comment: Benefit Bickerstaff. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: Mackbeth

Music: The Witches' Musick by Mr Leveridge-Mr Leveridge, Mr Renton, others

Dance: Prince, Mrs Bicknell, others