SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Captain Cooke"/1) | (@(roleclean,performerclean) "Captain Cooke")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1259 matches on Performance Comments, 381 matches on Performance Title, 139 matches on Event Comments, 10 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Powell: Gamester rehearsed at 11; Lodoiska at 12 (Bannister, Miss Redhead ill; Boyce, Denman, Fisher, Horsfall, Bardeauleau, Annereau, Cooke, Walker absent; Sedgwick, Webb, Fairbrother, Boimaison, Dorion Jun. one chorus). Receipts: #388 18s. (314/10/0; 68/7/6; 5/8/6; tickets not come in: 0/12/0)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: MY GRANDMOTHER

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: LODOISKA

Performance Comment: Polanders. Aickin, Kelly, Palmer, Bannister Jun., Caulfield, Trueman, Fairbrother, Bland, Benson, Webb, Master Welsh, Master Gregson//Mrs Crouch. Captives. Mrs Bland, Miss De Camp, Miss Miller, Miss Leak, Miss Redhead, Mrs Bramwell, Miss Granger, Miss Wrighten, Miss C. Wrighten, Miss Menage, Miss Stageldoir, Miss Chatterley, Miss Gawdry, Mrs Butler, Mrs Boimaison, Miss Davies, &c. Guards and Attendants (performers not listed]. Tartars. Barrymore, Dignum, Sedgwick, Bannister, C. Kemble, Banks, Boimaison. The Horde. Cooke, Danby, Lyons, Maddocks, Phillimore, Welsh, Dorion, Dorion Jun., Evans, Hamoir, Bourk, G. D'Egville, Butler, Whitmell, Nicolini, Keys, &c. [Cast from text (G. G. and J. Robinson [1794]): Polandm. Prince Lupauski-Aickin; Count Floreski-Kelly; Baron Lovinski-Palmer; Varbel-Bannister Jun. [in text: Suett (see17940613]; Adolphus-Caulfield; Gustavus-Trueman; Sebastian-Fairbrother; Michael-Bland; Casimir-Benson; Stanislaus-Webb; Pages-Master Welsh, Master Gregson//Princess Lodoiska-Mrs Crouch. Capti"PtI. As above, but added: Miss Arne. Tartars. Kera Khan-Barrymore; Ithorak-Dignum; Khor-Sedgwick; Japhis-Bannister; Kajah-C. Kemble; Tamuri-Banks; Camazin-Boimaison. The Horde. As above.] hathi. hathi.
Event Comment: Paid for Beer for the Men removing Music Books #2 19s. 6d. [In mainpiece the playbill assigns First Constantia to Mrs Powell, but she "having sprain'd her Ancle [sic] Miss Collins play'd 1st Constantia" (Powell)]. Powell: Chances rehearsed at 10 (Barrymore absent; Caulfield, Cooke, Welsh each two scenes; Trueman one scene). Receipts: #139 6s. 6d. (78/10/6; 57/16/6; 2/19/6)

Performances

Mainpiece Title: The Chances

Afterpiece Title: LODOISKA

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: LODOISKA

Performance Comment: As17940621 but C. Kemble's and Cooke's names listed in playbill [for Kera Kahn and Kajah] .

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: LODOISKA

Performance Comment: As17940609 but Suett in place of Bannister Jun.: C. Kemble of Barrymore; Cooke of C. Kemble; omitted: Benson, Webb, Mrs Bland, Miss Chatterley, Miss Gawdry, Mrs Butler, Mrs Boimaison, Miss Davies .

Performances

Mainpiece Title: The Children In The Wood

Performance Comment: As17940611 but omitted: Banks, Caulfield, Maddocks, Lyons, Cooke, Mrs Booth .

Afterpiece Title: BON TON

Afterpiece Title: LODOISKA

Performances

Mainpiece Title: Rule Britannia

Performance Comment: As 1 Sept. but Cooke in place of Sedgwick .

