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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Carlo Antonio Delpini"/1) | (@(roleclean,performerclean) "Carlo Antonio Delpini")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2295 results for: Keyword - Carlo Antonio Delpini
We found 1153 matches on Author, 1123 matches on Performance Comments, 74 matches on Event Comments, 45 matches on Performance Title, and 0 matches on Roles/Actors.

2251
15 May 1800 @ Covent Garden

Performances

Mainpiece Title: The Birth Day

Afterpiece Title: The Follies of a Day

Performance Comment: Count Almaviva-Lewis; Figaro-Farley; Antonio-Munden; Bazil-Rees; The Page (with a song)-Mrs Mills (1st appearance in that character); The Countess-Miss Chapman; Susan-Mrs Glover.
Cast
Role: Antonio Actor: Munden

Afterpiece Title: St

Song: End I 1st piece: song-Master Gray; End I 2nd piece: Time has not thin'd my flowing Hair-Incledon, Townsend; End 2nd piece: This Life is like a Country Dance-Fawcett; The Advantage of Toping-Townsend; Fat Dolly the Cook-Munden; The Anchor Smiths-Townsend

Entertainment: Imitations End I 1st piece: a Few Select Imitations-Townsend

2252
06 May 1778 @ Covent Garden

Event Comment: Tickets delivered by the performers in the orchestra, Delpini, Brandon, Stevens and Guard will be taken. [Account-Book lists in boxes 349 tickets, in pit 511, in galleries 682-a total of 1542.] Receipts: #277 11s. (160.2; 1.8; tickets: 116.1)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: St

Song: Vocal Parts-Mattocks, Mahon, Baker, Fox, Miss Brown, Mrs Morton, Mrs Willems, Miss Valois, Miss Green

2253
09 May 1780 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymon

Afterpiece Title: Fortunatus

Performance Comment: As17800502, but Clown-Grimaldi; the other Characters-_Chaplin, Delpini; Colombine-Miss Collett; 1st Principal Sailor-Davies.
Cast
Role: the other Characters Actor: _Chaplin, Delpini

Entertainment: Monologue.End: Bucks have at ye all-R. Palmer; Vaudeville. In Pantomime: (for that night only) Jump through a Tub of Fire-Wright

2254
02 October 1781 @ Drury Lane Theatre

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Robinson Crusoe

Performance Comment: As17810920, but added: Delpini .

2255
03 January 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fair Circassian

Afterpiece Title: Lun's Ghost; or, The New Year's Gift

Performance Comment: Principal Characters by Wright, Grimaldi, Delpini, Burton, Suett, Lamash, R. Palmer, Phillimore, Spencer, Norris, Nash, Williams, Fawcett; Mrs Love, Miss Simson, Miss Barnes, Miss Palmer, Miss Collett. Cast not known .

Dance: In afterpiece by Zuchelli, Miss M. Stageldoir, &c

2256
05 January 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Runaway

Afterpiece Title: Lun's Ghost

Performance Comment: As17820103, but Chaplin in place of Delpini .

Dance: In afterpiece, by Zuchelli, Miss Armstrong, the Miss Stagcldoirs, &c

2257
15 May 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Robinson Crusoe

Performance Comment: As17811004, but Menage in place of Delpini; added: Spencer .

Dance: End of Act III of mainpiece the Minuet de la Cour, as17820104; End of mainpiece a Hornpipe, as17811015

Song: As17811105

2258
20 September 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Foundling

Afterpiece Title: Robinson Crusoe; or, Harlequin Friday

Performance Comment: Principal Characters by Wright, Grimaldi, Delpini, Suett, R. Palmer, Phillimore, Williames, Waldron, Williamson, Lamash, Chaplin; Miss Collett. Cast not known .

Dance: Afterpiece to conclude with a Dance by the Miss Stageldoirs, &c

Monologue: 1782 09 20 As 17 Sept

2259
04 November 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Robinson Crusoe; or, Harlequin Friday

Performance Comment: Principal Characters by Wright, Grimaldi, Delpini, Suett, R. Palmer, Spencer, Phillimore, Williames, Waldron, Fawcett, Alfred, Chaplin; Miss Collett. Cast not known .

Dance: As17820921

2260
11 November 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Robinson Crusoe

Performance Comment: As17821104, but omitted: Delpini .

