SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Captain Dilks"/1) | (@(roleclean,performerclean) "Captain Dilks")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 974 matches on Performance Comments, 141 matches on Performance Title, 81 matches on Event Comments, 3 matches on Author, and 0 matches on Roles/Actors.
Event Comment: SSt. James's Evening Post, 2 June, quoted in Grub St. Journal, 7 June: Sir, As Mr Cibber has had various ill-natured reflections cast upon him, for selling his share of the patent for Drury-Lane house, and for not making it over to his son; it will be a piece of justice to inform the publick, that the reason which he gave for such a conduct was, that he chose to convert it into ready money, that he might make a proportionable division of what fortune he may happen to have among all his children. Craftsman, 2 June: We have likewise received undoubted Intelligence from [dl], that a considerable Body of malcontent Players, under the Command of that puissant Captain, Mr The@@lus C@@r, have lately enter'd into a mutinous Association against their Masters, the Patentees, and still continue in a State of Hostility; which hath prevented any Plays being acted there this Week

Performances

Mainpiece Title: Griselda

Event Comment: CCraftsman, 9 June: We hear...that the Rebel Players are not yet reduced to their Obedience, but it is thought that They will soon be obliged to surrender at Discretion. In that mean Time, the Publick waits with Impatience to see the Manifesto of their doubty Chief, Mr Theophilus Cibber, which He hath promised in the News-Papers. It is expected that, in this Manifesto, the young Captain will endeavour to prove that the King's Patent, after a solemn Adjudgment in the Court of Chancery, is of no Validity; and that picking a Gentleman's Pocket of Six Thousand Pounds is perfectly consistent with the Principles of Liberty. In the Daily Post, 11 June, Benjamin Griffin, Comedian, published his Humble Appeal to the Publick.The gist of his statement is: (1) Griffin had been under the management of Rich at Lincoln's Inn Fields, without any intention of leaving him, when, at the beginning of the season of 1721, the managers at Drury Lane sent him messages by Thurmond Sr and Shaw, seeking Griffin to treat with them. Griffin at first refused, but Steede, then the prompter of Drury Lane, prevailed upon him. Wilks immediately offered the same conditions Griffin had under Rich: #4 weekly and a benefit before 15 April, at the certain incident charge of #40. Wilks also offered him articles for three years, with a promise of an advance in salary and better terms at that time. (2) No sooner had Griffin agreed than the masters of both companies entered into a private agreement not to receive any one of the other's company, though discharged, without a private agreement to that purpose. (3) At the end of three years, under date of 12 December 1724, R. Castleman, the treasurer of Drury Lane, sent Griffin a note to the effect that the managers were willing to continue him at 10s. nightly (#3 weekly); as Griffin could not return to Rich, he had to accept the reduction in pay as well as a delay of his benefit to May and a payment of #50 for the charges. (4) He remained so until 1729, losing in salary #147 besides the #10 extra benefits. At Norris' illness and death, the managers returned him to #4 weekly but kept the charges at #50. (5) Under date of 4 June 1733, by the signatures of Mary Wilks, Hester Booth, John Highmore, and John Ellys, Griffin received a discharge from Drury Lane and full Liberty to treat with Rich or any one else. He asserts that he had no previous notice and received no reason for his discharge

Performances

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Honest Yorkshireman

Performance Comment: See17370331 but By Captain Gulliver's Company of Lilliputians: Gaylove-Master W. Hamilton; Squire Sapscull-Master J. Hamilton; Arabella-Miss Norris; Combrush-Miss Roberts.

Song: II: A Dialogue composed by Purcell-the Masters Hamilton; IV: Singing in Italian -Mrs Chambers

Dance: III: Dutchman and Frow-Vallois, Mrs Bullock; V: Scot's Dance-Haughton, Mlle Roland; End Afterpiece: French Peasant-Master Oates, Miss Oates

Event Comment: By Command of His Royal Highness the Prince of Wales. Benefit the Brave and Unfortunate Crew, belonging to Captain Peddie...[and] the Widow of the Boatswain killed in the Engagement

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Intriguing Chambermaid

Song: V: Lowe, During which the whole Crew will appear and return their humble Thanks to the Generous Audience

Event Comment: Benefit Hale and Mrs Hale. Mainpiece Written by Shakespear, reviv'd by particular desire. Containing the Memorable Battle of Agincourtv, with the total overthrow of the French Army, and many other Historical Passages. In order to preserve a proper decorum, and that this play may not be interrupted in its performance, the Publick may be assured there will not be any building on the stage.-General Advertiser. [In advance bill Nancy; or, The Parting Lovers had been advertised; Tom True Blue-$Beard; Father-$Leveridge; Captain of Press Gang-$Bencraft; Nancy-$Mrs Clive.

