SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "C and G Kearsley"/1) | (@(roleclean,performerclean) "C and G Kearsley")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1504 matches on Event Comments, 970 matches on Performance Comments, 147 matches on Performance Title, 68 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: By Particular Desire. The Musick for the Afterpiece compos'd by Mr Arne. With a New Overture founded on some favourite Irish tunes. Nothing Under Full Prices will be taken during the Performance.--General Advertiser. [See Poem by S. G. To Mrs Sybilla, on her Acting the Goddess of Dullness and persuading her to attempt Melantha in Dryden's Marriage Alamode in Gentlemen's Magazine, Feb. 1745, p. 98. Authorship of afterpiece unknown; possible a revision of Theobald's The Happy Captive. See 16 April 1741 hay.

Performances

Mainpiece Title: The Constant Couple

Cast
Role: Col Standard Actor: Delane.
Role: Standard Actor: Havard
Role: Tom Errand Actor: Green

Afterpiece Title: The Temple of Dulness; With Humours of Sg Capochio and Sga Dorinna

Performance Comment: Capochio-Waltz; Puppibello-Lowe; Merit-Blakes; Goddess of Dullness-Mrs Sybilla (1st time of her performing in England); Negligence-Miss Young; Sga Dorinna-Mrs Arne (General Advertiser); Faddlini-Miss Cole [1745 edition].1745 edition].
Event Comment: Having for a Series of Years received the greatest Obligations from the Nobility and Gentry of this Nation, I have always retained a deep Impression of their Goodness. As I perceived, that joining good Sense and Significant Words of Musick, was the best Method of recommending this to an English Audience; I have directed my Studies that way, and endeavour'd to shew, that the English Language, which is so expressive of the sublimest Sentiments, is the best adapted of any to the full and solemn Kind of Musick. I have the Mortification now to find, that my Labours to please are become ineffectual, when my Expences are considerably greater. To what Cause I must impute the Loss of the Publick Favour, I am ignorant, but the Loss itself I shall always lament. In the mean time, I am assur'd that a Nation, whose Characteristic is good Nature, would be affected with the Ruin of any Man, which was owing to his Endeavours to entertain them. I am likewise persuaded, that I shall have the forgiveness of those noble Persons, who have honour'd me with their Patronage, and their Subscription this Winter, if I beg them Permission to stop short, before my Losses are too great to support, if I proceed no farther in my Undertaking; and if I intreat them to withdraw three Fourths of their Subscription, one Fourth part only of my Proposal having been perform'd. I am, etc. G. F. Handel. Attendance will be given at Mr Handel's House in Brook's St., Hanover Square, from 9 a.m. to 2 p.m. Monday, Tuesday, and Wednesday next, in order to pay back the Subscription money. [Two poems in honor of Handel in the 21 Jan. issue of the Daily Advertiser. A letter in the 25 Jan. issue indicates that the subscribers would not accept the proferred refund; Handel announced he would resume performances in view of this response.

Performances

Event Comment: Benefit of the Author, it being the eighth night only of acting, but the night from the first Representation, because of the interruption of Mrs Woffington's Benefit. Tickets to be had of G. Strahan, in Cornhill; J. Davidson in the Poultry; A. Millar in the Strand; R. Dodsley in Pall Mall, and of Mr Hobson at the Theatre, where places may be taken on the stage.-Daily Advertiser

