SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Cap Venors Brother"/1) | (@(roleclean,performerclean) "Cap Venors Brother")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 171 matches on Performance Comments, 125 matches on Performance Title, 118 matches on Event Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: More noise against the Dancers, wch so enrag'd My Ld that with a Number of Gents. he went into the upper Galleries & took out a very noisy person-who prov'd to be Cap. Venor's Brother; he resisted & was not brought behind the scenes without much Difficulty, sadly beat, yet still obstinate, they went with Garrick & Lacy into Mrs Clive's room, where he behav'd very boldly, but all was adjusted without farther Mischief (Cross). This day publish'd: The Mirror: a Poetical Essay in the manner of Spencer. Price 1s. Ridiculum acii fortissime & optime Secatrem. Anon. To David Garrick, Esq: by C. Arnold. Sold by Woodfall. Receipts: #180 (Cross)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Chinese Festival

Event Comment: Benefit Brother Montgomery (Tiler of the Grand Lodge) and Brother Excell

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Mock Doctor

Song: Brother Montgomery; In Daily Advertiser, 28 April: I: The Enter'd Prentice's Song-Brother Montgomery, other Masons; in their proper Habiliments. II: Advice to the Sons of Bacchus the words by Excell; music by James-Excell; IV: On on my dear Brethren-

Music: In Daily Advertiser, 28 April:A Concerto on the Harpsichord-James

Event Comment: Benefit for Stevens and Miss Besford. Tickets delivered for The Brothers will be admitted. Morning Chronicle, 13 May: Tickets to be had of Stevens, No. 54, Drury-Lane; of Miss Besford, No. 5, Bow-street, Covent Garden. Receipts: #167 15s. (75/16; 6/17; tickets: 85/2) (charge: #105)

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: Annette and Lubin

Afterpiece Title: The Country Mad Cap

Dance: End of 2nd piece The trapping Landlady, as17860426

Performances

Mainpiece Title: The Earl Of Essex; Or, The Unhappy Favourite

Afterpiece Title: The Country Mad-Cap

Performance Comment: Ballad-Mattocks; Cantileno (with Imitations')-Reinhold; Zorobabel-Quick; Thomas-Whitfield; Goodwill-Fearon; John-Thompson; Lord Bawble-Lee Lewes; Mrs Midnight-Mrs Pitt; Jenny-Mrs Poussin; The Country Mad-Cap-Mrs Mattocks .

Dance: End of Act II of mainpiece The Poney Races by Harris, Ratchford, Miss Matthews; End of mainpiece The Gala, as17820409

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Country Mad-cap

Performance Comment: Ballad-Mattocks; Cantileno (with imitations)-Reinhold; Thomas-Whitfield; Zorobabel-Quick; Goodwill-Fearon; John-Thompson; Lord Bauble-Lee Lewes; Mrs Midnight-Mrs Pitt; Jenny-Mrs Poussin; The Country Mad-cap-Mrs Mattocks .

Performances

Mainpiece Title: More Ways Than One

Afterpiece Title: The Country Mad-Cap

Performance Comment: Ballad-Mattocks; Cantileno (with Imitations)-Reinhold; Lord Bawble-Bonnor; Thomas-Whitfield; Goodall-Fearon; Zorobabel-Quick; Mrs Midnight-Mrs Pitt; Jenny-Mrs Poussin; The Country Mad-Cap-Mrs Mattocks .
Event Comment: The King's Company. The date of the premiere is not certain. This performance is known from an entry in the Newdigate newsletters, which also states that Rollo was to be acted on the following Monday. If this statement is accurate, the performance of The Loyal Brother on 4 Feb. 1681@2 may be the third night rather than the opening performance. Newdigate newsletters, 4 Feb. 1681@2: On Monday morn [the Moorish Ambassador] & ye Comers meet to conclude ye treaty and in ye afternoon goes to see Rollo D. of Normandy at ye Ks playhouse wre ye K was this afternoon to see ye new play calld ye Loyall brothr (Wilson, More Theater Notes from the Newdigate Newsletters, p. 59). The Prologue and Epilogue were printed separately and have been reprinted in Wiley, Rare Prologues and Epilogues, pp. 70-72. Luttrell acquired his copies (Huntington Library) on 7 Feb. 1681@2. In The Life of John Dryden (Chapel Hill, 1961), Charles E. Ward believes (pp. 166, 355) that The Loyal Brother was first acted in the autumn of 1681; but the entry in the Newdigate newsletters seems to make February 1682 the more probable time