Afterpiece Title: THE VILLAGE LAWYER

Afterpiece Title: THE APPARITION

Cast
Role: Earl Egbert Actor: Cooke
Event Comment: [In mainpiece the playbill retains Jones as Alguazile, but "Alguazile Maddocks, Jones Ill. Bannister absent from this Evening's Performance [of afterpiece]; Cooke D, Ill" (Powell).] Powell: New Ballet rehearsdd at 12. Receipts: #153 11s. (92.19.6; 53.17.0; 6.14.6)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Lodoiska

Event Comment: [The playbill assigns Jessica to Mrs Bland, but "Jessica Miss Collins. Miss Bland Ill, Leonardo [omitted from playbill] Evans, Cooke Ill" (Powell).] Powell: Edwy and Elgiva rehearsed at 11. Receipts: #285 7s. 6d. (236.16.6; 43.14.6; 4.16.6)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Alexander the Great

Event Comment: [In mainpiece "English Herald [omitted from playbill] Trueman; Cooke Ill." In afterpiece the playbill retains Aumer as Hephestion, but "Hephestion C. Kemble, Aumer at the Opera House. Miss Redhead, Miss Leak absent, Ill" (Powell).] Powell, 13 Mar.: King John rehearsed at 10; Edwy and Elgiva at 12; Jack of Newbury read at 2; 14 Mar.: Jack of Newbury rehearsed at 11. Receipts: #255 3s. (204.14.0; 48.8.6; 2.0.6)

Performances

Mainpiece Title: King John

Afterpiece Title: Alexander the Great

Event Comment: Pepys, Diary: Captain Fererrs, my Lord's Cornet, comes to us, who after dinner took me and Creed to the Cockpitt play, the first that I have had time to see since my coming from sea, The Loyall Subject, where one Kinaston, a boy, acted the Duke's sister but made the loveliest lady that ever I saw in my life, only her voice not very good

Performances

Mainpiece Title: The Loyal Subject

Event Comment: The Duke's Company. See 2 March 1661. Pepys, Diary: I and Captain Ferrers to Salisbury Court, by water, and saw part of the Queen's Maske

Performances

Mainpiece Title: The Queen's Mask

Event Comment: The King's Company. Pepys, Diary: After dinner with Mr Creed and Captain Ferrers to the Theatre to see The Chances

Performances

Mainpiece Title: The Chances

Event Comment: The King's Company. Pepys, Diary: Captain Ferrers and I to the Theatre, and there saw The Alchymist

Performances

Mainpiece Title: The Alchemist

Event Comment: Pepys, Diary: Captain Ferrers and I to the Opera, and saw The Witts, again, which I like exceedingly. The Queen of Bohemia was here, brought by my Lord Craven

Performances

Mainpiece Title: The Wits

Event Comment: Pepys, Diary: Captain Ferrers and I to the Theatre, and there came too late, so we staid and saw a bit of Victoria, which pleased me worse than it did the other day. So we staid not to see it out

Performances

Mainpiece Title: Vittoria Corombona

Event Comment: The Duke's Company. Pepys, Diary: To the Opera, where I met my wife and Captain Ferrers and Madamoiselle LeBlanc, and there did see the second part of The Siege of Rhodes very well done

Performances

Mainpiece Title: The Siege Of Rhodes, Part Ii

Event Comment: The Duke's Company. Pepys, Diary: [The Country Captain] being done I...went to the Opera, and saw the last act of The Bondman

Performances

Mainpiece Title: The Bondman

Event Comment: The King's Company. Pepys, Diary: Captain Ferrers and Mr Moore and I to the Theatre, and there saw Hamlett very well done

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Event Comment: The Duke's Company. Pepys, Diary, 20 Oct.: Young Killigrew did so commend The Villaine, a new play made by Tom Porter, and acted only on Saturday at the Duke's house, as if there never had been any such play come upon the stage. The same yesterday was told me by Captain Ferrers; and this morning afterwards by Dr Clerke, who saw it. Downes, p. 23: Written by Major Thomas Porter; this Play by its being well perform'd, had Success extremly beyond the Company's Expectation....It Succeeded 10 Days with a full House, to the last. [Downes especially praises Price. The edition of 1663 has a Prologue but no actors' names and no epilogue.

