SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Castle Horatio Mr Packer Several parts of ye play as it is in "/1) | (@(roleclean,performerclean) "Castle Horatio Mr Packer Several parts of ye play as it is in ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 10697 matches on Event Comments, 5478 matches on Performance Comments, 2462 matches on Performance Title, 22 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Doors to open at half past Four. Play to begin at half past Six. Send servants to hold places by Four o'clock. [Mrs Vincent's deficit of 1st instant received #20 3s. 6d.] Paid scavenger's rate for St Martin's due Lady Day #5 1s. Paid printer's bill #9 6s. (Treasurer's Book). Receipts: #262 7s. 6d. (Treasurer's Book). Went to Drury Lane, but could not get in. Stayed from half past 4, sometime at one Pit door, sometime at the other, till past 6, and got in at the right hand side just as the play began, and was dreadfully squeezed, but rewarded by seeing Garrick play Hamlet. The expression in his features, his eyes particularly, surpasses anything I ever saw. He is a little man, but handsome and full of that fire which marks the stronger, and of the softness natural to the tender passions. It is impossible to see his greatest excellencies from ye Gallery. Baddeley and Dodd are pretty well in Polonius and Ostrick. Mrs Baddeley and Yates do Ophelia and ye Grave Digger very well. Mrs Pritchard is great, as usual in ye Queen. Gravedigger's man-Packer. Several parts of ye play, as it is in $Shakespeare">Castle. Horatio-$Mr Packer. Several parts of ye play, as it is in $Shakespeare, are omitted rather improperly...The Prince Brunswick, his wife and Louisa were present (Neville MS Diary)

Performances

Mainpiece Title: Hamlet

Cast
Role: Horatio Actor: Packer
Role: Gravediggers Actor: Castle, Yates
Role: Player Queen Actor: Mrs Bennet
Role: Player King Actor: Burton

Afterpiece Title: The Musical Lady

Cast
Role: Freeman Actor: Packer
Event Comment: Benefit Mrs DeFesch and St.Helene. At the particular Desire of several Persons of Quality. 5s

Performances

Mainpiece Title: Concert

Music: Consisting of Church Musick- for six or eight Voices, by Mr DeFesch; Several Songs in Italian-Mrs De Fesch, the first Time of he performing in publick since her Arrival in England; a new Concert on the Violon-Mr DeFesch; a Solo , composed, and perform'd on the Bass Viol-Mr St.Helene; Solo on the Violoncello-Mr St.Helene the first Time of his performing in Publick

Performances

Mainpiece Title: The Connoisseur; Or, Every Man In His Folly

Performance Comment: Parts by Quin, Cibber, Griffin, W. Mills, Mecklin, Salway, Mrs Clive, Miss Holliday, Mrs Pritchard, Mrs Cross; but edition of 1736 lists: Lord Constant-Quin; Lord Modely-Cibber; Sir Godfrey Trinket-Griffin; Sir Harry Gaylove-W. Mills; Cheatly-Mechlin; Signior Bagatelli-Salway; Tom-Turbutt; William-Cross; Flavia-Mrs Clive; Araminta-Miss Holiday; Mrs Freelove-Mrs Pritchard; Lucy-Mrs Cross. Prologue written by Aaron Hill and spoken by Quin. Epilogue spoken by Mrs Clive .

Performances

Mainpiece Title: The Messiah

Music: Part I: Concerto on French Horn-Mr Ponta; End Part II: Concerto on Violin-Sga Lombardini Sirmen (Theatrical Review, 214)

Event Comment: NNeville MS Diary: Read their parts before ye play began....When the curtain was drawn up, ye Gods and even some in the pit (where I was) called for ye occasional prologue, which was not advertised. A fellow who played Gregory answered insolently The Prologue will not be played tonight." This provoked them more and an excuse sent by Davis not being admitted, Mr Foote was obliged to appear and promised that if they would wait till between ye play and ye farce, ye Prologue should be given....All this was not over till past 11 p.m

