SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Castle Horatio "/1) | (@(roleclean,performerclean) "Castle Horatio ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 614 matches on Performance Comments, 341 matches on Performance Title, 115 matches on Event Comments, 4 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit Dunstall and Davies. Receipts: #15 16s. 6d., plus #91 15s. from tickets, distribution unspecified. Charges #60. Paid Bridgwater in part of his Bond #50 (Account Books, Egerton 2268). Tickets to be had at Dunstall's in Hunt's Court, Castle St; and of Davies at Mrs Cox's at the Indian Queen, in Cranbourn St., Leicester Fields

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Lottery

Event Comment: Benefit for Mr and Mrs Dunstall, Mrs Lampe and Miss Young. Mainpiece: Not acted these 3 years [see 4 Feb. 1746]. Tickets to be had at Lampe's, the Sign of the Holy Lamb, Drury Lane, near Long Acre; at Dunstall's in Hunt's Court, Castle St., Leicester Fields; and at the Stage Door. Afterpiece: Words by Shakespeare, Music by Lampe

Performances

Mainpiece Title: The Fair Quaker Of Deal; Or, The Humours Of The Navy

Afterpiece Title: Pyramus and Thisbe

Song: I: Duet-Mrs Lampe, Miss Young; IV: Myself I Shall adore by Handel-Mrs Lampe

Event Comment: Adapted to the stage, as alter'd [by Dr John Dalton] from Milton's Masque at Ludlow Castle

Performances

Mainpiece Title: Comus

Event Comment: Benefit for Will Hill. Mainpiece: By Particular Desire of his friends. N.B. The Gentlemen are desired to meet Mr Hill after the Play at the Rose Tavern, Temple Bar. [He had advertised since 15 April that "Gentlemen and Ladies who intend to honour him with their presence," should take tickets at: the Thatched House, St. James's St; Jack Bridell's, the One Tun in the Strand; Half moon in Holborn; Rose, Temple Bar; King's Head, in the Poultry; Castle, Lombard St; Bell, East cheap; King's Head, Tower Hill, Rummer, Bishopsgate St; West India and Jerusalem Coffee Houses near the Royal Exchange; Chapman's, Swordcutler, in Exchange Alley; and at Will Hill's Lodgings, Mr Geves's in Abchurch Lane.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Damon and Phillida

Dance: Master J. Granier, Master J. Granier's Sister

Event Comment: At the Castle Tavern, Paternoster Row (Deutsch, Handel, p. 704)

Performances

Mainpiece Title: Samson

Event Comment: Benefit for Mr Norton Amber, formerly a Patentee, & Banker, now Pit Doorkeeper (Cross), late of the Strand (Winston MS 7). Tickets to be had at Mr Pierce's at the Castle Tavern, Corner of Henrietta Street, in Bedford Street, Covent Garden; Mr Frye's a Hosier, the Corner of James Street, Long Acre; King Street Coffee House, near Guild Hall; Batson's Coffee House, Cornhill; and at the Theatre. Places will be taken at the Stage Door of the theatre. This Day publish'd, Young Scarron, at 2s. 6d. sew'd, 3s. bound. Dedicated to the managers of both theatres. "The Stage reproves the follies of the age. For once we'll laugh at Follies of the Stage." Anon. Printed for T. Tyre, near Gray's Inn Holborn and W. Reeve in Fleet St. (General Advertiser). A comical and satirical account of summer strolling players: "When the time draws near that the Theatres Royal disband their troops, or rather grant their furloses till the next Campaign, each private Man becomes an Officer; and they who for nine months before submitted to Monarchical Government, now form themselves into several republicks for the remaining three. Then each Hero takes the path of his own ambition...The various whimsical disputes that arise from this kind of Emulation, are, in part the subject of the following sheets" (173 pp. Written by Thomas Mozeen, Biographia Dramatica). Receipts: #220 (Cross)

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Lethe

Dance: HHornpipe-Matthews, the Little Swiss; With Entertainments as will be express'd in the Great Bills

Song: I: Song-Beard

Event Comment: The Fifth Day. At the Castle Tavern, Paternoster Row. [See 30 Dec., hay; 3 Dec., ct.