Performances

Mainpiece Title: The Loyal Brother; Or, The Persian Prince

Event Comment: Benefit Walker, a Brother. For the Entertainment of the Grand Master and the Worthy Brothers and Sisters of the Honourable Community of Modern Free-Masons. Mainpiece: Written by the late Mr Gay. Afterpiece: Taken from Moliere, and Intermixed with Songs. Boxes 5s. Pit 3s. Gallery 2s. 6:30 p.m

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mock Doctor

Song: Concluding with theModern Free@Masons Song-in the Character of Robin Hooda Brother

Dance: HHornpipe, Drunken Peasant-Phillips

Event Comment: [The Public Advertiser published a long New Historical Epilogue, intended by the Author as a proper sequel to the Tragedy of the Brothers. It speaks of the authentic history in the play, and of the effective moral lesson, closing: @As public woes a Prince's crimes pursue,@So public blessings are his Virtues' due.@Shout Britons, shout!--auspicious Fortune Bless!@And cry, Long live--OUR title to success!@ This was followed by a Letter from Mr Booth in the Shades to Dr Young, on his Tragedy call'd the Brothers (an elaborate puff). In it Booth forgives Young for withdrawing the play from rehearsal thirty years earlier, and thus precluding his playing the part of Demetrius: "And I the more readily pardon you, as you have not disgraced me by giving the part to any of my successors, till this Garrick appeared, whose reputation, I can assure you, is by no means confined to your world, and who, I am told, hath more than supply'd my place, hath rendered the loss even of Betterton himself very supportable." He then lets Young in on a secret that there will be a performance of his play in the shades by all the old actors as soon as Curll can steal a copy of it for them.] We are assured that on Thursday the 22nd instant will be publish'd a Comedy in 2 acts, call'd The Rehearsal; or, Bayes in Petticoats, witten by Mrs Clive, and to be performed that evening, after the Mourning Bride, for her Benefit at Drury Lane. Mr Yates's Benefit will be on Thursday the 5th of April, when the tragedy of the Gamester will be played, being the twelfth day. A new farce will be added to it, the preparing of which has oblig'd Yates to defer his Benefit till the above day. Receipts: #150 (Cross)

Performances

Mainpiece Title: The Brothers

Event Comment: The King's Company. Pepys, Diary: I went to the Theatre, and saw Elder Brother ill acted

Performances

Mainpiece Title: The Elder Brother

Event Comment: See Herbert, Dramatic Records, p. 118, where this play appears under date of 6 July, a Sunday in 1662; it is the second of the plays on this list to fall on Sunday in 1662 (see 2 June 1662). Following The Brothers on Herbert's list is Antipodes (by Richard Brome), without a date, between 6 and 23 July

Performances

Mainpiece Title: The Brothers

Performances

Mainpiece Title: Like Father, Like Son; Or, The Mistaken Brothers

Performance Comment: Unpublished, but separate publication of A Prologue by Mrs Behn to her New Play, called Like Father, Like Son, or The Mistaken Brothers, spoken by Mrs Butler. Epilogue-Mr Gevan [Jevon]. [Richards speaks later in the Epilogue, and Williams, Wiltshire, and Mrs Butler are referred to in the Epilogue.Jevon]. [Richards speaks later in the Epilogue, and Williams, Wiltshire, and Mrs Butler are referred to in the Epilogue.
Event Comment: Benefit Wilks' Brother, Officekeeper

Performances

Mainpiece Title: The Constant Couple

Dance: Shaw, Boval, Weaver, Mrs Booth, Mrs Bicknell, Lally's Brother, Miss Lindar

Event Comment: Benefit W. Bodle, a Brother [who has been ill for two years]. At the particular Desire of several Free and Accepted Masons. Written by Mr Farquhar. 4s., 2s. 6d., 1s. 6d. 6 P.M

Performances

Mainpiece Title: Love And A Bottle

Dance: I: Running Footman and V: Scot's Dance by Brother Shawford

Event Comment: At the particular Desire of several Brethren of the...Masons. Benefit Mr Heath, a Distress'd Brother and Citizen of London, and Mr Kilburne. Mainpiece: Written by the late Mr Farquhar