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: Romeo-Barry; Escalus-Palmer; Paris-Smith; Montague-Keen; Capulet-Newton; Benvolio-Davis; Tibalt-Bannister; Old Capulet-Pierce; Fryar Lawrence-Gardner; Mercutio-Shuter; Balthazar-Strange; Sampson-Mendez; Abram-Quick; Peter-Weston; Apothecary-Castle; Page-Master Palmer; Lady Capulet-Mrs Burden; Nurse-Mrs Gardner; Juliet-Mrs Dancer; Occasional Prologue (given between the Acts)-as17670529-J. Palmer.
Cast
Role: Apothecary Actor: Castle
Role: Sir William Wealthy Actor: Castle

Afterpiece Title: The Lying Valet

Event Comment: Benefit Estcourt. At the Desire of several Persons of Quality. London in 1710 (pp. 138-39): On this occasion the actors represented a prodigiously satirical Interscenium, which was not to be found in the printed copy of the play....In this interlude a troop of soldiers came on, singing at the top of their voices an English song which had been made by the army in Flanders about the Duke of Marlborough. In it Prince Eugene is praised for his open-handedness, while Marlborough, on the other hand, is blamed for his avarice, so that every verse ended: 'but Marlborough not a penny.' The people, who are very bitter against the whole family, even the Duke himself, laughed prodigiously, and bandied about monstrous insults, although Marlborough's daughter, the Duchess of Montagu, was herself at the play and was so greatly shamed that she was covered with blushes....When the song was at an end, there was such a clapping and yelling that the actors were unable to proceed for nearly a quarter of an hour

Performances

Mainpiece Title: The Recruiting Officer

Song: Several Comical Dialogues-Mr Dogget, Mr Leveridge; And other Entertainments of Ballad/Singing after the true English manner. Compos'd by Mr Estcourt-Mr Estcourt, in Honour of the Great and Glorious Successes of her Majesty over her proud French Foes

Event Comment: Afterpiece: A New Italian Piece by Mons Sorin and Mr Baxter. At the Desire of several Persons of Quality

Performances

Mainpiece Title: Sir Courtly Nice

Afterpiece Title: La Guinquette; or, Harlequin Turned Tapster

Performance Comment: Apparently Parts-Sorin, Baxter.
Cast
Role: Apparently Parts Actor: Sorin, Baxter.

Dance: An Entertainment of Mimick Dancing, call'd, La Caprice-Harlequin (in Imitation of Mlle Provost, the Famous Dancer in the Opera at Paris)

Event Comment: The Duke's Company. Although this performance is not certainly the premiere, it is the earliest known acting of the play. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 14. John Boyle, Fifth Earl of Orrery: Master Anthony too the sequel of Guzman was after Lord Orrery's Death brought upon the Stage, but being disrelish'd by the Audience appear'd only one Night. It is probable The Author had not supervis'd and corrected It sufficiently before he died (The Dramatic Works of Roger Boyle, ed. W. S. Clark II, II, 950). If these private notes, written some fifty years after the premiere, are correct, this performance may have been the premiere and the only day of acting it

Performances

Mainpiece Title: Mr Anthony

Event Comment: The Duke's Company. The date of the first performance is not known, but a copy in the British Museum (161 d 20) has a MS date, 27 Jan. 1681@2, and the play was advertised in True Protestant Mercury, 4-8 Feb. 1681@2; hence it was probably first presented in early January, perhaps late in 1681

Performances

Mainpiece Title: Mr Turbulent; Or, The Melanchollicks

Event Comment: A play reviv'd for ye Lock Hospital (Cross). Never acted there before. Receipts: #210 (Cross)

