SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "C and G Kearsley"/1) | (@(roleclean,performerclean) "C and G Kearsley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1504 matches on Event Comments, 970 matches on Performance Comments, 147 matches on Performance Title, 68 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The United Company. This performance, which is out of the chronological order, is on L. C. list, 5@147, p. 68; the list does not indicate which Part of this play was given. See also Nicoll, Restoration Drama, p. 350, and page 380, for an order (L. C. 5@147, p. 1) for rehabilitation of the seats in the theatre

Performances

Mainpiece Title: The Rover

Performances

Mainpiece Title: Othello, Moor Of Venice

Event Comment: The United Company. The date of this Performance is stated as 16 Feb. (L. C. records) or 17 Feb. (Peregrine Bertie), but as Lent began on Wednesday 17 Feb., the performance probably occurred on Shrove Tuesday. This performance is on the L. C. list, 5@147, P. 125. See also Nicoll, Restoration Drama, p. 350. Peregrine Bertie to the Countess of Rutland, 17 Feb. 1685@6: To night will be the last play at court, they tell mee 'tis the Mocke Astrologer (HMC, 12th Report, Appendix, Rutland MSS., Part V, p. 105). John Povey to Sir Robert Southwell, 18 Feb. 1685@6: Sir, the enclosed had been sent last post, had it not been detained late by a play at Court which ended our Carnival. The night before the King and Queen were entertained by the Lord President at a ball or masque in Lady Portsmouth's lodgings. The Masquers were twelve couples whose habits were of several nations' and prescribed by a picture sent to each of them from the Queen, and the least habit cost !bove a hundred Pounds, and some above three hundred pounds, besides jewels of which Mrs Fox and some others had above thirty thousand pounds value each (Savile-Finch Correspondence, Add. Mss. 28,569; I owe this quotation to Professor John Harold Wilson)

Performances

Mainpiece Title: An Evening's Love; Or, The Mock Astrologer

Event Comment: A troupe of French Comedians played at theatre in Windsor Castle. On 25 July 1688 a warrant (L. C. 5@17, pp. 60, 65, in Boswell, Restoration Court Stage, pp. 61, 127) ordered the playhouse there to be made ready for the foreign company. According to L. C. 5@17, in Nicoll, Restoration Drama, p. 65, the French players arrived on 11 Aug. and remained at Windsor until 22 Sept

Performances

Event Comment: The United Company. This performance is on the L. C. list, 5@149, p. 368: The Queene a Box, and a Box for the Maids of Honor at the Spanish Fryer. See also Nicoll, Restoration Drama, p. 352. A warrant, dated 8 June 1689, L. C. 5@149, p. 154 (see Nicoll, Restoration Drama, p. 356), calls for a payment of #25 to Mrs Barry and presumably represents payment for this performance. Daniel Finch, ca. June 1689: The only day Her Majesty gave herself the diversion of a play, and that on which she designed to see another, has furnished the town with discourse for a month. The choice of the play was the Spanish Fryar, the only play forbid by the late K@@. Some unhappy expressions, among which those that follow, put her in some disorder, and forc'd her to hold up her fan, and often look behind her and call for her palatine and hood, and any thing she could next think of, while those who were said. (Sir John Dalrymple, Memoirs of Great Britain [London, 1771-88], in the pit before her, whenever their fancy led them to make any application of what was Volume II, Appendix, Part II, pp. 78-80.) Henry Purcell's new setting for whilst I with grief did on you look may have been made by this date. It is in Deliciae Musicae, 1695

Performances

Mainpiece Title: The Spanish Fryar

Event Comment: The United Company. This performance is on the L. C. list, 5@149, p. 368: The Queene a Box, and a Box for the Maids Honor at Don Sebastian King of Portugal. See also Nicoll, Restoration Drama, p. 352. There is no certainly that this is the first performance. The play was entered in the Stationers' Register, 15 Dec. 1689. See also Charles E. Ward, The Life of John Dryden (Chapel Hill, N. C., 1961), pp. 242-46. Preface, Edition of 1690: I am...to acknowledge, with all manner of gratitude, their civility; who were pleas'd to endure it with so much patience....Above twelve hundred lines have been cut off from this tragedy since it was first deliver'd to the actors. They were indeed so judiciously lopt by Mr Betterton, to whose care and excellent action I am equall y oblig'd, that the connexion of the story was not lost. Does a cryptic remark by Huygens, 3 Dec. 1689 OS, refer to this play: Dat dat geklap met de handen in comedie, onlanxgebeurt, als er gesproken wierd van een Coning, die wederom quam in sign rijck, van seer quade consequentie was. Dat voorseker de Con. too mercifull was, en dat er mosten exempelen gestatueert werden (Journal van Constantijn Huygens, Dutch Historical Society Transactions, New Series, XXIII [Utrecht, 18-212)