Dance: As17820921

2261
04 June 1790 @ Covent Garden

Performances

Mainpiece Title: Annette And Lubin

Afterpiece Title: The Dramatist

Afterpiece Title: Nootka Sound; or, Britain Prepar'd

Performance Comment: Principal Vocal and Speaking Characters by Bannister, Ryder, Blanchard, Davies, Bernard, Darley, Rock, Reeve, Powel, Mrs Mountain, Mrs Martyr; Pantomimic Part and Dances by Byrne, Boyce, Cranfield, Farley, Evatt, Egan, Ratchford, Delpini, Mrs Watts, Mrs Ratchford, Miss Rowson, Miss Francis, the Miss Simonets; Cast from Larpent MS: Captain Briton-Bannister; Drunken Taylor-Ryder; Foremast, Cartouch-Blanchard; Lieutenant-Davies; Pipes, Capstern-Bernard; O'Shaughnessy-Rock; Export-Powel; Decoy Recruit-Noble; Dapperwit-C. Powell; Sir John Breehold-Thompson; Landlady-Mrs Mountain; Eliza-Mrs Martyr; unassigned-Darley, Reeve.

2262
06 November 1790 @ Covent Garden

Performances

Mainpiece Title: The Female Pursuit; Or, Stop Her Who Can

Afterpiece Title: The Fugitive

Afterpiece Title: The Death of Captain Cook

Performance Comment: ["Follett played the part of Koah in the room of Delpini" (Diary, 8 Nov.). The other characters probably were: Terreeobo-$Blurton; Pareea-$Byrne; Captain Cook-$Cranfield; His Lieutenant-$Evatt; Lieutenant of the Marines-$Ratchford; Emai-$Miss Francis (see17890921).]

2263
06 November 1793 @ Covent Garden

Performances

Mainpiece Title: The Female Pursuit; Or, Stop Her Who Can

Afterpiece Title: The Fugitive

Afterpiece Title: The Death of Captain Cook

Performance Comment: ["Follett played the part of Koah in the room of Delpini" (Diary, 8 Nov.). The other characters probably were: Terreeobo-$Blurton; Pareea-$Byrne; Captain Cook-$Cranfield; His Lieutenant-$Evatt; Lieutenant of the Marines-$Ratchford; Emai-$Miss Francis (see17890921).]

2264
17 September 1798 @ Haymarket Theatre

Event Comment: [Extra night] By Authority of the Most Noble the Marquis of Salisbury, Lord Chamberlain of his Majesty's Household. Benefit for Waldron, prompter. [Amarath the Fourth was "A musical tale," 1st acted at the Royalty, 27 Nov. 1797.] 3rd piece [1st time; P 1, author unknown]: Got up under the direction of Delpini. Tickets to be had of Waldron, No. 4, Cross-court, Bow-street, Covent-garden.

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Sultan; or, A Peep into the Seraglio

Afterpiece Title: The Giant and Dwarf; or, Columbine Captive

Entertainment: Vaudeville. A Pasticcio, consisting of: From Shades of Night[, composed by Storace for Mahmoud,-D'Arcy; [The first Strophe, Epode, and Antistrophe of Gray's Bard-a Young Gentleman [, aged 10 years [unidentified]; Cheap Experience [; or, Cheats of London, composed by Dibdin,-Waldron Jun

2265
15 March 1735 @ King's Theatre

Event Comment: Benefit Carlo Broschi Farinello. With several Alterations and Additions. Pit and Boxes, Places on the Stage, at Half a Guinea. N.B. Signor Farinello humbly hopes, that the Subscribers will not make use of their Tickets on this Occasion. The Stage will be in the same Manner as in the Assembly with a great Number of Benches. Mrs Pendarves to Mrs Granville, 15 March: Tonight is Farinelli's benefit; all the polite world will flock there, and go at four o'clock, for fear they should not be time enough. I don't love mobbing, and so I shall leave them to themselves. Daily Advertiser, 13 March: 'Tis expected that Signor Farinelli will have the greatest Appearance on Saturday that has been known. We hear that a Contrivance will be made to accommodate 2000 People. His Royal Highness the Prince of Wales has been pleas'd to give him 200 Guineas, the Spanish Ambassador 100, the Emperor's Ambassador 50, his Grace the Duke of Leeds 50, the Countess of Portmore 50, Lord Burlington 50, his Grace the Duke of Richmond 50, the Hon. Col. Paget 30, Lady Rich 20, and most of the other Nobility 50, 30 or 20 Guineas each; so that 'tis believ'd his Benefit will be worth to him upwards of 2000l