Performances

Mainpiece Title: The Schemers; Or, Ye City Match

Performance Comment: Parts-Woodward, Berry, Palmer, Yates, Burton, Usher, Vernon, Blakes, Davies, Bransby, Mozeen, Miss Haughton, Mrs Mills, Mrs Bennet, Mrs Cross, Mrs Bradshaw, Mrs Pritchard; Prologue-Garrick; Epilogue-Mrs Pritchard; Plotwell-Palmer; Timothy-Woodward; Warehouse-Berry; Seathrift-Burton; Quartfield-Yates; Salewit-Blakes; Newcut-Usher; Bright-Vernon; Baneswright-Davies; Dorcas-Mrs Pritchard; Aurelia-Miss Haughton; Mrs Seathrift-Mrs Mills (Genest, IV, 409).
Event Comment: Benefit Knapp. At the particular Desire of several Ladies of Quality. Receipts: money #14 1s. 6d. and tickets #37 16s

Performances

Mainpiece Title: The Comical History Of Don Quixote, Part Ii

Song: Leveridge, Mrs Fitzgerald; particularly Since Times Are So Bad-

Music: A New Concerto for the Flute-Bastion Sr, Bastion Jr

Dance: As17151217

Performances

Mainpiece Title: Concert

Entertainment: Divine Musick in Praise of Religion and Vertue-; both Vocal and instrumental, with new Anthems compos'd by Mr Blow; an Oration by Mr Collier; Pieces by Mr Tate, her Majesty's Poet Laureat. The edition of 1702 lists: The Introductory Poem Upon the Reformation of Poetry-Mr Tate Poet-Laureat to her Majesty; The First Anthem-, Compos'd by Dr Blow, and Sung in Westminster-Abbey, at Her Majesty's Coronation; The Oration-J. Collier/M.A.; The Second Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem in Praise of Virtue- , Written by Mr Tate

Event Comment: Benefit Wood. At the particular Desire of several Persons of Quality. Weekly Pocket, 14 May: There has been a great Disturbance at...Lincoln's-Inn-Fields this Week, by the Means of some Gentlemen, who were in the Interest of the other House, and made Use of Catcalls to interrupt and ridicule their Theatrical Entertainments; but the Disturbers of the Peace were soon silenc'd. Receipts: #125 16s. 6d

Performances

Mainpiece Title: Tamerlane

Song: Trumpet Song-the little boy; the Instrumental part-Mr Grenoust; Vocal Part-Mr Rawlins

Music: Violin solo-Matthew Dubourg

Dance: delaGarde, Bovil, Mrs Bullock; Harlequin and a Countryman-; Swedish Dal Karl and His Wife, as17150509

Event Comment: Being desired again by several Persons of Quality. The Pit will not be laid in with the Boxes. Pit 3s

Performances

Mainpiece Title: The Sot

Song: Catches and Glees-

Music: Between the several parts: a Favourite Rondeau-a Gentleman; Concerto on Clarinet-Mahon

Event Comment: WWilliam Hint in a Letter (Daily Gazetteer, 31 Oct.): Mr Sheridan? was cast most improperly, into the part of Horatio; which naturally call'd for Mr Delane? in that house....but why was Mr Garrick? left out of the play. Would he not have look'd, spoke and acted Lothario?

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: Horatio-Sheridan, 1st appearance here; Calista-Mrs Cibber; Lothario-Delane; Sciolto-Bridges; Alamont-Havard; Rossano-Blakes; Lavinia-Miss Budgell; Lucilla-Mrs Bennet.

Afterpiece Title: The Amorous Goddess

Event Comment: [T+Theatrical Monitor, No VI appeared this day with a blast, in the form of an occasional Epilogue, at the morals, language and plan of the Oxonian in Town. This was the first performance of Macklin's afterpiece in London. It had been played in Dublin. "Its curious idiom, half-brogue, and half Cockney, puzzled the audience, as did its highly topical Irish allusions. With his usual candor, Macklin observed: 'I believe the audience are right. (The play was withdrawn after this single performance.) There's a geography in humor as well as in morals, which I had not previously considered--'" Cooke, Macklin, p. 270. According to Kirkman, in his curtain speech Macklin "courageously admitted: 'Ladies and Gentlemen, I am very sensible tha there are several passages in this play which deserve to be probated and I assure you that they shall never offend your ears again!' As soon as Mr Macklin had finished this address, the audience testified their approbation of his determination, by loud and reiterated plaudits" (Kirkman, Memoirs of the Life of Macklin, II, 3). See Also Charles Macklin: An Actor's Life by William W. Appleton (Cambridge, Mass., 1960), p. 141.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Fine Lady