Performances

Mainpiece Title: Tancred And Sigismunda

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Lying Valet

Event Comment: Afterpiece: Being the most tragical tragedy that ever was tragedized by a company of tragedians. At the Particular Desire of Several Persons of Quality (General Advertiser). [The following unsigned statement of the financial condition of the theatre on 11 April is in the Harvard Collection of Documents dealing with affairs of Drury Lane, folio MS Thr. 12. This itemizes the outstanding liabilities to the amount of #8,808 14s. including #1,275 of arrears in actors' salaries]: I told Mr- the intended purchaser that the whole would not amount to #12,000. He said if it was more it should rest on me, for that was the utmost shilling he would give. But upon strict enquiry I find it will amount to #12,808 14s. This difference is not altogether owing to an error in calculation, but has been likewise heightened by a falling off of business, nor is it possible to ascertain the debt of a theatre for a day, it is of so fluctuating a nature. Q: whether this loss ought to light upon me, who have endeavored to get a purchaser & increased the value of the Estate to the utmost of my power? Errors excepted. [James Lacy or John Powel are the most likely authors of this statement. Whatever the authority, it is clear that settlement had not yet been made for transfer of ownership. For Powel, see G. W. Stone, Jr., The Authorship of Tit for Tat," Theatre Notebook, X (1955), 22-28.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Chrononhotonthologos

Dance: Salomon, Sga Padouana

Event Comment: CCross: Mr Garrick first play'd Jaffier very fine-G: Applause. Genest, IV, 237: Barry's figure was pleasing and commanding in Pierre beyond description; but in a critical view he was not suited to the character. Receipts: #195 (Cross); #190 11s. 6d. (Powel)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Lying Valet

Event Comment: Benefit for Mrs Cibber (Cross). And the Stage (for the better Accommodation of the Ladies) will be form'd into Front and Side Boxes, where Servants will be allow'd to keep Places, as well as in the Boxes and the Pit. Ladies are desired to send Servants to keep Places by 3 o'clock. Tickets to be had of Mrs Cibber, at her house in Thrift St, Soho, and of Hobson, at the Stage Door of the Theatre, where Places may be taken. Tomorrow The Foundling (being the 13th Night). Receipts: #250 (Cross); house charges, #60 (Powel); cash, #81 17s.; tickets, #187 5s. 6d. (Clay MS). This charge was also set down that the principle [sic] treasurer should not know to the contrary, because it was told him that Mrs Cibber paid for her benefit, and if he had imagin'd otherwise, he perhaps would have insisted upon the same terms for his wife (Mrs Pr-h-d). I must therefore subtract it with Mr G-k's Benefit, it standing in their Books exactly in the same manner as his (Powel)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Lying Valet

Dance: Cooke, Anne Auretti

Event Comment: The 172nd and last performance of the season (Cross). This was the end of the season, having played 171 nights. Rec'd by the forfeits of the Band of Musick, which used formerly to be given the treasurer, #22 9s. 2d. Rec'd ditto from the actors, #15 1s. 2d. So that they did receive, as appears by their own books, the first season of Mr G-k's commencing manager, the sum of #21,044 15s. 2d., which I shall carry forward to the receipts of the next season (Powel). [N.B.: Powel's analysis of expenses and profits is based on a two-year income and concludes in June 1749. Cross's visual estimate of the value of each night amounts to #25,741. If one subtracts, however, the difference between the estimate on benefit nights and the actual house charges received, a sum of #4,796, Cross's estimate of total income from box receipts amounts to #20,945.] Receipts: #170 (Cross); #163 13s. 6d. (Powel)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Double Disappointment

Dance: III: Tambourine-Anne Auretti; V: Dutch Dance, as17471128

Event Comment: This farce of Lethe was wrote some years ago and play'd with Success, & was reviv'd this Night with great Alterations, & was but indifferently receiv'd by the Audience (Cross). The Poet, Frenchman, & Sot Mr Garrick perform'd most inimitably (Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957) p. 138). No After Money will be taken, and no Persons will be Admitted behind the Scenes (General Advertiser). Receipts: #180 (Cross); #186 7s. (Powel). N.B.: Mr G-k is the author of Lethe and did receive #36 8s. 6d. for this night which is the overplus after the charge of #63 for the House is paid, and which I must subtract from the rest (Powel). [A letter appeared in the General Advertiser this day giving advance notice and approval of a performance of Cato to be put on at Leicester House 7 Jan. by members of the Royal Family. The author noted that "proper Habits are absolutely in the making," and that the Princes would learn the principles of liberty from the lines of the play.