Performances

Mainpiece Title: Artaxerxes

2266
27 March 1736 @ King's Theatre

Event Comment: Benefit Carlo Broschi Farinello. With an Addition of several New Songs. N.B. Room will be made upon the Stage

Performances

Mainpiece Title: Artaxerxes

2267
12 June 1761 @ Ranelagh Gardens

Performances

Mainpiece Title: The Judgment Of Paris

Song: Several favourite songs consisting of four intervals

Entertainment: Upon the Octagan Square in said Gardens will be displayed the following curious invention in Fireworks, viz. A long pole will be fixed in the middle of the square; at the bottom of which will stand an artificial Harlequin, which with a touch becomes transparent, swarms up the pole and lights up a garland of flowers. N.B. 'Tis humbly desired that the Public will not mistake this gentleman Harlequin for the scoundrel that formerly pretended to go into a bottle. After the above ingenious Fancy will be performed in the theatre the celebrated Masque call'd The Judgment of Paris, composed by Dr Arne, which being finished, upon the canal in the Gardens will be displayed several superb Fireworks called the Chinese Festival, invented and executed by Sg Carlo Genorinij, the famous Roman artificer. He will avoid all common exhibitions, as Rockets &c., which for want of novelty give no entertainment to the Public, and confine himself to works of real ingenuity, so innocent in their nature, that the ladies may stand ever so near, without the least possibility of danger, or being alarmed with uncouth noises. The intended exhibition will be as follows: A light ediface will be fixed near the Chinese Temple, and a boat will sail at the end of the canal, containing several persons performing on musical instruments, the boat moving to the Temple, and giving fire to the ediface, it will display several ingenious conceits; particularly the operations of the fireworks will change to ten different colours. Other fancies are reserved till the perfformance, which, it is hoped, will give general satisfaction to the public

Performance Comment: A long pole will be fixed in the middle of the square; at the bottom of which will stand an artificial Harlequin, which with a touch becomes transparent, swarms up the pole and lights up a garland of flowers. N.B. 'Tis humbly desired that the Public will not mistake this gentleman Harlequin for the scoundrel that formerly pretended to go into a bottle. After the above ingenious Fancy will be performed in the theatre the celebrated Masque call'd The Judgment of Paris, composed by Dr Arne, which being finished, upon the canal in the Gardens will be displayed several superb Fireworks called the Chinese Festival, invented and executed by Sg Carlo Genorinij, the famous Roman artificer. He will avoid all common exhibitions, as Rockets &c., which for want of novelty give no entertainment to the Public, and confine himself to works of real ingenuity, so innocent in their nature, that the ladies may stand ever so near, without the least possibility of danger, or being alarmed with uncouth noises. The intended exhibition will be as follows: A light ediface will be fixed near the Chinese Temple, and a boat will sail at the end of the canal, containing several persons performing on musical instruments, the boat moving to the Temple, and giving fire to the ediface, it will display several ingenious conceits; particularly the operations of the fireworks will change to ten different colours. Other fancies are reserved till the perfformance, which, it is hoped, will give general satisfaction to the public.

2268
10 December 1770 @ Great Room, Panton Street

Event Comment: At Panton St., Haymarket. By the Italian Fantocini of Carlo Perico. This piece of the Italian theatre is in three acts, and decorated with many agreeable changes of brilliant scenery; in which Harlequin is to eat a Dish of Maccoroni. With a Large Addition of new Metamorphoses. [This ran for considerable time, and will not be noted further.

Performances

Mainpiece Title: Harlequin, Prince By Magic Art

2269
21 November 1776 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; F 2, by Thomas Vaughan, based on Il Servitor di due Padroni, by Carlo Goldoni. Prologue by the author (Town and Country Magazine, Dec. 1776, p. 663)]: With New Dresses. Public Advertiser, 2 Dec. 1776: This Day at Noon is published The Hotel (1s.). Receipts: #182 1s

Performances

Mainpiece Title: The Roman Father

Afterpiece Title: The Hotel; or, The Double Valet

2270
02 December 1779 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Elizabeth Griffith, based on Le Bourru Bienfaisant, by Carlo Goldoni. Author of Prologue unknown; Epilogue by Horace Walpole (Works, 1798, IV, 402-3)]: With new Dresses and Scenes. Receipts: #199 16s. (184.17.0: 14.11.6; 0.7.6)