Performance Comment: Parts by Macklin, Dyer, Woodward, Dunstall, Morris, Cushing, Barrington, Quick, Wignell, Mrs Green, Mrs Pitt, Mrs Evans, Miss Helm, Miss Macklin. Prologue-Macklin; Murrough O'Dogherty-Macklin; Count Mushroom-Woodward; Hamilton-Dyer; Fitzmongrel-Dunstall; Major-Morris; Mrs O'Dogherty-Miss Macklin; Catty Farrel-Mrs Pitt; Lady Kinnegad-Mrs Green; Lady Bab Frightful-Mrs Evans; Mrs Gazette-Miss Helm; Mrs Jolly-Mrs White Genest, V, 188, and Kirkman, Memoirs of Macklin (1799 ed.) II, pp. 1-2. The Larpent MS lists three newsmen in addition, and shows the original title The Trueborn Irishman.

Dance: End: The Dutch Milkmaid, as17671114

Event Comment: A Concert of Music, Vocal and Instrumental, by the most celebrated performers, with Dancing by Miss Cranfield. Between the several parts of the Concert will be rehearsed (gratis) by Pupils, for their mutual improvement in Oratory The Fair Penitent [etc., as above]. By Subscription. The Doors to be opened at 5:30. To begin precisely at 6:30. Boxes 3s. Pit 2s. Gallery 1s. No money will be taken at the door, nor any person admitted without a ticket, which may be had at the Office near the Concert Room, where attendance will be given from Ten to One every day; and from half past Five till Eleven each evening of performing. Morning Chronicle, 19 June: A correspondent who was present declares the business of the evening was conducted with great regularity and decorum... The dresses were as good as those of the Theatres Royal, the band excellent, and the decorations neat and ornamental

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: Horatio-L'Estrange; Lothario-Young; Sciolto-Henry; Altamont-G. Graham; Rossano-Trotter; Lavinia-Miss Wilson; Lucilla-Miss Williams; Calista-Mrs Dawes.
Cast
Role: Horatio Actor: L'Estrange

Afterpiece Title: Miss in her Teens

Entertainment: Monologue. An OccasionalPoetical Address-Russell

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Chaplet

Ballet: II: Savoyard Travellers. Principal Savoyards-Grandchamps, Mlle Auretti, Mathews, Mrs Addison; Children Savoyards-Little Swiss, Miss Popling; Peasants-M'Neil, Mlle delaContri; see17491110

Event Comment: Benefit for Yates. Tragedy written by R. Glover. Part of Pit will be laid into Boxes. Send servants by 4 o'clock. Charges #64 19s. Balance to Yates #52 19s. plus #151 3s. from tickets (Box 589; Pit 26) (Account Book). Neville MS Diary: Having places in the Pit at Covent Garden went to see Mrs Yates do Medea in which she is inimitably great. My strong desire to see her in this character was one reason of continuing to town so long. Read her part before the play began. Her husband is truly comic in Tim in the Knights. Receipts; #117 18s. (Account Book)

Performances

Mainpiece Title: Medea

Performance Comment: Parts by: Smith, Wroughton, Bensley, Clarke, Perry, Gardner, Mrs Ward, Mrs Yates. In Act III, the Song of Azure God-Mrs Baker; Epilogue-Mrs Yates; Jason-Smith; Creon-Wroughton; Medea-Mrs Yates; Theano-Mrs Ward; Aeson-Bensley; 1st Colchian-Clarke; Lycander-Perry; Hecate-Gardner (Genest, V, 246).

