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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "C and G Kearsley"/1) | (@(roleclean,performerclean) "C and G Kearsley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4103 results for: Keyword - C. and G. Kearsley
We found 1504 matches on Event Comments, 970 matches on Performance Comments, 147 matches on Performance Title, 68 matches on Author, and 0 matches on Roles/Actors.

1501
09 August 1673 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This play is on the L. C. list, 5@141, p. 216. See also Nicoll, Restoration Drama, p. 348. The date on the list seems to be "3," but as this is a Sunday, it is more likely "9." This performance may well be the one to which Downes (Roscius Anglicanus, p. 31) refers: Note, Mr Cademan in this Play [The Man's the Master], not long after our Company began in Dorset-Garden; his Part being to Fight with Mr Harris, was Unfortunately, with a sharp Foil pierc'd near the Eye, which so Maim'd both the Hand and his Speech, that he can make little use of either; for which Mischance, he has receiv'd a Pension ever since 1673, being 35 Years a goe. [For a discussion of this accident, see William VanLennep, Henry Harris, Actor, Friend of Pepys, Studies in English Theatre History (London, 1952), p. 16, and the entry under 20 Aug. 1673.

Performances

Mainpiece Title: The Mans The Master

1502
27 September 1673 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Recovery

1503
21 October 1673 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This play is on the L. C. list, 5@141, p. 216, and a copy of the list at Harvard: Sr Martin Marall. See also Nicoll, Restoration Drama, p. 348

Performances

Mainpiece Title: The Feignd Innocence Or Sir Martin Marall

1504
28 October 1673 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This play is on the L. C. list, 5@141, p. 216, the original at Harvard. See also Nicoll, Restoration Drama, p. 348; William S. Clark, Pordage's Herod and Mariamne, RES, V (1929), 61-64

Performances

Mainpiece Title: Herod And Mariamne

1505
05 December 1673 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216, the original being in the Harvard Theatre Collection. See VanLennep, Plays on the English Stage, p. 12, and Nicoll, Restoration Drama, p. 348

Performances

Mainpiece Title: Epsom Wells

1506
14 January 1674 @ Whitehall or St. James's

Performances

1507
31 January 1674 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Adventures Of Five Hours

1508
18 March 1674 @ Dorset Garden Theatre

Performances

Mainpiece Title: The Sea Captains

1509
26 March 1674 @ Drury Lane Theatre

Event Comment: The King's Company. This performance, which marks the opening of the new Theatre Royal in Drury Lane, is on the L. C. list, 5@141, p. 73. See also Nicoll, Restoration Drama, p. 345. The Prologue and Epilogue were printed in Miscellany Poems, 1684. That the Prologue was spoken by Mohun is indicated in BM Sloane MSS. 4445

Performances

Mainpiece Title: The Beggars Bush

1510
27 March 1674 @ Drury Lane Theatre

Performances

1511
23 April 1674 @ Drury Lane Theatre

Performances

Mainpiece Title: Marriage A La Mode

1512
30 April 1674 @ Dorset Garden Theatre

Event Comment: This date of performance is not a certainty; for the evidence, see Spencer, Shakespeare Improved, p. 94. Neither is Shadwell's authorship of the alterations a certainty, for the contributions of other playwrights have never been fully determined. (See Nicoll, Restoration Drama, p. 43.) The instrumental music was composed by Matthew Lock, with new vocal music by James? Hart and Pietro Reggio. See Songs Set by Signior Pietro Reggio, 1680. And differing versions of the second Prologue and the second Epilogue are in BM Egerton MS. 2623, ff. 54-55. Downes (Roscius Anglicanus, pp. 34-35): The Year after in 1673. The Tempest, or the Inchanted Island, made into an Opera by Mr Shadwell, having all New in it; as Scenes, Machines; particularly, one Scene Painted with Myriads of Ariel Spirits; and another flying away, with a Table Furnisht out with Fruits, Sweetmeats and all sorts of Viands; just when Duke Trinculo and his Companions, were going to Dinner; all things Perform'd in it so Admirably well, that not any succeeding Opera got more Money

Performances

Mainpiece Title: The Tempest Or The Enchanted Island

Performance Comment: Edition of 1674: Prologue-; Second Prologue-; Epilogue-; Second Epilogue-; According to L. C. 5@15, p. 3 (16 May 1674; see Nicoll, Restoration Drama, p. 356) Charles? Hart and Robert? Turner sang in The Tempest. Trinculo-Underhill?.

1513
11 May 1674 @ Drury Lane Theatre

Performances

Mainpiece Title: The Changes Or Love In A Maze

1514
12 May 1674 @ Drury Lane Theatre

Performances

Mainpiece Title: The Indian Emperour Or The Conquest Of Mexico By The Spaniards

1515
16 May 1674 @ Dorset Garden Theatre

Event Comment: It is possible that The Tempest had been acted regularly to this date and that it continued to be presented frequently in the following week. In L. C. 5@15, p. 3 (Nicoll, Restoration Drama, p. 356) there is an order directing Turner and Hart (and any other members of the His Majesty's Chapel Royal) who sing in The Tempest to remain in London during the week, going to Windsor (when the King was absent from Whitehall) on Saturdays and returning on Mondays

Performances

1516
16 May 1674 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tragedy Of Nero Emperour Of Rome

1517
20 October 1674 @ Drury Lane Theatre

Performances

Mainpiece Title: The Traitor

1518
24 October 1674 @ Drury Lane Theatre

Performances

Mainpiece Title: Philaster Or Love Lies A Bleeding

1519
03 November 1674 @ Whitehall or St. James's

Performances

Mainpiece Title: The Citizen Turned Gentleman

1520
09 November 1674 @ Drury Lane Theatre

Performances

Mainpiece Title: Rollo Duke Of Normandy

1521
09 November 1674 @ Dorset Garden Theatre

Performances

Mainpiece Title: Love And Revenge

Performance Comment: Edition of 1675: Prologue-; Epilogue-Nigrello in a Mans Habit, but in a white Wig, and her Face discover'd; Clotair-Smith; Lewis-Crosby; Brisack-Norris; Clarmount-Medbourn; Dumain-John Lee; Lamot-Gillow; Burbon-Purseval; Nigrello-Mrs Mary Lee; Fredigond-Mrs Osborn; Aphelia-Mrs Batterton.
Cast
Role: Epilogue Actor: Nigrello in a Mans Habit, but in a white Wig, and her Face discover'd

1522
10 November 1674 @ Drury Lane Theatre

Performances

Mainpiece Title: The Indian Emperour Or The Conquest Of Granada By The Spaniards

1523
12 November 1674 @ Drury Lane Theatre

Performances

Mainpiece Title: The Alchymist

1524
16 November 1674 @ Drury Lane Theatre

Performances

Mainpiece Title: Aglaura

1525
19 November 1674 @ Drury Lane Theatre

Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 116. See also Nicoll, Restoration Drama, p. 345. There is no certainty that this is the premiere, but the frequency of performance of The Tempest during September-October-November would make November 1674 a suitable time for a burlesque of this sort. A small quarto, The Songs & Masque in the New Tempest (in the Huntington Library, 122925), without a title page, contains what are apparently the songs and concluding masque of the play. It may have been issued during the run of the play and sold at the theatre. It does not name any performers. Langbaine (English Dramatick Poets, p. 177): This Play was to draw the Town from the Duke's Theatre, who for a considerable time had frequented that admirable reviv'd Comedy call'd The Tempest

Performances

Mainpiece Title: The Mock tempest Or The Enchanted Castle

Related Works
Related Work: The Enchanted Castle Author(s): Miles Peter Andrews