Performances

Mainpiece Title: The Old Woman's Oratory 1

Afterpiece Title: Old Woman's Oratory 2

Afterpiece Title: Old Woman's Oratory 3

Event Comment: The Sixth Day. At the Castle Tavern, Paternoster Row. [See 3 Dec. 1751.

Performances

Mainpiece Title: The Old Woman's Oratory 1

Afterpiece Title: Old Woman's Oratory 2

Afterpiece Title: Old Woman's Oratory 3

Event Comment: The seventh and last time that these orations will be delivered at the Castle Tavern, Paternoster Row, new matter being provided for the next night. The Ladies are desired to come early, that they may be accommodated with the best Seats, and not be crowded as they were the last two nights. [Advice repeated in subsequent bills.

Performances

Mainpiece Title: The Old Woman's Oratory 1

Afterpiece Title: Old Woman's Oratory 2

Afterpiece Title: Old Woman's Oratory 3

Event Comment: hay The eighth day.By desire of several Persons of Distinction, at the Castle Tavern, Paternoster Row

Performances

Mainpiece Title: The Old Woman's Oratory 1

Afterpiece Title: Old Woman's Oratory 2

Afterpiece Title: Old Woman's Oratory 3

Event Comment: The Ninth Day. By the Command of several Noble Personnages, at the Castle Tavern, Paternoster Row

Performances

Mainpiece Title: The Old Woman's Oratory 1

Afterpiece Title: Old Woman's Oratory 2

Afterpiece Title: Old Woman's Oratory 3

Performances

Mainpiece Title: The Old Woman's Oratory 1

Performance Comment: As17520204, Castle Tavern, but, Act II, 4. New Occasional Prologueby a Gentleman of the University-; . .

Afterpiece Title: Old Woman's Oratory 2

Afterpiece Title: Old Woman's Oratory 3

Event Comment: The Eleventh Day at the Castle Tavern, Paternoster Row, By Particular Desire

Performances

Mainpiece Title: The Old Woman's Oratory

Event Comment: At the Desire of Several Persons of Distinction. The Thirteenth Day. The Ladies are particularly desired to come early. Yesterday Orders were sent from the Lord Mayor to the Managers of the Entertainment last Night, exhibited at the Castle Tavern, Paternoster Row, to discontinue that part of it call'd The Old Woman's Oratory, the above being an unlicensed Place (Daily Advertiser, 19 Feb.)

Performances

Mainpiece Title: The Old Woman's Oratory

Event Comment: To begin at 7 p.m. at the Castle Tavern, Paternoster Row. The Price of Admission will be a half crown each. The house will be illuminated with wax candles. The Ladies are particulary desired to come early. [Notice repeated. The sixteenth night.

Performances

Mainpiece Title: Mrs Midnight's Grand Concert

Event Comment: Mainpiece: By Particular Desire. My oath & Mrs Simson's appear'd in ye G: Advertiser, & Mr Fitzpatrick now swore (in ye Inspector) to what before he had given his Honour to--when Woodward appear'd in ye Pant: great Noise, he said gentlemen, if you think the two affidavids to-day not sufficient I will corroberate 'em on Monday with six or Seven more. quiet on Sunday Mr Fitz: waited on Lord Chamberlain, to complain of Woodward's Insolence, my Lord sent for Garrick who told ye whole Story; & upon Mr Fitz owing he threw an apple at him, my Lord said, that act put upon a Footing with ye lowest, & judg'd him the Agressor,--upon wch Fitz; desir'd all affidavids &c shoul'd cease & he wou'd drop his resentment. which was done (Cross). Receipts: #100 (Cross). [In the General Advertiser appeared (1) Letter to the Public from Woodward disclaiming any note of insolence, and accusing Fitzpatrick of having a bad memory; (2) an Affidavit from Cross that he was present and heard Woodward say distincly "Sir I thank you," without any air of menace. He heard this from his prompter's seat "next adjoining the Stage box call'd the Prince of Wale's box"; (3) an Affidavit from Mrs Elizabeth Simson, who was standing in the "First entrance next the stage door, on the Prompter's side," that she heard what Cross Heard and no more, and understood no air of Menace to be present. In the General Advertiser also appeared a letter from one T. C. explaining the approach of Birnam Wood to Dunsinane in Macbeth on the basis of a story told him by a Scots Laird of a nearby castle, to the effect that the Clans used to distinguish themselves in battle by sprays from different trees attached to their bonnets. From this T. C. developed a theory that Macbeth's experience was one of historical face rather tahn a figment of Shakespeare's imagination.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Queen Mab

Performances

Mainpiece Title: The Lyar

Performance Comment: Foote, Castle, Davis, Mrs Brown, Weston, Pierce, Mrs Parsons, a young Gentlewoman.

