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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Captain Steele"/1) | (@(roleclean,performerclean) "Captain Steele")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1874 results for: Keyword - Captain Steele
We found 991 matches on Performance Comments, 762 matches on Author, 187 matches on Event Comments, 143 matches on Performance Title, and 0 matches on Roles/Actors.

1801
14 August 1800 @ Haymarket Theatre

Performances

Mainpiece Title: What A Blunder

Performance Comment: Characters by Fawcett, Johnstone, Holman (1st appearance here this season), Suett, Farley, Emery, Caulfield, J. Palmer, Atkins, Abbot, Chippendale, Miss DeCamp, Mrs Mountain, Miss Wheatley (1st appearance on this stage), Miss Menage. Cast from text (W. Miller, 1800): Dashington-Fawcett; Sir Sturdy O'Tremor-Johnstone; Count Alphonso d'Esparza-Holman; Don Miguel de Lara-Suett; Lopez-Farley; Juan-Emery; Robbers-Caulfield, J. Palmer; Diego-Atkins; Friar-Abbot; Patrick-Chippendale; Captain of the Banditti-Sawyer; Angelina-Miss DeCamp; Leonora-Mrs Mountain; Jaquelina-Miss Wheatley; Viletta-Miss Menage; Chorusses-Willoughby, Aylmer, Dibble, Little, Kenrick, Caulfield Jun., Fisher, Sawyer, Mrs Castelle, Mrs Hale, Mrs Gaudry, Mrs Butler, Miss Leserve, Mrs Norton, Mrs Masters, Mrs Coates, Mrs Lloyd.
Cast
Role: Captain of the Banditti Actor: Sawyer

Afterpiece Title: The Deaf Lover

1802
03 December 1718 @ Drury Lane Theatre

Event Comment: Not Acted these Twelve Years [but see 2 May 1709]. Written by the late Mr Dryden. All the Habits being entirely new. With Decorations proper to the Play. Steele wrote a Prologue for this play, possibly for this run; it was not used but appeared in The Theatre, 2 Feb. 1720. See also The Works of John Dennis, Hooker, ed., II, 162-65. Cibber states that #600 was expended on the habits, scenes, and decorations

Performances

Mainpiece Title: All For Love Or The World Well Lost

1803
26 March 1719 @ no theater listed

Event Comment: See a letter from John Dennis to Sir Richard Steele for comments upon dl, Dennis' Coriolanus, All for Love, Caesar Borgia, The Masquerade in Dennis, II, 162-65

Performances

1804
21 November 1719 @ Drury Lane Theatre

Event Comment: Original Weekly Journal, 21 Nov., announces forthcoming plays: Southern's Spartan Dame in a few days, then Steele's The Gentleman, shortly afterwards

Performances

Mainpiece Title: The Orphan Or The Unhappy Marriage

Song: As17191003

1805
19 December 1719 @ Drury Lane Theatre

Event Comment: For the order silencing Cibber, see Blanchard, Correspondence of Richard Steele, p.146

Performances

Mainpiece Title: The Spartan Dame

Song: As17191003

1806
20 February 1720 @ Drury Lane Theatre

Event Comment: Weekly Packet, 20 Feb., announces several forthcoming plays for dl: Mrs Centlivre's The Sacrifice and Mrs Manley's The Double Mistress; or, 'Tis Well 'Tis No Worse. Steele's The Gentleman is deferred to winter

Performances

Mainpiece Title: The Siege Of Damascus

1807
03 March 1720 @ Drury Lane Theatre

Event Comment: Benefit Mrs Oldfield. Post Boy, 5 March: On Thursday Morning the King's Company of Comedians, belonging to the Play-House in Drury-Lane, were sworn at the Lord Chamberlain's Office in Whitehall, pursuant to an Order occasion'd by their Acting in Obedience to his Majesty's Licence, lately granted Exclusive of a Patent formerly obtained by Sir Richard Steele Kt. The Tenor of the Oath was, That as his Majesty's Servants, they should act Subservient to the Lord Chamberlain, Vice-Chamberlain, and Gentleman Usher in Waiting

Performances

Mainpiece Title: The Man Of Mode Or Sir Fopling Flutter

1808
03 November 1730 @ Drury Lane Theatre

Event Comment: DDaily Journal, 3 Nov.: We are assured that a Patent for the Theatre-Royal in Drury-Lane, is order'd to pass the Seals in Favour of Mr Wilks, Mr Booth, and Mr Cibber, The Patent for the said Theatre was granted to Mrs Oldfield, deceas'd, upon the Death of the late Sir Richard Steele

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Cephalus and Procris

1809
21 May 1744 @ Drury Lane Theatre

Event Comment: Benefit Fenn (Stage Door-Keeper), Bishop (Gallery Keeper), Steele, Heath, Kisheir, Hussey. Being the last time of acting the mainpiece this season

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Anatomist

Dance: I: a Tambourine-Mlle Auguste; V: a Peasant-Muilment

1810
08 May 1745 @ Drury Lane Theatre

Event Comment: Benefit Simpson, Collins, Baudouin, Shawford, Berkley, Miss Story. Tickets deliver'd by Falwood, George and Steele will be taken

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: Muilment; II: Running Footman's Dance-Shawford; III: Minuet-Baudouin, Miss Story