Afterpiece Title: The Knights

Dance: End: The Tartars, as17681004

Event Comment: Benefit for Mr and Mrs Baddeley. House charges #67 9s. 6d. [Profits to Baddeley family 16s. plus tickets.] Tickets deliver'd for this night will be taken. Paid Palmer of Bath for Spermecetti candles #128 4s. Paid Mr Deeble (chorus singer) omitted 3 nights 15s.; Chorus singers 1 night #2 10s. 6d.; Salary list #435 19s. (Treasurer's Book). Receipts: #68 5s. 6d. (Treasurer's Book). I find ye corner of ye orchestra is ye best place to stand in...Holland played Iago very well, and Mrs Baddeley Desdemona pretty well, being her 1st appearance in that character...End of ye play Baddeley spoke a composition of his own, called "Search after Scrubs," to hear which Garrick came into ye orchestra. He looks healthy and strong, and should oftener entertain ye Public to which he owes so much. Entertainment Daphne and Amintor. Daphne (for ye first time) Mrs Baddeley, who does not shine in the singing part, as Mrs Arne does (Neville MS Diary)

Performances

Mainpiece Title: Othello

Cast
Role: Lodovico Actor: Packer

Afterpiece Title: Daphne and Amintor

Dance: IV: The Irish Lilt, as17670430

Entertainment: End: the Particulars of a Humorous Descriptive Search After Scrubs-Mr Baddeley

Event Comment: Characters in Mainpiece New Dress'd in the Habits of the Times. [Theatrical Intelligence for 4 Nov. (Theatrical Miscellaneous Cuttings, G 60.23, Boston Public Library) notes: Last night the reformation in dress took place at the theatre in the revival of the second part of King Henry IV. The beauty as well as the propriety of the dresses give great satisfaction. The Old English Habits are indeed admirably suited to the style and manners of the plays of that time, in which a peculiarity prevails very remote from modern dialogue and the present fashion. The effect of this observation of the Costume, as the French call it, is very visible in the representation of Every Man in His Humour, and will, we hope, for the future be strictly observed in dressing every character of the plays of that age." The author then comments on Love's succes as Falstaff, and Garrick's effectiveness as the sick king especially in delivering the long speeches.

Performances

Mainpiece Title: King Henry Iv, Part Ii

Performance Comment: King Henry-Garrick; Prince John-Lee; Gloster-Master Cautherly; Clarence-Master Burton; Prince of Wales-Holland; Achpb of York-Havard; Chief Justice-Bransby; Westmorland-Burton; Hastings-Ackman; Lord Bardolph-Mozeen; Mowbray-Stevens; Gower-Castle; Justice Shallow-Yates; Justice Silence-Blakes; Colville-Fox; Poins-Packer; Bardolph-Clough; Feeble-Vaughan; Mouldy-Moody; Pistol-King; Shadow-Parsons; Bullcalf-Philips; Davy-Marr; Fang-Watkins; Falstaff's page-Miss Rogers; Hostess-Mrs Bradshaw; Doll Tearsheet-Mrs Lee; Falstaff-Love.
Cast
Role: Gower Actor: Castle
Role: Poins Actor: Packer

Afterpiece Title: The Apprentice

Event Comment: Benefit for Aickin and Mrs Lee. House Charges #33 8s. Rec'd stopages #2 13s. (Treasurer's Book). Tickets deliver'd by Sg Giorgi and Miss Berkley will be admitted. Neville MS Diary: Went to ye Pit to see 2nd part of Henry IV. [Comments on performances of individual characters in general.] Falstaff very well by Love. This last uses his eyes with great propriety in this and many other characters....Pistol by Baddeley (King should have played it)

Performances

Mainpiece Title: King Henry Iv, Part Ii

Performance Comment: King-Powell; Prince of Wales-Aickin, 1st time; Prince John-J. Palmer; Moldy-Moody; Pistol-King; Gloster-J. Burton; Doll Tearsheet-Mrs Lee; Achbp York-Havard; Clarence-Mas. Cape; Chief Justice-Bransby; Westmorland-Burton; Hastings-Ackman; Lord Bardolph-Fawcett; Feeble-Weston; Justice Shallow-Yates; Justice Silence-Rooker; Poins-Packer; Page-Miss Rogers; Hostess-Mrs Bradshaw; Falstaff-Love [Public Advertiser assigns Pistol-$Baddeley.]
Cast
Role: Poins Actor: Packer