Afterpiece Title: The Mayor of Garratt

Dance: I: As17640727 End: A new comic Dance called The Shepherdess and the Faux Aveugle-Gherardi jun, Master Clinton, Miss Street

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: Neck or Nothing

Performance Comment: Parts by: Yates, Palmer, Hartry, Parsons, Packer, Mrs Bradshaw, Miss Plym, Miss Pope. Martin-Palmer; Slip-Yates; Stockwell-Hartry; Sir Harry Harlow-Parsons; Belford-Packer; Miss Nancy-Miss Plym; Mrs Stockwell-Mrs Bradshaw; Jenny-Miss Pope (MacMillan). Garrick's first casting (Larpent MS 260) suggests Stockwell-$Parsons; Harlowe-$Castle; Martin-$King. His initial title was A Narrow Escape.
Cast
Role: Harlowe Actor: Castle

Performances

Mainpiece Title: The Devil Upon Two Sticks

Performance Comment: Principal Characters-Foote, Arthur (from Bath, his first appearance on this Stage), Davis, Bannister, Castle, Hamilton, Vandermere, DuBellamy, Weston, Sharpless, Summers, Wheeler, Jacobs, Pierce, Lings, Sparks (from Dublin, being his first appearance on this Stage), Mrs Gardner, Mrs Arthur (her first appearance on this Stage).

Afterpiece Title: The Virgin Unmasked

Dance: Tassoni, Miss Street

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-King, first time; Smith-J. Aickin; Johnston-Jefferson; Baddeley, Parsons, Palmer, Moody, W. Palmer, Hurst, Castle, Bransby, Booth, J. Burton, Ackman, Kear, Keen, Johnston, Wrighten, Watkins, Rooker, Miss Platt, Mrs Davies, Miss Burton, Miss Collett; With an Additional Reinforcement of Mr Bayes's New Raised Troops-.

Afterpiece Title: The Elopement

Dance: III: A New Dance call'd The Shepherds Frolic-Atkins, Mrs King

Performances

Mainpiece Title: The Devil Upon Two Sticks

Performance Comment: As17720624, but to avoid confusion full cast listed. Foote, Robson, Aickin, Baddeley, F. Gentleman, Davies, Parsons, Weston, Castle, Lloyd, Lings, Dancer, Smith, Vowell, Jacobs, Farrell, Pierce, Mrs Gardner, Mrs Jewell%.

Afterpiece Title: Cupid's Revenge

Dance: As17720615

Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: The Nabob

Performance Comment: Parts-Foote, Weston, Wilson, first time (from Edinburgh), Kennedy, Follett, Griffith, Owenson, Fearon, Davis, Jacobs, Jones, Castle, Lloyd, Courtney, Mrs Williams, Miss Ambrose, Mrs Palmer, Mrs Gardner.

Afterpiece Title: The Padlock

Dance: As17740516

Performances

Mainpiece Title: The Nabob

Performance Comment: As17740704 but Parts-Castle, +Wilson, _Palmer.
Cast
Role: Parts Actor:

Afterpiece Title: The Author

Dance: As17740613

Event Comment: By Authority of the Lord Chamberlain. Benefit for Mitchell and Sinclair. The Doors to be opened at 5:15. To begin at 6:00 precisely. Tickets to be had of Mitchell at the Old Castle Tavern, near Gray's Inn Gate, Holborn; of Sinclair, Church-Lane, near St. Martin's Church, Strand

Performances

Mainpiece Title: Douglas

Afterpiece Title: Wit's Last Stake

Afterpiece Title: The Brave Irishman

Dance: End Monologue: Hornpipe-Lapper

Song: End III: He's aye kissing me-Miss Harris; End: Hunting Song-Miss Harris

Music: Between the Acts: The original Scotch Music-

Entertainment: Monologue.End 2nd piece: Hippisley's Drunken Man-Lewis (1st appearance on that stage these 3 years)