Performances

Mainpiece Title: The Life Of King Henry The Fifth

Afterpiece Title: The Lottery

Event Comment: Prices 5s., 3s., 2s. Never acted before, a new Comedy. [By Thomas Odell. From Shadwell's The Woman Captain (preface to 1st ed.).

Performances

Mainpiece Title: The Prodigal; Or, Recruits For The Queen Of Hungary

Event Comment: At Yeates and Warner's Great Til'd Booth, Bowling Green, Southwark. Interspers'd with the Comical Humours of the Nurse to the Princess Miriam, and her foolish son Zekel, as likewise the Humourous Scene between Captain Bluster, his Man Didymo, and the Witches. [Jeptha-Morrel, instead of Jeptha-$Carr, according to the Daily Advertiser.] To begin each day at Twelve o'clock, during the time of the Fair

Performances

Mainpiece Title: Jeptha's Rash Vow; Or, The Virgin Sacrific'd

Music: The Original Musick- as performed by Mrs Lee, with universal applause, about 15 years since

Event Comment: The Play of Othello, which was performed last night at Drury Lane theatre, by some gentlemen and ladies to the most numerous and polite Audience that could be assembled, went off throughout with great approbation and applause (General Advertiser). [See A Satirical Dialogue between a Sea Captain and his friend in Town: Humble submitted to the Gentlemen who deformed the Play of Othello on Th-rs-y M- the 7th....To which is added a Prologue and Epilogue much more suitable to the occasion than their own. (London [n.d.], BM 11,795, K 31, 8pp): @'Good manners oblig'd them sometimes to applaud@Tho' they little deserv'd it...'@ The author laments the fact that the expenditure (#1,500) was not put out to charitable purposes, rather than for such entertainment.] This day is publish'd at 1s. 6d., beautifully printed, Alfred, a Masque, acting at the Theatre Royal in Drury Lane, by Mr Mallet. Printed for A. Miller, opposite Catherine St in the Strand, where may be had Alfred, a Masque, represented before their Royal Highnesses the Prince and Princess of Wales at Cliefden, on the first of August 1740. Written by Mr Thomson and Mr Mallet

Performances

Mainpiece Title: None

Event Comment: MMr Woodward was taken ill, & Mr Yates his part of Lucio, & Mr Rooker did the Harl: (all well) a Disturbance was design'd by the officers occasion'd by a new Scene (which no Effect) about a Captain being in Leading strings, but we left it out & all was Quiet (Cross). Receipts: #80 (Cross)

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Harlequin Ranger

Event Comment: About this time Mr Theo: Cibber Mr Maddocks the wire Dancer, & several other Theatrical performers, with & number of other Passangers embark'd on board the Dublin, Captain White, in order to go to Ireland but the Ship was lost & every Soul perish'd (Cross). As Mr Sparks & others complain'd of Mr Wilkinson for taking them off, it [Diversions of ye Morning] was intended to be omitted this Night, But the Audience call'd so violently for it, that we were oblig'd to let him do it--he took off Foote & Sheridan, & wou'd have left out Sparks but ye Audience wou'd not be satisfied without it--when they first call'd Mr Foote went forward & said as some of the performers had complain'd it was to be omitted; as for being taken off himself he had no Objection to it, as he was always glad to contribute to their Entertainm[en]t &c. (Cross). Mainpiece: Not acted these 2 years [see 14 Oct. 1756]. Receipts: #130 (Cross); #139 10s. (Winston MS 8)

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: The Diversions of the Morning

Event Comment: To begin each day at twelve noon and end at ten at night during the short time of St Bartholomew Fair at Yates' (from Drury Lane) Great Concert Hall in the Greyhound Inn, Smithfield. There is a commodious way to the Hall opposite the Sheep-Penn. The diverting entertainment contains the distresses of a young lady that was stolen by a French pirate; the gallantry of an English Captain who rescued her; their unfortunate shipwreck, and their being thrown upon a desolate island; their sufferings through famine; the unexpected relief they met with on a part of the island; governed only by women; their being afterwards seized as pirates; the punishment inflicted on them by the Female Goverment; and their amazing delivering by the Queen's finding her husband and her only son, whom she had lost and thought dead upwards of twenty years. Interspersed with the comical and diverting adventures of Lt Fireball, a true English Tar, Noddy a distressed Beau, Snivel Thimble, a tailor; Splitfarthing an Old Userer; and Glisterspite a Finical Surgeon. In which will be introduced a Dialogue between Mynheer Vanflawkin, a Dutchman, and Mynheer-the German