Performances

Mainpiece Title: The Conscious Lovers

Cast
Role: Mrs Sealand Actor: Mrs Cross
Role: Sealand Actor: Berry

Afterpiece Title: Lethe

Event Comment: [P$Potter reprinted his letter of 18 Jan., and added the footnote: "The person who took the House was a man of genteel appearance, said his name was William Nicholls, and directed letters to be left for him at the Bedford Coffee House, Covent Garden."] [The Prologue and Epilogue spoken by the children of the Prince of Wales on their performing Cato at Leicester House, printed in the General Advertiser.] [This day published] A Letter to Mr G-k, relative to his treble Capacity of Manager, Actor, and Author; with some remarks upon Lethe. All Three! All three! Gay. Sold by W. Reeve in Fleet St.; and A. Dodd, at the Peacock opposite St. Clements Church in the Strand (General Advertiser). [This day published] Lethe, A Dramatick Satire, by David Garrick as it is perform'd at Drury Lane. Printed for P. Vaillant, facing Southampton Street in the Strand. Receipts: #140 (Cross); #144 17s. 6d. (Powel)

Performances

Mainpiece Title: The Foundling

Afterpiece Title: The Virgin Unmask'd

Music: I: By Desire, a piece of Music-the Child

Dance: II: Savoyards, as17480920; V: New Scotch Dance, as17490118

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Lying Valet

Event Comment: Paid Blandford (Tallow Chandler) #12 19s.; Norton 3 chorus 15s.; Paddick a bill per order Mr G. #2 17s. (Treasurer's Book). Receipts: #40 (Cross); #38 12s. 2d. (Treasurer's Book)

Performances

Mainpiece Title: The Confederacy

Dance: SSwedish Gardeners-Master Maltere, Miss Anne Foulcade; The Wooden Shoe Dance-Master Maltere, Miss Foulcade their 1st appearance any stage (General Advertiser)

Event Comment: Benefit for Ray, W. Vaughan, G. Burton & ye Sub-Treasurer (Cross). Tickets of Ray, at the Crown and Anchor Tavern, St Clement's Church; at the Black Swan Tavern, in Bartholomew Lane; the Old King's Head Tavern, Facing Somerset House; For Vaughan, at the One Ton Coffee House, St. James' Market; for Burton, at Pope's next the Stage Door, Russel St.; and of Hobson at the Stage Door. Tickets deliver'd for the Lady's Last Stake, or the Wife's Resentment will be taken. Receipts: #214 (Cross)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The Lying Valet

Dance: Devisse, Mad Auretti, Little Swiss

Event Comment: Benefit Wright, Y. Cross, Mad. Camargo & 4 more had tickets (Cross). [The four were: Sturt, Lewis, G. Bullbrick, and Loyde.] Tickets for 13 April will be taken. Receipts: #110 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Anatomist

Dance: I: Comic Dance, as17501231; III: Hornpipe-Master Shawford

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Don Quixote

Cast
Role: Loveland Actor: Simpson

Dance: I: A Hornpipe-the Little Swiss; II: A Comic Dance-Harvey, Miss Shawford; III: A Dance-Sg Piettro, Mad Janeton Auretti; IV: A Scotch Dance-Harvey, Miss Shawford; V: The Minuet, Louvre-Harvey, Mrs Addison

Performances

Mainpiece Title: The Country Wife

Afterpiece Title: Bayes in Petticoats

Song: II: Beard

Dance: III: A Hornpipe-Morris, the Little Swiss; End of Farce: Scots Dance- (see17530501)

Event Comment: Printed books of the opera will be sold at the theatre. Published this day at 1s. Lo Studente A La Moda, dramma comicogiocoso, as it is acted at the Theatre Royal in Covent Garden. With an English Translation. Sold by H. Woodfall...Where may be had Gli Amanti Gelosi, with an English translation. [Opera in there acts in Italian and French. Larpent MS 103. Altered from A. Polomba La Violante. Music by G. B. Pergolesi. Rich applied to the Duke of Grafton (9 Jan.) for license to perform it.

Performances

Mainpiece Title: Lo Studente A La Moda

Performance Comment: Palmiero-Giuseppe Giordani; Don Saverio-Antonia Giordani; Violante-Marina Giordani; Odoardo-Francesco Lini; Don Gianandrea-Francesco Giordani; Giulietta (Serva di Casa )-Nicolina Giordani (Libretto of 1754).