Performances

Mainpiece Title: The Times

Afterpiece Title: The Padlock

2271
09 April 1782 @ King's Theatre

Event Comment: A new Comic Opera in 2 acts [1st time, by Carlo Francesco Badini]; the music composed by [Tommaso] Giordani

Performances

Mainpiece Title: Il Bacio

Related Works
Related Work: Il Bacio Author(s): Carlo Vandini

Dance: As17820402 throughout

2272
19 December 1782 @ King's Theatre

Event Comment: A new Comic Opera [1st time; COM 2, by Carlo Francesco Badini]. The Music entirely new, composed by Anfossi

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I New Divertisement, as17821102, but Sga Crespi in place of Sga Sala; added: Pas de Deux, as17821210 End of Act II Apelles and Campaspe, as17821102

2273
23 December 1786 @ King's Theatre

Event Comment: A Serious Opera in 2 acts [1st time; altered by Carlo Francesco Badini from Demetrio, by Metastasio]; the music by Gresnick. By their Majesties' Command no person can be admitted behind the scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:30. To begin exactly at 7:30 [see 2 June 1787]. Subscriptions are received at Messrs Ransom, Morland and Hammersley's, Bankers, No. 57, Pall-mall, who will deliver the subscription tickets. The Nobility and Gentry, subscribers to the Opera-house, are respectfully intreated to send for them, in order to prevent future mistakes, as nobody can be admitted without producing a ticket. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The doors in Market-lane for chairs only. [Synopsis of opera in Morning Post, 25 Dec. Mme Perignon and Goyon were from the Opera, Paris.] Receipts: #86 11s. 6d. [These receipts, and those on all other nights throughout the opera season, represent the sale of non-subscription tickets. On this night 400 tickets were delivered to Prendergrass, office-keeper at the Haymarket pit entrance; of these he sold 84 at 10s. 6d. (i.e. #44 2s.). 100 were delivered to Reynolds, office-keeper at the King's Door pit entrance; he sold 6 at 10s. 6d. (i.e. #3 3s.). 300 were delivered to Butler, office-keeper of the 1st Gallery; he sold 112 at 5s. (i.e. #28). 200 were delivered to Snelson, office-keeper of the 2nd Gallery; he sold 70 at 3s. (i.e. #10 10s.). "Difference from Gallery to Pit" (i.e. money received from persons who changed their seats from gallery to pit, 16s. 6d.). The delivery of 1,000 non-subscription tickets to be disposed of was almost invariably the case on every night of the season. If a subscriber's box was released for sale it could be had for 2 guineas (see 6 Feb. 1787).

Performances

Mainpiece Title: Alceste

Dance: End I: Divertissement-Mlle Mozon, Laborie, Henry, Gricourt, Mme Bithmer, Mme Delfevre, Mme Gervais Perignon (1st appearance in England); End Opera: La Chercheuse d'Esprit-Goyon (1st appearance in England), Laborie, Mlle Mozon, Henry, Gricourt, Sala, Mme Delfevre, Mme Bithmer, Giorgi, Mme Gervais Perignon. Scenario (Paris, 1778) lists the parts: Mme Madre, Subtil, Narquois, Nicette, Alain, L'Eveille, Finette

2274
01 May 1787 @ King's Theatre

Event Comment: A Serious Opera in 2 acts [1st time; by Carlo Francesco Badini]; the music entirely new by Venanzio Rauzzini. Receipts: #178 16s. 6d. [non-subscription]

Performances

Mainpiece Title: La Vestale; O Sia, L'amore Protetto Dal Cielo

Dance: End I: Divertissement, as17870428; End Opera: Sylvie, as17870322but Mlle _Mozon

2275
02 June 1789 @ King's Theatre

Event Comment: A new Serious Opera [1st time; SER 2, by Carlo Francesco Badini, based on Alessandro nell'Indie, by Metastasio]; the Music new by Tarchi. "The House was so pleased with it that they did as is done in foreign Theatres--they gave the Composer specific applause, 'Bravo Tarchi', 'Bravo Maestro'" (World, 3 June)

Performances

Mainpiece Title: La Generosita D'alessandro

Dance: As17890526