Performances

Mainpiece Title: The Shipwrecked Lovers; Or, Friendly Perfidy Punished

Song: tragi-comic song in the Welch Taste call'd% Hugh Morgan's Lamentation-a Choice Spirit from Common's Court

Dance: Conclude: a song, dance-

Music: An extraordinary Band of Musick is furnished such as you don't hear every day

Event Comment: Benefit Mrs Clive. Part of the Pit railed into Boxes and Stage will be formed into Amphitheatre, where servants will be admitted to keep places. Afterpiece: Farce of Two Acts never before acted. [MacMillan lists the characters from the Larpent MS and points out that no indication of assignment appeared: Sir John Bayfield , Sir Charles Freelove , Sir James Trueman , Mr Lovenight , Captain Squander , Lady Bayfield , Miss Croston , Lady Di Clatter , Miss Gibberish , Mrs Lovenight , Miss Prue , Mrs Goodfellow , and servants . Two deputy licensers seem to have been operating at this time, for Garrick sends his plays to Edward Capel, and Rich his to Chetwyn.

Performances

Mainpiece Title: The Mistake

Afterpiece Title: Every Woman in Her Humour

Dance: TThe Cow Keepers, as17600313

Event Comment: Benefit for Shuter. Mainpiece: Not acted in 10 years. Receipts: #194 10s. in cash, plus #147 18s. from tickets (Boxes 378; Pit 356). Charges #64 5s. Advanced to Mrs Ward #30. [Shuter called for imaginative participation of his audience in his Medley Skit (see Larpent MS 171): @"Suppose my dress alter'd with each exhibition....@If I speak like a Dutchman, or Brogue it like Paddy,@Or mimic Monsieur, or lisp like a Lady"@ Parts for The English Sailors in America (by G. A. Steevens) are listed in Larpent MS 172: Indian King , English Captain , Irishman , Sailor Ned and Sailor Ben , a Black Messenger , Guards , White Savage Lady , Black Woman , Image .

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Dance: TThe Dutch Skipper-Poitier

Entertainment: E+Extravaganza. Shuter will entertain the audience in an Oratorical, Poetical, Operatical Method (never befoer attempted) with a Comic Extravaganza call'd A Day of Taste; or, London Raree Show-Shuter being a Ranelagh Breakfast, a Coffee House Conversation, An Auction at Noon, and the Choice Spirits at Night; conclude with: The Cries of London-. *uó‘cg To which will (By Desire) be added (for this Night only) Mr Shuter's Droll that was perform'd at Bartholomew Fair, call'd The English Sailors in America. Mackfinnen (the Irish Volunteer)-Shuter; Princess-Miss Dawson, her first Time of speaking on the stage

Event Comment: Afterpiece: By Desire. Boxes #62 10s. 6d. Macklin's fifth above charges came to #25 2s. 11d. Paid for sundry clothes from Voelcher #30 10s. Paid Blackmore a Bill for Rich #29 10s. and a Bill for the Theatre from 19 April last: #84 (Account Book). [On 1 Feb. one H. F. of the Middle Temple wrote to Macklin suggesting two things to insure the success of the Married Libertine. The first was practical, "bring in a claque of friends to counteract the noise of the Scots Lords who are opposing it." The second was revisional: "The play is too long,--shorten it and give the house notice that you have so done. The scenes wherein Lady Belville is solemn, grave, complaining and moral may be much abbreviated; this will...take away that heavy, lazy and sleepy (however just) part which makes your friends languish and grow cold, and gives your enemies an opportunity to improve their rancor and malignity. This observation may be applied to every recital, narrative or description which is not absolutely necessary or descriptive,--I mean necessarily connected with the frame, contexture & execution of the drama, or something designed or painted with uncommon poetic fire and enthusiasm. Pray consider whether that serious, moral and sentimental part in the character of Angelica might not be curtailed, or entirely omitted. I would have your young captain fully employed in action without ever standing still to moralize or harangue, however sensibly and poignantly he may do it. After all this there will remain a rich and uninterrupted vein of true comic humour and lively representation in short, a well connected series and succession of business which I am convinced would keep the audience so attentive and so entirely possessed that there would be no room for languor or malice to produce any effect to your detriment." (Memoirs of Macklin [Harvard Theatre Collection, extra-illustrated edition, I, part 2, p. 414.] Receipts: #188 14s. 6d. (Account Book)

Performances

Mainpiece Title: The Married Libertine

Afterpiece Title: Love a-la-Mode

Dance: Poitier Jr, Mlle Capdeville

Event Comment: Benefit for Woodward. [Both pieces advertised as for the last time this season.] Afterpiece: By particular Desire. N.B. That the Cabin may be convenient, and in regard that he would not be too popular, and too generally visited, the Captain will have No Building upon the stage. [See 13 April 1763. The Prologue is Larpent MS 221, wherein Woodward requests smiles of approval as he takes off himself.