1811
08 May 1747 @ Drury Lane Theatre

Event Comment: Benefit Peacopp, Emberton, Dunbar, Berrisford, and Steele

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Double Disappointment

1812
19 March 1792 @ Drury Lane at King's Theatre

Event Comment: Benefit for Palmer. Afterpiece [1st time; P 3, author unknown. "Founded on the Tale of Inkle & Yarico" (Kemble Mem.), by Sir Richard Steele, in The Spectator, No. II, 13 March 1710-11. Not in Larpent MS; not published]: The Music by Gluck and Martini [i.e. Martin y Soler]. Morning Herald, 9 Mar.: Tickets to be had of Palmer, No. 3, London-road, St. George's Fields. Receipts: #452 16s. (169.17; 47.13; 2.11; tickets: 232.15) (charge: #169 5s. 8d.)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The American Heroine or Ingratitude Punished

Dance: In afterpiece: the Dances (composed by Hamoir,)-Hamoir, Bidotti, Keys, Nicolini, Walker, Whitmill, Mrs Barrett, Mrs Bourk, Mrs Brooker, Mrs Davis, Mrs Harris, Mrs Haskey, Miss Jacobs, Miss DeCamp

1813
18 August 1660 @ The Cockpit in Drury Lane

Event Comment: Pepys, Diary: Captain Fererrs, my Lord's Cornet, comes to us, who after dinner took me and Creed to the Cockpitt play, the first that I have had time to see since my coming from sea, The Loyall Subject, where one Kinaston, a boy, acted the Duke's sister but made the loveliest lady that ever I saw in my life, only her voice not very good

Performances

Mainpiece Title: The Loyal Subject

1814
25 March 1661 @ Salisbury Court

Event Comment: The Duke's Company. See 2 March 1661. Pepys, Diary: I and Captain Ferrers to Salisbury Court, by water, and saw part of the Queen's Maske

Performances

Mainpiece Title: The Queens Mask

1815
27 April 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: After dinner with Mr Creed and Captain Ferrers to the Theatre to see The Chances

Performances

Mainpiece Title: The Chances

1816
14 August 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: Captain Ferrers and I to the Theatre, and there saw The Alchymist

Performances

Mainpiece Title: The Alchemist

1817
17 August 1661 @ Lincoln's Inn Fields

Event Comment: Pepys, Diary: Captain Ferrers and I to the Opera, and saw The Witts, again, which I like exceedingly. The Queen of Bohemia was here, brought by my Lord Craven

Performances

Mainpiece Title: The Wits

1818
04 October 1661 @ Theatre in Vere Street

Event Comment: Pepys, Diary: Captain Ferrers and I to the Theatre, and there came too late, so we staid and saw a bit of Victoria, which pleased me worse than it did the other day. So we staid not to see it out

Performances

Mainpiece Title: Vittoria Corombona

1819
15 November 1661 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: To the Opera, where I met my wife and Captain Ferrers and Madamoiselle LeBlanc, and there did see the second part of The Siege of Rhodes very well done

Performances

Mainpiece Title: The Siege Of Rhodes Part Ii

1820
25 November 1661 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary: [The Country Captain] being done I...went to the Opera, and saw the last act of The Bondman

Performances

Mainpiece Title: The Bondman

1821
27 November 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: Captain Ferrers and Mr Moore and I to the Theatre, and there saw Hamlett very well done

Performances

Mainpiece Title: Hamlet Prince Of Denmark

1822
18 October 1662 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. Pepys, Diary, 20 Oct.: Young Killigrew did so commend The Villaine, a new play made by Tom Porter, and acted only on Saturday at the Duke's house, as if there never had been any such play come upon the stage. The same yesterday was told me by Captain Ferrers; and this morning afterwards by Dr Clerke, who saw it. Downes, p. 23: Written by Major Thomas Porter; this Play by its being well perform'd, had Success extremly beyond the Company's Expectation....It Succeeded 10 Days with a full House, to the last. [Downes especially praises Price. The edition of 1663 has a Prologue but no actors' names and no epilogue.

Performances

Mainpiece Title: The Villain

1823
10 June 1663 @ The (first) Drury Lane Theatre

Event Comment: The King's Company. For praise of Lacy, see Downes, Roscius Anglicanus, p. 16, or 27 Nov. 1662. Pepys, Diary: To the Royal Theatre by water, and landing, met with Captain Ferrers his friend, the little man that used to be with him, and he with us, and sat by us while we saw Love in a Maze. The play is pretty good, but the life of the play is Lacy's part, the clown, which is most admirable; but for the rest, which are counted such old and excellent actors, in my life I never heard both men and women so ill pronounce their parts, even to my making myself sick therewith

Performances

Mainpiece Title: Love In A Maze

1824
26 December 1663 @ Lincoln's Inn Fields

Event Comment: Pepys, Diary, 24 Dec.: By and by comes in Captain Ferrers to see us, and, among other talke, tells us of the goodness of the new play of Henry VIII, which makes me think it long till my time is out

Performances

Mainpiece Title: Henry Viii

1825
13 February 1667 @ no theater listed

Event Comment: Pepys, Diary: Discoursed most about plays and the Opera, where, among other vanities, Captain Cooke had the arrogance to say that he was fain to direct Sir W. Davenant in the breaking of his verses into such and such lengths, according as would be fit for musick, and how he used to swear at Davenant, and command him that way, when W. Davenant would be angry, and find fault with this or that note--but a vain coxcomb I perceive he is, though he sings and composes so well. But what I wondered at, Dr Clerke did say that Sir W. Davenant is no good judge of a dramatick poem, finding fault with his choice of Henry the 5th, and others, for the stage, when I do think, and he confesses, The Siege of Rhodes as good as ever was writ

Performances