Performances

Mainpiece Title: Don Sebastian

Performance Comment: Edition of 1690: Prologue [Sent to the Author By an Unknown Hand-Mrs Mountfort [Dressed like an Officer; Prologue-a Woman; Don Sebastian-Williams; Muley Moluch-Kynaston; Dorax-Betterton; Benducar-Sandford; Mufti-Underhill; Muley Zeydan-Powell Jr; Don Antonio-Betterton [an error; corrected in 1692 edition to Mountfort]; Don Alvarez-Bowman; Mustapha-Leigh; Almeyda-Mrs Barry; Morayma-Mrs Montfort; Johayma-Mrs Leigh; Epilogue-Antonio, Morayma.
Event Comment: The United Company. This performance is on the L. C. list, 5@151, p. 369. See also Nicoll, Restoration Drama, p. 352. This appears to be a substitution for a previously scheduled performance of Amphitryon (Nicoll, p. 352). In L. C. 5@150, p. 74 (Nicoll, p. 357) is an order for a large looking glass to be provided for Sir Courtly Nice at this performance. In addition, there appears to have been a concert in honor of the Queen's birthday. See D'Urfey, Wit and Mirth, I, 62-64: An Ode on the Anniversary of the Queens-Birth. Set to Musick by Mr Henry Purcel, April 30th, 1690

Performances

Mainpiece Title: Sir Courtly Nice

Performances

Mainpiece Title: The Metamorphosis; Or, The Old Lover Outwitted

Event Comment: [Author and date of premiere unknown.

Performances

Mainpiece Title: The Fashionable Lover; Or, Wit In Necessity

Related Works
Related Work: The Fashionable Lover Author(s): Richard Cumberland

Performances

Mainpiece Title: The Lucky Prodigal; Or, Wit At A Pinch

Performance Comment: Edition of 1715 lists: Gerard-Griffin; Charles-Smith; False Marquess-Bullock Jr; Andrew-Knapp; Merlin-Spiller; Jaquinette-H. Bullock; Madam Bertrand-Mrs Kent; Lucinda-Mrs Vincent; Cydne-Mrs Rubridge; Priscilla-Mrs Spiller; Prologue-.
Cast
Role: Andrew Actor: Knapp
Role: Madam Bertrand Actor: Mrs Kent

Afterpiece Title: A Woman's Revenge; or, A Match in Newgate

Performance Comment: Edition of 1715 lists: Thinkwell-Bullock Sr; Freeman-Husband; Bevil-Thurmond; Mixum-Pack; Vizard-C. Bullock; Tim-Spiller; Padwell-Spiller; Harry-Wood; Jack-Rogers; Tom-Ogden; A Fidler-H. Bullock; Celia-Mrs Vincent; Miranda-Mrs Spiller; Corinna-Mrs Thurmond; Mother Griffin-Griffin; Mrs Mixum-Mrs Hunt; Prologue written by Theobald-Keene; Epilogue-Mother Griffin the Bawd.
Cast
Role: Freeman Actor: Husband
Role: Miranda Actor: Mrs Spiller

Dance: Moreau, Shaw, Thurmond Jr, Mrs Schoolding, Mrs Cross; particularly an Italian Night Scene between a +Scaramouch, a Harlequin, and a Punchanello-

Performances

Mainpiece Title: The Jew Of Venice

Afterpiece Title: The Masquerade; or, An Evening's Intrigue

Related Works
Related Work: The Wandering Jew; or, Love's Masquerade Author(s): Andrew Franklin

Dance: Moreau, Thurmond Jr, Kellom's Scholar, Cook, Newhouse, Mrs Schoolding, Miss Smith, Salle, Mlle Salle; particularly Grand Comic Wedding Dance, Dutch Skipper-Salle, Mlle Salle

Performances

Mainpiece Title: The Perjuror

Performance Comment: edition of 1717 lists: Justice Bindover-C. Bullock; Thoroughpace-H. Bullock; Bellmour-Williams; Spoilem-Spiller; Merry Andrew-Scot; Joseph Idle-Egleton; Clerk-Griffin; Isabella-Mrs Robertson; Actress-Mrs Finch; Prologue-Spiller; Epilogue-Williams.
Cast
Role: Merry Andrew Actor: Scot

Afterpiece Title: Woman's Revenge

Afterpiece Title: The Jealous Doctor

Song: Mrs Barbier; particularly Around Her See Cupids Flying-Mrs Barbier

Dance: As17171022; French Peasant-Moreau, Mrs Bullock

Event Comment: A riot caused the acting of Cato to cease in Act IV. See The Weekly Packet 1 March, The Evening Post 22-25 Feb., The Post Boy 22-25 Feb. The most complete account appeared in Read's Original Weekly Journal, 1 March: The Night before had been the Third Night of a New Comedy, written by a young Gentleman of good Interest, and well respected, and the Boxes were bespoke for Monday Night, but a certain Ruler of that House, remarkable for Ill-Nature and Immorality, stop'd the Run of the Play, and caus'd the Tragedy of Cato to be given out...and tho' he was earnestly expostulated with on the Injustice of such a Proceeding, yet he obstinately persisted in his Resolution, which the Friends of the Author of the New Play very much resented: But this was not all, for when Cato came to be play'd, Mr Wilks, Mrs Oldfield, and Mrs Porter, who have principal Parts had given them to some of the inferior Players, which was look'd on as Riding the Audience, who would no longer Brook what they look'd on as an Insult, but with their hisses, Catcalls, &c. deafen'd the House, and drown'd the Shrill Pipes of the Actors; insomuch that the loudest Rant in Lee or Shakespear had been no more to be prefer'd to it, than the Noise of a Flagelot to the whistling of a Tempest; till the End the Players were obliged to retreat to their Fastnesses, unable any longer to Stand their Assaults; for they were storm'd with Orange-Peals, &c. as well as bombarded with Hisses Huzzas and Catcalls. Nor wou'd the Audience suffer them to Capitulate or receive any Offers of Submission, but calling for a Dance, put an End to the Play, in the middle of the 4th Act