Afterpiece Title: The Capricious Lovers

Dance: End: A Minuet-Miss Giorgi, Miss Collett Scholars to Sg Giorgi; End I of the Farce: Hearts of Oak, as17670212, but-Grimaldi, Mrs King

Event Comment: The United Company. The date of the first performance is not known, but the Gentleman's Journal, June 1694 (apparently appearing in late June) indicated that both parts of Don Quixote had by then appeared, and the Songs to Part I were announced in the London Gazette, No. 2983, 11-14 June 1694, to be published on 16 June 1694. Very likely Part I appeared in May 1694. The publication of The Songs in the New Play of Don Quixote, Part the First lists the following pieces. Sing, sing, all ye muses, the first song in Act II, composed by Henry Purcell. Young Chrysostome had vertue, sense, the second song in Act II, was composed by John Eccles. The third song in Act II, Sleep, poor youth, was composedy John Eccles. When the world first knew creation, sung in Act III, was composed by Henry Purcell. Let the dreadful engines, sung for Cardenio in Act IV, was set by Henry Purcell. 'Twas early one morning, in Act IV, for Sancho, was set by John Eccles. With this, this sacred charming wand, in Act V for Montesmo, Mellissa and Urganda, was set by Henry Purcell

Performances

Mainpiece Title: The Comical History Of Don Quixote, Part I

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Vintner Tricked

Entertainment: IV: Tragical Imitations-Miss Rose (By Particular Desire); End of Play: Imitations of Mr and Mrs Cadwallader-Mas. Frank, Miss Rose; Between the Acts of the Farce: The Picture of a Playhouse; or, Bucks have at ye all-Death

Performance Comment: Frank, Miss Rose; Between the Acts of the Farce: The Picture of a Playhouse; or, Bucks have at ye all-Death.
Event Comment: The United Company. The date of the first production is not known, but Part II seems to have followed rather closely upon Part I. The Gentleman's Journal, June 1694 (which apparently appeared in mid-June) states: The first Part of Mr Durfey's Don Quixote was so well received, that we have had a second Part of that Comical History acted lately, which doubtless must be thought as entertaining as the first; since in this hot season it could bring such a numerous audience (p. 170). The Songs were advertised in the London Gazette, 5 July 1694, and Part II advertised in the same periodical 19-23 July 1694. The songs as listed in the separately printed Songs are as follows: Genius of England, the music by Henry Purcell, sung by Freeman and Mrs Cibber. I burn, I burn, the music by John Eccles, sung by Mrs Bracegirdle. Since times are so bad, the music by Henry Purcell, sung by Reading and Mrs Ayliff. Damon, let a friend, the music by Pack, sung by Mrs Hudson. Ye nymphs and sylvan gods, the music by John Eccles sung by Mrs Ayliff. If you will love me, composer and singer not named. In addition, Thesaurus Musicus, 1695, published Lads and lasses, blithe and gay, the music by Henry Purcell, sung by Mrs Hudson. Purcell also wrote the music for other songs for which the singer is not known. Preface, edition of 1694: The good success, which both the Parts of Don Quixote have had, either from their Natural Merit, or the Indulgence of my Friends, or both, ought sufficiently to satisfie me, that I have no reason to value tne little Malice of some weak Heads, that make it their business to be simply Criticizing....I think I have given some additional Diversion in the Continuance of the character of Marcella, which is wholly new in this Part, and my own Invention, the design finishing with more pleasure to the Audience by punishing that coy Creature by an extravagant Passion here, that was so inexorable and cruel in the first Part, and ending with a Song so incomparably well sung, and acted by Mrs Bracegirdle, that the most envious do allow, as well as the most ingenious affirm, that 'tis the best of that kind ever done before....I deserve some acknowledgment for drawing that Character of Mary the Buxom, which was intirely my own,...by making the Character humorous, and the extraordinary well acting of Mrs Verbruggen, it is by the best Judges allowed a Masterpiece of humour

Performances

Mainpiece Title: The Comical History Of Don Quixote, Part Ii