Performances

Mainpiece Title: The Villain

Event Comment: The King's Company. For praise of Lacy, see Downes, Roscius Anglicanus, p. 16, or 27 Nov. 1662. Pepys, Diary: To the Royal Theatre by water, and landing, met with Captain Ferrers his friend, the little man that used to be with him, and he with us, and sat by us while we saw Love in a Maze. The play is pretty good, but the life of the play is Lacy's part, the clown, which is most admirable; but for the rest, which are counted such old and excellent actors, in my life I never heard both men and women so ill pronounce their parts, even to my making myself sick therewith

Performances

Mainpiece Title: Love In A Maze

Event Comment: Pepys, Diary, 24 Dec.: By and by comes in Captain Ferrers to see us, and, among other talke, tells us of the goodness of the new play of Henry VIII, which makes me think it long till my time is out

Performances

Mainpiece Title: Henry Viii

Event Comment: The Journal of Sir Richard Bulstrode (p. 19): This evening is repeated in the great Hall by foure persons of quality the Indian Emper, but the Company is made very private, soe as few attempt to gett in. Jean Chappuzeau, Le Theatre Francois (Paris, 1675), p. 55, states that in 1668 he saw a revival of The Indian Emperor in London. Pepys, Diary: 14 Jan.: They fell to discourse of last night's work at court, where the ladies and Duke of Monmouth and others acted The IndianEmperour; wherein they told me these things most remarkable: that not any woman but the Duchesse of Monmouth and Mrs Cornwallis did any thing but like fools and stocks, but that these two did do most extraordinary well: that not any man did any thing well but Captain O'Bryan, who spoke and did well, but, above all things, did dance most incomparably. That she did sit near the players of the Duke's house; among the rest, Mis Davis, who is the most impertinent slut, she says, in the world; and the more, now the King do show her countenance; and is reckoned his mistress, even to the scorne of the whole world; the King gazing on her, and my Lady Castlemayne being melancholy and out of humour, all the play, not smiling once. The King, it seems, hath given her a ring of #700, which she shews to every body, and owns that the King did give it her; and he hath furnished a house for her in Suffolke Street most richly, which is a most infinite shame. It seems she is bastard of Colonell Howard, my Lord Berkshire, and that he do pimp to her for the King, and hath got her for him; but Pierce says that she is a most homely jade as ever she saw, though she dances beyond any thing in the world

Performances

Mainpiece Title: The Indian Emperour

Event Comment: The King's Company. Pepys, Diary: It being almost twelve o'clock, or a little more, and carried [Mercer, Mrs Horsfield, and Mrs Gayet] to the King's playhouse, where the doors were not then open; but presently they did open; and we in, and find many people already come in, by private ways, into the pit, it being the first day of Sir Charles Sidly's new play, so long expected, The Mulberry Garden, of whom, being so reputed a wit, all the world do expect great matters. I having sat here awhile, and eat nothing to-day, did slip out, getting a boy to keep my place...And so to the play again, where the King and Queen, by and by, come, and all the Court; and the house infinitely full. But the play, when it come, though there was, here and there, a pretty saying, and that not very many neither, yet the whole of the play had nothing extraordinary in it, at all, neither of language nor design; insomuch that the King I did not see laugh, nor pleased the whole play from the beginning to the end, nor the company; insomuch that I have not been less pleased at a new play in my life, I think. And which made it the worse was, that there never was worse musick played--that is, worse things composed, which made me and Captain Rolt, who happened to sit near me, mad. So away thence, very little satisfied with the play, but pleased with my company. [For Bannister's setting a song for Mrs Knepp for this play, see 7 May 1668.

Performances

Mainpiece Title: The Mulberry Garden

Event Comment: The Duke's Company. The date of the premiere is not known, but its Prologue indicates that it follows The Woman Captain. Like that play and The Virtuous Wife, Caius Marius was entered in the Term Catalogues, November 1679, but the large number of plays apparently presented earlier in the autumn suggests that this one could hardly have been brought on the stage before October 1679

Performances

Mainpiece Title: The History And Fall Of Caius Marius