Performances

Mainpiece Title: Love And A Bottle

Afterpiece Title: The Honest Yorkshireman

Song: ll theMasons' Songs-Brother Montgomery in his Tyler's Habiliments

Event Comment: To the Wonderful Brethren of the Ancient and Honourable Fraternity of Free and Accepted Masons. For the Benefit of a Brother indisposed. At the New Theatre, James St. The House is newly painted. A Concert, etc. (Daily Advertiser)

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: Lethe

Song: Six Brothers, cloathed

Event Comment: [This is the first playbill to assign parts to actors in The Brothers, or to suggest parts in the Spanish Lady.] Receipts: #185 3s. 6d

Performances

Mainpiece Title: The Brothers

Cast
Role: Captain Ironsides Actor: Woodward

Afterpiece Title: The Spanish Lady

Dance: End: The Whim, as17691123

Event Comment: Boxes 5s. Gallery 3s. Pit 2s. Upper Gallery 1s. Doors open at half past five. Play begin at half past six. [Repeated.] Before the Play a new Overture and New Occasional Prelude (Public Advertiser). The House has been quite alter'd since last Season and is now fitted up in the most elegant manner Possible by the Adam's etc. and is the most Compleat of any Theater in Europe. Great applause to the House before the Curtain. The Theatrical Candidates is wrote by D. G. Esq and was received with great Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly in wording. In Judging the popularity of a play in terms of box receipts for this season one must be aware of the fact that the treasurer's account books here differ from those of the five preceding years in not recording the income from the tickets delivered out for benefit nights. Hence on those nights the stated income reflects only the money taken at the door the night of the performance, and does not indicate the larger amounts which the actors received for their tickets. Deficits to various actors listed on the following pages were all paid up, presumably from the ticket receipts. Each actor doubtless at least broke even on his benefit.] Ceiling rais'd 12 feet. Old side Boxes top and bottom remov'd. New passages to Boxes. Entrance Bridges St. Light pillars to support Boxes inlaid with plate glass on green and crimson ground. Old chandeliers remov'd. Gilt branches with two candles each on pillars. Four new chandeliers in front. No slit i Curtain. Adam architects. 4,000 guineas. Persons not employed in the night's amusement ordered not to come behind the scenes--performers by that means go cross stage (Winston MS 11, from Dr Burney's News Cuttings). Paid Renters #8; Supernumeraries and Drum #1 16s.; taylor's Bill #10 11s. 6d. (Treasurer's Book). [For the 188 acting nights of the season and for 11 Oratorio nights the Renters were paid a total of #1,692. The Supernumeraries were paid an average of #5 per night or #940 for the season. No further account of these items will be made. Full account of the new look given to Drury Lane by the Adam's brothers in the Westminster Magazine for Sept. along with an approving review of the Meeting of the Company.] From Lloyd's Evening Post, 25 Sept., "On the New Front of Drury Lane Theatre": @Garrick asham'd to poke his nose@Too sheepishly beneath the Rose:@And fearing, poor man, what were Worse,@His bashfulness might hurt his purse;@Resolves this year to push a front,@And put a better face upon't.@Not surely meaning to give o'er@His Art, and make no faces more.@Yet, fair as tis, I'd have him know@If tis the last he means to show.@This face will never make amends,@For turning tail upon his friends;@Who own, by general consent,@His face the best Stage ornament.@ (In Folger Library, David Garrick Verses, Prologues and Epilogues, MS, p. 86.) Receipts: #208 11s. (Treasurer's Book)

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Miller of Mansfield

Event Comment: Benefit for King. Part of Pit laid into the Boxes. Mainpiece: Not performed for 10 years. [See 14 Oct. 1761. The Wishing Cap</i> is Larpent MS 350. It discusses Fortunatus' Cap</i> as King conceived several people would use it--the miser, the cit, the adolescent maid, the gossip, Hodge, &c.: "Thus in several spheres of life we find@Wishing appears the madness of Mankind." He closes with the Cap on his head wishing for applause.] Receipts: #207 6s. Charges: #64 9s. Profits to King: #142 15s. (Treasurer's Book)

Performances

Mainpiece Title: The Double Dealer

Performance Comment: Maskwell-Reddish; Sir Paul Plyant-King; Careless-Palmer; Brisk-Dodd; Lord Froth-Parsons; Mellefont-Brereton; Lord Touchwood-Packer; Lady Touchwood-Mrs Hopkins; Lady Froth-Mrs Abington; Lady Plyant-Miss Younge; Saygrace-Wright; Cynthia-Miss Platt; By way of Epilogue a little piece of Descriptive Poetry (First Time) call'd The Wishing Cap</i>-King.