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Apprentice

Dance: II: The Garland, or the +Milk-Maid's Holiday-Miss Poitier; [see17590421] [in which will be introduced a Hornpipe; End: The Jealous Woodcutter, as17621023

Event Comment: Paid 6 days salary at #82 16s. 5d. per diem--#496 18s. 6d.; Mrs Abington on cloaths account #2; Mr French on acct #2. Mr D. Garrick's Night. Charges #84 (Treasurer's Book). Profit to D. G. for sixth night of Inst of Garter #115 7s. 6d. Mainpiece: Not acted in 4 years. [See 2 Dec. 1767.] Garrick recovered from his illness (Winston MS 10). [Of the mainpiece: "How the managers could think of shoving Mr Cautherly into the part of Captain Plume, is, to us, a matter of surprize....The part requires elegance, vivacity and the easy deportment of an accomplish'd gentleman. We never remember to have seen this character more completely performed, than by Mr Smith at Covent Garden Theatre (who is everything that criticism can wish) nor much worse, than by Mr Cautherly, who does not possess one requisite for the character, and is the effeminate and insipid School-boy throughout the whole. To this we may add, that he was not perfect, and made a great mistake, by coming in where he should not which oblig'd him to retire again. This was an unpardonable fault, though it was the first time of his appearing in this character."--Theatrical Review, 2 Nov. Of the afterpiece: "We were not a little pleased to observe this evening, that Mr King, in the character of Sir Dingle, omitted the parody on the lines with which the third act of Otway's Orphan concludes. But we think the introducing a chine of roast beef, decorated with a flag, to be carried off in triumph by the rabble, accompanied, from the orchestra with music of the old song of that title is a pitiful addition to the performance, and intended only as a sacrifice to the caprice of the riotous inhabitants of the upper gallery. Had this Entertainment been exhibited at a French theatre it would have had some claim to merit. This seems to be a piece of stage policy, arising from a consciousness, that the whole performance is too contemptible to meet with countenance from any but the sons of riot, for which reason they are brib'd to support it, by this notable trick."--Theatrical Review, 2 Nov.] Receipts: #199 7s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Institution of the Garter

Dance: II: Comic Dance, as17710921

Event Comment: By Command of Their Majesties. Mrs Davies Miss Tittup--La! La! King sent a letter to $Sheridan desiring to be off his Engagement--all made up at night. Mattocks came and told me that Lacy had sold Half his Share of the Patent to Mr Langford (The Auctioneer) and Captain Thomson (Authour of the Syrens &c.). I acquainted Sheridan of it--he had not heard it before (Hopkins Diary). Receipts: #267 6s

Performances

Mainpiece Title: New Brooms

Afterpiece Title: As You Like It

Afterpiece Title: Bon Ton; or, High Life above Stairs

Dance: End I: The Grand Garland Dance-Giorgi, Sga Crespi, Slingsby

Song: In V: a song-Mrs Scott

Event Comment: Paid Lampmen #3 18s.; Tailors #11 2s. 10d.; Mantua Makers #3 14s. 6d.; Carpenters #16 15s. 6d.; Printer [of playbills] #19 5s. 6d. The Hypocrite and Christmas Tale in three Acts was advertised for to-morrow. This Morning at Rehearsal Lacy came and told Sheridan that he could not be off from his Agreement with Mr Langford and Captain Thomson. Sheridan told him, if he did agree, that he would withdraw himself from the Management of the Theatre--accordingly at eight this Evening he sent me with a Letter to Lacy confirming what he told him, and ordered me to receive my orders from Mr L and that he withdrew the Christmas Tale, as he had altered, for a Farce, it was his Property. This put us all into confusion--Sent to Mrs Abington to know if she would play in the Hypocrite, as it was advertised--Her answer was, that she had made her Agreement with Sheridan only, and would play under no other Manager. About twelve at night we got Richard the third settled, and sent Bills accordingly (Hopkins Diary). [For further remarks concerning this situation see 15 Oct.] Receipts: #173 6s