Dance: Entertainment-[unspecified]

Event Comment: Benefit for Lacey & Miss Thomas (Cross). Tickets deliver'd by Clough, G. Burton, and Mrs Addison will be taken. Receipts: #130 (Cross)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Lethe

Event Comment: Taken from a Midsummer Night's Dream written by Shakespear. The Songs from Shakespear, Milton, Waller, Dryden, Lansdown, Hammond. Music-Smith. [First edition Text by John Christopher Smith; see Garrick to James Murphey French, Dec. 1756; H. Walpole to R. Bentley 23 Feb. 1755.] Besides our own Singers, we had Sg Guadagni, Sga Passerini, Miss Potier [i.e., Mrs Vernon], and Savage's Boys. Very great Applause; Sabatini danced after it and fell down, not hurt (Cross). [See A Midsummer Night's Dream in the Hands of Garrick and Colman, G. W. Stone Jr, PMLA (June 1939).] Receipts: #200 (Cross)

Performances

Mainpiece Title: The Fairies

Performance Comment: Theseus-Beard; Egeus-Chamnys [MacMillan lists Wilder]; Lysander-Curioni but Guadagni listed by Cross, MacMillan, and first edition]; Demetrius-Atkins [MacMillan lists Vernon]; Hermia-Sga Passeroni; Helena-Mrs Vernon; Hippolita-Mrs Jefferson; Oberon-Mas. Reinhold; Titania-Miss Young; Puck-Mas. Moore; Fairy-Mas. Evans; Prologue [written and-Garrick [first edition.].first edition.].

Dance: CComic Dance-Sabatini, Sga Sabatini, Sabatini jun, his first time

Event Comment: With Restorations from Shakespear (Cross). [Comment and criticism, Genest, IV, 475-76. See "Garrick's Production of King Lear," by G. W. Stone Jr, Studies in Philology, Jan. 1948.] Receipts: #200 (Cross)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Anatomist

Event Comment: Benefit for Shuter. Mainpiece: Not acted in 10 years. Receipts: #194 10s. in cash, plus #147 18s. from tickets (Boxes 378; Pit 356). Charges #64 5s. Advanced to Mrs Ward #30. [Shuter called for imaginative participation of his audience in his Medley Skit (see Larpent MS 171): @"Suppose my dress alter'd with each exhibition....@If I speak like a Dutchman, or Brogue it like Paddy,@Or mimic Monsieur, or lisp like a Lady"@ Parts for The English Sailors in America (by G. A. Steevens) are listed in Larpent MS 172: Indian King , English Captain , Irishman , Sailor Ned and Sailor Ben , a Black Messenger , Guards , White Savage Lady , Black Woman , Image .

Performances

Mainpiece Title: The Royal Merchant; Or, The Beggar's Bush

Performance Comment: Florenz-Ross, 1st time; Clause-Ridout; Woolfort-Sparks; Hubert-Clarke; Hemskirk-Gibson; Orator Higgen-Dunstall; Vandunck-Marten; Prince Prigg-Shuter; Jaqueline-Mrs Baker; Bertha-Mrs Lee.
Cast
Role: Vandunck Actor: Marten

Dance: TThe Dutch Skipper-Poitier

Entertainment: E+Extravaganza. Shuter will entertain the audience in an Oratorical, Poetical, Operatical Method (never befoer attempted) with a Comic Extravaganza call'd A Day of Taste; or, London Raree Show-Shuter being a Ranelagh Breakfast, a Coffee House Conversation, An Auction at Noon, and the Choice Spirits at Night; conclude with: The Cries of London-. *uó‘cg To which will (By Desire) be added (for this Night only) Mr Shuter's Droll that was perform'd at Bartholomew Fair, call'd The English Sailors in America. Mackfinnen (the Irish Volunteer)-Shuter; Princess-Miss Dawson, her first Time of speaking on the stage

Performance Comment: Shuter will entertain the audience in an Oratorical, Poetical, Operatical Method (never befoer attempted) with a Comic Extravaganza call'd A Day of Taste; or, London Raree Show-Shuter being a Ranelagh Breakfast, a Coffee House Conversation, An Auction at Noon, and the Choice Spirits at Night; conclude with: The Cries of London-. *uó‘cg To which will (By Desire) be added (for this Night only) Mr Shuter's Droll that was perform'd at Bartholomew Fair, call'd The English Sailors in America. Mackfinnen (the Irish Volunteer)-Shuter; Princess-Miss Dawson, her first Time of speaking on the stage.