Afterpiece Title: The Deuce Is in Him

Dance: V: Comic Dance, as17720922

Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Man, 8-10 June 1697, suggests a first performance in late May or the beginning of June. Preface: I [Motteux] write the Masque of Hercules, and Mr Eccles, having set it with his usual Success, and yet more masterly than my Mars and Venus, if possible, I prevail'd with the ingenious Mr J. Oldmixon to give me a short Pastoral, while I scribbled over a Farce after the Italian Manner, and an Imitation of part of a diverting French Comedy of one Act (for such Plays are very common in Foreign Parts). Then I wanted nothing but a Tragedy....At last I bethought myself of one already studied, called The Unnatural Brother, written by an ingenious Gentleman and acted 6 Months ago, tho not with the success it deserv'd. Yet the latter Part was extremely applauded: So I was persuaded to make bold with it, as I do....I could easily contract the most moving Part of the Story into the Compass of one Act, with some Additions....All this was done in a very short time, the warm Season threatening me with your Absence....The foregoing Lines were published as a Preface to that Masque, some few copies of which were printed for the use of the Audience, the first day of the Novelty's being Acted. A Comparison Between the Two Stages (1702), p. 20: Every Word stolen, and then Damn'd

Performances

Mainpiece Title: The Novelty 0

Afterpiece Title: The Novelty 1; Thyrsis, A Pastoral

Afterpiece Title: The Novelty 2; All Without Money

Performance Comment: [By Peter Motteux.] A Short Comedy Needmore-Scudamore; Speedwell-Bowen; Theodosia-Mrs Prince; Brother to Theodosia-Bayle; Freeman-Arnold; Clara-Mrs Bud; Dorothy-Mrs Lawson; Le Soupe-Freeman.
Cast
Role: Brother to Theodosia Actor: Bayle

Afterpiece Title: The Novelty 3; Hercules [By Peter Motteux

Afterpiece Title: The Novelty 4; The Unfortunate Couple

Afterpiece Title: The Novelty 5; Natural Magick

Event Comment: For the Entertainment of the Antient and Honourable Society of Free and Accepted Masons. For the Benefit of an unfortunate Brother Mason. [This program, which was given in the Old Tennis Court, included a concert; and tickets for 27 April, when the performance was intended but prevented, are received this day.

Performances

Mainpiece Title: Cato

Performance Comment: Juba-him whose Benefit it is for Unfortunate Brother Mason.

Afterpiece Title: The Cobler of Preston

Event Comment: Benefit for Brother Jacobs. By Particular Desire of the Masons. By Permission. To begin at 6:00 p.m

Performances

Mainpiece Title: Love In A Village

Performance Comment: Woodcock-Brother Merryfield (who performed it for Mrs Woodman's Benefit last winter); Young Meadows-Follett; Hawthorn-Morris; Sir William-Lloyd; Hodge-Fopperwell; Eustace-Stevens; Lucinda-Miss Frederick; Deborah-Mrs Bailey; Margery-Mrs Nost; Rosetta-Mrs Osborne (first time on this stage).
Cast
Role: Woodcock Actor: Brother Merryfield

Afterpiece Title: The Tobacconist

Entertainment: A Variety of New TheatricalImitations-Hutton

Song: End Opera: Several celebrated Catches and Glees by Dr Arne-

Performances

Mainpiece Title: The Wife's Relief

Afterpiece Title: The Country Mad-Cap

Dance: End of Catches and Glees, as17811101

Song: End of Act II of mainpiece Auld Robin Grey, as17820409; End of mainpiece several much admired Catches and Glees by the most Eminent Performers

Performances

Mainpiece Title: The Walloons

Afterpiece Title: The Country Mad-Cap

Dance: As17811219

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Country Mad-Cap