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Braganza

Afterpiece Title: The Rival Candidates

Event Comment: Mainpiece [1st time; T 5, by George Edward Ayscough, based on Semiramis, by Voltaire. Prologue by the author. Epilogue by Richard Brinsley Sheridan (see text)]: With New Scenes and Dresses. This Tragedy is a translation from Voltaire by Captain Ayscough. Mrs Yates played finely, and met with the Applause she deserved. Mrs Reddish, alias Mrs Canning, who played the part of Azema, was hissed all through, and must never perform again. Indeed she was very bad. The Play was greatly applauded (Hopkins Diary). Public Advertiser, 24 Dec. 1776: This Day is published Semiramis (1s. 6d.). Receipts: #226 3s. 6d. (224.16.6; 0.0.0; 1.7.0)

Performances

Mainpiece Title: Semiramis

Afterpiece Title: The Irish Widow

Dance: End I afterpiece: The Irish Fair, as17761031

Event Comment: [In mainpiece the playbill retains Mrs Wells, but she "was so ill last night that she could not perform the part of Jane Shore. It was undertaken by Mrs T. Kennedy" (Public Advertiser, 21 Dec.).] Afterpiece [1st time; P 2, by John O'Keeffe]: The Pantomime, and the whole of the Scenery, Machinery, Dresses, &c. designed and invented by Loutherbourg, and executed under his superintendance and direction by Richards, Carver, Hodgins, Catton Jun., Turner, assisted by two other celebrated artists [all subsequent playbills have "a celebrated artist"; he was the Rev. Matthew William Peters (Public Advertiser, 16 Dec.)]. The Music entirely new, composed by Shield. Books containing a short account of the Pantomime, as well as the Recitatives, Airs, Duets, Trios and Chorusses, and a Description of the Procession, to be had at the Theatre. Nothing under Full Price will be taken. [This was the last theatrical piece for which De Loutherbourg designed the scenery. For a detailed account of it see "De Loutherbourg and Captain Cook", by Ralph G. Allen, Theatre Research, IV, 195-211.] Account-Book, 17 Oct.: Paid De Loutherbourg on acct. #120; 20 Dec.: Paid Goodwin for copying Music #10 14s.; 14 Feb. 1786: Paid O'Keeffe in full for Omai #40. Receipts: #309 19s. (302/7; 7/12)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Omai; or, A Trip round the World

Event Comment: Afterpiece: 51st [recte 50th] Time [i.e. in continuation of the reckoning for the previous season]. With a Processionv exactly representing the Dresses, Weapons, and Manners of the Inhabitants of Otaheite, New Zealand, Tanna, Marquesas, the Friendly Islands, Sandwich Islands, and Easter Islands, Tschutzki, Siberia, Kamtschatka, Nootka Sound, Onalashka, Prince William's Sound, and the other Countries visited by Captain Cook. Receipts: #263 15s. 6d. (260.5.0; 3.10.6)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Omai; or, A Trip round the World

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Bensley; Lord Trinket-Dodd; Sir Harry Beagle-R. Palmer; Charles-Bannister Jun.; Russet-Aickin; Captain O'Cutter; Moody; William-Phillimore; John-Wilson; Tom-Alfred; Major Oakly-Baddeley; Lady Freelove-Mrs Hopkins; Harriet-Mrs Kemble; Toilet-Miss Tidswell; Chambermaid-Mrs Heard; Mrs Oakly-Miss Farren.

Afterpiece Title: The Lyar

Performances

Mainpiece Title: The Farmer

Performance Comment: As17890423*a1789 05 04 cg The Death of Captain Cook. As17890413.

Afterpiece Title: The Little Hunchback

Performances

Mainpiece Title: The Battle Of Eddington; Or, British Liberty

Performance Comment: Partial cast from Morning Herald, 30 Mar.: Alfred-Clifford; Ceoluph-Wilkinson; Queen-Mrs Sidney; [Text (Elmsley [et al], 1796) lists the parts: Alfred King of England; Mervin, his dependent, Prince of South Wales; Ethelred, General of the English; Ceoluph, English Nobleman; Danish Captain of Auxiliaries; Ceoluph's Vassal; Edmund, Son and Heir of Alfred then very young; Elsitha, Queen of England; Editha, an Old Woman inhabiting the Cottage. Prologue-Wilkinson.

Afterpiece Title: Who's the Dupe

Entertainment: Monologue.End: Collins's Ode on the Passions-Wilkinson

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: No Song No Supper

Afterpiece Title: A Musical Olio

Performance Comment: As17960521, but added: The Town and Country (by permission of Captain Morris)-Dignum; the Catches and Glees-Bannister, Sedgwick, Wathen, Dignum.

Song: End II: The Little Waist- (composed by Hook); End IV: The Sailor's Journal (composed by Dibdin)-Dignum