Performances

Mainpiece Title: Cato

Afterpiece Title: The Loves of Mars and Venus announced, but possibly not acted

Performances

Mainpiece Title: The Coquet

Performance Comment: Edition of 1718 lists: Bellamy-Ryan; Monsieur Caprice-Griffin; Valere-J. Leigh; Leander-Diggs; Le Bronze-C. Bullock; Ranger-Spiller; Le Grange-Egleton; Jesmin-H. Bullock; Julia-Mrs Thurmond; Mademoiselle Fantast-Mrs Spiller; Flavia-Mrs Robertson; Madame Filette-Pack; Le Jupe-Mrs Giffard; Prologue-Ryan; Epilogue-Spiller.
Cast
Role: Leander Actor: Diggs
Event Comment: Not Acted these Thirty Years. Written originally in French by Moliere. Original Weekly Journal, 28 June: On Friday 7-Night one Mr Kelley, an Irish Gentleman, was kill'd by Mr Ryan, one of the Actors of Lincolns-Inn-Fields Theatre; the Accident happen'd thus: Mr Ryan being at the Sun-Eating House in Long Acre at Supper; Mr Kelley, who before had terrified several Companions by drawing his Sword upon Persons whom he did not know, came up into the Room drunk, and abused Mr Ryan, who returned him very civil Usage, and desired his Absence: This did not satisfie Mr Kelley, who drew his Sword, made three Passes at Mr Ryan, before he could get his own Sword, which lay by in the Window; at last finding his own Life in Danger, He drew and ran Mr Kelley in the left Side, who fell down and immediately died

Performances

Mainpiece Title: Tartuffe; Or, The Hypocrite

Event Comment: Weekly Journal or Saturday's Post, 11 Oct.: Last Friday Night...three Gentlemen demanded to go behind the Scenes; but there being an Order of the House made to the contrary, they were denied Admittance; upon which they went into the Pit, and with Apples, &c. pelted the Players in a shameful Manner, after which they got upon the Stage and drew their Swords and broke down the Scenery, Lamps, &c. which put the House in an Uproar, and 'twas an Hour before the Gentlemen could be brought to a civil Behaviour

Performances

Mainpiece Title: The Fair Quaker Of Deal; Or, The Humours Of The Navy

Dance: delaGarde, Moreau, Mrs Bullock, Miss Schoolding; Dutch Skipper-delaGarde, Mrs Bullock

Performances

Mainpiece Title: The Fair Example; Or, The Modish Citizens

Song: Leveridge, Mrs Fitzgerald

Dance: As17181008

Performances

Mainpiece Title: The Double Dealer

Dance: delaGarde's@Two@Children , who never perform'd on any Stage before

Performances

Mainpiece Title: The Committee; Or, The Faithfull Irishman

Dance: Moreau, Mrs Moreau, Mrs Schoolding

Song: As17181028

Performances

Mainpiece Title: Platonick Love; Or, The Innocent Mistake

Song: As17181103

Dance: Moreau, Cook, Miss Schoolding

Performances

Mainpiece Title: Sir Walter Raleigh

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Performance Comment: Gerard-Quin; Governor-Leigh; Woolfort-Smith; Hubert-Ogden; Hemskirk-Corey; Vandunk-Bullock Sr; Higgen-Pack; Ferret-Knapp; Prig-C. Bullock; Ginks-Griffin; Snap-H. Bullock; 1st Boor-Spiller; Gertrude-Mrs Spiller.
Cast
Role: Vandunk Actor: Bullock Sr

Dance: As17190209

Performances

Mainpiece Title: 'tis Well If It Takes

Performance Comment: Edition of 1719 lists: Loveless-Leigh; Oldish-Bullock Sr; Charles-Ryan; Prate-Spiller; Careful-Quin; Easy-Pack; Boy-Billy Bullock; Corinna-Mrs Bullock; Alicia-Mrs Moreau; Wishit-Mrs Knight; Isabella-Miss Willis; Beatrice-Mrs Spiller; Lucy-Mrs Giffard; Betty-Mrs Robertson; Prologue-Ryan; Epilogue-C. Bullock in the character of Harlequin ; Song written by Theobald and set to music by Babel-Pack in III.

Performances

Mainpiece Title: The City Wives Confederacy

Dance: As17190209

Performances

Mainpiece Title: Harlequin Hydaspes; Or, The Greshamite