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Old Maid

Dance: As17610702

Event Comment: [The Singing, a Musical Interlude by G. A. Stevens, comprising a song and dance of sailors. Popular on Declaration of war with Spain (Biographia Dramatica).] Mainpiece: Not performed in two years. [See 29 April 1760.

Performances

Mainpiece Title: The Lady's Last Stake

Afterpiece Title: The Genii

Song: IV: A New Comic Interlude of Singing and Dancing, call'd Hearts of Oak The Characters-Lowe, Stevens, Fox, Vincent, Miss E. Young, Miss Baker

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No Admittance behind Scenes. No Money to be returned after Curtain is drawn up. Places to be had of Mr Johnston at the Stage Door. To Begin precisely at half an hour after Six. [Customary information at foot of each bill, will not be further noted.] [Announcement of improvements in the physical plant appeared in the newspapers in August 1762. Aug. 2. "A great number of workmen are now employed in getting ready Drury Lane Theatre for the ensuing season. The stage has been greatly lengthened, and the Pit and Boxes considerably enlarged, having taken in one of the lobbies for that purpose; the two galleries are also entirely rebuilt, and rendered much larger and more commodious, and the slips on each side are formed into green boxes. It is computed from the several alterations made that the house will contain #90 more than heretofore." Aug. 11: "We hear that the greatest improvements are making in Drury Lane Theatre against the ensuing season ever known, particularly a fine artificial cascade which will be exhibited in an entertainment the grandest and most beautiful ever seen in this or in any Kingdom."-Theatrical Miscellanies, Boston Public Library, Cuttings, G 60.23.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Old Maid

Dance: End: Hornpipe-Vincent

Event Comment: Characters in Mainpiece New Dress'd in the Habits of the Times. [Theatrical Intelligence for 4 Nov. (Theatrical Miscellaneous Cuttings, G 60.23, Boston Public Library) notes: Last night the reformation in dress took place at the theatre in the revival of the second part of King Henry IV. The beauty as well as the propriety of the dresses give great satisfaction. The Old English Habits are indeed admirably suited to the style and manners of the plays of that time, in which a peculiarity prevails very remote from modern dialogue and the present fashion. The effect of this observation of the Costume, as the French call it, is very visible in the representation of Every Man in His Humour, and will, we hope, for the future be strictly observed in dressing every character of the plays of that age." The author then comments on Love's succes as Falstaff, and Garrick's effectiveness as the sick king especially in delivering the long speeches.

Performances

Mainpiece Title: King Henry Iv, Part Ii

Performance Comment: King Henry-Garrick; Prince John-Lee; Gloster-Master Cautherly; Clarence-Master Burton; Prince of Wales-Holland; Achpb of York-Havard; Chief Justice-Bransby; Westmorland-Burton; Hastings-Ackman; Lord Bardolph-Mozeen; Mowbray-Stevens; Gower-Castle; Justice Shallow-Yates; Justice Silence-Blakes; Colville-Fox; Poins-Packer; Bardolph-Clough; Feeble-Vaughan; Mouldy-Moody; Pistol-King; Shadow-Parsons; Bullcalf-Philips; Davy-Marr; Fang-Watkins; Falstaff's page-Miss Rogers; Hostess-Mrs Bradshaw; Doll Tearsheet-Mrs Lee; Falstaff-Love.
Cast
Role: Prince of Wales Actor: Holland
Role: Westmorland Actor: Burton

Afterpiece Title: The Apprentice